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  1. Nietzsche e a metafísica de artista: apropriações de fórmulas kantianas, schopenhauerianas e pré-socráticas em O nascimento da tragédia.Gabriel Herkenhoff Coelho Moura - 2023 - Estudos Nietzsche 14 (1):63-93.
    In his debut book, The Birth of Tragedy, Nietzsche presents what he understands as a metaphysics of art or metaphysics of the artist. As it becomes clear throughout the argument developed in the work, his aim is to favor a justification of the world and of existence as an aesthetic phenomenon. The path to his metaphysics passes through the interaction with Kantian and, mostly, Schopenhauerian formulations, and through a deep dialogue with Greek culture in general and, indirectly, with Pre-Socratic thought. (...)
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  2. Entertaining Unhappiness.Sebastian Sunday - 2023 - In Craig Fox & Britt Harrison (eds.), Philosophy of Film Without Theory. Palgrave Macmillan. pp. 253–269.
    This essay sets out reflections on happiness that, it is argued, can be drawn from the 2013 film Blue Jasmine. In doing so, it seeks to demonstrate a certain epistemic potential of sound film, specifically, in the present case, a philosophical and psychological potential. It is argued that this kind of potential resides in a filmmaker’s ability to realistically represent aspects of the world that can otherwise rarely, if ever, be experienced so reflectively.
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  3. Il gioco di Eraclito.Jacopo Nero Verani - 2023 - Milano: Mimesis.
    In questo saggio si esamina il frammento B52 di Eraclito di Efeso (“La vita è un fanciullo che gioca, che sposta i pezzi sulla scacchiera: reggimento di un fanciullo”) e se ne mostra l’influenza e la ricorrenza nella storia della filosofia. Dopo una breve introduzione al pensiero eracliteo, si passa all’analisi del frammento in chiave greca attraverso le quattro figure principali che vi compaiono (aiòn, pais, pesseia, basileia). Affrontando una lunga serie di autori diversi che lo hanno studiato (da Filone (...)
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  4. Nietzsche and the tragic reconciliation of the dionysiac phenomenon.Felipe Almeida de Camargo - 2022 - Anânsi.
    The tragic philosophy of Nietzsche was conceived in his first book: that famous essay The Birth of Tragedy from the Spirit of Music [Die Geburt der Tragödie aus dem Geiste der Musik] published in 1872. In this paper we will approach the intimate relation between greek Art and greek Religions from a philosophical aesthetical point of view, reflecting how the tragic reconciliation of the dionysiac phenomenon would have promoted, according to Nietzsche, a time of great artistic sensibility and relative balance (...)
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  5. El Nietzsche de Rafael Gutiérrez-Girardot.Alejandro Sánchez Lopera - 2018 - Ideas Y Valores 67 (167):149-176.
    Se analizan los textos de Rafael Gutiérrez-Girardot sobre F. Nietzsche en torno a la tragedia y el pesimismo. Esta aproximación se elabora a partir de tres temas: estilo, nihilismo y estética. Se argumenta que la interpretación de Gutiérrez-Girardot sobre Nietzsche impide que este sea visto solo como un crítico literario. Asimismo, este trabajo brinda el tono a la escritura de Rafael Gutiérrez Girardot y, de este modo, configura su estilo personal.
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  6. Rafael Gutierrez-Girardot's Nietzche.Alejandro Sánchez Lopera - 2018 - Ideas Y Valores 67 (167):149-176.
    RESUMEN Se analizan los textos de Rafael Gutiérrez-Girardot sobre F. Nietzsche en torno a la tragedia y el pesimismo. Esta aproximación se elabora a partir de tres temas: estilo, nihilismo y estética. Se argumenta que la interpretación de Gutiérrez-Girardot sobre Nietzsche impide que este sea visto solo como un crítico literario. Asimismo, este trabajo brinda el tono a la escritura de Rafael Gutiérrez Girardot y, de este modo, configura su estilo personal. ABSTRACT The article analyzes Rafael Gutiérrez-Girardot's texts on F. (...)
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  7. Science, Culture, and Philosophy: The Relation between Human, All Too Human and Nietzsche's Early Thought.Vinod Acharya - 2015 - Comparative and Continental Philosophy 7 (1):18-28.
    The goal of this article is to trace the transformations in Nietzsche's early thinking that led to the ideas published in Human, All Too Human, the first book of his mature philosophy. In contrast to his early works, in which he sides with art and philosophy in criticizing the scientific culture of his time, Nietzsche, in Human, All Too Human, hails the methodology of science as a way to overcome the metaphysical delusions of philosophy, art, and religion. However, in disagreement (...)
