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Summary

Félix Guattari (1930-1992) was a French psychoanalyst, philosopher and political activist. Trained as a psychoanalyst under Jacques Lacan, he worked at the experimental psychiatric clinic La Borde (1955-1992). Founded by Jean Oury in 1953, La Borde became a space for institutional experimentation, connected to institutional psychotherapy, aiming to create forms of psychiatric care that undermined patient/analyst hierarchies, involved patients in the organization of daily life in the facility (from cooking to cultural activities) and encouraged transversal group-therapeutic activity. Already in “Machine et structure” (1972) Guattari began to question the Lacanian dictum of the individual unconscious operating like a language and substituted machinic desire, group-subject and semiotics for the idea of a transcendental signifier. He developed schizoanalysis (also in his collaborations with Gilles Deleuze) and ecosophy as alternative practices of analysis and theory of subjectivity. He founded the review Recherches (1967-1983), connected to the Center for Institutional Study, Research, and Training (CERFI, 1965-1987), both of which combined transversal group work with research, knowledge production and political activism. In the aftermath of the 1968-protests, Guattari met Gilles Deleuze and their intellectual friendship led to several collaborative publications and lasted until Guattari’s sudden death in 1992. Throughout his career, Guattari sustained a profound commitment to experimental revisions of analytic practice and to political activism. He collaborated, among others and in different contexts, with the Italian autonomy movement, free radio broadcasting (Radio Alice), Antonio Negri (Communists Like Us (1985, engl. 1990)) and Brazilian psychoanalyst Suley Rolnik on micropolitics (Molecular Revolution in Brazil (1986, engl. 2008)).

Key works

Guattari is often primarily associated with his collaborative works with Gilles Deleuze, most notably the two-volumes of Capitalism and Schizophrenia: Anti-Oedipus (1972, Deleuze & Guattari 1977) and A Thousand Plateaus (1980, Deleuze 1987), the book on Kafka (Kafka: Towards a Minor Literature (1975)), and their last collaboration What is Philosophy? (Deleuze & Guattari 1991). For both Guattari and Deleuze, this collaboration was extremely fruitful for the development of their own thought. Next to these productive collaborations, Guattari authored a substantial series of works preceding and running parallel to his work with Deleuze. Main titles are Psychoanalysis and Transversality (1972, engl. 2015), Molecular Revolution: Psychiatry and Politics (1977, engl. 1984), The Machinic Unconsious (1979, Guattari 2010), Schizoanalytic Cartographies (1989, Guattari 2013), The Three Ecologies (1989, Guattari 2000) and Chaosmosis: an Ethico-Aesthetic Paradigm (1992, engl. 1995). Of interest is also the recent publication of his science-fiction film script Un Amour d'UIQ. Scénario pour un film qui manque (2012).

Introductions

Félix Guattari: A Critical Introduction (Genosko 2009) is a good introduction to Guattari’s thought, Charles Stivale's The 'Two-Fold' Thought of Deleuze and Guattari: Intersections and Animations (1998) is a good introduction to the intertwined thought of Guattari and Deleuze, and Franco Berardi Bifo’s Felix Guattari: Thought, Friendship, and Visionary Cartography (2008) the personal account of a political friend, giving insight into Guattari’s political activism.

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  1. A Differential Play of Forces. Transcendental Empiricism and Music.Torbjørn Eftestøl - 2023 - Dissertation, Norwegian Academy of Music
    'A Differential Play of Forces' is a study of transcendental empiricism in musical contexts. It presents a reading of Gilles Deleuze and Félix Guattari’s philosophical apparatus and explores how music can be thought of as functioning in the operation Deleuze terms transcendental empiricism. Central to transcendental empiricism is the idea of an encounter with intensive difference and the consequent experience of intensive and virtual forces. The thesis sets out to explore this idea in three interwoven steps. First, it develops transcendental (...)
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  2. For a nomad ontology against academic citizenship.Andrew Gibson - 2024 - Journal of Praxis in Higher Education 6 (2):187-196.
