Michel Henry

Une philosophie de la pure présence à soi, comme l'est celle de la Vie selon Michel Henry, peut-elle rendre compte de l'expérience de la transcendance? Par son autodénomination désormais explicite de système, cette philosophie ne retrouve-t-elle pas, avec l'analyse qu'elle propose de la parole religieuse chrétienne, les apories qui furent celles de l'idéalisme allemand, s'éloignant ainsi, d'œuvre en œuvre, de toute phénoménologie? Mag eine Philosophie des reinen Sichvorhandenseins, wie jene von Michel Henry bezeichnet werden kann, über das Erlebnis der Tranzendenz (...) Rechnung ablegen? Gerät diese durch ihre nun explizite Selbstbennenung von System charakterisierte Philosophie, indem sie eine analyse der religiösen christlichen Worte darlegt, nicht wieder in die gleichen Engpässe, die damals schon jene des deutschen Idealismus gewesen waren, und entfernt sie sich nicht dadurch von Werk zu Werk von jeder Art der Phänomenologie? (shrink)

Perhaps owing to frictions between his Christological worldview and the dominant secularism of contemporary French thought as taken up in the U.S., and persistent worries about a seeming solipsism in his phenomenology, Michel Henry's innovative contributions to aesthetics have received unfortunately little attention in English. The present investigation addresses both issues simultaneously with a new interpretation of his recently-translated 1996 interview, “Art and Phenomenology.” Inspired by this special issue’s theme, “French Thought in Dialogue,” it emphasizes four levels of dialogue in (...) the interview, as follows: (1) the interview as such, with Brohm; (2) its titular dialogue between art and phenomenology; (3) what I term a “trans-religious” dialogue between Christianity’s Jesus and Nietzsche’s Dionysus; and (4) a related dialogue between painting (Henry’s favored genre) and dance that is “Dionysian” (in Nietzsche’s sense). It concludes with new phenomenological accounts of a literal and a figurative dance, namely the social Latin dance called bachata, and an improvised musical dialogue with the mockingbirds of my hometown. In sum, thanks to Henry’s engagement with various forms of dialogue, including with Brohm, the arts, paganism, and dance, one can find room in his transcendental subjectivity of Life for others, dancingly transcending even humanity. (shrink)

A presente pesquisa explora o ensaio de ontologia de Albert Camus (1913-1960), intitulado O mito de Sísifo (1942), no qual ele introduz sua teoria do absurdo, cujo propósito é questionar o sentido do mundo e da vida para o sujeito. Perguntando-se, o sujeito se depara com o sentimento de absurdo que manifesta o desejo de clareza frente a opacidade do mundo. Este sentimento é apresentado como uma experiência imediata frente ao não sentido do mundo e da vida. Uma das vias (...) que será analisada e tratada como uma resposta insuficiente para o sentimento de absurdo será o método fenomenológico proposto por Husserl que, através da intencionalidade - descrita como a experiência imediata do sujeito - é visto como uma medida que distancia o si de sua experiência. Distanciando-se da experiência, o método é compatível com uma das consequências do absurdo: a questão filosófica do suicídio. Outra consequência do absurdo será a revolta que é entendida como o que sustenta o sujeito a viver no desejo de clareza frente a irracionalidade do mundo que, posteriormente, resultará em uma Fenomenologia da Revolta. Para sustentar esta fenomenologia, será articulado a teoria do filósofo e fenomenólogo Michel Henry (1922-2002) através das suas obras L'essence de la manifestation (1963) e Fenomenología Material (1990). Nestas obras, Henry introduz o conceito de afetividade e páthos-com, que serão necessários para compreender o absurdo como uma afecção e condição de fragilidade que é compartilhada entre todos sujeitos resultando em uma intersubjetividade. Tanto a Revolta quanto o páthos-com revelam como o sujeito pode viver com o sentimento do absurdo e, desse modo, é possível afirmar a vida do si na solidão. Contudo, a conclusão presente nesta pesquisa constitui o argumento de que, pela Revolta enquanto coletividade que liga os sujeitos pela experiência absurda e pela essência constituinte da Vida, essa afirmação da vida de todos os sujeitos se torna mais forte. (shrink)

