Heiberg's Perseus represents a landmark in Golden Age culture.

Der Band versammelt Erstübersetzungen der wichtigsten ästhetischen Schriften des dänischen Philosophen Johan Ludvig Heiberg (1791-1860). Darüber hinaus enthält der Band die erste Edition des Manuskripts Grundlinien zum Systeme der Aesthetik, das er 1824 auf Deutsch in Kiel verfasste. In der Kierkegaard-Forschung der letzten Jahrzehnte ist wiederholt darauf aufmerksam gemacht worden, dass sich die Schriften des Philosophen nur vor dem Hintergrund seines dänischen Umfelds verstehen lassen. Besonders prägend ist insbesondere die Auseinandersetzung mit den Schriften Johan Ludvig (...) Heibergs, der nicht nur die erste dänische Einführung in Hegels Philosophie publizierte, sondern der sich schon sehr früh darum bemühte, dessen dialektisches Denken für ästhetische Reflexionen zu nutzen, in denen er sich auch und gerade mit Phänomenen der Gegenwartskultur - wie etwa dem Kopenhagener Tivoli oder dem Pariser Vaudeville - beschäftigte. Kierkegaards eigene ästhetische Reflexionen lassen sich letztlich nur im Kontext dieser sehr spezifischen Hegel-Rezeption verstehen. Mit der vorliegenden Anthologie wird dieser wichtige Kontext auf Deutsch zugänglich gemacht. Die Publikation richtet sich aber nicht nur an Kierkegaard-Expert/-innen, sondern auch an Philosoph/-innen, die sich für die frühe Rezeption von Hegels Schriften und insbesondere für die Hegelianische Ästhetik interessieren. (shrink)

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Inspired by G W F Hegel's system, Johan Ludvig Heiberg authored a series of essays and monographs on different philosophical issues in both Danish and German; ...

Published in 1880–1, this three-volume edition of the extant works of the Greek mathematician Archimedes of Syracuse was edited by the Danish philologist and historian Johan Ludvig Heiberg, whose Quaestiones Archimedeae is also reissued in this series. He later discovered a medieval palimpsest containing lost works by Archimedes, which significantly expanded the canon, but the present collection was produced long before this and therefore contains the works known at the time of publication. Heiberg consulted a Florentine (...) codex, which he painstakingly compared with other sources to produce his edition. This first volume contains On the Sphere and the Cylinder, On the Measurement of a Circle and On Conoids and Spheroids. The texts are given in the original Greek with parallel Latin translation, notes and introductory material. (shrink)

Published in 1880–1, this three-volume edition of the extant works of the Greek mathematician Archimedes of Syracuse was edited by the Danish philologist and historian Johan Ludvig Heiberg, whose Quaestiones Archimedeae is also reissued in this series. He later discovered a medieval palimpsest containing lost works by Archimedes, which significantly expanded the canon, but the present collection was produced long before this and therefore contains the works known at the time of publication. Heiberg consulted a Florentine (...) codex, which he painstakingly compared with other sources to produce his edition. This second volume contains On Spirals, On the Equilibrium of Planes, The Sand Reckoner, The Quadrature of the Parabola, On Floating Bodies, the Liber Assumptorum, the cattle problem and fragments. The texts are given in the original Greek with parallel Latin translation, notes and introductory material. (shrink)

Published in 1880–1, this three-volume edition of the extant works of the Greek mathematician Archimedes of Syracuse was edited by the Danish philologist and historian Johan Ludvig Heiberg, whose Quaestiones Archimedeae is also reissued in this series. He later discovered a medieval palimpsest containing lost works by Archimedes, which significantly expanded the canon, but the present collection was produced long before this and therefore contains the works known at the time of publication. Heiberg consulted a Florentine (...) codex, which he painstakingly compared with other sources to produce his edition. This third volume contains the editor's Latin prolegomena - his own extended essay on the works of Archimedes - followed by the commentaries on Archimedes by Eutocius of Ascalon and indexes. The texts are given in the original Greek with parallel Latin translation, notes and introductory material. (shrink)

Published in 1880–1, this three-volume edition of the extant works of the Greek mathematician Archimedes of Syracuse was edited by the Danish philologist and historian Johan Ludvig Heiberg, whose Quaestiones Archimedeae is also reissued in this series. He compiled this edition from a Florentine codex, which he compared with other extant sources. Volume 1 contains On the Sphere and the Cylinder, On the Measurement of a Circle and On Conoids and Spheroids. Volume 2 contains On Spirals, On (...) the Equilibrium of Planes, The Sand Reckoner, The Quadrature of the Parabola, On Floating Bodies, the Liber Assumptorum, the cattle problem and fragments. Volume 3 contains the editor's own Latin prolegomena, the commentaries on Archimedes by Eutocius of Ascalon and indexes. The texts are given in Greek with parallel Latin translation, notes and introductory material. (shrink)

