Jean-Paul Sartre

I argue that Sartre's Transcendence of the Ego draws on Kant's theory of spontaneity to articulate its metaphysical account of consciousness's mode of being, to defend its phenomenological description of the intentional structure of self‐consciousness, and to diagnose the errors that motivate views of consciousness qua person or substance. In addition to highlighting an overlooked dimension of Sartre's early relation to Kant, this interpretation offers a fresh account of how Sartre's argument for the primacy of pre‐personal consciousness works, and brings (...) the extent of his proximity to idealist models of mind into greater relief. It also affords Sartre the resources to respond to criticisms that his account of self‐consciousness relies on a spurious distinction and that his view of freedom cannot explain how consciousness is conditioned by its world. (shrink)

This essay argues for a new conception of bad faith based partly on Harry Frankfurt's famous account of personal autonomy in terms of higher‐order volitions and caring, and based partly on Sartre's insights concerning tacit or pre‐thetic attitudes and “transcendent” freedom. Although Sartre and Frankfurt have rarely been connected, Frankfurt's concepts of volitional “wantonness” and “bullshit” (wantonness about truth) are similar in certain revealing respects to Sartre's account of bad faith. However, Sartre leaves no room for Frankfurt's central point that (...) people can volitionally commit themselves to develop certain motives and reduce others, thereby shaping an authentic identity through volitional “identification” and “alienation” of motives. Frankfurt in turn minimizes the role that a sense of liberty to form and alter higher‐order volitions plays in experiences of autonomy, which Sartre recognizes in the transcendence of the “for‐itself.” When these points are combined, we get a tri‐level theory of intrasubjective volitional stances that explains Sartre's cases better than his own theory can, and also clarifies how sincere or procedurally autonomous self‐relation is possible. (shrink)

This essay addresses ‘the God‐haunted Atheist paradox’ in Sartre's early philosophy and argues against a series of efforts to show that Sartre maintains a ‘secular theology’. It shows that if Sartre's ontology is correct, the God of ‘classic theism’ cannot possibly exist. It argues against two sophisticated efforts to show that theological influences infiltrate Sartre's early ontology and permeate his moral psychology. It also rejects the claim that Sartre's (Existentialism is a Humanism, 1946/2007, Yale University Press) distinction between secular and (...) religious existentialism ‘has no basis in fact’. It shows that Sartre appropriates religious language in order to give debunking secular explanations for religious phenomena and that he inverts traditional Christian values. It concludes that Sartre is an anti‐theologian. (shrink)

Gender dysphoria is typically construed as a medical concept. This understanding of gender dysphoria reflects how cisgender people interpret trans experience. This essay proposes an alternative concept of gender dysphoria for critical theory: on this account gender dysphoria is alienation from cisgender forms of life. If the medicalized concept of gender dysphoria tacitly takes for granted, identifies with, and thereby reinforces cisgender patriarchal society, a critical theory of gender dysphoria instead approaches the issue from the perspective of trans people, their (...) lived experiences and social situation, to offer a critique of society. While the medicalized concept of gender dysphoria refers to a ‘distress’ by living in the ‘wrong-body,’ the critical concept of gender dysphoria refers to an alienation as a result of living in the ‘wrong (cisgender patriarchal) society.’ The critical concept of gender dysphoria may become a tool capable of describing the necessary facets of the trans experience to form a political coalition. The paper concludes by claiming that trans subjects are the gendered analogue of Marx’s concept of the proletariat. (shrink)

The Introduction to Sartre’s Being and Nothingness (B&N) contains a condensed, cryptic argument – the ‘ontological proof’ – that is meant to establish a position ‘beyond realism and idealism’. Despite its role in establishing the fundamental ontological distinction of B&N – the distinction between being-for-itself and being-in-itself – the ontological proof has received very little scholarly attention. My goal is to fill this lacuna. I begin by clarifying the idealist position Sartre attacks in the Introduction to B&N: Husserl’s idealism as (...) interpreted by Aron Gurwitsch and Roman Ingarden. I then propose a new interpretation of the ontological proof that gives a central role to the transparency of experience. On this interpretation, Sartre argues from the ‘emptiness’ of consciousness – its purely relational nature – to the existence of mind-independent substance (being-in-itself). In assessing the strengths and weaknesses of Sartre’s case against idealism, I put him in critical dialogue with contemporary work in metaphysics and the philosophy of mind. (shrink)

