Hume: Design Arguments for Theism

Contributors: -/- John Beatty (British Columbia); Kelly James Clark (Ibn Haldun, Istanbul); Angela Coventry (Portland State); Thomas Holden (UC Santa Barbara); Willem Lemmens (Antwerp); Robin Le Poidevin (Leeds); Jennifer Marusic (Edinburgh); Kevin Meeker (South Alabama); Amyas Merivale (Oxford); Peter Millican (Oxford); Dan O’Brien (Oxford Brookes); Graham Oppy (Monash); Paul Russell (Lund); Andre C. Willis (Brown).

This introduction provides a brief overview of the issues and arguments arising in Hume's "Dialogues concerning Natural Religion". It also discusses some of the historical and contextual background relating to this work, as well as the relvance of Hume's earlier philosophical works for our understanding of the "Dialogues". The final section of this Introduction includes a brief set of summaries of the contributions contained in this collection.

This essay considers the question of “atheism” as it arises in Hume’s _Dialogues_. It argues that the concept of “atheism” involves several signficiant ambiguities that are indicative of philosophical and interpretive disagreements of a more substantial nature. It defends the view that Philo’s general sceptical orientation accurately represents Hume’s own “irreligious” and “atheistic” commitments, both in the _Dialogues_ and in his other (“earlier”) writings. While Hume was plainly a “speculative atheist”, his “practical atheism” was targeted more narrowly against “superstition” - (...) as opposed to deism or religion of a more “philosophical” kind. (shrink)

With respect to the topic of “powers and abilities,” most readers will associate David Hume with his multi-pronged critique of traditional attempts to make robust explanatory use of those notions in a philosophical or scientific context. But Hume’s own philosophy is also structured around the attribution to human beings of a variety of basic faculties or mental powers – such as the reason and the imagination, or the various powers involved in Hume’s account of im- pressions of reflection and the (...) passions. Indeed, there is a clear case to be made that, despite his deflationary account of our concept of power, Hume continues to treat certain basic powers or faculties as forming the explanatory bedrock for his new “science of man”. In this essay, I will discuss how this apparent conflict between the “critical” (if not outright skeptical) and “constructive” aspects of Hume’s discussion of powers and abilities is best resolved – with special attention to the question of how this illuminates Hume’s place in the development of early modern conceptions of the proper method for philosophy. (shrink)

Abstractabstract:There are two ways of hearing Philo's unexpected endorsement of a version of the design hypothesis in the final part of Hume's Dialogues. We might register it in accordance with Cleanthes's descriptivist approach to religious speech, taking Philo to be reasoning with Cleanthes in Cleanthes's own way. Or we might hear Philo's words in accordance with his own expressivist account of religious speech, an account that Philo appears to have borrowed from Hobbes. I argue that Hume intended this double layering (...) of meanings, presenting us with two distinct ways we might understand Philo's closing remarks. Each possible reading reveals a distinct Humean lesson about the limitations of natural theology. (shrink)

David Hume (1711-1776) is widely recognized as one of the most influential and significant critics of religion in the history of philosophy. There remains, nevertheless, considerable disagreement about the exact nature of his views. According to some, he was a skeptic who regarded all conjectures relating to religious hypotheses to be beyond the scope of human understanding – he neither affirmed nor denied these conjectures. Others read him as embracing a highly refined form of “true religion” of some kind. On (...) the other side of this spectrum, it is claimed that Hume was committed to atheism, although due to social conditions at the time, this had to be (thinly) concealed or masked. The aim of this article is to provide an overview of Hume’s core concerns and arguments on this subject and to provide the reader with a framework for interpreting and assessing his various contributions. (shrink)

Hume’s Critique of Religion is a valuable and rewarding contribution to Hume scholarship. The atheistic interpretation that the authors defend is well supported and convincingly argued. Although Gaskin’s Hume’s Philosophy of Religion is (rightly) highly regarded, I believe that Bailey and O’Brien provide a more compelling and convincing interpretation. Their account is, in particular, much stronger in respect of the historical background and contextual considerations that they draw on to support of their interpretation. These historical advances are achieved without weakening (...) the care and attention that is given to Hume’s philosophical arguments. Students and more advanced scholars alike will find this study highly illuminating and instructive. It deserves to be widely read and carefully considered. -/- . (shrink)

Many think that the aim of Hume’s Dialogues is simply to discredit the design argument for the existence of an intelligent designer. We think instead that the Dialogues provides a model of true religion. We argue that, for Hume, the truly religious person: believes that an intelligent designer created and imposed order on the universe; grounds this belief in an irregular argument rooted in a certain kind of experience, for example, in the experience of anatomizing complex natural systems such as (...) the eye; and retains this belief, on the basis of these reasons, even after careful scrutiny. We argue that two of the Dialogues’s characters, Philo and Cleanthes, exhibit true religion. A third character, Demea, exhibits false religion and a persistent impiety. Taken as a whole, we see the Dialogues as an educational performance for the benefit of Pamphilus, Cleanthes’s ward, as well as for the benefit of readers of the Dialogues. Specifically, we think, given that its lessons concern theology and the principles of religion, the dynamics of the Dialogues’s discussion and the interplay between its characters can be seen as a demonstration of a method for becoming truly religious. (shrink)

A brief introduction to the life and work of William Paley, including a discussion of the structure of his famous design argument.