    This paper argues against the apparently benign concept of ‘academic citizenship,’ drawing on resources and conceptual precedents from within higher education generally and philosophy specifically. It does so not only in order to offer a critique, however. By considering the directions from which criticism can be levelled at the notion of ‘citizenship’, and the State-centric conceptualisation of the university underlying it, an argument for an alternative conceptualisation of academic being is offered. Ontology is suggested as a suitable route to dealing (...)
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  3. Review of Thomas Nail, "Returning to Revolution: Deleuze, Guattari, and Zapatismo". [REVIEW]Nathan Jun - 2013 - Notre Dame Philosophical Reviews.
  4. The Smooth and the Striated.Henry Somers-Hall - 2018 - In Henry Somers-Hall, James Williams & Jeffrey Bell (eds.), A Thousand Plateaus and Philosophy. Edinburgh University Press. pp. 242-259.
    In the fourteenth plateau of A Thousand Plateaus, Deleuze and Guattari develop a dichotomy between two kinds of space – the smooth and the striated. What I want to focus on in this chapter is the status of these two conceptions of space. As Deleuze and Guattari note, these two forms of space are only discovered in a mixed form, yet are capable of being analysed de jure through their separation. In this sense, the plateau on the smooth and striated (...)
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  5. Ideology Critique: A Deleuzian Case.Keunchang Oh - 2022 - Southern Journal of Philosophy 60 (3):388-412.
    It is well-known that Gilles Deleuze (and Félix Guattari) are critical of the notion of ideology. However, it is not very clear why they seem to be so dismissive of it. In what follows, I will begin my discussion by showing what Deleuze means by ideology and reconstructing why Deleuze thinks that ideology is a misused concept and that the misuse of the concept warrants its dismissal. In Anti-Oedipus, the insufficiency or inadequacy of the concept of ideology can be understood (...)
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  6. Minor ethics: Deleuzian variations.Casey Ford, Suzanne McCullagh & Karen Houle (eds.) - 2021 - Chicago: McGill-Queen's University Press.
    Alongside the major narratives of ethics in the tradition of Western philosophy, a reader with an eye to the vague and the peripheral, to the turbulent and shifting, will uncover minor lines of thinking--and with them, new histories and thus new futures. Minor Ethics develops a new approach to reading texts from the history of philosophical ethics. It aims to enliven lines of thought that are latent and suppressed within the major ethical texts regularly studied and taught, and to include (...)
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  7. Sounds Flush with the Real: Mixed Semiotic Strategies in Post-Cagean Musical Experimentalism.Iain Campbell - 2021 - In Paulo de Assis & Paolo Giudici (eds.), Machinic Assemblages of Desire: Deleuze and Artistic Research 3. Leuven, Belgium: pp. 107-114.
    When beginning to think about the relation between experimental music and the thought of Gilles Deleuze, this quotation seems to be a natural starting point. In Deleuze and Guattari’s affirmation of this phrase from John Cage they suggest a resonance between music and philosophy: in both fields the experimental approach entails a dismantling of predetermining codes and hierarchies, and with this arises the opportunity for an open-endedness that accommodates singular events and encounters. This understanding of experimentation, however, is not as (...)
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  8. Structuralist heroes and points of heresy: recognizing Gilles Deleuze’s (anti-)structuralism.Iain Campbell - 2021 - Continental Philosophy Review 55 (2):215-234.
    This article is concerned with the status and stakes of Gilles Deleuze’s “break” with structuralism. With a particular focus on a transitional text of Deleuze, the 1967/1972 article “How Do We Recognize Structuralism?,” it asks how Deleuze understood structuralism and why, after his encounter with Félix Guattari and Guattari’s own transitional text, 1969’s “Machine and Structure,” Deleuze felt the need to break with structuralism. It argues that reading these two texts together allows us to see that Deleuze already perceived tensions (...)
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  9. Found footage at the receding of the world.Byron Davies - 2022 - Screen 23 (1):123-129.