Michel Henry is regarded as one of the most important French philosophers of the second half of the 20th century. Yet, he is still not widely cited as Edmund Husserl, Martin Heidegger, Jacques Derrida and Jean Paul Sartre are. His thought constitutes a philosophy of life, distancing itself not only from the phenomenology of the 20th century, but also from the science and technology inaugurated by Galileo Galilei and Rene Descartes. Furthermore, Leopold Sedar Senghor is an African philosopher whose philosophy (...) has often been misunderstood in both African as well as in most Western philosophical scholarly circles. Critiquing representation in Western thought only makes sense if it is made clear that it is entirely conceivable that this critique squanders its meaning elsewhere, in the East. It is inherent in it. However, very few academics have felt that this should be done. It is essential to make connections, because what Henry discovers puts him in an immediate proximity of the radical approach of Vedanta and the approach of Senghor’s Negritude theory of emotion. The objective of this article is to find significant points of convergence between absolute subjectivity, the idea of affectivity, and Negritude and Vedanta in Henry’s speculative thought. The reading of Henry, Indian philosophy (Vedanta) and Negritude (Senghor) allows for establishing a bridge between Indian philosophy (Vedanta) and phenomenology, most notably a bridge between Negritude and the phenomenology of life. (shrink)

This chapter highlights the impact of the work of French phenomenologist Michel Henry and Austrian psychoanalyst Otto Rank on psychoanalysis. I contend that Henry and Rank clarify the nature and role of mindfulness and creativity in psychoanalysis. To begin, I draw out the implications of Henry’s critique of Freudian psychoanalysis. In my view, Henry’s work reveals and untangles basic inconsistencies in Freud’s views on the unconscious, affective layer of the subject’s life, and establishes that the creativity of life’s immanent movement (...) is essential to the development of the subject’s personality and to the acquisition and alleviation of neuroses. At the same time, I maintain that, while Henry’s work acknowledges a potential role for mindfulness in the development of life’s creativity, his account is problematic. At the end of the day, Henry’s conception of life as an immanent, self-enclosed reality fails to adequately account for the relation between life (creativity) and intentionality (mindfulness). As a result, it fails to sufficiently account for the intersubjective character of creativity and mindfulness. To address these issues, I bring Henry’s insights into these matters into dialogue with Rank’s psychology of difference, which similarly regards affectivity and creativity as central to human life and to psychoanalysis. By doing so, what comes forward is that mindfulness and creativity are relationships that can strengthen and weaken one another, and which always involve self-enclosure and openness towards others and the cosmos. Bearing this in mind, I maintain that mindfulness and creativity can play an important role in allowing psychoanalysis to realize its aim of improving the well-being of human beings. (shrink)

It has been widely argued that Michel Henry dismisses the importance of the subject's worldly and intentional mode of existence in his account of the well-being of life. However, through a careful analysis of Henry's theory of life and his study of culture and barbarism, I will demonstrate that the prevailing position on this point is both correct and incorrect: (i) correct in that absolute life does not require a moral transformation of the world; and (ii) incorrect inasmuch as Henry's (...) philosophy does not, for all that, deny that, from the perspective of human beings, the subject's existence in the world does indeed matter to the well-being of their life. In my view, Henry's work harbours the implication that, from the perspective of the subject's existence in the world, the creation of a moral world through the development of the correspondence between one's inner life and the natural world is humanity's most pressing task, to the point that his entire phenomenology is oriented toward the achievement of this end. I will highlight two of the ways in which the subject's existence is vital to life's well-being: (i) as an expression of life; and (ii) as more or less befitting of life's current needs. As part of this study, I argue that some of Henry's conclusions regarding theoretical knowledge and its part in the aforementioned correspondence between life and the natural world do not entirely agree with his own analyses and therefore need to be reformed. (shrink)

This paper engages in a critical examination of Michel Henry’s (1922-2002) phenomenological study of the erotic relation. I argue that while Henry’s analysis sheds light on the nature of eros and how it might be renewed from the obscene objectivism to which it has largely been reduced in Western society today, his analysis of eros undermines his account of the phenomenological life of the subject as a radically immanent mode of appearing and calls for revision. I contend that it is (...) by acknowledging life as a movement of transcendence toward the world that we can resolve this issue and further refine Henry’s insights into the nature of eros and how it might once again be renewed in contemporary Western civilization. I begin by laying out Henry’s account of how the forgetting of life results in a reduction of the erotic (i.e., inter-subjective) relation to a merely sexual (i.e., inter-objective) one, and how this lays the groundwork for what he regards as the destructive sadomasochistic practices of voyeurism and pornography. Following this, I outline Henry’s account of the nature and limits of the erotic relation, and I demonstrate how Henry’s work harbours the latent suggestion that the failure of eros can serve as a step toward a higher union with others in a love of God. In the closing section, I show how Henry’s analysis of the erotic relation calls for a re-conception of life as a movement of transcendence. I outline how this re-conception better accounts for the complex exchanges between the non-objectifying drives of life and the objectifying acts of consciousness, and I show how this allows us to retain some of Henry’s insights into eros and its renewal while forcing us to modify others. (shrink)