The Introduction to Sartre’s Being and Nothingness (B&N) contains a condensed, cryptic argument – the ‘ontological proof’ – that is meant to establish a position ‘beyond realism and idealism’. Despite its role in establishing the fundamental ontological distinction of B&N – the distinction between being-for-itself and being-in-itself – the ontological proof has received very little scholarly attention. My goal is to fill this lacuna. I begin by clarifying the idealist position Sartre attacks in the Introduction to B&N: Husserl’s idealism as (...) interpreted by Aron Gurwitsch and Roman Ingarden. I then propose a new interpretation of the ontological proof that gives a central role to the transparency of experience. On this interpretation, Sartre argues from the ‘emptiness’ of consciousness – its purely relational nature – to the existence of mind-independent substance (being-in-itself). In assessing the strengths and weaknesses of Sartre’s case against idealism, I put him in critical dialogue with contemporary work in metaphysics and the philosophy of mind. (shrink)

This article offers a philosophical reading of Elena Ferrante’s Neapolitan Novels by bringing the tetralogy into conversation with Jean-Paul Sartre’s phenomenological ontology. In addition to highlighting the striking similarities between Ferrante’s notion of smarginatura (‘dissolving margins’) and Sartre’s depiction of the existential sensation of nausea, this article argues that the two main characters of Ferrante’s tetralogy, Lila Cerullo and Elena Greco, respectively exemplify Sartre’s ontological categories of ‘being-for-oneself’ and ‘being-for-others’ in his phenomenological account of human existence. However, Ferrante—like Simone de (...) Beauvoir before her—goes beyond Sartre in her ability to offer an account of the imperfect existential freedom of women, who remain constrained in their pursuit of authenticity by social and cultural factors. Drawing on Ferrante’s assertion that readers ‘are both Elena and Lila’ as well as her recent claim that there are within her two kinds of writing (broadly equated to the ‘compliant’ Elena and ‘impetuous’ Lila), we establish Ferrante’s exploration of the ambivalent features of human subjectivity as a consummate philosophical and literary project. (shrink)

The Western philosophic tradition has tended to tie the question of action to that of freedom, with the relationship structured around the free will/determinism opposition. In contrast, I show that in Being and Nothingness, Sartre offers a stringent and radical critique of these approaches. I briefly outline the conceptual parameters of Sartre’s early ontology, before showing that he rejects the free will tradition because of its underlying conception of freedom and insistence that action is reflective and will-based. According to Sartre, (...) consciousness is not a sum of parts, with one aspect (will) guiding the rest. Consciousness is a differentiated whole, divided between reflective and pre-reflective levels. Will is tied to the reflective level of consciousness and so cannot be said to be foundational given that reflectivity depends upon pre-reflectivity. Instead, it is an expressive effect of consciousness’s spontaneous, pre-reflective, projection of itself towards a particular end and value. (shrink)

In the course of criticizing indirect forms of consequentialism Bernard Williams argued that because virtues of character enter into the very content of the self, they cannot be instrumentalised. They must, instead, be viewed as cognitive responses to intrinsic value. This paper investigates this argument and relates it to similar claims in the work of Sartre. The inalienability of the first personal point of view represents a common theme and informs a further argument that an agent can only think of (...) him or herself as merely one amongst others via a distinctive ethical use of the trope of irony. (shrink)