    This essay argues that, despite the potential for an encounter between Stanley Cavell’s thought and found-footage experimental filmmaking, this has not yet taken place because the early Cavell’s picture of films as autonomous “wholes,” together with his "global-holistic" conception of modernism, prevented him from appreciating the expressive possibilities of filmic fragments. I then argue that these impediments to an encounter with found footage recede in Cavell’s later thought, as he moves away from a concern with modernism and as J. L. (...)
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  10. The Profanations of Giorgio Agamben.Irfan Ajvazi - manuscript
    Agamben is hard to pin down both theologically and philosophically. He attempts to construct miraculous minutiae out of un-miraculous things. Hence this work is the act of profaning the unprofanable. What ontological stature, what imaginative configuration and what spatio-temporal coordinates this move articulates are less than forthcoming. Indeed it is possible that Agamben disavows these entirely in favour of a Benjaminian eternal 'as if' structure, one which sees in the most mundane the traces of an eternal and secular redemption. But (...)
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  11. Immanence and the Animal: A Conceptual Inquiry.Krzysztof Skonieczny - 2020 - London, UK: Routledge.
    This book reexamines the concept of the animal on the plane of immanence, as opposed to the traditional viewpoint founded on the plane of transcendence. -/- Following Deleuze and Guattari’s notion that philosophy is a discipline of creating concepts, this book traces how the concept of the animal was created in the history of philosophy through re-reading the works of Descartes, Kant, Heidegger, Derrida and Levinas. Their theories show that the concept of the animal was constructed on the "plane of (...)
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  12. Promises of Non/Living Monsters and Uncontainable Life.Marietta Radomska - 2018 - Somatechnics 8 (2):215-231.
    In the Western cultural imaginaries the monstrous is defined – following Aristotelian categorisations – by its excess, deficiency or displacement of organic matter. These characteristics come to the fore in the field of bioart: a current in contemporary art that involves the use of biological materials (various kinds of soma: cells, tissues, organisms), and scientific procedures, technologies, protocols, and tools. Bioartistic projects and objects not only challenge the conventional ideas of embodiment and bodily boundaries, but also explore the relation between (...)
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  13. Caosmosis y subjetividad: La estética de Félix Guattari (1930-1992).Matías G. Rodríguez-Mouriño - 2019 - Dissertation, Universidade de Santiago de Compostela
    Chaosmosis and Subjectivity: The Aesthetics of Félix Guattari (1930-1992) is the first doctoral thesis monographically devoted to the work of this great contemporary thinker. The aim of this study is the analysis of his aesthetics in the context of French post-structuralist thought, by means of a systematic analysis of the influences, stages and foundations of his work. From a state of the field which allows us to understand the historiographical keys in the reception of his thought, we then present the (...)
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  14. Sound’s Matter: ‘Deleuzian Sound Studies’ and the Problems of Sonic Materialism.Iain Campbell - 2020 - Contemporary Music Review 39 (5):618-637.
    This article evaluates the theoretical and practical grounds of recent debates around Christoph Cox’s realist project of a ‘sonic materialism’ by returning to Gilles Deleuze, a key theoretical resource for Cox. It argues that a close engagement with Deleuze’s work in fact challenges many of the precepts of Cox’s sonic materialism, and suggests a rethinking of materialism in the context of music. Turning to some aspects of Deleuze’s work neglected by Cox, the ‘realist’ ontological inquiry Cox affirms is challenged through (...)
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  15. Three Spheres of Catatonia in the Works of Gilles Deleuze.Krzysztof Skonieczny - 2020 - Eidos. A Journal for Philosophy of Culture 4 (2):90-101.
    The text traces the development of the notion of catatonia in the work of Gilles Deleuze across three spheres – the individual, social and literary. The need for an analysis is based on the author’s perception that Deleuze thought on catatonia and slowness has been undervalued in many interpretations ; the recognition, in works of sociologists such as Hartmut Rosa, of the adverse effects of social acceleration. In the individual sphere, catatonia is the effect of a radical withdrawal into anti-production (...)
