Neo-Daoism

This article studies a new fantasy subgenre that emerged in contemporary China, xiuzhen xiaoshuo (immortality cultivation fiction), which builds imaginary worlds around the magical practice of Chinese alchemy and fuses it with science and technology. After the arrival of the modern, Western triad of science, religion, and magic/superstition, alchemical practices of the Daoist tradition were labeled as a “superstition” to be eradicated; however, they persisted and began to flourish within and beyond the realm of fantasy literature in the late twentieth (...) and early twenty‐first centuries. Immortality cultivation fiction has generated a magical form of transhumanism, which envisions human enhancement through techniques beyond the boundaries of “proper” science and “legitimate” religion. While transhumanism in the Euro‐American West is popular among white bourgeoisie males and dominated by tendencies to reaffirm the human subject constructed by excluding the various subhuman others, magical transhumanism in Chinese fantasy explores the possibility of transcending that antagonistic relationship and making a posthuman subject and a utopian world. (shrink)

This chapter argues that ZHU Xi was influenced by Daoism. His philosophy begins with the Diagram of the Great Polarity or Taijitu 太極圖 which has Daoist origins. Later in life he studied two Daoist texts, namely, The Seal of the Unity of the Three in the Zhou Book of Changes or the Zhouyi Cantongqi 周易參同契, and The Yellow Emperor’s Classic of the Secret Talisman or the Huangdi Yinfujing 黃帝陰符經. The chapter begins with a discussion about the nature of Daoism and (...) inner meditative alchemy. Then I discuss the Diagram of the Great Polarity. Finally, ZHU Xi’s study of the above two texts is analyzed. (shrink)

WANG Bi 王弼 develops a metaphysic of Dao 道 in his Commentary on Laozi and “The Structure of Laozi’s Subtle Pointers.” I summarize this metaphysic as the following thesis: Dao is featureless and is the ultimate reason why the myriad things exist and are the ways they are. I develop a systematic account of this thesis: I provide an interpretation of the featurelessness of Dao and show how Dao’s featurelessness relates to its fundamental explanatory role as the ontological ground for (...) the myriad things. (shrink)

Explores the work of Guo Xiang, a Neo-Taoist thinker who developed a radical philosophy of freedom and spontaneity.

"A work of historic proportions.... A whole new world of ancient religious life is being opened to us here, and readers can trust Bokenkamp to guide them through that world."--Russell Kirkland, University of Georgia "Bokenkamp, whose previous works on Daoism are already deservedly well known and appreciated, presents complete translations of six major Daoist texts. His introductions to each of them delineate and elucidate some points of both the history and fundamental notions of Daoism, which so far have remained unclear (...) or subject to debate. This book will undoubtedly provide a better understanding of Daoism."--Isabelle Robinet, author of Taoist Meditation: The Mao-shan Tradition of Great Purity. (shrink)

This dissertation deals with the development of Daoism during the Six Dynasties through an analysis of texts belonging to the Celestial Master and Highest Clarity movements of this period contained in the Daoist Canon . ;Chapter one provides a general outline of the establishment of Daoism as a large-scale, organized religion during the Liu-Song dynasty by detailing the major aspects of the Celestial Master movement defined in the "Great Highest Scripture on the Inner Explanations of the Three Heavens" and other (...) related texts which attempted to reform the movement began by Zhang Daoling in the Han dynasty into a religion which could gain the support of the imperial court. ;Chapter two contains an analysis of one of the central Highest Clarity scriptures, the "Genuine Scripture of the Eight Unadorned" . The chapter begins with a study of the two principle texts in the Daoist Canon which represent this scripture, concluding that they contain later modifications of the scripture which reflect developments in the Highest Clarity scriptures after the period of the initial revelations. The chapter then reconstructs the contents of the original scripture based on a comparative analysis of these two texts with other commentaries on the scripture from the Six Dynasties. Finally, two commentaries written from within the Celestial Master movement are studied in order to determine some aspects of the relationship between this movement and the Highest Clarity scriptures. ;Chapter three examines the early expansion of the Shangqing scriptures through a study of the scriptures classified under the heading of the "way of the Great Highest" in a scriptural catalogue contained in one version of the "Genuine Scripture of the Eight Unadorned". It is proposed that the scriptures of this category represent a new movement in the Highest Clarity scriptures surrounding the "teachings of Jade Clarity", in particular the "Hidden Book of Jade Clarity" . ;Chapter four describes the further development of the Highest Clarity scriptures during the later Six Dynasties through a study of the "three caverns" and "three wonders" theories. (shrink)