Herman Melville’s Moby Dick is open to many readings, but one that has yet to be explored is the existential reading of Ahab’s pursuit from a gender perspective. By weaving together biblical, mythical, and mystical elements, the novel promises that Captain Ahab’s vengeance on the whale actually transcends the expected qualities of a maritime quest. A self-made man, Ahab endures his ever-present obsession and relentlessly clings to his deadliest struggle, which echoes Sartre’s proclamation, “Man is nothing else but what he (...) makes of himself.” Yet, intricately entwined with the spirit of nineteenth-century America, Ahab's character also assumes a canonical representation of American ideals. Thus, his hunting pursuit is overlaid onto America’s expansionist and imperialist mindset in the nineteenth century, which complements the hegemonically masculine manner camouflaged under this political ethos. Bearing this in mind, Melville subtly indicates that Ahab’s urge to assert his superiority over the whale is related to the biblical context of appointing females as something to take revenge on. In this narrative, Ahab's embodiment of the American hero undergoes a metamorphosis into an American Adam figure by asserting dominance over the whale that symbolises female subjugation. Interrogating Ahab's portrayal as an American Adam-type within the broader societal and political contexts of supremacist ideals, this article delves into Ahab's pursuit through the lens of Sartrean Existentialism. By doing so, this article interprets Ahab’s idealistic quest to hunt down the whale as a metaphor for hegemonic masculinity and subordinate femininity by exploring the subject/object, and the pursuer/pursued dynamics. (shrink)

Este artigo tem como objetivo investigar o papel da música no interior das considerações de Sartre sobre a obra de arte, com base no período de publicação dos primeiros escritos do autor. Sabe-se que Sartre, em suas poucas investidas sobre estética, conferiu maior densidade ao caso pictórico. No entanto, isso não significa que a música não possua notáveis peculiaridades frente às demais manifestações artísticas. Em especial, quando consideramos as análises do autor sobre o contraste entre a irrealidade e o real, (...) o exame sobre a música nos oferece importantes nuances para a compreensão do problema. Em vista disso, buscaremos examinar o papel desempenhado pela música em A náusea, romance de 1938, segundo o pano de fundo teórico exposto em O imaginário, obra de 1940. (shrink)

Este artículo presenta una interpretación del ser-para-otro en la ontología fenomenológica de Sartre. A partir de un análisis contextual de la fenomenología de la mirada en El ser y la nada, formulamos el problema del ser-para-otro como tercera ek-stasis. Si admitimos que el ser-para-otro surge de una profundización de la segunda ek-stasis (reflexión) y que, por tanto, está siempre condicionado por ella, corremos el riesgo de caer en la ilusión de la primacía del ser-para-sí. En oposición a esta interpretación, presentamos (...) la hipótesis de que el ser para otro tiene una estructura inmediata, y no sólo reflexiva, basada en El ser y la nada y, de manera auxiliar, en el Idiota da familia. (shrink)