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  16. The Schizoanalysis of Sex: Toward a Deleuzian-Guattarian Sexual Ontology.James Sares - 2020 - philoSOPHIA: A Journal of Continental Feminism 10 (1):47-70.
    Deleuze and Guattari’s schizoanalytic project has been understood to be antithetical, or at best indifferent, to any project of sexual ontology. Against these dominant views, I argue for an interpretation of the schizoanalytic project that does justice to the differentiation of beings—particularly the human being—according to distinct forms of sexuate morphology. I claim that, although it is largely absent in Deleuze and Guattari’s writings, we can read this kind of determinate sexual difference into their project at both the organic stratum (...)
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  17. L'immagine-inazione. Lo spazio e il tempo nel passaggio dall'image-mouvement all'image-temps in Gilles Deleuze.Fabio Vergine - 2019 - In Enrico Giannetto (ed.), La memoria del cielo. Catania CT, Italia: pp. 1-18.
    Nella sua riflessione filosofica sull’immagine filmica Gilles Deleuze sembra aver tradotto nella maniera più immediata, ancorché insolubilmente problematica, la presenza di uno spazio e di un tempo che giocano il proprio ruolo su di una forma passiva di soggettività: è proprio ne L’image- mouvement, infatti, che Deleuze mostra come uno dei passaggi più proficui delle sue osservazioni sul cinema sia proprio la crisi di ciò che egli definisce immagine-azione, a favore, invece, di un’immagine-tempo, o situazione ottica e sonora pura. Per (...)
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  18. A Thousand Plateaus and Philosophy.Henry Somers-Hall, James Williams & Jeffrey Bell (eds.) - 2018 - Edinburgh University Press.
    "This volume brings together a team of international specialists on Deleuze and Guattari to provide in-depth critical studies of each plateau of their major work, A Thousand Plateaus. It combines an overview of the text with deep scholarship and brings a renewed focus on the philosophical significance of their project.'A Thousand Plateaus' represents a whole new way of doing philosophy. This collection supports the critical reception of Deleuze and Guattari's text as one of the most important and influential works of (...)
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  19. Antonin Artaud e la scrittura del reale. Glossolalie e disegni per un linguaggio analfabetico.Fabio Vergine - 2018 - Elephant and Castle. Laboratorio Dell'immaginario 1 (18).
    During the last ten years of his life, Antonin Artaud shows more and more intensively a multi-faceted and caustic refusal for traditional literature and the ordinary practice of writing. But above all, he shows a stylistic impatience for the alphabetic use of the word and the language. By the intention of creating an inhuman language, which could be understood also by the illiterate people, Artaud wants to undermine the significant use of the word, so that he can achieve a non-representative (...)
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  20. Un tempo oltre la storia: inconscio, après-coup e genealogia in psicoanalisi.Fabio Vergine - 2017 - L'inconscio. Rivista Italiana di Filosofia E Psicoanalisi 2018 (4):161-185.
    To the origin of psychoanalysis, in the thought of his founder, Sigmund Freud, the unconscious is properly timeless. In this work we will analyze the concept of Real in Jacques Lacan's thought, and at the same time we will try to understand the functioning of après-coup temporality on the relationship between the time of trauma and the time of symptom. Doing this, we will try to answer an essential question: if the concept of Real is the key concept of last (...)
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  21. Kafka and Deleuze/Guattari: Towards a Creative Critical Writing Practice.Ola Ståhl - 2016 - Theory, Culture and Society 33 (7-8):221-235.
    Drawing upon the work of Gilles Deleuze and Félix Guattari, in particular their writing on Franz Kafka, this article stakes out the ground for a creative critical writing practice beyond the confines of literature. Exploring the notion of writing in relation to affect constellations, what causes one to write, and expressions without content, how one begins to write, the argument put forth is that in rethinking the distinction Deleuze and Guattari tend to make between artistic practice and philosophical thought, a (...)
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  22. Soft Subversions. [REVIEW]Maxwell Kennel - 2012 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 16 (1):270-272.