This paper addresses the claim that the social orders of Western civilization operate on the basis of the law’s presumed sovereignty over life. I demonstrate how the respective works of Italian philosopher Giorgio Agamben and French phenomenologist Michel Henry are joined in their concern over this issue, and in their shared belief that life can be made sovereign over the law through a communal life based upon habit. At the same time, I argue that their respective conceptions of this communal (...) life are flawed, and that they would benefit from being brought into a productive dialogue with one another. More specifically, I show that Henry’s account of a Christian communal life based upon the habitual practice of love moves at least some way toward addressing Agamben’s account of a coming community that is decidedly abstract and lacking in a substantial ethic. However, I maintain that Henry’s own account of this community is founded upon a problematic conception of potentiality that would benefit from Agamben’s study of the matter. By bringing these two figures together and drawing out the lessons that can be learnt from each of them, this work provides a more concrete and substantial account of how a coming Christian community can play a role in making life sovereign over the force of the law. (shrink)

(Online only; follow link) My review for _Phenomenological Reviews_ of Rosa Spagnuolo Vigorita's book, "Di eredità husserliane" ("On Husserlian Inheritances") on the themes of the body, the flesh, and the dynamics of desire in Levinas, Sartre, and Henry.

O presente trabalho visa apresentar a relação do método terapêutico da médica e psiquiatra Nise da Silveira (1905-1999) com a Fenomenologia da Vida do filósofo e fenomenólogo Michel Henry (1922-2002). Nise da Silveira revolucionou o tratamento psiquiátrico de sua época indo contra a psiquiatria tradicional e desenvolvendo um método revolucionário para o tratamento de pacientes esquizofrênicos, constituído através da arte, da cultura e, sobretudo, do que ela chama de afeto catalisador. Como método investigativo deste trabalho, a relação entre o afeto (...) catalisador, de Nise da Silveira, e a afetividade originária, de Michel Henry, é desenvolvida através das obras “Imagens do Inconsciente” (1981), de Nise, bem como “A Barbárie” (1987), “Encarnação: por uma filosofia da carne” (2013) e “Filosofia e Fenomenologia do corpo: ensaio sobre a ontologia biraniana” (2012) de Henry. O filósofo, assim como Nise que buscou uma terapia mais afetiva, em sua filosofia busca refletir sobre aquilo que foi deixado de lado pela filosofia clássica e pela fenomenologia tradicional: a vida tal qual como ela é. As teorias/abordagens de ambos autores buscam, de certa maneira, apontar para aquilo que a ciência e a racionalidade não conseguem penetrar: a carne afetiva da invisibilidade da vida na sua subjetividade absoluta. Diante disso, através do estabelecimento da relação do método de Nise à Fenomenologia da Vida de Henry, este trabalho visa realizar uma releitura fenomenológica da teoria das imagens. (shrink)

Abstract: This paper examines two fundamental claims by Michel Henry on his philosophy’s relationship with classical phenomenology (Husserl and Heidegger) and Christianity. It shows in what way Henry’s phenomenology is the radicalization and absolutization of classical phenomenology: pure phenomenological truth is the identification of appearing and what appears rather than the separation of the two. According to Henry, his notions of life and truth is fully in accordance with Christianity’s Revelation of God. In the last part, the paper challenges Henry’s (...) claim that his phenomenology is a Christian philosophy from a Kierkegaardian point of view and argues that Henry’s phenomenology is, as a matter of fact, a philosophy without Christ. Contrary to a popular viewpoint that Michel Henry is a Christian thinker of our age, I would argue that Henry’s concept of God and Christ is essentially a scholarly philosophical invention. If Henry’s philosophy is an absolute and ultimate form of phenomenology, then it is reasonable to draw a conclusion that Christ as the Truth of Christianity is outside the boundary of phenomenology. (shrink)

The primary focus of this project is the silent and subvocal speech-recognition interface unveiled in 2018 as an ambulatory device wearable on the neck that detects a myoelectrical signature by electrodes worn on the surface of the face, throat, and neck. These emerge from an alleged “intending to speak” by the wearer silently-saying-something-to-oneself. This inner voice is believed to occur while one reads in silence or mentally talks to oneself. The artifice does not require spoken sounds, opening the mouth, or (...) any explicit or external movement of the lips. The essay then considers such subvocal “speech” as a mode of writing or saying and the interior of the mouth or oral cavity as its writing surface. It briefly revisits discussions of telepathy to recontextualize Heidegger’s warning against enframing language exclusively within calculative technics and physiology, which he suggests is detrimental to Mundarten (mouth-modes of regional dialects). It closes in reconsideration of Husserl’s phenomenology of language and meaning in Ideas as it might apply to subvocal speech-recognition interfaces. It suggests ways by which the electrophysiology that the device detects and deciphers (as an alleged intention of a presumed natural language unspoken vocally or aloud) might supplement Husserl’s insinuation of the Leiblichkeit of language through a self-stamping extraction of an extension of meaning. (shrink)