Sartre maintains that “all consciousness is consciousness of something.” Idiosyncratically, he also understands this “intentionality principle” to entail that what consciousness is “of” is necessarily distinct from it (or “outside of” it, or “transcendent to” it). Nonetheless, he also maintains that all consciousness is necessarily conscious of—or rather, “(of)”—itself in a non‐intentional (in his terms: “non‐positional/non‐thetic”) manner. Given that this non‐positional/thetic self‐consciousness is not intentional, it is evidently immune to the “difference” principle, but this is less clear with respect to (...) self‐reflection (which Sartre simply calls “reflection”). It seems impossible for reflection to be “intentional” because intentionality entails difference—yet it also seems problematic to consider reflection “non‐intentional” because it then becomes difficult to distinguish reflection from non‐positional/thetic self‐consciousness as such (which is inherently “unreflective”). This can be called Sartre's “dilemma of reflection.” While Sartre seems to alternate between portraying reflection as intentional and as non‐intentional (it generally appears like the former), this paper argues that it should be conceived as both according to different respects. By piecing together various passages of Sartre's texts and drawing out their implications, Sartre can be shown to have the resources for an answer to his own dilemma. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Picking Up the Pieces of a Shattered Culture:Abandoning Sartre for AquinasR. E. HouserI expect to die in my bed, my successor will die in prison, and his successor will die a martyr in the public square. Then his successor will pick up the shards of a ruined society and slowly help rebuild civilization, as the Church has done so often in human history.—Francis Cardinal George (2010)Here I propose to (...) present a feature of the ethics of Thomas Aquinas, his ethical doctrine of virtue, concentrating on the four cardinal virtues—justice, prudence or good practical judgment, courage, and temperance. Plato first selected them as the four premier virtues, but they go back at least to Homer, for whom wily Odysseus exemplified prudence, warlike Achilles courage, old Nestor justice, Penelope and Telemachus, Odysseus' wife and son, temperance. And I offer them as central to living the morally good life required to "rebuild civilization" in an America that so fair and judicious a man as Cardinal George could call a "ruined society." To see the need for Thomas's solution, we must begin with the problem. Now, all societies depend upon the deep and fundamental ideas of the most important thinkers, prophets and sages, saints, and yes, even philosophers. Their ideas "trickle down" to influence regular folk, like you and me, those who whose hard work actually makes a society thrive, or die. And when those fundamental ideas change, the moral principles of those who embrace those ideas change, and consequently their actions change, and as a result the wider society in which they live changes, for better or worse. Such effects can now be felt across America [End Page 135] by all; but most of us are unaware of the primary intellectual agents of these changes, since they operate at the level of fundamental ideas, not politics or business or day-to-day life. And often their originators have died before the ideas reach full cultural force. So, ignorance of history makes it difficult to deal with present problems caused by those ideas.My first conclusion will be that a major cause of the current coarsening of our culture is the group of ideas of the French philosopher Jean Paul Sartre, even though most Americans have never heard of him, and most of those who recognize his name have not read his works carefully enough to see the connection. Why Sartre? In the honors program at my university, I had a bright young lady of Muslim heritage who had gone to a lycée, one of France's elite classical secondary schools. "Did you read the classics?" "Yes." Expecting Montaigne or Pascal, I asked, "Who?" Her answer: "Sartre." So let us begin with the theory and practice of Sartre and his long-time lover Simone Beauvoir, whose book The Second Sex was an intellectual spark for the women's liberation movement. Then we turn to some real-life examples of Sartrean influence on ourselves and American culture. Finally, for the best remedy for non-Christian and Christian alike, I recommend Aquinas's doctrine of virtue, when taken in its full scope.Sartre's Ethics of Absolute FreedomIn 1946, the year I was born, Sartre gave a lecture to a meeting of French librarians, which became his most popular book, Existentialism is a Humanism. There he laid out the core of his thought about God, humans, and their ethical behavior. Here I arrange his main ideas in an order that facilitates comparison with Aquinas, beginning with his view of human ontology and proceeding to its impact on the four cardinal virtues.Human OntologySartre turned his back on the traditional metaphysical view that every creature is an individual substance defined by a nature or essence it has in common with all other things of that type. In his "first principle of existentialism," Sartre skips over other animate things, plants and animals, and compares humans to inanimate objects:Let us consider... a book or a paper-cutter: here is an object made by an artisan whose inspiration came from a concept.... One cannot postulate a man who makes a paper-cutter but does not know what it is... (shrink)

Human suffering is a complex phenomenon that can manifest physically or psychologically. As the negative valence of affective phenomena, with the positive being pleasure or happiness, human suffering could easily be interpreted as something to avoid. Sartre explored existential aspects of human suffering in Being and Nothingness. Examining each occurrence of the word suffering in that work provides a basis for understanding the roles Sartre assigned to it within the human experience and consequently provides a more nuanced appreciation of this (...) complex phenomenon. An electronic copy of Being and Nothingness was searched for all occurrences of the word suffering (N = 50), tabularized using the Key Word In Context (KWIC) approach at the sentence level, resulting in 40 sentences for thematic analysis. That analysis resulted in 5 themes, showing the complexity of suffering in Sartre’s major philosophical work and suggesting that suffering is quintessentially human, unavoidable, and potentially liberating. (shrink)

This paper discusses Jean-Paul Sartre's conceptions of pure reflection and impure reflection, affirming the distinction but arguing for an intermediate mode of reflection: creolized reflection. Creolized reflection is not impure as it does not regard consciousness as being-in-itself, but it transcends pure reflection in concretely negating the relationship between consciousness and imposed conceptions of being-in-itself. I argue that this mode of reflection is at play in much Africana phenomenology and conceptions of potentiated double consciousness.