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  23. Francisco José Martínez. Hacia Una era postmediática. Ontología, política Y ecología en la obra de Félix Guattari.Amanda Núñez García - 2010 - Endoxa 25:425.
  24. Deleuze and Guattari's 'What is Philosohpy'.Rex Butler - unknown
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  25. Deleuze and Guattari’s Philosophy of History.Alain Beaulieu, Fadi Abou-Rihan & Eugene Holland - 2008 - Symposium 12 (2):147-165.
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  26. What Is (Feminist) Philosophy?Rosalyn Diprose - 2000 - Hypatia 15 (2):115-132.
    What makes us think, and what makes us think as feminists? In seeking to answer these questions, this paper draws on both Deleuze and Guattari's account of the creation of concepts, and feminist thought on feminist thinking, before suggesting with Levinas that our relation to ideas is primarily affective. Via further engagement with Levinas, I argue that it is the relation to the other which provokes and produces thought; models of autonomous theorizing are thereby supplanted by the teaching of the (...)
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  27. Beauvoiris Minoritarian Philosophy.Linnell Secomb - 1999 - Hypatia 14 (4):96-113.
    Drawing on Gilles Deleuze and Félix Guattari's elaborations of the project of philosophy and styles of minoritarian literature, it becomes possible to reveal new dimensions in Simone de Beauvoir's The Second Sex. In this work she uses a minoritarian philosophy, which is an accessible and collaborative mode of philosophizing, to create a concept of Woman as an incarnate-becoming. This concept overcomes the dichotomizing of transcendence and immanence, and revalues feminine existence within philosophical discourses.
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  28. Nomadology: The War Machine.Brian Massumi (ed.) - 1986 - Semiotext(E).
    In this daring essay inspired by Nietzsche, Gilles Deleuze and Felix Guattari redefine the relation between the state and its war machine. Far from being a part of the state, warriers are nomads who always come from the outside and keep threatening the authority of the state. In the same vein, nomadic science keeps infiltrating royal science, undermining its axioms and principles. Nomadology is a speedy, pocket-sized treatise that refuses to be pinned down. Theorizing a dynamic relationship between sedentary power (...)
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  29. Soft Subversions: Texts and Interviews 1977--1985.Sylvère Lotringer, Chet Wiener & Emily Wittman (eds.) - 2009 - Semiotext(E).
    This new edition of Soft Subversions expands, reorganizes, and develops the original 1996 publication, offering a carefully organized arrangement of essays, interviews, and short texts that present a fuller scope to Guattari's thinking from 1977 to 1985. This period encompasses what Guattari himself called the "Winter Years" of the early 1980s--the ascent of the Right, the spread of environmental catastrophe, the rise of a disillusioned youth with diminished prospects for career and future, and the establishment of a postmodernist ideology that (...)
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  30. The Anti-ŒDipus Papers.Stéphane Nadaud & Kélina Gotman (eds.) - 2006 - Semiotext(E).
    "The unconscious is not a theatre, but a factory," wrote Gilles Deleuze and Félix Guattari in Anti-Oedipus, instigating one of the most daring intellectual adventures of the last half-century. Together, the well-known philosopher and the activist-psychiatrist were updating both psychoanalysis and Marxism in light of a more radical and "constructivist" vision of capitalism: "Capitalism is the exterior limit of all societies because it has no exterior limit itself. It works well as long as it keeps breaking down."Few people at the (...)
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  31. Cartographies of subjectification.Jamie D. Brassett - unknown
    The project of this thesis is multi-faceted. Starting with an examination of Kant's First Critique, it outlines the inextricable linkage between our understanding of subjectivity and a notion of space. Once such a connection has neen made, it describes the approach necessary to reorient the notions of space and subjectivity that have culminated in the postmodern cry that The Subject is Dead. This approach is named, "Cartography" and is borne out of an examination of the works of Bachelard, Deleuze and (...)
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  32. The Fate of Place: A Philosophical History.Edward Casey - 1997 - University of California Press.