Published in 1879, this Latin dissertation was the first substantial work on Archimedes by the Danish philologist and historian Johan Ludvig Heiberg, who the following year embarked on editing the three-volume Archimedis Opera Omnia. Much later, in 1906, he discovered a palimpsest containing previously unknown works by the Greek mathematician. The Quaestiones includes chapters on the life of the famous scientist of Syracuse, a discussion of his works and explanations of his mathematical and scientific ideas, as well (...) as a survey of the extant codices known to the author. It also contains the Greek text, edited and annotated by Heiberg, of Archimedes' Psammites, a mathematical enquiry into how many grains of sand would fit in the universe. This includes mention of a heliocentric solar system, speculation about the size of the Earth, and Archimedes' other views on astronomy. (shrink)

The Greek astronomer and geometrician Apollonius of Perga produced pioneering written work on conic sections in which he demonstrated mathematically the generation of curves and their fundamental properties. His innovative terminology gave us the terms 'ellipse', 'hyperbola' and 'parabola'. The Danish scholar Johan Ludvig Heiberg, a professor of classical philology at the University of Copenhagen, prepared important editions of works by Euclid, Archimedes and Ptolemy, among others. Published between 1891 and 1893, this two-volume work contains the definitive (...) Greek text of the first four books of Apollonius' treatise together with a facing-page Latin translation. Volume 1 contains the first three books, with the editor's introductory matter in Latin. (shrink)

The Greek astronomer and geometrician Apollonius of Perga produced pioneering written work on conic sections in which he demonstrated mathematically the generation of curves and their fundamental properties. His innovative terminology gave us the terms 'ellipse', 'hyperbola' and 'parabola'. The Danish scholar Johan Ludvig Heiberg, a professor of classical philology at the University of Copenhagen, prepared important editions of works by Euclid, Archimedes and Ptolemy, among others. Published between 1891 and 1893, this two-volume work contains the definitive (...) Greek text of the first four books of Apollonius' treatise together with a facing-page Latin translation. Volume 2 contains the fourth book in addition to other Greek fragments and ancient commentaries, notably that of Eutocius, as well as the editor's Latin prolegomena comparing the various manuscript sources. (shrink)

The Greek astronomer and geometrician Apollonius of Perga produced pioneering written work on conic sections in which he demonstrated mathematically the generation of curves and their fundamental properties. His innovative terminology gave us the terms 'ellipse', 'hyperbola' and 'parabola'. The Danish scholar Johan Ludvig Heiberg, a professor of classical philology at the University of Copenhagen, prepared important editions of works by Euclid, Archimedes and Ptolemy, among others. Published between 1891 and 1893, this two-volume work contains the definitive (...) Greek text of the first four books of Apollonius' treatise together with a facing-page Latin translation. Volume 1 contains the first three books, with the editor's Latin introductory matter. Volume 2 contains the fourth book in addition to other Greek fragments and ancient commentaries, notably that of Eutocius. (shrink)

In this article, I explore Johan Ludvig Heiberg’s diagnosis of the crisis of his age, Golden Age Denmark, in his treatise On the Significance of Philosophy, published in 1833. Althoughin recent times there is a renewed interest in the intellectual scene of Golden Age Denmark, in part due to the current relevancy of a thinker such as Søren Kierkegaard, it is a fact that one of its most important figures, J. L. Heiberg, has been more or (...) less ignored by contemporary scholars. Thus, in this article I try to shed light on his figure and thought, especially on his attempt to use Hegelian philosophy to solve the cultural crisis of his time. (shrink)

This article provides an English translation of Johan Ludvig Heiberg’s “Literary Winter Crops” from 1843. The young Kierkegaard cultivated a positive relationship with Heiberg, who was the most powerful cultural figure in Denmark at the time. Heiberg published Kierkegaard’s first articles in his literary journal Kjøbenhavns flyvende Post, and in Kierkegaard’s early works such as From the Papers of One Still Living and The Concept of Irony, there are clear signs that he continued to court (...) Heiberg’s favor. Heiberg’s dismissive book review of Either/or in “Literary Winter Crops” definitively ended the relationship. Deeply offended, Kierkegaard from this point on waged a polemical war with Heiberg. Heiberg’s short review played a large and negative role not just in their personal relationship but also in Kierkegaard’s development generally. This work appears here for the first time in a complete English translation. (shrink)

This article provides an English translation of Johan Ludvig Heiberg’s “On the Principle of the Beginning of History,” which was published in Heiberg’s journal the Intelligensblade in 1843. This is the first translation of this article into any language. A general introduction to this work is provided in the article that follows “Heiberg’s Article on History and Kierkegaard’s Critique.”.