Beginning with a brief discussion of Dominique Janicaud’s proposal for a minimalist phenomenology, I turn to the work G. van der Leeuw and argue that his work in the phenomenology of religion can be profitably read as a minimalist phenomenology. I do this by focusing mainly on his methodological remarks, but do occasionally refer to his analyses of particular religious phenomena. Finally, the paper closes with some suggestions about how to think of the relationship between minimalist phenomenology and religious belief.

Alongside with ethics and religion, art occupies a prominent place in Michel Henry’s phenomenology of life. His opposition to Husserl and Heidegger, and his analyses of Wassily Kandinsky’s paintings and theoretical works, led Henry to the conclusion that the content of art is the ‘invisible life’. As a consequence, art – itself invisible though at the same time revealing the Life – becomes a means of achieving a non-intentional experience (pathos) of Life in its transcendental affectivity. The radical immanence of (...) experiencing art stands in sharp contrast to the visible external world, thus opening new directions in phenomenological study of both aesthetic and religious experience. In this article, I point out the ontological, epistemological and axiological limitations of Henry’s and Kandinsky’s art theory. (shrink)

François Laruelle's system of non-standard philosophy and its univocal radical immanence is highly indebted to Henry's non-representationalism. Admittedly, in contrast to Laruelle's "heretical" Christology, Henry's theological-realist determination is astricted by the idealist paralogisms of a cogitativist Ego, which transpires most markedly in Henry's account of Faith-after all, Henry is a Jesuit phenomenologist following in the tradition of Jean-Luc Marion and Jean-Louis Chretien. Nonetheless, Henry's work on immanence, deanthropocentrized and universalized as generic, takes us much further than both Spinoza's speculative immanence, (...) which is diluted by the necessitarian world of negative determination, and Deleuzian immanence, which is characterized by multiplicitous difference. In The Michel Henry Reader, editors Scott Davidson and Frédéric Seyler weave together a comprehensive anthology of essays that survey Henry's phenomenology of life, stitching together an oeuvre than spans Marxist political philosophy, phenomenology of language, subjectivity and aesthetics, and ethics qua religion. Rather than analyzing specific objects and phenomena, phenomenology is tasked with disclosing the structural manifestation and conditioned appearance of objects. Drawing primarily from Husserl and, consequently, Heidegger, Henry examines a kind of "pure phenomenology" that, contra intentionality and the inert world of visible objects, examines affectivity's "radical invisibility". Whereas Husserl and Heidegger's analyses emphasize the self-transcending nature of appearances, for Henry appearance is never independent or self-reliant but, instead, genitive and denotative. (shrink)

This paper seeks to address whether human life harbours the possibility of a gratuitous or non-reciprocal form of trust. To address this issue, I take up Descartes’ account of the cogito as the essence of all appearing. With his interpretation of Descartes’ account of the cogito as an immanent and affective mode of appearing, I maintain that Henry provides the transcendental foundation for a non-reciprocal form of trust, which the history of Western philosophy has largely covered over by forgetting this (...) aspect of Descartes’ thought. I demonstrate that Heidegger’s reading of Descartes serves as a preeminent example of this. Because Heidegger overlooks Descartes’ insight into the essence of appearing, and reduces this essence to the finite transcendence of the world, I maintain that Heidegger reduces trust to reciprocal relations of understanding between beings of shared contexts of significance. (shrink)

This book is an introduction to French phenomenology in the post 1945 period. Whilst many of phenomenology's greatest thinkers - Husserl, Heidegger, Sartre and Merleau-Ponty - wrote before this period, Steven DeLay introduces and assesses the creative and important turn phenomenology took after these figures. He presents a clear and rigorous introduction to the work of relatively unfamiliar and underexplored philosophers, including Jean-Louis Chrétien, Michel Henry, Jean-Yves Lacoste, Jean-Luc Marion and others. -/- After an introduction setting out the crucial Husserlian (...) and Heideggerian background to French phenomenology, DeLay explores Emmanuel Levinas’s ethics as first philosophy, Henry’s material phenomenology, Marion’s phenomenology of givenness, Lacoste’s phenomenology of liturgical man, Chrétien’s phenomenology of the call, Claude Romano’s evential hermeneutics, and Emmanuel Falque’s phenomenology of the borderlands. Starting with the reception of Husserl and Heidegger in France, DeLay explains how this phenomenological thought challenges boundaries between philosophy and theology. Taking stock of its promise in light of the legacy it has transformed, DeLay concludes with a summary of the field’s relevance to theology and analytic philosophy, and indicates what the future holds for phenomenology. -/- Phenomenology in France: A Philosophical and Theological Introduction is an excellent resource for all students and scholars of phenomenology and continental philosophy, and will also be useful to those in related disciplines such as theology, literature and French studies. (shrink)