全书共分为上下两篇,上篇为出人佛老——王阳明早期的道缘,下篇为摄道人儒—王阳明中后期的道家教情绪.

Wei-Jin period is characterized by neo-Daoism ( xuanxue 玄學), and J I Kang lived in the midst of this philosophical exploration. Adopting the naturalism of the Zhuangzi , J i Kang expressed his socio-political concerns through the medium of music, which was previously regarded as having moral bearing and rectitude. Denying such rectitude became central for J i Kang, who claimed that music was incapable of possessing human emotion, releasing it from the chains of Confucian ritualism. His investigation into the (...) name and reality of musical expression gave music an “aesthetic turn” lacking in Qin and early Han thought, and by making use of concepts such as natural harmony and spontaneity, J i Kang was able to turn away from the negative aesthetics of earlier thinkers such as H e Yan and W ang Bi to one cherishing the naturalism espoused by Zhuangzi. (shrink)

This is a study of the ninth chapter of the Huai-nan-tzu, a Chinese philosophical text compiled in the mid-second century BC. The chapter (entitled Chu-shu [The techniques of the ruler]) has been consistently interpreted as a proposal for a benign government that is rooted in the syncretic Taoist principles of the Huai-nan-tzu and is designed to serve the best interests of the people. I argue, on the contrary, that the text makes skilful (and deliberately deceptive) use of vocabulary from the (...) major philosophical traditions of the day, in an attempt to subdue all philosophical sectarianism and wrench various antecedent philosophical ideas into the justification of a supreme political state. The best interests of the people are understood as nothing more than their material needs, since the text also denies that the ruler's subjects are possessed of 'minds' in any philosophical sense. It is this process of systematically undermining other philosophical traditions that I call 'insidious syncretism. '. (shrink)

Seemingly, “independent genesis” refers to the independent existence and changes of each thing, but it is clear that there cannot be any truly “independent” things at all. Each thing in the world has to stay in connection or relationship with other things outside itself if it wants to represent its own “independence” and “genesis” in terms of form; and inevitably such connection or relationship itself has to be embodied in the internal nature of each thing. In the metaphysical thought of (...) Guo Xiang, the former was known as the quality of “interdependence”; and the latter the characteristics of “quality” or “quality image.” Such characteristics of “quality” or “quality image” were interdependent, which constituted the essence of each thing itself as “beingness” and “beinglessness,” and thus resulted in the independent manifestation and change of things in terms of their external forms. The grasping of essence of things as “beingness” and “beinglessness” depended upon comprehension or rational intuition, and that was the realm of “profundity” in Guo Xiang’s terms. (shrink)

Review of Wenzi xinlun (New Perspectives on the Wenzi), Wenzi ziliao tansuo (Exploration of the Wenzi Materials), and Huainanzi yu Wenzi kaobian (Examination of the Huainanzi and the Wenzi), by DING Yuanzhi.

Early Chinese argumentative texts are full of historical anecdotes. These short accounts of events in Chinese history enhance the appeal of the text, but they also have an important rhetorical function in helping the reader understand, accept, and remember the arguments propounded in the text. In this paper I examine the rhetorical function of historical anecdotes in two argumentative texts of the Western Han dynasty (202 BCE-9 CE): Han’s Illustrations of the Odes for Outsiders and The Master of Huainan. These (...) two texts found creative use for anecdotes, namely as illustrations of quotations from canonical sources. Through case studies of several combinations of anecdotes and quotations, I argue that the combinations serve to present the creators of these texts as beacons of knowledge with profound understanding of historical events and canonical literature, and with the necessary skills to fruitfully combine the two. (shrink)