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  8. In den Strudeln der Einbildungskraft. Philosophische Imagination bei Fichte, Schiller und Nietzsche.Andreas Dorschel - 2015 - In Matthias Schmidt & Arne Stollberg (eds.), Das Bildliche und das Unbildliche. Nietzsche, Wagner und das Musikdrama. Wilhelm Fink. pp. 29-41.
    “How does music stand to image and concept?” (KSA 1, 104) This query in the aesthetics of media is central to Nietzsche’s Birth of Tragedy and related early texts; it shapes both their form and content. Nietzsche searches for a mode of non-conceptual philosophizing; he wishes to organize thought as a sequence of suggestive images – thoughts, that is, about that very relationship. Nietzsche’s success or failure in that endeavour becomes clearer against the foil of the 1795 controversy between Friedrich (...)
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  9. Nietzsche and The Birth of Tragedy, by Paul RaimondDaniels. Durham, UK: Acumen, 2013, xvi + 240 pp. ISBN 978‐1‐84465‐243‐3 pb £16.99; ISBN 978‐1‐84465‐242‐6 hb £50. [REVIEW]Tom Stern - 2015 - European Journal of Philosophy 23 (S2):17-21.
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  10. Deleuze and Schopenhauer.Alistair Welchman - 2015 - In Craig Lundy & Daniela Voss (eds.), At the Edges of Thought: Deleuze and Post-Kantian Philosophy. Edinburgh: Edinburgh University Press. pp. 213-252.
    Deleuze does not mention Schopenhauer very frequently. Certainly Schopenhauer does not appear to be in the counter-canon of life-affirming philosophers that Deleuze so values – indeed, far from it. Nor does he appear to be even a favoured ‘enemy’ as he describes Kant, or as he sometimes appears to view Hegel. Nevertheless, I think Schopenhauer’s break from Kant is crucial for understanding not only Deleuze’s account of Nietzsche, but also for a proper grasp of the core Deleuzian distinction between the (...)
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  11. The Dionysian Vision of the World.Ira J. Allen (ed.) - 2013 - Minneapolis, MN: Univocal Publishing.
  12. When Society Meets the Individual: Marx contra Nietzsche, Antipodal Views on Society, Morality, and Religion.Menelito Mansueto - 2011 - LUMINA: An Interdisciplinary Research Journal of Holy Name University 22 (1):11-24.
    An irony, however, is that although Nietzsche had read extensively important philosophers of his time, and in fact, had been known for his ad hominem criticisms on his predecessors, there is an astonishing silence on Marx in the Nietzsche literature, as if Marx is unheard-of in Nietzsche’s time despite the very close world they lived in as though neighbors, and also despite the growing influence of socialism in Nietzsche’s time. Nietzsche openly utters his strong disgust to the German National Socialist (...)
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  13. Dance of Dionysus.John Carvalho - 2003 - International Studies in Philosophy 35 (3):101-116.
  14. Metaphysics, Art and Language in Early Works of Nietzsche. [REVIEW]Johannes Balthasar - 1990 - Philosophy and History 23 (2):116-116.
  15. Die Idee der ‘Einswerdung’ in Wagners Tristan.Andreas Dorschel - 1987 - In Heinz-Klaus Metzger & Rainer Riehn (eds.), Richard Wagner, Tristan und Isolde. edition text + kritik. pp. 19-25.
  16. Nietzsche on tragedy.M. S. Silk & J. P. Stern - 1981 - New York: Cambridge University Press. Edited by J. P. Stern.
    This is the first comprehensive study of Nietzsche's earliest (and extraordinary) book, The Birth of Tragedy (1872). When he wrote it, Nietzsche was a Greek scholar, a friend and champion of Wagner, and a philosopher in the making. His book has been very influential and widely read, but has always posed great difficulties for readers because of the particular way Nietzsche brings his ancient and modern interests together. The proper appreciation of such a work requires access to ideas that cross (...)
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  17. review of The Birth of Tragedy and The Case of Wagner (Kaufmann, tr.). [REVIEW]J. T. - 1968 - Review of Metaphysics 21 (3):558-558.
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  18. review of Engel, The Problem of Tragedy. [REVIEW]D. C. B. - 1961 - Review of Metaphysics 14 (4):723-723.
  19. Die Geburt der Tragödie.Friedrich Wilhelm Nietzsche - 1930 - Stuttgart,: A. Kröner. Edited by Alfred Baeumler.
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