Andre Willis argues that although Hume is generally credited with being a “devastating critic” of religion, it is a mistake to view Hume solely in these terms or to present him as an “atheist.” This not only represents a failure to appreciate Hume’s “middle path” between “militant atheists and evangelical theists”, it denies us an opportunity to “enhance” our understanding and appreciation of the positive, constructive value of religion through a close study of Hume’s views. Willis’s study presents Hume as (...) committed to a “bifurcated approach to religion” that rests on the fundamental distinction between “false religion” and “true religion”. False religion, which includes Christianity, is a... (shrink)

This article aims to illuminate the background and intention of Hume's Dialogues. It argues that ‘Cleanthes’ is significantly modeled after Butler's thought by showing the connection between Part IX of the Dialogues and Butler's early correspondence with Clarke regarding the concepts of probability and conceivability. This clarifies Philo's ‘reversal’ in Part XII. Butler's theory of probability provides a clue to Hume's moderate skepticism which stops short of endorsing atheism. Hume presents a philosophical narrative in which readers are invited to entertain (...) philosophical thinking on natural theology as a preliminary to identifying ‘true’ religion rather than affirming atheism. (shrink)

I argue that acknowledging Hume as a doxastic naturalist about belief in a deity allows an elegant, holistic reading of his Dialogues. It supports a reading in which Hume's spokesperson is Philo throughout, and enlightens many of the interpretive difficulties of the work. In arguing this, I perform a comprehensive survey of evidence for and against Philo as Hume's voice, bringing new evidence to bear against the interpretation of Hume as Cleanthes and against the amalgamation view while correcting several standard (...) mistakes. I ultimately isolate the interpretation of Philo's Reversal at the end of the Dialogues as of paramount importance, and show how my naturalistic interpretation makes this, and other notoriously difficult passages, unproblematic. (shrink)

John Arbuthnot's celebrated but flawed paper in the Philosophical Transactions of 1711-12 is a philosophically and historically plausible target of Hume's probability theory. Arbuthnot argues for providential design rather than chance as a cause of the annual birth ratio, and the paper was championed as a successful extension of the new calculations of the value of wagers in games of chance to wagers about natural and social phenomena. Arbuthnot replaces the earlier anti-Epicurean notion of chance with the equiprobability assumption of (...) Huygens's mathematics of games of chance, and misrepresents the birth ratio data to rule out chance in favour of design. The probability sections of Hume's Treatise taken together correct the equiprobability assumption and its extension to other kinds of phenomena in the estimation of wagers or expectations about particular events. Hume's probability theory demonstrates the flaw in this version of the design argument. (shrink)

A persuasive argument that theism is a Humean “natural belief” relies on the assertion that belief in intelligent design is caused by “Cleanthes’s propensity,” introduced in Hume’s Dialogues—a universal propensity to believe in a designer triggered by the observation of apparent telos in nature. But Hume neverclaims in his own voice that religious belief is founded on anything like Cleanthes’s propensity. Instead, in the Natural History, he argues that the belief in invisible intelligent power is caused by the psychological propensity (...) to anthropomorphize triggered by the observation of disorder. I argue that religious belief is among theHumean natural beliefs only if this propensity is relevantly similar to the propensity responsible for inductive beliefs—the paradigmatic case of natural belief. Evidence from the Natural History and Treatise confirm that this is not the case. I conclude that belief in intelligent design is not, for Hume, a natural belief. (shrink)

The design argument was rebutted by David Hume. He argued that the world and its contents (such as organisms) were not analogous to human artifacts. Hume further suggested that there were equally plausible alternatives to design to explain the organized complexity of the cosmos, such as random processes in multiple universes, or that matter could have inherent properties to self-organize, absent any external crafting. William Paley, writing after Hume, argued that the functional complexity of living beings, however, defied naturalistic explanations. (...) In effect he dared anyone to come up with an alternative to his inference to design, and hence a designer, outside of nature. Charles Darwin explained the apparent design of functional complexity by his theory of natural selection. Asa Gray, however, in essays as well as in correspondence with Darwin argued that natural selection allowed for a type of ' evolutionary teleology' in which design at most could be considered the result of universal principles. F. E. Hicks updated Hume by specifically objecting to the use of design arguments by Paley. Hicks argued that the apparent design seen in nature reflected order at a deep level in nature. The design argument was briefly revived by Lawrence Henderson early in the twentieth century but he ultimately concluded that design and teleology were not necessarily mutually entailing and he retracted his design argument in favor of one that he termed ' natural teleology'. The current claims of ' intelligent design' have the same logical problems that have beset previous design arguments. If design is divorced from teleology and its discontents put behind us, then there is a possibility that the latter can have a place in the development of theories to explain the phenomena of emergent complexity. (shrink)