    In this imaginative and comprehensive study, Edward Casey, one of the most incisive interpreters of the Continental philosophical tradition, offers a philosophical history of the evolving conceptualizations of place and space in Western thought. Not merely a presentation of the ideas of other philosophers, _The Fate of Place_ is acutely sensitive to silences, absences, and missed opportunities in the complex history of philosophical approaches to space and place. A central theme is the increasing neglect of place in favor of space (...)
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  33. Deleuze, Darwin and the Categorisation of Life.Nathan Eckstrand - 2014 - Deleuze and Guatarri Studies 8 (4):415-444.
    The paper looks at Deleuze's metaphysics and compares it to recent developments in biology and the metaphysical implications they have.
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  34. Reading with love: reading of life narrative of a mother of a child with cerebral palsy.Daniela Mercieca & Duncan P. Mercieca - 2014 - Ethics and Education 9 (3):264-275.
    This paper draws upon Deleuze and Guattari's ideas to suggest a different kind of reading of a narrative of a mother of a child with severe disability, and thus a different kind of ethical response to them. This reading gives readers the possibility of opening up experiences of parents and children with disability, rather than compartmentalising such stories. The reader becomes, is transformed, through reading these narratives and through engaging with the intensities which are recognised in the text, asking the (...)
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  35. Conceptualizing the State in The Anti-Oedipus: Capitalism and Schizophrenia.María Pagotto - 2014 - Eidos: Revista de Filosofía de la Universidad Del Norte 21:85-103.
    The paper analyzes key aspects of the conception of The State in The Anti-Oedipus. Capitalism and Schizophrenia , in particular the developments offered in Chapter Three: "Savages, Barbarians, Civilized". The innovative idea of the State arises from an elliptical, discontinuous, jumbling and polyphonic game with Karl Marx based on his notion of Asiatic Mode of Production; with Friedrich Nietzsche based on his concept of origin and domestication; and with Sigmund Freud based on his notion of latency. The central categories for (...)
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  36. La lingua e l'animale. Politiche della letteratura in Deleuze.Paolo Vignola - forthcoming - Bollettino Telematico di Filosofia Politica.
    Esiste un rapporto profondo e continuativo fra il pensiero di Gilles Deleuze e la letteratura. Non solo non è possibile comprendere la prospettiva filosofica deleuziana senza fare riferimento alle opere di Proust, Kafka e Melville, ma, soprattutto, l’intreccio costruttivo tra la filosofia e la letteratura – e l’arte in generale – è una delle tesi di fondo di "Che cos’è la filosofia?", il testo scritto con Guattari che descrive il ruolo del pensiero filosofico in quanto creatore di concetti, che necessità (...)
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  37. Book Reviews : Stephen R. Covey, Principle-Centred Leader ship. London: Simon and Schuster Ltd., 1992, pp. 326, £8.99.Sanjoy Mukherjee - 1995 - Journal of Human Values 1 (1):141-143.
  38. Oedipus: The Most Crucial Concept in Psychoanalysis.Juan-David Nasio - 2010 - State University of New York Press.
    First English translation of Nasio's groundbreaking work on the Oedipus complex.
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  39. Review of Félix Guattari, The Anti-Oedipus Papers. [REVIEW]Daniel W. Smith - 2006 - Radical Philosophy 140:35-39.
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  40. Anti-Oedipus: Capitalism and Schizophrenia.T. A. Kupers - 1978 - Télos 1978 (37):242-248.
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  41. Machinic Vision.John Johnston - 1999 - Critical Inquiry 26 (1):27-48.
  42. Technopoetics: Seeing What Literature Has to Do with the Machine.Strother B. Purdy - 1984 - Critical Inquiry 11 (1):130-140.
    What I refer to is how our thought in inventing, designing, modifying, and using machines carries over into acts we do not consciously associate with them—like writing or reading poetry. An airplane in flight may be “pure poetry,” or a Ferrari “a poem in steel”; it intrigues me to consider that beneath such object comparisons an object-of-thought connection may be made. Or in other words, there may be really something to a hackneyed compliment like “poem in steel.” My preference for (...)
