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  1. The Truth That Hurts, or the Corps À Corps of Tongues: An Interview with Jacques Derrida.Thomas Clément Mercier, Jacques Derrida & Évelyne Grossman - 2019 - Parallax 25 (1):8-24.
    In this 2004 interview — translated into English and published in its entirety for the first time — Jacques Derrida reflects upon his practices of writing and teaching, about the community of his readers, and explores questions related to corporeity and textuality, sexual difference, desire, politics, Marxism, violence, truth, interpretation, and translation. In the course of the interview, Derrida discusses the work of Martin Heidegger, Hans-Georg Gadamer, Maurice Blanchot, Hélène Cixous, Jean Genet, Paul Celan, and many others.
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  2. The Supplement at the… Sau(R)Ce: On Jamie Oliver’s Global Brand Identity.George Rossolatos - 2019 - Journal of Place Branding and Public Diplomacy 1:1-17.
    Amidst the constantly augmenting gastronomic capital of celebrity chefs, this study scrutinizes from a critical discourse analytic angle how Jamie Oliver has managed to carve a global brand identity through a process that is termed (dis)placed branding. A roadmap is furnished as to how Italy as place brand and Italianness are discursively articulated, (dis)placed and appropriated in Jamie Oliver’s travelogues which are reflected in his global brand identity. By enriching the CDA methodological toolbox with a deconstructive reading strategy, it is (...)
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  3. Deconstruction and Poetic Truth: A Theory of the Modernist Text.William Donald Melaney - 1993 - Dissertation, State University of New York at Stony Brook
    The dissertation conducts an aesthetic inquiry that allows both Hermeneutics and Deconstruction to support a new reading of the Modernist text. Chapters one and two examine how both schools of thought oppose Kant's aesthetic theory to the question of artistic truth and also offer critiques of modernity that sustain postmodern conceptions of Modernism. Chapters three and four relate this discussion to the development of the Modernist text and the function of the self in Modernist poetry. -/- Chapter one centers around (...)
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