As the Global South is increasingly interpenetrated by neo-liberal and authoritarian regimes the idea of the South as a site of emancipatory resistance and exotic cultural difference has ended. This article offers an alternative route into the cultures of the South. It focuses on the shifting forms of the South in contemporary visual art and outlines the possibilities of non-coercive forms of cultural exchange and the cartographies of a cosmopolitanism from below. This perspective on the South is most evident in (...) the stories of embodied solidarity that stand in contrast to top down visions of socio-economic development and cultural homogenization. (shrink)

Jacques Rancière is one of the central figures in the contemporary debates on aesthetics and politics. This introduction maps the shift of focus in Rancière’s writing from political theory to contemporary art practice and also traces the enduring interest in ideas on equality and creativity. It situates Rancière’s rich body of writing in relation to key theorists such as the philosopher Alain Badiou, art historian Terry Smith and anthropologist George E. Marcus. I argue that Rancière offers a distinctive approach in (...) this broad field by clarifying the specificity of the artist’s task in the production of critical and creative transformation, or what he calls the ‘distribution of the sensible’. In conclusion, I complement Rancière’s invocation to break out of the oppositional paradigm in which the political and aesthetic are usually confined by outlining some further methodological techniques for addressing contemporary art. (shrink)

This article examines the use of organic and mechanistic metaphors that have underpinned the modeling of national governance in the social sciences and also framed the representation of the social impact of migration. It argues that the global patterns of migration and the contemporary forms of hybrid subjectivity do not fit well with these conceptual frameworks. The limits of this framework are examined through Harald Kleinschmidt's theory of residentialism, and the outlines of an alternative conceptual frame is proposed by drawing (...) on key terms that have been developed in complexity theory. (shrink)

This interview was conducted on 8 October 2011 at the Van Abbemuseum, Eindhoven. It was held during a symposium that reflected on the work of Rancière and was a part of a broader engagement with the concept of autonomy and its relation to art organized by an umbrella group of universities and arts organizations under the name of ‘The Autonomy Project’. A number of the symposium’s participants – Peter Osborne, Gerald Raunig, Isabell Lorey, Ruth Sondregger, Kim Mereiene and Adrian Martin (...) – contributed questions that formed the basis of this interview. The interview took place at a time when the longer-term possibilities of the Arab Spring and Occupy/Indignados movements were under general scrutiny. It was also a moment when the Van Abbemuseum itself was compelled to reflect on its own position of political autonomy in relation to neoliberal state directives, political populism at the local level and its own critique of aesthetic autonomy. Rancière’s work on aesthetics and politics has been as much appreciated as a clearance strategy against prevailing visual prejudices as it has served as a platform for rethinking the emancipatory potential of creative practice. (shrink)

Cosmopolitanism has been used as a concept to open the horizons for being in the world. This article re-thinks the philosophical and political dimensions of cosmopolitanism by relating them to the new collaborative practices by artists. The concepts of agency and community will be grounded in a critical examination of the networking strategies and the practice of hospitality that have been cultivated by artistic collectives such as Stalker. The aim of this article is to ‘rescue’ the account of artistic practice (...) from the extreme version of quasi-mystical universalism and dogmatic political activism. It also seeks to argue that the abstract principles of cosmopolitanism are in a dialogue with the multicultural practices of everyday life. (shrink)

Today the movement of ideas, capital and people is faster and wilder than at any point in history. Globalization has made the world more interconnected. The flows of traffic in this new network have not only accelerated to new levels, but the directions of movement have multiplied and abandoned the well-worn paths. The cultural dynamics of globalization have presented new challenges to the existing models for explaining the forms of belonging and the patterns of exchange that are occurring in the (...) world. Culture is no longer understood as the discrete and unique expression of activities and ideas that occur in particular places. No culture can exist in isolation. The process of hybridization in the deterritorialization of cultures and peoples demands new theories of flow and resistance and is compelling artists and intellectuals to rethink their methods. Cultural critics and curators are also in need of new conceptual frameworks. There is an urgent need for a new vocabulary in art discourse that is able to make sense of the complex forms of representation that are incorporating images from different locations and that simultaneously activate signs that contain within them a multiplicity of other signs, each embodying a series of contrary or competing codes. To do justice to both the complexity of the artwork and the intellectual potential of these new conceptual headings we need to develop frameworks that can address both these signs of difference and the process by which signs are made out of the plays with difference. The concept of translation can serve as a tool that can both make sense of the broader dynamic of cultural exchange and explain specific forms of cultural representation. I am particularly concerned with the ways in which contemporary artists and art writing deal with issues of mobility and attachment. What sort of place does art connote if it is constantly evoking the shuttling between places? In what language can the artist articulate the recognition that translations fail as often as they succeed? How does a bi-lingual or a bi-cultural person speak their mother-tongue and see the world, which operates in a different or hybrid language? These questions push the available conceptual frameworks for cross-cultural exchanges to the limits. In this article I re-examine the conceptual viability of the term hybridity in light of the new debates on creolization and globalization. (shrink)