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  43. Mutações na prática crítica.Fábio Akcelrud Durão - 2005 - Philósophos - Revista de Filosofia 10 (1).
    O presente texto investiga recentes modificações na prática da crítica filosófica. Em sua parte inicial, delineia rapidamente as principais determinações do conceito de crítica, bem como estabelece a ligação entre crítica e crise. Isto é seguido por uma descrição da prática crítica de T.W. Adorno, na qual são apontadas: a) a valorização da leitura micrológica em um contexto de precarização do conceito de totalidade; b) a problematização de uma linearidade temporal por meio da imbricação entre história e natureza; c) a (...)
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  44. Kłącze.Gilles Deleuze & Felix Guattari - 1988 - Colloquia Communia 36 (1-3):221-238.
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  45. Félix Ravaisson, Of Habit. [REVIEW]Kristin Anne Rodier - 2011 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 15 (2):237-240.
  46. Review of Gilles Deleuze, Two Regimes of Madness. [REVIEW]Daniel W. Smith - 2007 - Teaching Philosophy 30 (2):237-241.
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Guattari: Philosophy of Ecology
  1. Heterogeneous Collectivities and the Capacity to Act: Conceptualizing nonhumans in the political sphere.Suzanne McCullagh - 2018 - In Rosi Braidotti & Simone Bignall (eds.), Deleuzian Systems: Complex Ecologies and Posthuman Agency. Rowman & Littlefield International.
    This chapter develops the concept of heterogeneous political space as an alternative to the exclusively human political sphere which dominates Western political thinking about collective action and justice. The aim is to make evident that capacities for action are constituted in heterogeneous milieus and to argue that insofar as political thought does not register this it is inadequate to thinking justice and flourishing in a world where ecological change renders human and nonhuman modes of life increasingly precarious. Heterogeneous political spaces (...)
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  2. MacCormack, Patricia (ed.), The Animal Catalyst: Towards Ahuman Theory, Bloomsbury, London and New York, 2014. ISBN: 9781472534446 (Paperback) / 9781472526847 (Cloth), 224 pp., US$ 34.95 (Paperback) / US$ 104 (Cloth). [REVIEW]Marietta Radomska - 2015 - Somatechnics 5:255-258.
    The ‘Animal Question’ has occupied Western philosophy for more than a decade now. Whether inspired by the rising urgency of the problem of violence towards and exploitation of nonhuman animals perpetuated by science, technology and culture broadly speaking, or by an enthralment with otherness, an increasing number of theorists engage with the concepts of the animal and human–nonhuman relations. These notions become an incessant impetus for creative and critical inquiry and the exploration of philosophical, political, ethical and artistic thinking. What, (...)
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  3. Posthuman Ecologies of the Corpse. [REVIEW]Marietta Radomska - 2019 - Women, Gender and Research 28:124-126.
    Erin E. Edwards’ "The Modernist Corpse: Posthumanism and the Posthumous" offers a unique study of the critical and creative potential of the corpse in the context of (primarily) American modernist literature and other media. Dead bodies, oftentimes “radically dehumanized” (p. 1) and depicted en masse in direct relation to atrocities of colonialism, slavery and World War I, populate modernist literature and art. While many literary theorist whose work focuses on American modernism (as Edwards herself notes), looks at death and corpses (...)
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  4. Elämästä luopuminen -Biofilosofiasta, epä/elämisestä, toksisesta ruumiillistumisesta ja etiikan uudelleenmuotoilusta.Marietta Radomska & Cecilia Åsberg - 2020 - Niin and Näin 1:39-46.
    Elämä tavataan nähdä kuoleman vastakohtana. Tällaisen kahtiajaon ulkopuolelle mahtuu kuitenkin paljon ontologisia ja eettisiä kysymyksiä, joita on lähdettävä purkamaan toisesta suunnasta. Marietta Radomska ja Cecilia Åsberg ehdottavat suunnaksi biofilosofiaa, jossa elämistä ja kuolemista tarkastellaan yhteen kietoutuneina ja yhdessä muuttuvina.
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