Berkeley: Divine Language Argument for Theism

Was ist George Berkeleys Auffassung des sinnlich wahrnehmbaren Naturgeschehens? Sie zu erklären und nachzuvollziehen ist Ziel des Bandes. Er zeigt, dass Berkeley das Naturgeschehen als einen göttlichen Diskurs sieht; das visuell Wahrgenommene ist dabei die Sprache. Berkeley beharrt darauf, diese These der göttlichen Sprache wörtlich auszulegen, da sie Grundlage eines seiner Ansicht nach einzigartigen Gottesbeweises ist. Um Berkeleys Argumentation zu verstehen, muss man sich auch mit den (historischen) Umständen beschäftigen, in welchen er diese These entwickelt und verteidigt. Deshalb wird sie (...) im ersten Teil in ihren diachronen und synchronen historischen Kontext eingebettet. Die zweite Hälfte ist dann einer kritischen Rekonstruktion von Berkeleys These gewidmet. (shrink)

Berkeley desarrolla su teoría de la visión en la obra de juventud Ensayo para una nueva teoría de la visión, que por lo general ha sido leída atendiendo sólo a sus aspectos científicos o perceptuales. En este artículo propongo una lectura distinta, que busca mostrar que el Ensayo no sólo atiende aspectos científicos sino, por el contrario, anticipa el inmaterialismo de obras posteriores. Esto lo hace porque Dios cumple un importante papel en él, lo cual se debe, entre otras cosas, (...) a que la teoría de la visión es desarrollada en función de Dios, pues de Él depende tanto la vista y los objetos visibles como el argumento del lenguaje visual. (shrink)

My paper moves from Kant's taxonomy for the arguments for the existence of God. After providing a brief survey of Kant's account, I claim that contemporary arguments from design fit Kant's characterization of the physico-theological argument. Then, in the second section, I deal with the logical frame of the argument from design. In the third section I introduce Berkeley's divine language argument (DLA), in order to demonstrate that DLA is an argument from design. Consequently, in the fourth section, I give (...) a refutation of Hooker's and Kline's reading of DLA. Finally, in the last section, I take Berkeley's DLA as a paradigmatic case of the argument from design, showing a fundamental difficulty the argument endorses. (shrink)

This paper analyzes Berkeley's arguments for the existence of God in the Principles of Human Knowledge, Three Dialogues, and Alciphron. Where most scholarship has interpreted Berkeley as offering three quite distinct attempted proofs of God's existence, I argue that these are all variations on the strategy of inference to the best explanation. I also consider how this reading of Berkeley connects his conception of God to his views about causation and explanation.

The author of the article presents Berkeley's theory of emotive language as seen in his book Alchiphron or the Minute Philosophy. Through the presentation of Berkeley's book the author tries to present her own interpretation of the emotive language theory and thus descend from the strict metaphysical framework to the grounds of linguistics and religion. By connecting the fields that seem extremely separate from each other, the author endeavours for a sort of re-actualization of the Berkeleyan theory of language. Her (...) approach in this experiment is very interesting, for she begins with the description of general Berkeleyan metaphysical notions and finally moves to the presentation of a modern example of emotive language, which she recognizes in a movie. Thus the author expands the borders of Berkeleyan language of God and in this way gives a conceptual redefinition of it. (shrink)

George Berkeley (1685–1753) believed that the visible world was a series of signs that constituted a divine language through which God was speaking to us. Given the nature of language and the nature of the visual world, this paper examines to what extent the visual world could be a divine language and to what extent God could speak to us through it.

Berkeley's immaterialism has more in common with views developed by Henry More, the mathematician Joseph Raphson, John Toland, and Jonathan Edwards than those of thinkers with whom he is commonly associated (e.g., Malebranche and Locke). The key for recognizing their similarities lies in appreciating how they understand St. Paul's remark that in God "we live and move and have our being" as an invitation to think to God as the space of discourse in which minds and ideas are identified. This (...) way of speaking about God, adapted by Karl Barth and Paul Tillich, opens up new ways to think about the relation between God and finite minds. (shrink)