This essay offers a reassessment of William Paley's Principles of Moral and Political Philosophy. It focuses on his defence of religious ethics from challenges laid down in David Hume's Enquiry Concerning the Principles of Morals. By restoring the context of theological/philosophical debate to Paley's thinking about ethics, the essay attempts to establish his genuine commitment to a worldly theology and to a programme of human advancement. This description of orthodox thought takes us beyond the bipolar debate about whether intellectual culture (...) in the period was religious or secular: it was clearly religious; the question is: what kind of religion? It also makes questionable the view that England was somehow isolated from so-called Enlightenment currents of thought that were thriving elsewhere on the Continent. The “science of man”, far from being the sole preserve of Scottish and continental thinkers, also provided the basis for moral thought in eighteenth-century England. (shrink)

While numerous sources have been found for the ideas expressed by Cleanthes and Demea in the Dialogues, Philo's thoughts have commonly been taken to originate with Hume. It is clear, however, both from internal and external evidence, that Hume drew for his (sometimes wayward) spokesman on that mid-century ferment in the life sciences that Denis Diderot described as a "revolution." The restoration of this context—obscured by the late publication of the Dialogues —suggests that Philo's celebrated critique of theism is merely (...) one face of a discourse that centres in new ideas about generation and evolution. On this reading the Dialogues emerges as a conjectural as well as analytic work, one that offers in addition to its demolition of the argument from design an argument about design, built on the premise that natural order can be independent of a creator. The philosophical definition that Hume brings to ideas that first surfaced in the works of Maupertuis and Buffon makes the Dialogues the most potent pre-Darwinian work of its period. (shrink)

In the Dialogues Hume attaches great importance to an objection to the design argument which states, negatively, that from phenomena which embody evil as well as good there can be no analogical inference to the morally perfect deity of traditional theism and, positively, that the proper conclusion as regards moral character is an indifferent designer. The first section of this paper sets out Hume's points, and the next three offer an updating of Hume's objection which will apply to Swinburne's Bayesian (...) form of the design argument. The final section concludes that Hume's objection, suitably developed, holds against most of the main theistic arguments, even in their Bayesian form. (shrink)

In the Dialogues Concerning Natural Religion, Philo and Cleanthes make use of irregular arguments—arguments whose veracity is founded on the force and vivacity with which they strike the mind. This paper provides an analysis of the irregular arguments by the two characters in the Dialogues and by Hume in the Treatise of Human Nature. Since both characters accept the veracity of irregular arguments, it seems that they are in agreement at the end of the Dialogues. The similarity between their arguments (...) and those Hume presents in the Treatise seem suggests that both characters represent Hume’s actual position. (shrink)

A Crítica de Hume ao Argumento do Desígnio José Oscar de Almeida Marques Dep. de Filosofia – UNICAMP -/- RESUMO: É comum considerar que o chamado “argumento do desígnio” (o argumento a posteriori para provar a existência de Deus a partir da ordem e funcionalidade do mundo) teria sido refutado ou seriamente abalado por Hume. Mas a natureza e o alcance dessa alegada refutação são problemáticos, pois Hume muitas vezes expressou suas críticas através de seus personagens e evitou assumi-las diretamente (...) enquanto autor. Em vez de supor que Hume procedeu dessa forma apenas para disfarçar suas verdadeiras convicções e evitar um conflito com as autoridades eclesiásticas, proponho que sua posição nesse assunto não é tão categórica como às vezes se supõe, e que os famosos argumentos de Filo nos Diálogos mostram apenas que é possível que a ordem e funcionalidade do mundo tenham surgido sem a intervenção de um desígnio consciente, mas não podem por si sós dar a essa hipótese o mínimo grau de plausibilidade necessário para torná-la digna de uma séria consideração. De fato, antes da revolução explicativa operada por Darwin um século depois, ninguém estava realmente em condições de vislumbrar uma alternativa plausível à atuação de algum tipo de inteligência na geração da ordem e funcionalidade do mundo. ------------ Some Remarks on Hume’s Critique of the Argument from Design José Oscar of Almeida Marques Dep. of Philosophy - UNICAMP -/- ABSTRACT: The so-called “argument from design” (the a posteriori argument to prove the existence of God from the order and functionality of the world) is commonly considered to have been refuted or seriously impaired by Hume. But the nature and scope of this alleged refutation is problematic because Hume often expressed his critics through other characters’ mouth and avoided to assume them directly as author. Contrarily to the supposition that Hume proceeded in this way only to disguise his true convictions and to avoid a confrontation with the ecclesiastical authorities, I propose that his stance on the matter is not, in fact, as clear-cut as it is sometimes supposed, and that Philo’s famous arguments in the Dialogues show only that it is possible for the order and functionality of the world to have arisen without the intervention of an intelligent design, but cannot by themselves lend to this hypothesis the least degree of plausibility needed to make it worthy of serious consideration. In fact, before the explanatory revolution inaugurated by Darwin a century later, nobody was in position to envisage a plausible alternative to the operation of some sort or other of intelligence in the generation of the order and functionality of the world. (shrink)