The hope is that this collection will encourage students and scholars to further explore the different dimensions of Heiberg's thought, both on its own terms ...

This article provides an introduction to Johan Ludvig Heiberg’s “On the Principle of the Beginning of History” from 1843. The Danish poet, playwright and critic attended Hegel’s lectures in Berlin in 1824 and returned to Copenhagen a convinced Hegelian. He spent the next two decades pursuing a campaign to spread the word about Hegel’s philosophy in the Kingdom of Denmark. His little-known article on history draws substantially on Hegel’s Lectures on the Philosophy of History, which had been (...) published by Heiberg’s acquaintance Eduard Gans in 1837 as a part of the complete works edition of Hegel’s writings. Kierkegaard makes Heiberg’s article the object of criticism in The Concept of Anxiety and a draft of Prefaces. In the former he claims that Heiberg’s occupation with the beginning of world history trivializes the issue of sin. In the latter he charges Heiberg with plagiarism. The present article introduces Heiberg’s article and gives an account of Kierkegaard’s criticism. (shrink)

The Danish Golden Age of the first half of the nineteenth century endured in the midst of a number of different kinds of crisis -- political, economic, and cultural. The many changes of the period made it a dynamic time, one in which artists, poets, philosophers, and religious thinkers were constantly reassessing their place in society. This book traces the different aspects of the cultural crisis of the period through a series of case studies of key figures, including Johan (...) Ludvig Heiberg, Hans Lassen Martensen, and Søren Kierkegaard. Far from just a historical analysis, however, the book shows that many of the key questions that Danish society wrestled with during the Golden Age remain strikingly familiar today."--Publisher's website. (shrink)

Kierkegaard has no comprehensive or systematic aesthetics of his own. Despite this, his work contains numerous and abundant references to the aesthetics of his time; namely, the Hegelian inspired aesthetics of Johan Ludvig Heiberg. As a one‐time adherent of Heiberg, Kierkegaard was thoroughly steeped in Heiberg's philosophy of art, and often merely applies such aesthetics to his selected objects of interest, echoing the philosophy of art of his day. There are, however, other instances where Kierkegaard (...) carries out a sometimes overt and sometimes covert critique of Heibergian aesthetics, especially after Either/Or, challenging his predecessor's views and the dominant aesthetics of the day. (shrink)

This is the first of a three-volume work dedicated to exploring the influence of G.W.F. Hegel's philosophical thinking in Golden Age Denmark. The work demonstrates that the largely overlooked tradition of Danish Hegelianism played a profound and indeed constitutive role in many spheres of the Golden Age culture. This initial tome covers the period from the beginning of the Hegel reception in the Danish Kingdom in the 1820s until the end of 1836. The dominant figure from this period is the (...) poet and critic Johan Ludvig Heiberg, who attended Hegel's lectures in Berlin in 1824 and then launched a campaign to popularize Hegel's philosophy among his fellow countrymen. Using his journal Kjøbenhavns flyvende Post as a platform, Heiberg published numerous articles containing ideas that he had borrowed from Hegel. Several readers felt provoked by Heiberg's Hegelianism and wrote critical responses to him, many of which appeared in Kjøbenhavnsposten, the rival of Heiberg's journal. Through these debates Hegel's philosophy became an important part of Danish cultural life. (shrink)

As in other European countries, in Denmark philosophy was an important factor in the cultural life of the nineteenth century. Kierkegaard lived and wrote in Copenhagen, where Hegelianism both flourished and met with serious criticism, and both of these elements can be found in his authorship. This chapter explores possible sources of inspiration for Kierkegaard's rejection of Danish Hegelianism and its follower, speculative theology, and discusses his influence on the fashionable Danish philosopher of the day, Rasmus Nielsen. By way of (...) conclusion, it is emphasized that Kierkegaard's understanding of Christianity and his struggle over it were decisive for a shift in Danish intellectual life around 1870. (shrink)

