Gender as Personality

The Oxford English Dictionary (OED) lists 1571 as the year of the first recorded use of the English word ‘masculinity’; the Ancient Greek ανδρεια (andreia), usually translated as ‘courage’, was also used to refer to manliness. The notion of manliness or masculinity is undoubtedly older still. Yet, despite this seeming familiarity, not only is the notion proving to be highly elusive, its understanding by the society being in a constant flux, but also one which is at the root of bitter (...) division and confrontation, and which has tangible and far-reaching real-world effects. At the same time, while masculinity has been attracting an increasing amount of attention in academia, the large body of published work seldom goes to the very foundations of the issue, failing to explicitly and with clarity reach a consensus as to how masculinity ought to be understood. Herein I critique the leading contemporary thought, showing it to be poorly conceived and confounded, and often lacking in substance which would raise it to the level of the actionable and constructive. Hence, I propose an alternative view which is void of the observed deficiencies, and discuss how its adoption would facilitate a conciliation between the currently warring factions, focusing everybody’s efforts on addressing the actual ethical, deconfounded of specious distractions. (shrink)

A Letter to the Editor about the origin of "gender identity" and deficiencies in its current definition.

Human-sciences research often focuses on social problems to create tools for solving them. Yet, in using common prejudices in gathering and sorting data on their subjects, they risk propagating those same prejudices. This article proposes that a major subject matter of human sciences is human concepts themselves. Concepts about “what we are,” individually and as a species, are deeply embedded, if not essential. It concludes that for greater precision, practitioners in human sciences must take maximum advantage of this characteristic of (...) the subject, making individuals’ concepts about what they consider themselves to be integral criteria of data gathering and sorting. (shrink)

Despite its ubiquity in nearly all academic disciplines, gender has remained a contested concept, so much so that there is considerable ambiguity regarding what makes one a woman or a man and what relation such traits have with the human body. Debates typically polarize around the positions of gender essentialism and social constructionism, though both have been shown to have serious limitations. Additionally, theologians have typically approached these debates either by understanding gender as a category for sustained investigation but finding (...) that the tools and virtues of theology are ill-suited for doing so, or by retaining the tools and virtues of theology but keeping gender at arm’s length. The motivating principle of this dissertation is that both bifurcations—between essentialism and social construction, between treating gender seriously or retaining theological fidelity—are false. Instead, the dissertation attempts to provide a model for gender’s basic features that is accountable to the broader conversation while employing the recognizable tools of theology. After specifying what those are, it proposes that gender is the appropriation of social goods according to the sexed body, where the means of appropriation is primarily through what one loves. (shrink)

Using a theoretical framework derived from my ongoing engagement with what I have called a ‘Gynocentric matrix’ of Indic sensibility, along with James Hillman’s polytheistic psychology and Wallace Stevens’ notion of a Supreme Fiction, this paper offers a reading of Jhumpa Lahiri’s (b. 1967) short stories beyond postcolonial criticism. Stemming from a depth consciousness where life, living and death, joy, indifference and sorrow, generation, de/re-generation, and transformation are intricately intertwined, Lahiri’s fictional multiverse, opposed to universe, is peopled by a new (...) generation of characters who speak to the soul of the reader, while in the process, she sculpts a reality that does not tolerate any homogenizing impulse in the name of an abstract unity. (shrink)