In this paper I compare how Michel Henry and Henri Maldiney interpret Kandinsky’s heritage. Henry’s phenomenology is based on a distinction between two main modes of manifestation: the ordinary one, that is, the manifestation of the world, and the “manifestation of life.” For him, Kandinsky’s work provides a paradigmatic example of the second, more original mode of manifestation, which is free from all forms of self-alienation. Henry claims that this living through the work of art is transformative; it is akin (...) to ascetic practice or mystical experience that goes beyond the distinction of the subject and the object. Maldiney acknowledges Kandinsky’s work as an attempt to provide access to an a-cosmic and ahistoric experience of one’s inner self; yet for him this is not a positive characteristic. For Maldiney, the key distinction is not between modes of phenomenalisation, but between the dimensions of meaning. For him there is no radical self-transformation which is not a transformation of one’s being-in-the-world and one’s meaning of the world, and so Kandinsky’s a-cosmic paintings cannot induce a true transformation of the self. I conclude that the disagreement of Henry and Maldiney on Kandinsky does not unfold on the level of phenomenological description of concrete aesthetic experience, but on the level of metaphysics. (shrink)

Applying Michel Henry’s philosophical framework to the phenomenological analysis of religious experience, the author introduces a concept of material introspection and a new theory of the constitution of religious experience in phenomenologically material interiority. As opposed to ordinary mental self-scrutiny, material introspection happens when the usual outgoing attention is reverted onto embodied self-awareness in search of mystical self-knowledge or union with God. Such reversal posits the internal field of consciousness with the self-disclosure of phenomenological materiality. As shown by the example (...) of Vedantic self-inquiry, material introspection is conditioned on the attitude ‘I “see” myself’ and employs reductions which relieve phenomenological materiality from the structuring influence of intentionality; the telos of material introspection is expressed by the inward self-transcendence of intentional consciousness into purified phenomenological materiality. Experience in material introspection is constituted by the self-affection and self-luminosity of phenomenological materiality; experience is recognized as religious due to such essential properties as the capacity of being selffulfilled, and specific qualitative “what it’s like”(s). Drawing on more than 5000 live accounts of internal religious experience, it is shown that introspective attention can have different trajectories, producing, within a temporal extension of material introspection, different spatial modifications of embodied selfawareness and a variety of corresponding religious experiences. (shrink)

This article addresses the problematic relation between Michel Henry’s phenomenology of life and ethics. More specifically, it asks whether Henry’s account of the self’s transcendental birth in the immanent self-generation of life allows for a sense of individual responsibility. I begin by discussing Henry’s generation of the self and show how the historical essence of the self is structured according to the antinomy of affectivity. I then show how, for Henry, this history of life is full and yet incomplete. Accordingly, (...) life is attracted to growth and this growth happens insofar as living beings proceed through a series of stages of despair. I develop these stages by looking at Henry’s analyses of anxiety, desire, and humility in relation to Kierkegaard. I argue that even though there is already an initial sense of responsibility at work in the earliest stirrings of anxiety, it is only in humility that the self comes to know who it truly is and how it ought to relate to others. Cet article se penche sur la relation problématique entre la phéno-ménologie de la vie et l’éthique de Michel Henry. Plus spécifiquement, nous nous demandons si l’explication de la naissance trans-cendantale du soi dans l’auto-génération immanente de la vie que propose Henry permet de rendre compte d’un sens de la responsabilité personnelle. Nous débutons avec une analyse de la génération du soi chez Henry et montrons comment l’essence historique du soi est structurée selon l’antinomie de l’affectivité. Nous montrons en-suite comment, pour Henry, cette histoire du soi est pleine bien qu’incomplète. En conséquence, la vie est attirée par la croissance, et cette croissance se produit dans la mesure où les êtres vivants passent à travers une série de stades du désespoir. Nous dévelop-pons ces divers stades en nous tournant vers les analyses que fait Henry de l’angoisse, du désir, et de l’humilité en relation avec Kierkegaard. Nous soutenons que même s’il y a déjà un sens initial de la responsabilité à l’oeuvre dans le premier éveil de l’angoisse, c’est seulement en atteignant le stade de l’humilité que le soi en vient à savoir qui il est vraiment et comment il doit se rapporter aux autres. (shrink)

Review of Joseph Rivera's The Contemplative Self After Michel Henry (Notre Dame: 2015).

