The question to be discussed in this paper can be put in simple terms: at what date were the collections of scholia on classical Greek authors compiled? Scholars have given two conflicting answers. The first was put forward by J. W. White in his edition of the scholia to Aristophanes' Birds. Developing an opinion of Dindorf, he suggested that the archetype of the scholia was a large parchment codex of the fourth or fifth century, which contained in the margins a (...) commentary drawn from several sources. A very similar view has been expressed about the scholia to Apollonius Rhodius and Pindar. (shrink)

The question to be discussed in this paper can be put in simple terms: at what date were the collections of scholia on classical Greek authors compiled? Scholars have given two conflicting answers. The first was put forward by J. W. White in his edition of the scholia to Aristophanes' Birds. Developing an opinion of Dindorf, he suggested that the archetype of the scholia was a large parchment codex of the fourth or fifth century, which contained in the margins a (...) commentary drawn from several sources. A very similar view has been expressed about the scholia to Apollonius Rhodius and Pindar. (shrink)

In 1023ff. the poet explains that he has not been spoiled by success. The verb ༐κτελσαι in 1024 has been suspected, and though recent editors accept it, taking it as absolute, I am far from convinced that it is what the author wrote. Blaydes, in his usual fashion, records conjectures and makes some of his own, but though he hits the mark quite often in Aristophanes as he does in Sophocles, in this passage his efforts, e.g. ༐κγελσαι, fail to satisfy. (...) I propose instead ༐κχαλσαι, ‘relax’. It might be transitive, but I slightly prefer to take it as intransitive. It is a rare word and all the more likely to be corrupted. The best parallel I can find is Hippocrates, De Octimestri Partu 1.2 : ουες ༐υ oσι τυ ρχυ ༐τρøη, ὣσπερ τυ σταχωυ, ζεχλασαυ πρσθευ υαγκαζμευου 祴 τελεως ζαδρυυθυαι τυ καρπυ. The verb is correctly transmitted in the best MS, Marc.gr. 269, while the other main source of the treatise, Vat.gr. 276, offers ζεκλεσαυ9, which is clearly due to an error by a scribe who did not recognize the unusual word required by the context. As to the date of this treatise, it is believed by one of the best modern authorities to be no later than the end of the fifth century and is therefore nearly contemporary with Aristophanes. (shrink)

In 1023ff. the poet explains that he has not been spoiled by success. The verb ༐κτελσαι in 1024 has been suspected, and though recent editors accept it, taking it as absolute, I am far from convinced that it is what the author wrote. Blaydes, in his usual fashion, records conjectures and makes some of his own, but though he hits the mark quite often in Aristophanes as he does in Sophocles, in this passage his efforts, e.g. ༐κγελσαι, fail to satisfy. (...) I propose instead ༐κχαλσαι, ‘relax’. It might be transitive, but I slightly prefer to take it as intransitive. It is a rare word and all the more likely to be corrupted. The best parallel I can find is Hippocrates, De Octimestri Partu 1.2 : ουες ༐υ oσι τυ ρχυ ༐τρøη, ὣσπερ τυ σταχωυ, ζεχλασαυ πρσθευ υαγκαζμευου 祴 τελεως ζαδρυυθυαι τυ καρπυ. The verb is correctly transmitted in the best MS, Marc.gr. 269, while the other main source of the treatise, Vat.gr. 276, offers ζεκλεσαυ9, which is clearly due to an error by a scribe who did not recognize the unusual word required by the context. As to the date of this treatise, it is believed by one of the best modern authorities to be no later than the end of the fifth century and is therefore nearly contemporary with Aristophanes. (shrink)

At the beginning of the dog's trial the prosecution state the charge and the penalty they propose. It seems to me that there may be a more complicated joke here than is generally realized. The penalty of a collar is appropriate for a dog and in real life was sometimes imposed on a slave or a prisoner . The epithet applied to the collar is usually translated ‘of figwood’ and taken to be a pun on . Commentators see the same (...) pun earlier in the play at 145, although in that passage the sense may be adequate without the pun; the adjective does not necessarily constitute a joke in itself but is perhaps chosen deliberately to lead into the joke. (shrink)

At the beginning of the dog's trial the prosecution state the charge and the penalty they propose. It seems to me that there may be a more complicated joke here than is generally realized. The penalty of a collar is appropriate for a dog and in real life was sometimes imposed on a slave or a prisoner. The epithet applied to the collar is usually translated ‘of figwood’ and taken to be a pun on. Commentators see the same pun earlier (...) in the play at 145, although in that passage the sense may be adequate without the pun; the adjective does not necessarily constitute a joke in itself but is perhaps chosen deliberately to lead into the joke. (shrink)

The evidence of ancient books points to the surprising conclusion that in texts of drama or prose dialogue changes of speaker were not usually marked by the name of the new speaker. Instead the ancient reader had a colon, sometimes combined with a paragraphus or stroke in the margin, to guide him. The inconvenience of this practice and the muddle it caused need no emphasis. The facts have been assembled for the text of Plato and Lucian by J. Andrieu , (...) and for Aristophanes by J. C. B. Lowe , 27–42). As far as prose dialogues are concerned confirmation can be found in an unexpected source: the prologue to the dialogue Eranistes by the fifth-century church father Theodoret. (shrink)

The evidence of ancient books points to the surprising conclusion that in texts of drama or prose dialogue changes of speaker were not usually marked by the name of the new speaker. Instead the ancient reader had a colon, sometimes combined with a paragraphus or stroke in the margin, to guide him. The inconvenience of this practice and the muddle it caused need no emphasis. The facts have been assembled for the text of Plato and Lucian by J. Andrieu, and (...) for Aristophanes by J. C. B. Lowe, 27–42). As far as prose dialogues are concerned confirmation can be found in an unexpected source: the prologue to the dialogue Eranistes by the fifth-century church father Theodoret. (shrink)

The object of this note is to draw attention to a piece of evidence about the history of the Greek theatre which appears to have gone unnoticed, yet may be of some importance. Aelian in hisHistoria animalium11.19 reports the fate of Pantacles the Lacedaemonian, who refused to allow some actors on their way to Cythera to pass through Sparta. Later, when performing official duties as ephor, he was torn to pieces by dogs.

The object of this note is to draw attention to a piece of evidence about the history of the Greek theatre which appears to have gone unnoticed, yet may be of some importance. Aelian in his Historia animalium 11.19 reports the fate of Pantacles the Lacedaemonian, who refused to allow some actors on their way to Cythera to pass through Sparta. Later, when performing official duties as ephor, he was torn to pieces by dogs.

Among the Greek manuscripts in the Earl of Leicester's library at Holkham, which were recently acquired by the Bodleian Library throuth the generosity of the Dulverton Trust, is a volume containing eight of Aristophanes' plays. This manuscript is not included in the list of Aristophanes' manuscripts compilied by J. W. White, and it seems that no editor has ever consulted it. The object of this paper is to describe the manuscript, which will be called L, to prove that it is (...) an almost complete copy of the Triclinian edition of Aristophanes. (shrink)

Among the Greek manuscripts in the Earl of Leicester's library at Holkham, which were recently acquired by the Bodleian Library throuth the generosity of the Dulverton Trust, is a volume containing eight of Aristophanes' plays. This manuscript is not included in the list of Aristophanes' manuscripts compilied by J. W. White, and it seems that no editor has ever consulted it. The object of this paper is to describe the manuscript, which will be called L, to prove that it is (...) an almost complete copy of the Triclinian edition of Aristophanes. (shrink)