The 20th century is known as a period of awakening and radical movements in the history. New systems of thought emerged during this period. Some systems of thought expressed a direct return to man. The beginning of the return to man was set by S.Kierkegaard with his views related to existentialism. The emergence of existentialism as a philosophical system coincides with the period after the First World War. In this period, the loss of previous values, the problem of secularism, and (...) the failure of the Enlightenment philosophy to justify itself are among the main problems. Existentialism began to take shape in Germany and France at about the same time, and in a short time it spread to many parts of the world - Italy, Spain, Latin America, India, England, the United States, Japan, etc. spread to countries. In Russia, the school of existentialism was created by N. Berdyayev and L. Shestov, and the German existentialism was created by Martin Heidegger and Karl Jaspers. The prominent representatives of French existentialism are Gabriel Marcel (1899), Jean Paul Sartre (1905-1980), Simone de Bavoir (1908-1986) and Albert Camus (1913-1960). It was Jean-Paul Sartre who perfectly placed the idea of individual human freedom at the center of his work. There are two important points in Sartre's philosophy: existence in itself and existence for itself. Sartre writes that; what is generally called consciousness is individual. The purpose of consciousness is to make existence for us. This is the fundamental state of consciousness. The main issue that Sartre took into account is that it is impossible to look at the philosophical problems of the 20th century in the context of general concepts. According to the philosopher, the best existentialism is humanism. In addition to his philosophical novels, Sartre became famous for his existentialist philosophy, which he developed in a unique way. He was one of the thinkers who marked the 20th century with his formation of existential Marxism and his political activity. In the conditions of the Second World War, when the concept of humanity was questioned, the work "Being and Nothingness", which is original and intertwined with life in every way, explains the current state of humanity along with Sartre's philosophical ideas. (shrink)

Based on the notion of bad faith, the article seeks to lay the foundations for a diagnosis of contemporaneity, having as an index, on the one hand, the lack of human determination and, on the other, the effectiveness of the world.

This brief essay unpretentiously seeks to highlight the relevance of some of the central questions in Jean-Paul Sartre's Being and Nothingness, thus aiming to contribute to broadening the scope of the French philosopher's ideas. Without fearing controversy, it presents the correlation between the concept of freedom and the responsibility necessarily implied. Such concepts remind us that this work is current, for it demands to assume its political and ethical unfoldings as unavoidable demands. The debate is built, then, through Sartre's encounters (...) with his peers, highlighting the interlocutions and controversial divergences that mark his itinerary. Finally, the timeliness of the work seems to reside in the historical failure of the humanist project, that is, Being and Nothingness continues to be current, because we are still incapable of promoting a historical situation in which the human being is free. (shrink)

Conventionally distinguished as a problem for medical professionals, experiences of embodied pain have prompted a significant set of themes and perspectives in the Continental tradition of philosophy. The discipline of phenomenology, in particular, offers thought-provoking approaches for understanding the fullness and diversity of living one’s pain in everyday life. In contrast to scientific practices that tend to take for granted the subjective structures of human consciousness in action, the phenomenological framework of lived experience offers profoundly subtle accounts for explaining how (...) a person’s pain alters their ways of relating to themselves, to others, and to the wider world around them. In recent years, scholars of phenomenology have undertaken extensive research on the complex relationality between health and human consciousness, including the behavioral grids and existential textures that come with that relationship. Greatly influenced by twentieth century phenomenology, this new development in the scholarship has undergone three distinct waves. The first wave focused on the work of Martin Heidegger and Hans-Georg Gadamer to develop a hermeneutic of healthcare practice; the second wave incorporated Maurice Merleau-Ponty to understand illness from an increasingly carnal point of view; and the third and most recent wave has relied primarily on Edmund Husserl to construct the intentionality involved with the consciousness of pain. (shrink)

The present study analyzes the relations between Mauss and Sartre. It investigates, primarily, the connections between the obligation of reciprocating a gift and the consequences of this symbolic act, to elaborate a morality deemed as a total fact. Freedom stands out, in this context, as a fundamental value.