This paper was originally presented at a colloquium on Michel Henry’s book Incarnation at the Institut Catholique Paris. Michel Henry’s response to the present study can be found in “À Emmanuel Falque,” in Ph énoménologie et christianisme chez Michel Henry, ed. Ph. Capelle : 168-182. This response was reprinted recently in Michel Henry, La Ph énoménologie de la vie, vol. 5.

Kierkegaard steadily maintains, against Lessing, that Jesus’s contemporaries had no advantage as regards faith merely because they had personal experience of him. It is a view proposed both by Johannes Climacus and Anti-Climacus, as well as over Kierkegaard’s own signature; it is indirectly communicated and then directly communicated, and so the importance of becoming a true contemporary of Jesus can hardly be underestimated in the authorship, including the later journals. When Michel Henry considers this motif in his Phénoménologie matérielle he (...) says that it is one feature of what Kierkegaard calls “’the strange acoustics of the spiritual world’ [l’étrange acoustique du monde spirituel].” These acoustics are not those we learn about in physics: “the laws of being in common are not in fact those belonging to things and the laws of perception,” and this claim gives Henry an opportunity to continue a long standing argument with Husserl. For “here” and “there” in Henry’s account of inter-subjectivity have no relation to the intersubjectivity that is explored in the fifth of the Cartesian Meditations. Indeed, Henry goes on to say, “This spiritual acoustics, which defies the laws of perception, defines our concrete relation to the other”; that is, it gives the “how” of the relation rather than the “what” or “why.”. (shrink)

The double expansion that Husserl’s phenomenology imposed on subjective experience posed, among other difficulties, a new and particularly difficult problem for Husserl; that of the trans-temporal identity of the transcendental subject, the “ego.” This problem involves also, and still more fundamentally, the question of the ontological status of the ego. Beginning with his descriptivepsychological understanding of consciousness and its intentional acts in the 1901 Logical Investigations, Husserl had first identified the subjective ego with the empirical person, and considered it sufficient (...) to determine the flow of acts experienced by consciousness as a “bundle” of subjective phenomena devoid of altogether devoid of any internal principle of unity, except a mere formal synthesis. (shrink)

This chapter examines the theorization of the extreme form of subjective destitution and subjectivation through the figure of Christ. The analysis focuses on two explicitly theological and political uses of Christ as the figure of redemptive destitution, in the work of Michel Henry and François Laruelle. In different ways they approach the problem of subjectivation through what we could call, after Laruelle, the ‘Christ-Subject’. This tracing of this line of thinking is a sceptical one, focused on the problem of the (...) political reversal from a position of destitution and powerlessness into a position of power. This form of subjectivation speaks to Marx’s analysis of the proletariat, risks a valorization of suffering and destitution that may not become activated politically. The possible foundering of this reversal indicates a crucial problem in contemporary theoretical and philosophical turns to the value of life as the central operator of subjectivation. (shrink)

Ever since The Essence of Manifestation, Michel Henry’s phenomenology developed in a close dialogue with Husserl. This confrontation led Henry, in 1995, to formulate the project of a “non-intentional phenomenology,” which would find its point of departure in a quite simple question: is intentionality—the key feature of consciousness and of lived experience as such in Husserl’s perspective—able to ground itself? Does it provide its own foundation? If not, in what could its possibility-condition be found? Henry’s gesture invites us not to (...) a purely descriptive attitude toward such intentional acts, but rather to an inquiry into their origin and their inner ground, to submit them to a transcendental interrogation in order to discover “what ultimately makes them possible.". (shrink)

“We accept the original theoretical path opened by Michel Henry, which consists in considering the body from the point of view of the flesh and, hence, of life. But, precisely, the question is to know what is the meaning of life that is attested through the phenomenon of the flesh.”1 Such is Renaud Barbaras’s starting point in La vie lacunaire, one of his most recent contributions to a phenomenology of life and to the debate with Michel Henry’s concept of life (...) as immanent auto-affection.2 The support given to Henry’s pioneering path, however, seems to contrast with the prospect of developing a phenomenology of life radically opposed to that of Henry, a prospect mentioned already in Desire and Distance and... (shrink)