This article considers how networked large urban screens can act as a platform for the creation of an experimental transnational public sphere. It takes as a case study a specific Australia-Korea cultural event that linked large screens in Federation Square, Melbourne, and Tomorrow City, Incheon,1through the presentation of SMS-based interactive media art works. The article combines theoretical analyses of global citizenship, mobility, digital technologies, and networked public space with empirical analyses of audience response research data collected during the screen event. (...) The central argument is that large public screens can offer a strategic site for examining transformations in the constitution of public agency in a digitized, globalized environment. The idea of ‘aesthetic cosmopolitanism’ is finally proposed as a conceptual framework for understanding how new forms of transnational public agency in mediated public spaces might operate. (shrink)

As the Global South is increasingly interpenetrated by neoliberal and authoritarian regimes, the idea of the South as a site of emancipatory resistance and exotic cultural difference has ended. This article offers an alternative route into the cultures of the South. It focuses on the shifting forms of the South in contemporary visual art and outlines the possibilities of the non-coercive forms of cultural exchange and the cartographies of a cosmopolitanism from below. This perspective on the South is most evident (...) in in the stories of embodied solidarity that stand in contrast to the top-down visions of socio-economic development and cultural homogenization. (shrink)

Thomas Hirschhorn is an artist who has maintained an engaged approach to politics. His method of working is collaborative and speculative. It has a strong emphasis on community development and intellectual reflection. In this brief introduction I focus on the Bijlmer Spinoza Festival and his ongoing relationship and response to the ideas of the philosopher Jacques Rancière.

The political and social reaction to the ‘refugee crisis’ in Australia cannot be solely understood in purely geo-political or economic terms. Neither can the persistence of racism in Australian political culture be explained in terms of its electoral advantage. This article contends that the racist attitudes of the Australian Liberal Government, and John Howard in particular, hide deeper unconscious processes that are historically embedded in the national imaginary. These unconscious processes are manifested in the invasion complex which lies just below (...) the surface of Australia’s political culture. (shrink)

The idea of the South has a long history. In the recent past it has been revived as a possible frame for representing the cultural context of not just regions that are geographically located in the South, but also those that share a common post-colonial heritage. In this essay I explore the affinities and tensions between the South and parallel terms such as Third World and Antipodes. I argue that the South can extend the existing debates on cross-cultural exchange, and (...) provide a useful perspective for representing what I call a ‘spherical consciousness’ in contemporary art. (shrink)

In the aftermath of 9/11, world leaders addressed the nation as a body under threat and hastened in new policies to bolster border protection and ‘securitize’ immigration. While the terrorist attacks cast new forms of public attention on the risks posed by mobile agents, the link between national security and regulating migration has always been at the forefront of the constitution of the nation state. Despite this persistent anxiety towards the social impact of migration and the status of people on (...) the move, a more general understanding of mobility is not only missing in public debates, but has been a lacunae in the social sciences. What is mobility — a state, a force, a set of shifting co-ordinates? How does the definition of mobility shape social attitudes and personal experiences? This article examines the use of organic and mechanistic metaphors that have underpinned the classical paradigm for understanding of mobility in the social sciences. It argues that the global patterns of migration and the contemporary forms of hybrid subjectivity do not fit well with this paradigm. The limits and kinetophobic associations generated by the classical paradigm are examined through Harald Kleinschmidt’s theory of residentialism. The final part of this article outlines an alternative conceptual frame that is based on key terms from complexity theory. (shrink)

Our political thinking is driven, far more than philosophers recognize, by a concern for social equality and, more specifically, a concern to avoid relations of inferiority. Niko Kolodny argues that, in order to make sense of the most familiar ideas in our political thought and discourse - the justification of the state, democracy, and rule of law, as well as objections to paternalism and corruption - we cannot merely appeal to freedom (as libertarians like Nozick do) or to distributive fairness (...) (as liberals like Rawls do). We must, instead, appeal directly to claims against inferiority, that no one stands above or below. (shrink)

Often our reason for doing something is an "instrumental reason": that doing that is a means to doing something else that we have reason to do. What principles govern this "instrumental transmission" of reasons from ends to means? Negatively, I argue against principles often invoked in the literature, which focus on necessary or sufficient means. Positively, I propose a principle, "General Transmission," which answers to two intuitive desiderata: that reason transmits to means that are "probabilizing" and "nonsuperfluous" with respect to (...) the relevant end. I then apply General Transmission to the debate over "detachment": whether "wide-scope" reason for a material conditional or disjunction implies "narrow-scope" reason for the consequent or disjuncts. (shrink)

My subject is what I will call the “Myth of Formal Coherence.” In its normative telling, the Myth is that there are “requirements of formal coherence as such,” which demand just that our beliefs and intentions be formally coherent.1 Some examples are.