This paper first outlines the main ideas of British natural theology, and shows the perennial value some of them have kept. It then outlines ways of searching for connections between God and nature, seeking traces of intelligence, first in the context of the setting of the modern ontology of the laws of nature, and then in the context of the design argument. It contrasts the positions of Hume and Paley. A presentation of recent "intelligent design" proposals is then offered, from (...) the perspective of their continuing that tradition of argumentation. They are contrasted with a Millian acount of their leaving the problem of evil unanswered. Behe's concept of irreducible complexity is presented in greater details, followed by Dembski's attempt to turn it into a logically valid mode of inference. Objections stemming from philosophers of science are lastly considered. The nature of life's strategies is in the end found to escape both attempts to have it on one's side. (shrink)

David Hume's various writings concerning problems of religion are among the most important and influential contributions on this topic. In these writings Hume advances a systematic, sceptical critique of the philosophical foundations of various theological systems. Whatever interpretation one takes of Hume's philosophy as a whole, it is certainly true that one of his most basic philosophical objectives is to unmask and discredit the doctrines and dogmas of orthodox religious belief. There are, however, some significant points of disagreement about the (...) exact nature and extent of Hume’s irreligious intentions. One of the most important of these is whether Hume's sceptical position leads him to a view that can be properly characterized as “atheism”. Although this was a view that was widely accepted by many of Hume's critics during his own lifetime, contemporary accounts have generally argued that this misrepresents his final position on this subject. The primary aims of this article are: (1) to give an account of Hume's main arguments as they touch on various particular issues relating to religion; and (2) to answer to the question concerning the general character of Hume's commitments on this subject. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume 28, Number 1, April 2002, pp. 113-130 Bayesianism, Analogy, and Hume's Dialogues concerning Natural Religion SALLY FERGUSON Introduction Analyses of the argument from design in Hume's Dialogues concerning Natural Religion have generally treated that argument as an example of reasoning by analogy.1 In this paper I examine whether it is in accord with Hume's thinking about the argument to subsume the version of it given in (...) the Dialogues under the model of probabilistic reasoning offered by Bayes's theorem. Wesley Salmon attempted this project in 1978.2 In related projects, David Owen3 as well as Philip Dawid and Donald Gillies4 have more recently attempted to construct Bayesian analyses of Hume's argument concerning testimony in "Of Miracles." I want to be careful at this stage to note exactly what I will claim. It is not that Bayesian reasoning sheds no light on the argument from design, or on arguments concerning testimony. All of the analyses mentioned above are beneficial in that they have been able to expose subtleties in these arguments that had previously gone unnoticed. Salmon's paper, in particular, contributes nicely to an understanding of just how the design argument may function in relation to contemporary scientific reasoning. In this paper I argue that, nonetheless, the attempt to apply Bayesian reasoning to the argument as presented in the Dialogues is not well supported as a reconstruction of Hume's own approach to the argument from design. Sally Ferguson is Assistant Professor of Philosophy, University of West Florida, UOOO University Parkway, Pensacola, FL 32514, USA. e-mail: [email protected] 114 Sally Ferguson There are two stages to my treatment of the issue. I begin by considering how much Hume knew of Bayes's theorem, and what consequence that knowledge might have had on his treatment of the argument in the Dialogues. This discussion includes a consideration of exactly what has been claimed by other authors on this subject, including what some have argued concerning Hume's reasonings in "Of Miracles," section 10 of An Enquiry concerning Human Understanding. I conclude that, based on the historical data, there is little reason to think of Hume's approach to the argument from design as anything more than proto-Bayesian at best. I then argue further, through a close textual analysis of the Dialogues, that there are good reasons for not treating Hume's reasoning there as even proto-Bayesian. In the end, the benefits that have been claimed for that approach, in terms of exposing both the subtleties of the argument and of Hume's reasoning about it, can equally well be derived from a careful analysis of the argument under a model of analogical reasoning, without need of Bayes's theorem. Section One Perhaps one might think that there is not much use for a consideration of the question whether Hume himself conceived of any of his arguments along specifically Bayesian lines. As Gower argues,5 Hume's knowledge of mathematics in general was fairly limited, and Bayes's theorem was not well known even up until Hume's death. It is important, therefore, for me to establish that there have not only been those who thought that Bayesian reasoning illuminates the arguments Hume gave, but also his own thinking about those arguments. It is also important for me to establish that it is not obvious that knowledge of Bayes's theorem did not affect Hume's reasonings. Each of these points will be addressed in the following. As to the first point, the claims of some authors on the subject are ambiguous. Dawid and Gillie, for example, make no statement to the effect that the probabilities involved in Bayes's theorem were in fact examined in "Of Miracles," nor do they attempt to produce any passages from Hume in support of that view. Thus it would be assumed that they see their attempt not as an attempt to provide an analysis that represents Hume's own approach to the argument, but rather simply as one that provides an illuminating method of analysis and support for an argument that Hume happened to give. Indeed, their conclusion, to the effect that a... (shrink)