A book published in 1991, entitled "The Theological Turn in French Phenomenology," had a great impact in the philosophical world. Its author, Dominique Janicaud, accused several philosophers of betraying the principles of Husserl's thought, by the introduction of theology into philosophy. Basing my reflection on the works of Michel Henry (1922-2002) one of his most important targets, I will question the validity of this criticism. Is theology a deviation within continental philosophy, demonstrating that it has not the validity of a (...) science? Or does questioning the idea of God lie at the heart of Phenomenology through the experience and practice that it offers? (shrink)

For Michel Henry, the Cartesian notion of “videre videor” (“I seem to see”) provides the clearest schema of the type of self-affection in which life is experienced, and through which one can provide a properly phenomenological conception of life. It is above all in Henry’s exemplification of the ‘videor’ in terms of affective experience (in undergoing a passion, feeling pain) that one is able to pin down his two principle arguments concerning the nature of this self-affection. The one, regarding the (...) videor as a form of self-awareness, ultimately fails to convince, whereas the same cannot be said for Henry’s analyses of those types of affective experience whose primary characteristic is precisely a form of resistance internal to life itself. This leads to a demonstration of how Henry’s phenomenology of the videor founds an understanding of life that presupposes a form of impotence and limitation, and even finitude, as the very implication of its appearance. (shrink)

This volume examines a number of landmark conceptual shifts that have shaped our understanding of the body in its profane and sacred dimensions as site of conflicting discourses on presence and absence, subjectivity, mortality, resurrection and eternal life. Drawing together some of the best international scholars in the field, the volume provides for the first time a representative cross-section of influential trends in the philosophy of religion today (e.g. phenomenology, existential thought, Biblical hermeneutics, deconstruction), illustrated through original critical interpretations and (...) previously unpublished writings by three major contemporary philosophers of religion: Michel Henry, Jean-Luc Marion and Jean-Luc Nancy. (shrink)

What is the relationship between phenomenology and material reality? What would be the place of phenomenology in a discourse about material reality? This paper tries to clarify the relationship between a type of knowledge and an ontological domain which at first sight seems foreign to it. It also contains the outline of a program for future research. We will show that the relationship between phenomenology and material reality is in some sense double. Hints to this duality may already be found (...) in Husserl’s Ideen II. Finally we will question a phenomenology that its author explicitly qualified as material: the philosophy of Michel Henry. We will investigate the possibility of a material phenomenology beyond Henry’s work in relation to material reality. (shrink)

If the phenomenological movement is irreducibly tied to Husserl’s groundbreaking lifework, it has, like all philosophical currents, outer boundaries. At one end of the spectrum, Fichte’s Berlin lectures in 1804 represent not only the most accomplished and systematic version of his theory of knowing, or Wissenschaftslehre; they also contain what Fichte himself designated as Phänomenologie or as theory of appearing, Erscheinungslehre. At the other end, as one of the most prominent and challenging outcomes of contemporary phenomenology, we find Henry’s radical (...) phenomenology, a phenomenology of life continuously developed from 1963 to 2002, from the Essence of Manifestation to Incarnation and Words of Christ.1 But .. (shrink)

A first aspect has to do with the non-intentional and primal praxis of the living body. To this is added its status as a support for the sensuous values of comfort and health and a springboard for spiritual values, the highest level of which lies in the ethical values of the person. These Husserlian views find new developments in phenomenology: M. Henry highlights a pre-intentional “I can”, M. Scheler analyzes the relationship between hedonistic, vital, and spiritual values, and P. Ricoeur (...) describes the living body both as the “source” of its own proper values and the “affective resonator” of all values, and also outlines a view on happiness that encompasses particular bodily attunements. Finally, Husserl considers the offering of the living body to spiritual values in sacrifice as the positive assertion of humankind’s life. J. Patočka and E. Levinas have developed this line of thought. (shrink)