Jean-Paul Sartre developed a sophisticated and insightful feminist critique of western society through two plays and two screenplays written between 1944 and 1946 –– Huis clos, Les Jeux sont faits, Typhus, and La Putain respectueuse. In these works, Sartre explores the relations between economic oppression, epistemic injustice, and misogynistic violence, diagnoses their root cause as the patriarchal norms of femininity and masculinity, and ascribes the power of those norms to bad faith and internalized oppression. This social critique, which includes a (...) racial dimension, informs some of his subsequent fictional and philosophical writings. Sartre’s analysis of patriarchy has not been noted in writings about these famous dramatic works, a distortion which seems partly due to those same patriarchal norms. (shrink)

In the opening lines of ‘Black Orpheus’, written as a preface to an anthology of negritude poetry, Sartre challenges white readers ‘to feel, as I do, the shock of being seen’. Reading this poetry, he thinks, should undermine white people’s presumption of the objectivity of their perspective. Accordingly, the essay itself contradicts two prominent aspects of the philosophy he had so far developed: the idea that poetry could not be politically engaged; and the theory of radical freedom. These changes are (...) ultimately rooted in his realisation, upon reading this poetry, that his previous understanding of prose is mistaken. This has the consequence that his philosophical method, which derives ontological conclusions from prose descriptions of experience, has two important limitations: its premises cannot be drawn solely from his own experience; and French prose might be insufficient for formulating all relevant premises. He therefore revises his method to deploy this poetry as phenomenological grounds for ontological conclusions, which transforms his ontology of human existence to include cultural inheritance as a primary feature. We will see how this reading of negritude poetry exemplifies both the epistemic challenge involved in what he calls ‘the look’ and the use of listening in response to it. (shrink)

Freedom is at the heart of Sartre’s existentialism and no existentialist can be compared to him in this regard. His idea of freedom is novel, profound and elaborate more than any other classical existentialist. For him, freedom is the supreme value of existential thought. His existential thought however challenge the reality of God in world religions. He avers that man can achieve success, progress or any other thing without God. This is not only an affront to religions but to African (...) culture and beliefs as it is a truism that God is an important part of African world-view of human existence as it is almost inconceivable to think of man in Africa without God. How then can we reconcile these two seemingly contradictory notion of freedom? In responding to the question, this paper interrogate Sartre’s notion of freedom within the concept of biblical freedom. The purpose is to argue for the possibility of achieving a balance that can help in the promotion of qualitative human existence in Africa. The Church in Africa can benefit from Sartre’s idea of freedom though atheistic. Also, Sartre’s existentialism can be made richer through the knowledge of biblical freedom. (shrink)

Freedom is a necessary prerequisite for living, as most existentialists emphasized. A prominent existentialist, Sartre, fully appreciated the importance of freedom in helping humans lead authentic lives. In his philosophical magnum opus, Being and Nothingness, he boldly contends that human beings possess absolute freedom, meaning they are not determined by external factors or pre-existing essence, and are therefore responsible for creating their 'own' meaning and purpose in life. Admittedly, Sartre claims that man's freedom is tied to responsibility. He proposed the (...) notion of freedom and responsibility as a moral compass for leading an authentic existence. This critical analysis explores Sartre's notion of existential freedom, focusing on its philosophical conceptions, implications, and deficiencies. This paper will properly understand Jean-Paul Sartre's notion of freedom and responsibility, starting by defining freedom in the way Sartre wants us to conceive it. This paper will examine some of the objections raised by Alvin Plantinga against Sartre's philosophy of freedom. And finally, this paper will also analyze Sartre's notion of freedom and responsibility and reveal its incompatibilities with universal morality. By critically evaluating Sartre's concept of existential freedom, this analysis aims to contribute to a deeper understanding of his existentialist philosophy and stimulate further dialogue on the nature and implications of human freedom. (shrink)