Who are the real targets of Kierkegaard’s critique of characterizing faith as “the immediate”? A decisive factor in answering this question is the interpretation and dating of the note Pap. I A 273 / Papir 92, in which Kierkegaard equates that which Friedrich Schleiermacher calls ‘religion’ and “the Hegelian dogmaticians” call ‘faith’ with “the first immediate.” After deli-neating the factual context of the expression “the first immediate” in Section I, I will question to what extent this critique of Schleiermacher is (...) justified in Section II. Sections III-V will look at the problem of identifying “the Hegelian dogmaticians.” Here I hope to show that it is not Philipp Konrad Marheineke, but rather Kierkegaard’s contemporaries in Copenhagen, Hans Lassen Martensen and Johan Ludvig Heiberg, who should be considered the particular targets of Kierkegaard’s critique. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.1 (2003) 135-136 [Access article in PDF] Alastair Hannay. Kierkegaard: A Biography. New York: Cambridge University Press, 2001. Pp. xvi + 496. Cloth, $39.95. In the opening pages of this carefully crafted biography, Hannay states that he has no intention of making matters easy for his reader. By this, he means that "final judgments" will not be forthcoming on a number of key (...) issues surrounding Kierkegaard and his works: the nature of his relation to Christianity, the motives leading him to collide with The Corsair, and the meaning and wisdom of his final attack on Bishop Jakob Mynster and the established Danish Church. This is not to say that Hannay presents Kierkegaard either through rose-colored lenses or through narrowly intellectualist ones. Indeed, one of the book's central virtues is that it combines a philosopher's long-standing interest in Kierkegaard's writings with other guiding passions: a fascination with the sources of human creativity, the twists and turns of nineteenth-century European intellectual history, and the drama of one man's sustained grappling with the meaning of (his) life and the degree to which this meaning could be forged and sustained in his own writing.Hannay raises the curtain on Kierkegaard's life at the intellectual debut of the latter. In his first public appearance before the Student Union at the University of Copenhagen, Kierkegaard took issue with a student colleague's espousal of liberal reform. Hannay sees in Kierkegaard's performance signs of things to come: (1) the attempt to gain the notice and approval of the leading cultural lights, such as Danish literary icon Johan Ludvig Heiberg, and (2) a habit of seeking unity and definition through opposition and controversy. In his subsequent discussion of Fear and Trembling, Hannay notes the inescapable fact that Kierkegaard's philosophic positions are often tailor-made justifications for his private [End Page 135] behavior. The classic example is de Silentio's celebration of Abraham's teleological suspension of the ethical, a celebration which would, as often noted, vindicate equally Isaac's sacrifice by Abraham and Regine's "sacrifice" by Kierkegaard. Already on the occasion of his address to the Student Union, Kierkegaard's thought lines up nicely with his self-interest. But Hannay's work is hardly a reductive exposé. His ear for the varied leitmotifs of the authorship, their development and integration, is unrivaled. Regarding Kierkegaard's first skirmish in the academic arena, Hannay alerts his reader to emergent themes: (1) the valorization of personal unity, and the assertion that such unity must emerge from a life rather than be imposed upon it, and (2) a corresponding respect for the power of lived experience and a critique of any life or movement which is either primarily reactive or abstracted from individual existence. While personal unity remains a desideratum throughout his life, the integrity of lived experience is ultimately placed in question by Kierkegaard's construal of Christianity, which he comes increasingly to see as opposed to the humanism which underlies both Enlightened and Romantic thought.Hannay's biography focuses primarily on the development of Kierkegaard's thought as expressed in his journals and published writings. As such, his biography tends to emphasize the continuity of the authorship over its internal tensions. Hannay views, for example, thehumanistic stance of Climacus's Religiousness A as propadeutic to the radical transcendenceof the godhead embraced by Religiousness B. This is a topic open to dispute, since Kierkegaard himself went out of his way to record, and perhaps exhibit, the offensiveness of Christian demands to (fallen) human nature. Hannay acknowledges Kierkegaard's lifelong ambivalencetoward Christianity, but he does not show how this ambivalence echoes in the authorship. Ifhis Kierkegaard is a less divided character than the original, Hannay nevertheless challenges those who would minimize either (1) the depth of Kierkegaard's breach with humanistic thought or (2) the degree to which "the religious life-view [is] persistently in the offing" (Hannay, "Something on Hermeneutics and Communication in Kierkegaard After All," forthcoming in Kierkegaard and the Word, Poul Houe and Gordon D. Marino... (shrink)

In addition, the work explores material from the little-known Danish discussion of irony in the works of Poul Martin Møller, Johan Ludvig Heiberg and Hans Lassen Martensen.

Kierkegaard is well known for his quick wit and sharp polemics against his opponents. One of his favorite targets was the poet, dramatist, and philosopher, Johan Ludvig Heiberg (1791 – 1860). Perhaps the best-known element of his critique was Heiberg’s outspoken Hegelian campaign. Before Kierkegaard’s famous criticisms of Heiberg, he learned the craft of literary polemics by reading the lively discussions in the Danish journals of the time. In this article it is argued that the (...) role of the journal Kjøbenhavnsposten for Kierkegaard has never been appreciated. This journal was edited by Andreas Peter Liunge (1798 – 1879), who was a great adversary of Heiberg and his Kjøbenhavns flyvende Post. The article shows that the often satirical use of Hegel by Kjøbenhavnsposten to criticize Heiberg anticipates Kierkegaard’s strategy of critique with regard to Heiberg and other figures in the Danish Hegelian movement. (shrink)