Un primer aspecto concierne a la praxis no-intencional y primaria del cuerpo propio. A ello se añade su condición de sostén para los valores sensibles de la comodidad y la salud, y de trampolín para valores espirituales cuyo nivel superior se encuentra en los valores éticos de la persona. Estos puntos de vista husserlianos encuentran nuevos desarrollos en la fenomenología: M. Henry pone el acento en un "yo puedo" pre-intencional, y Ricoeur describe el cuerpo propio como "fuente" de valores propios (...) y "resonador afectivo" de todos los valores, y a la vez esboza una concepción de la felicidad que incluye temples particulares de la corporalidad. Por último, Husserl considera la ofrenda del cuerpo propio a los valores espirituales en el sacrificio como la afirmación positiva de la vida de la humanidad. J. Patocka y E. Lévinas han desarrollado esta línea de pensamiento. A first aspect has to do with the non-intentional and primal praxis of the living body. To this is added its status as a support for the sensuous values of comfort and health and a springboard for spiritual values, the highest level of which lies in the ethical values of the person. These Husserlian views find new developments in phe-nomenology: M. Henry highlights a pre-intentional "I can", M. Scheler analyzes the relationship between hedonistic, vital, and spiritual values, and P. Ricoeur describes the living body both as the "source" ofits own proper values and the "affective resonator" of all values, and also outlines a view on happiness that encompasses particular bodily attunements. Finally, Husserl considers the offering of the living body to spiritual values in sacrifice as the positive assertion of humankind's life. J. Patocka and E. Lévinas have developed this line of thought. (shrink)

The principal purpose of this text is to show that Michel Henry’s radicalization ofphenomenology conduces to a problematic interpretation of the world and human desire, and to proposea solution to the problem from the philosophy of Augustine of Hippo. If for Henry, Life is absoluteimmanence, for Augustine it is also extasis. If for the first desire has to be reduced to mere immanence,for the later this desire (appetitus) is one of the ways in which man can encounter the Absolute.

Radical phenomenology is nonintentional phenomenology, and it opposes what Michel Henry has designated since The Essence of Manifestation "onto-phenomenological monism,"1 according to which appearing is always ecstatic, that is, transcendent. Contrary to monism, radical phenomenology maintains a dualism of appearing: underlying the intentionally given, life reveals itself in pure immanence. Nonetheless, this living self-affection can never appear to intentionality, although the second is grounded in the first: they are two modes of appearing that are essentially different. While the very essence (...) of appearing or manifestation lies in immanent self-affection, intentional appearing is derived from and second to .. (shrink)

Cette étude, dans un premier temps, apporte des preuves à la possibilité d’interpréter la pensée politique de Hannah Arendt comme un projet phénoménologique original dont le but est d’élever l’apparence de la personne au rang de mode unique de l’apparaître. Puis elle présente brièvement la phénoménologie matérielle de Michel Henry dans laquelle le Soi individuel joue un rôle tout aussi central, puisqu’il est la condition de l’apparence de la vie et le fondement de tout apparaître. En conclusion, l’étude esquisse les (...) conséquences d’une telle position privilégiée du sujet individuel pour la conception théorique de la réalité effective de l’apparaître, de même que pour les problèmes pratiques de l’action de l’homme dans le monde. (shrink)

Cet article cherche à rendre compte de la signification du concept d'habitus que nous retrouvons chez Michel Henry en tentant de le situer par rapport aux principaux concepts qui sont au fondement de la phénoménologie matérielle.

Quoique l'auteur de quatre romans, dont l'un a été couronné par l'un des prix littéraires les plus prestigieux, Michel Henry n'a jamais véritablement formulé une esthétique du roman. L'objet de cet article est, après une étude détaillée de son concept de vie, de tenter de saisir quelle place la pratique littéraire pouvait avoir au sein de son système. Autrement dit, elle s'interroge sur la possibilité de fonder sa création littéraire sur sa réflexion philosophique.

El artículo se propone determinar el límite entre fenomenología y gnosis en la filosofía del cristianismo de M. Henry. Para ello analiza la cuestión del Archi-hijo en Soy yo la verdad, la de Archi-carne en Encarnación y la de la legitimación de las palabras que Cristo pronuncia sobre sí mismo en Palabras de Cristo. El análisis muestra, en primer lugar, en qué medida el tratamiento de estas tres cuestiones supera el límite estrictamente fenomenológico del pensamiento y remite a una gnosis (...) o experiencia de fe particular. En segundo lugar, explicita cómo, independientemente de esta gnosis, la intuición henryana acerca de la esencia de la vida abre un acceso fenomenológico genuino a la relación religiosa. (shrink)

In this paper I consider Ricœur’s negotiation of the boundary or relationship between philosophy and religion in light of the larger debate in contemporary French philosophy. I suggest that contrasting his way of dealing with the intersection of the two discourses to that of two other French thinkers (Jean-Luc Marion and Michel Henry) illuminates his stance more fully. I begin with a brief outline of Ricœur’s claims about the distinction or relation between the discourses, then reflect on those of Marion (...) and Henry, who although they do not relate them in the same way still together form a significant contrast to Ricœur’s perspective, and conclude with a fuller consideration of Ricœur’s methodology in light of this comparison. I suggest that it is in particular his hermeneutic commitments that lead him both to more rigorous distinctions between discourses and ironically to greater mediation. (shrink)