That no qualities ought to be ascribed to a cause beyond what are requisite for bringing about its effect(s) is a methodological principle Hume employs to evacuate arguments from design of much theological significance. In this article I defend Hume’s use of the principle against several objections brought against it by Richard Swinburne.

There seems to be a widespread conviction — evidenced, for example, in the work of Mackie, Dawkins and Sober — that it is Darwinian rather than Humean considerations which deal the fatal logical blow to arguments for intelligent design. I argue that this conviction cannot be well-founded. If there are current logically decisive objections to design arguments, they must be Humean — for Darwinian considerations count not at all against design arguments based upon apparent cosmological fine-tuning. I argue, further, that (...) there are good Humean reasons for atheists and agnostics to resist the suggestion that apparent design — apparent biological design and/or apparent cosmological fine-tuning — establishes (or even strongly supports) the hypothesis of intelligent design. (shrink)

In the the passage just quoted from the Dialogues concerning Natural Religion, David Hume developed a thought-experiment that contravened his better-known views about "chance" expressed in his Treatise and first Enquiry. For among other consequences of the 'eternal-recurrence' hypothesis Philo proposes in this passage, it may turn out that what the vulgar call cause is nothing but a secret and concealed chance. (In this sentence, I have simply reversed "cause" and "chance" in a well-known passage from Hume's Treatise, p. 130). (...) In the first eight sections of this essay, I develop one topological and model-theoretic analogue of Hume's thought-experiment, in which 'most' ('A-generic') models M of a 'scientific' theory U are both 'eternally recurrent' and topologically random (in a sense which will be made precise), even though they are 'inductively' defined, via a step-by-step ('empirical'?) procedure that Hume might have been inclined to endorse. The last aspect of this model-theoretic thought-experiment also serves to distinguish it from simpler measure-theoretic prototypes that are known to follow from Kolmogorov's Zero-One Law (cf. the Introduction, 5.2, 6.1 and 6.7 below). In the last three sections, I will argue more informally (1) that the metamathematical thought-experiments just mentioned do have a genuine metaphysical relevance, and that this relevance is predominantly skeptical in its implications; (2) that such 'nonstandard' instances of semantic underdetermination and 'pathology' seem to be the metatheoretic rule rather than the exception; and therefore, (3) that metamathematical and metatheoretic 'malign-genius' arguments are quite coherent, contrary (e.g.) to assertions such as that of Putnam (1980), pp. 7-8. In the essay's conclusion, finally, I assimilate (2) and (3) to the familiar datum that 'simplicity', rather than 'pathology', has more often than not turned out to be an anomalous 'special case' in the historical development of scientific and mathematical ontology. (shrink)

In the the passage just quoted from theDialogues concerning Natural Religion, David Hume developed a thought-experiment that contravened his better-known views about chance expressed in hisTreatise and firstEnquiry.For among other consequences of the eternal-recurrence hypothesis Philo proposes in this passage, it may turn out that what the vulgar call cause is nothing but a secret and concealed chance.