Die Phänomenologie stellt eine der Hauptströmungen der Gegenwartsphilosophie dar und findet in zahlreichen Wissenschaften sowie in Praxis und Therapeutik starke Resonanz. Nach 120 Jahren Wirkungsgeschichte füllt die Bibliothek phänomenologischer Werke zahllose Bücherregale und selbst für Expert:innen ist die Forschungsliteratur mittlerweile unüberschaubar geworden. An allgemeinen Einführungen sowie spezialisierter Fachliteratur mangelt es dabei keineswegs, wohl aber an einem Handbuch, in dem sowohl der Vielfalt der historischen Entwicklungen als auch dem berechtigten Wunsch nach innerer systematischer Kohärenz Rechnung getragen wird. Das Handbuch Phänomenologie schließt (...) diese Lücke. Ausgewiesene Autor:innen bereiten in eigens für diesen Band verfassten Artikeln komplexe sachliche Zusammenhänge übersichtlich auf. Durch seinen Aufbau eignet sich das Handbuch sowohl für Anfänger:innen als auch für Fortgeschrittene. Anhand bündig präsentierter Grundbegriffe und Verfahren konturiert das Handbuch die Spezifik der phänomenologischen Methode, spart dabei jedoch nicht die Kontroversen und methodologischen Neuausrichtungen aus, die von ihrer Lebendigkeit und Vielstimmigkeit zeugen. Ein umfangreicher Schlussteil ist der Rezeption und Anwendung in einzelnen Wirkfeldern gewidmet. Als Hilfsmittel zur eigenständigen Erschließung der phänomenologischen Denkrichtung und zu ihrer Anwendung auf aktuelle Probleme zeichnet sich das Handbuch durch seine Leser:innenfreundlichkeit und einen stark forschungspraktischen Bezug aus. Ein Kompendium, das sich bald als ABC der Phänomenologie etablieren dürfte. (shrink)

Earthly Engagements brings together scholars who take up Jean-Paul Sartre's thought as a critical and heuristic resource to think through the planetary socio-ecological crisis. The volume advances the ecological voice in Sartre studies and the Sartrean voice in environmental studies, from environmental philosophy to eco-criticism.

Political prisoners in the Islamic Republic of Iran are tortured to the point that they may be psychologically broken, confess to something against their will, and actively bring degrading effects upon themselves. Phenomenologists maintain that consciousness is thoroughly intertwined with the body. It is not that we have bodies but that we are our bodies. In light of this position, torturing the body thus allows the torturer to break the consciousness and freedom of the tortured. How can tortured individuals stand (...) up again as authentic and free agents after their forced confessions? I will examine the relationship between tortured confessions and human freedom, basing my examination on the experiences of Iranian political activists. I argue that, although the victim's consciousness has been manipulated, the victim's freedom is as intact as it was before the tortured confession. (shrink)

El presente ensayo se inscribe en el centenario del nacimiento de Jean-Paul Sartre. Hoy, a veinticinco años de su muerte, se debate en un marco diferente en muchos aspectos de la pretérita generación a la que perteneció: el presente ahora es el de la denominada globalización, el de la Unión Europea, el conflicto étnico y cultural, la caída de la Unión Soviética… y se debate, por circunstancias históricas y de progreso en un mundo que discute críticamente, y precisamente, sobre el (...) filósofo y escritor francés. Nos proponemos estudiar, desde las coordenadas del materialismo filosófico, los componentes filosóficos presentes en L’Idiot de la famille, el último trabajo de Jean-Paul Sartre antes de su fallecimiento en 1980. Obra que es producto de una larga reflexión iniciada en su juventud con la lectura de Madame Bovary y latente a lo largo de su vida como escritor, para concluir en los años setenta con su publicación y en el marco de los acontecimientos revolucionarios del París de mayo del 68. (shrink)

Book review of Jean-Paul Sartre, George Orwell, and István Bibó: _Antisemitismin kirous: kolme kriittistä esseetä_. Translated by Anssi Halmesvirta and Tuomas Laine-Frigren. Helsinki: Gaudeamus, 2023.