In lieu of an abstract, here is a brief excerpt of the content:Huributt, Hume, Newton and the Design Argument Stanley Tweyman Abookfamiliartomanyofus,Hume,NewtonandtheDesignArgument, originally published in 1965, was recentlyreissued.1 The original work traces natural theology and the design argument from antiquity to the present. It analyses Hume's critique in the Dialogues Concerning Natural Religion, and shows one of his main targets to be the Newtonian formulation ofthe design argument andits effort to exploit science for religious purposes. In the reissued edition, a (...) supplementary essay is added, " The Dialogues as a Work of Art." In this essay, Hurlbuttargues that Hume used the dialogue form because he believed it to be an effective way to explore and expressively reveal the dialectical structure of certain kinds of philosophical and religious belief. In my own work on Hume's Dialogues Concerning Natural Religion,2 I acknowledge the importance of the dramatic components present in this work: that Pamphilus is a student of Cleanthes; that the initial assessment ofthe three speakers is provided by Hermippus (ofwhom we know nothing); that Pamphilus tells us that Philo was "a little embarrassed and confounded" after hearing Cleanthes' illustrative analogies in part 3; that Philo distances himselfat the end of part 8 from the sceptic's attack on all religious systems, and, in particular, from the attack in parts 2-8 in regard to Cleanthes' Argument from Design; that Demea's a priori argument in part 9 is criticized largely by Cleanthes rather than, as we mighthave expected, by Philo; that Demea takes leave of the discussion at the end of part 11; that Philo speaks of his "unfeigned sentiments" on the subject of natural religion in part 12; that the final pronouncement on the whole ofnatural theology (spoken by Philo) is regarded as the position which "some people seem to maintain"; that it is Pamphilus who, at the end ofthe Dialogues, assesses the 'principles' ofthe three main speakers; and that Hume speaks in his own person only once in this work, and then only in a footnote—these matters and several others were viewed as relevant to understanding the work as a whole and, therefore, were dealt with at great length. In his essay, Hurlbutt treats a familiar theme in a novel way. He supports the view, popularized largely by Norman Kemp Smith, that the literature on the Dialogues does not ordinarily take seriously the Volume XIX Number 1 167 STANLEY TWEYMAN fact that Hume chose to produce the Dialogues as a work of art. Hurlbutt therefore insists that he will not analyse the Dialogues as an argumentative essay "that is in an external fashion rhetorically embellished, and thus made more 'artful', in order to manipulate the reader and to hide or distance the author from the opinions therein" (p. 213). Such views, he urges, impoverish both Hume and the Dialogueshyimplying that he is deceitful, and by severely limiting the rich character ofthe Dialogues: T assume that Hume's decision to set the religious and theological arguments out in dialogue form was a rational act in a deeper sense, a sense tied to the things a successful work of art can do; things that a scientific essay, or even an 'artful essay", cannot do, or do so well" (ibid.). The main theme of Hurlbutt's essay—also its most original feature—is that by focusing on the Dialogues as a work of art, we will come to see that "a set ofexplicit arguments and beliefs are set out, in a series oflinked episodes, by a group ofexplicit speakers. By processes ofabstraction we can discover an implicit argument that is not wholly identical with any explicit ones, and an implicit speaker not identical with any one of the explicit speakers" (p. 215). Hurlbutt concludes by asserting that he "hopes to identify both the implicit argument and the implicit speaker with David Hume" (ibid.). Accordingly, Hurlbutt urges that Hume's thoughts and attitudes toward theology and religion cannot be identified with those ofany one ofthe explicit speakers, such as Philo or Cleanthes: "Rather, they must be identified with those of an implicit speaker, and the concept ofan implicit speaker is afunction of suggested or implicit meaning. And this last, ofcourse, is a concept ofart and aesthetics" (p. 216). Hurlbutt... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:305 HUME, HENRY MORE AND THE DESIGN ARGUMENT This paper is a contribution to research on the sources of Hume's statement of the design argument, whose analysis is the great subject of Dialogues Concerning Natural Religion. My surmise is that Hume's statement is probably his own. It is not a direct quotation from any source, but more 2 likely a fabrication drawn from several sources which presents the strongest (...) statement Hume could devise. My aim here is to demonstrate that one of Hume's sources is the works of Henry More (16141687 ). By a comparison of their language I mean to show the extent to which Hume drew on More for his formulation of the design argument. One of More's works, Divine Dialogues (1688), could have been Hume's modern example for treating the design 4 argument in a dialogue. It could have given Hume pointers for the organization, tone and characters of his own Dialogues. On a large view, the whole of Pialogues Concerning Natural Religion, with their artful match of position and counter-position, can be seen as a statement of the design argument. But on a close view, we can distinguish specific elements in Hume's statement; and for three of these elements we can show a close parallelism between Hume and More. The elements in Hume's statement to be considered here are.· (1)Cleanthes' introduction of the design argument in Part II, paragraph 5; (P 143) (2)"instances of design" offered by Cleanthes; (D 154, 185) and 306 (3) completing Hume's exposition of the design argument, Parts X and XI of the Dialogues, with their questions about the implications of human misery and the ill-workings of the world for the wisdom and benevolence of the universe maker (D 193-213). In addition to parallelisms between Hume and More at these points, there are a few straws in the wind that are worthy of mention. To pave the way for these comparisons, let me set out More's statements of the design argument. There are three of them. (1) More's first statement of the design argument occurs in An Antidote against Athéisme, (1652). The second of this work's three books is devoted to the design argument. Here is one of the earliest statements of the design argument in English; and it may be its first statement in an English work that is philosophical, rather than devotional or theological, and intended to convince solely on the basis of reasonable arguments. More sets out of the argument in three parts. First, there is the introductory remark: "...I would have my atheist walk with me awhile in the wide theater of this outward world, and diligently to attend to those many and most manifest marks and signs that I shall point to in this outward frame of things, that naturally signify unto us that there is a God" (AA 37-38). The 'walk' covers the next sixty pages, wherein More lists feature after feature of the world that he finds to instance divine design. At the end of this extensive catalogue, More then draws his conclusion: Wherefore the whole creation in general and every part thereof being so ordered as if the most exquisite reason and knowledge had contrived 307 them, it is natural to conclude that all this is the work of a wise God, as at first sight to acknowledge that those inscribed urns and coins digged out of the earth were not the products of unknowing nature, but the artifice of man (AA 97). (2)More's second statement of the design 7 argument is in The Immortality of the Soul (1659). More establishes to his satisfaction that matter is in motion, because "...when God created it, he D superadded an impress of Motion upon it...." That conclusion paves the way for the following paragraph: We have discovered out of the simple phenomenon of motion, the necessity of the existence of some incorporeal essence distinct from matter: but there is a further assurance of this truth, from the consideration of the order and admirable effect of this motion in the world. Suppose matter could move itself, would mere... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:HUME ON THE LOGIC OF DESIGN (i) Respectable Inductive Thinking Readers seeking to understand Hume's views concerning inductive reasoning often turn just to the obviously relevant sections of the Treatise and the 2 first Enquiry. In this paper I want to suggest that a broader approach is desirable, and specifically that the Dialogues Concerning Natural Religion shed additional significant light on Hume's views about induction. In those well known (...) passages of the Treatise and the first Enquiry Hume presents his critique of the idea of necessary connection; central to this critique is his point that thinking which goes beyond its premises in order to arrive at non-trivial factual conclusions cannot be demonstrative reasoning. Does this lead Hume into a radical scepticism concerning factual knowledge? A majority of interpreters do regard him as holding that because this kind of thinking is not demonstrative reasoning it cannot have any justification for the conclusions it reaches. In this connection, Hume is said to be committed to "deductivism" — the assumption that only demonstrative (deductive) reasoning can succeed in justifying conclusions. Interpreted in this way, Hume holds that demonstrative reasoning cannot establish non-trivial factual conclusions and that non-demonstrative thinking cannot establish them either; Hume is therefore committed to the view that non-trivial factual claims cannot be established, and so cannot be known. Thus, Hume is a radical sceptic who denies that we can attain any knowledge of non-trivial factual conclusions. Of course Hume does not stop with this negative result, but proceeds to affirm that our human nature impels us to derive conclusions about matters of fact even when it is not rational to do so. This occurs in accordance with the innate propensity by which the imagination operates, so that we cannot help but 2. engage in a specific style of non-rational thinking about these matters. This style may be characterized roughly as that of expecting to have future experiences which resemble our past experiences. This way of interpreting Hume which I have just sketched has been quite widely accepted, and I think it represents the way of understanding Hume which most readers are likely to arrive at if they simply read those well known passages of the Treatise and first Enquiry. It does seem to me to be essentially correct as a reading of those passages. To be sure, this interpretation has been challenged by several writers, and recently it has been denounced with especial vigor by Beauchamp and 4 Rosenberg in their stimulating book. Beauchamp and Rosenberg maintain that nowhere in the Treatise or Enquiry does Hume voice any general scepticism about the drawing of conclusions concerning matters of fact. On their reading, Hume is merely rejecting the view that factual conclusions can be proved demonstratively; he is not at all suggesting that the drawing of such conclusions is in general unjustified. They see him as a staunch and consistent advocate of inductive reasoning. I shall not take time here to try to thresh out the complex details of this controversy. For present purposes I shall merely indicate where I stand. I believe that Beauchamp and Rosenberg have read the Treatise and the Enquiry too much in the light of what they think Hume ought to be saying in order for him to have a consistent and plausible position. I think they water down too much his acid remarks about the lack of rationality of thinking which reaches non-trivial factual conclusions, and I think they attach too little weight to the manner in which Hume aligns himself with ancient scepticism. Unlike Beauchamp and Rosenberg, I consider that Hume is not a highly consistent writer, I think he sometimes has not thought through the implications of what he says in one place so 3. as to reconcile it with what he says in some other places. (To say this is not to denigrate the value of his work; much of the excitement of his thought stems from his willingness to press his opinions to inconsistent extremes.) Therefore, I think it best in reading Hume to be alert for possibly conflicting lines of thought which are present in the texts and which should not be... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:19. HUME AND BARKER ON THE LOGIC OF DESIGN I find myself in complete agreement with what I take to be the main thesis of Stephen Barker's paper. It is certainly a mistake to concentrate our attention on the negative critique which Hume directed at the modes of argument of his rationalist predecessors and contemporaries and directed even more at the mode of certain conviction with which they presented (...) conclusions arrived at by arguments that did not have a logically compelling force. Hume was very much concerned with the problem of just what kind of force an argument that was not logically compelling could have; and he was even more concerned (perhaps) with the problem of how the logical structure of non-compelling argument could best be exhibited so that the logic of the argument would not be confused with its force. He made significant contributions to both of these problems; and I think he knew what he was doing well enough not to deserve the charge of inconsistency which Barker seems inclined to bring against him. There are some questions which he did not address, for the very good reason that they could only arise, or at least they could only be formulated clearly, as a result of the clarification of our ideas and our situation that Hume himself achieved. His distinction between "relations of ideas" and "matters of fact" may be overly simplistic. But in all its simplicity this distinction is powerful enough to enable Hume to deal quite shortly with any claim that it is inconsistent to want to achieve this goal of knowing and saying what is true, just because we have shown that we have no logical guarantee that we shall achieve it. Christian orthodoxy has always maintained that we are all of us equally "sinners"; but no orthodox Christian moralist has ever maintained the Stoic paradox that all sins are equal. It is precisely because we know that we cannot achieve Stoic wisdom that we cannot possibly be tempted to 20. accept that paradox. Hume's achievement was to show that (in spite of the serpent's false promise) our situation with respect to knowledge has always been just as parlous as our situation with respect to action. But even in these unhappy circumstances it is not inconsistent to strive for whatever measure of truth we can achieve; and to strive at the same time for absolute logical clarity about the limits of our insight and about the comparative merits of all proposed approaches to the goal. But I must not devote my time to an issue that Barker wisely asks us to keep an open mind about. I want to discuss the form and substance of the arguments with which Barker supports the thesis that I do agree with, rather than take up an aside of his that I happen not to agree with. So then, first, let us consider the fault that he finds in the "fifth way" of Thomas. He says that it "begs the question". It "obscures the nexus of controversy" because the first premiss of the syllogism makes a crucial assumption that needs to be proved. Now I deny that the "fifth way" obscures the nexus of controversy in that way. Thomas (and all of his competent hearers) knew perfectly well that his first premiss had not been universally accepted. He was stating the view of Aristotle about the generally purposive character of nature, and he knew that it had been doubted. But he did not think that a rational believer could hesitate about the choice between Aristotle's position and that of the atheist defenders of chance. Anyone who did hesitate was a fool, and arguments could not touch him. That some men were fools, and could "say in their heart, 'There is no God'", was part of the "problem of evil" which we must consign trustfully to the inscrutable wisdom of God (save in so far as Scripture reveals to us the origin of and reason for our fallen condition). In Hume's world, Aristotle's conception of the orderliness of Nature had been supplanted by Newton's. Newton accepted the atomist view that "natural bodies... (shrink)

This article deals with the design argument for the existence of God as it is discussed in hume's "dialogues concerning natural religion". Using bayes's theorem in the probability calculus--Which hume almost certainly could not have known as such--It shows how the various arguments advanced by philo and cleanthes fit neatly into a comprehensive logical structure. The conclusion is drawn that, Not only does the empirical evidence fail to support the theistic hypothesis, But also renders the atheistic hypothesis quite highly probable. (...) A postscript speculates upon the historical question of hume's own attitude toward the design argument. (shrink)

This paper is concerned with the question: ‘Did Philo in Hume’s Dialogues succeed in undermining Cleanthes’ argument from design?’ Hume’s commentators have differed on their answers. Norman Kemp Smith speaks of Philo’s destructive criticism as “final and complete.” And Professor Bernard Williams, in a recent symposium devoted to Hume, says that “although the argument from Design lingered on through the nineteenth century, and even to the present time, Hume undermined it in a thoroughgoing and definitive manner.” Professor Alvin Plantinga, on (...) the other hand, while conceding that Hume had succeeded in pointing out differences between the universe and things we know to be designed, nevertheless concludes that “there seems to be no reason to think that these differences ruin the argument.”. (shrink)

Newton and his contemporaries reinterpreted the traditional "design" argument for God's existence to argue from a universe, conceived along mechanistic lines, to the "Supreme Geometrician" who planned the design, started the machine, and continually compensates for its mechanical inadequacies. This position, Hurlbutt contends, was Hume's primary target in his Dialogues Concerning Natural Religion, a target which Hume effectively demolished. Hurlbutt attempts to amplify the significance of this thesis by summarizing various classical and medieval arguments for God's existence. Hume, he feels, (...) effectively refuted all of them by undercutting the rational arguments and showing that the mystical arguments rested on subjective needs and cultural conditioning. The present result of Hume's labors is that: "No modern theology is pursuing the path of natural theology or its prized argument—the design argument," a conclusion that Hurlbutt reaches by ignoring those theologians, e.g., many Thomists, who are pursuing the path of natural theology as well as the arguments that they actually employ.—E. M. M. (shrink)