Quel rapport entretenait Marx avec la culture, l'histoire et la philosophie de la Grèce antique? Pourquoi le jeune Marx s'était-il intéressé à la pensée d'Epicure? Que représentait pour lui la philosophie enseignée par le fondateur de l'École du Jardin? A part l'aspect purement philosophique du rapport de l'auteur du Capital à la Grèce antique, on se donnera également pour tâche de mettre en perspective la contribution que les notions marxiennes de classe, de lutte des classes et d'exploitation peuvent apporter à (...) une compréhension féconde de l'histoire des formations sociales grecques, en partant de l'oeuvre majeure de l'historien britannique G. E. M. de Ste Croix. (shrink)

In this paper we will try to find resemblances of the operation of human consciousness with systems with the intention to simulate it mathematically. Also we will try to do the same for the non-conscious operations and try to synthesize the human mind in form of system with subsystems.

In this paper I argue that Mill’s ‘Doctrine of Philosophical Necessity’ regarding the human will and action cannot apply on all cases, and that the human mind has potentially the capacity to create freely a will or action that, no matter what kind of knowledge we possess, cannot be predicted. More precisely, I argue against Mill’s attempt of conjunction between the freedom of the will and the ‘Doctrine of Philosophical Necessity’ while I attempt a comparison with the relevant Kantian approach. (...) I then claim that a will cannot be free and be predicted at the same time, as both the elements of freedom and unpredictability of the will are founded on the very process of its formulation as an outcome of genuine creativity. I, thus, attempt to propose a more substantially free view of free will and action than the ones presented by the prominent conceptions. (shrink)

Normativity involves two kinds of relation. On the one hand, there is the relation of being a reason for. This is a relation between a fact and an attitude. On the other hand, there are relations specified by requirements of rationality. These are relations among a person's attitudes, viewed in abstraction from the reasons for them. I ask how the normativity of rationality—the sense in which we ‘ought’ to comply with requirements of rationality—is related to the normativity of reasons—the sense (...) in which we ‘ought’ to have the attitudes what we have conclusive reason to have. The normativity of rationality is not straightforwardly that of reasons, I argue; there are no reasons to comply with rational requirements in general. First, this would lead to ‘bootstrapping’, because, contrary to the claims of John Broome, not all rational requirements have ‘wide scope’. Second, it is unclear what such reasons to be rational might be. Finally, we typically do not, and in many cases could not, treat rational requirements as reasons. Instead, I suggest, rationality is only apparently normative, and the normativity that it appears to have is that of reasons. According to this ‘Transparency Account’, rational requirements govern our responses to our beliefs about reasons. The normative ‘pressure’ that we feel, when rational requirements apply to us, derives from these beliefs: from the reasons that, as it seems to us, we have. (shrink)

It is argued that standard music notation pictures Aristotle’s time (time, as Aristotle conceived of it) in a number of important respects, which concern its micro-structure. It is then argued that this allows us to see some features of Aristotle’s time more clearly. Most importantly, Aristotelian instants can be pictured by bar-lines. This allows us to see as how radically devoid of any content Aristotelian instants should be interpreted. Thus, attention to music notation may show why Aristotle was not a (...) presentist. (shrink)

Comment le jeune Hegel définit-il la notion du positif, ainsi que le concept de positivité? Pour quelles raisons insiste-t-il tellement sur la critique du judaïsme et du christianisme dans ses écrits des années 1790-1800, en se fondant sur une conception novatrice de la positivité? Ce livre essaie de mettre en perspective à travers la lecture de certains textes, que la positivité est pour le jeune Hegel, la perte de la part de l'être humain de la maîtrise de sa propre vie, (...) la privation de l'autonomie du sujet au profit de l'autonomisation du monde des objets, aussi bien que l'asservissement des personnes à des lois et à des forces, lesquelles leur sont étrangères et hostiles. Ainsi cet ouvrage propose de comprendre la positivité, tantôt comme l'extension des rapports mutilés entre l'être humain, le monde et la nature, tantôt comme le prodrome du concept de l'aliénation. (shrink)

As prose dramatic texts Plato's dialogues would have been read by their original audience as an alternative type of theatrical composition. The 'paradox' of the dialogue form is explained by his appropriation of the discourse of theatre, the dominant public mode of communication of his time. The oral performance of his works is suggested both by the pragmatics of the publication of literary texts in the classical period and by his original role as a Sokratic dialogue-writer and the creator of (...) a fourth dramatic genre. Support comes from a number of pieces of evidence, from a statue of Sokrates in the Academy to a mosaic of Sokrates in Mytilene, which point to a centuries-old tradition of treating the dialogues in the context of performance literature and testify to the significance of the image of 'Plato the prose dramatist' for his original and subsequent audiences. (shrink)

Logothetis, N.K.: Single units and conscious vision. Philosophical Transactions of the Royal Society of London Series B-Biological Sciences 353, 1801-1818 (1998) Abstract.

We consider a paradox involving indicative conditionals (‘ifs’) and deontic modals (‘oughts’). After considering and rejecting several standard options for resolv- ing the paradox—including rejecting various premises, positing an ambiguity or hidden contextual sensitivity, and positing a non-obvious logical form—we offer a semantics for deontic modals and indicative conditionals that resolves the paradox by making modus ponens invalid. We argue that this is a result to be welcomed on independent grounds, and we show that rejecting the general validity of modus (...) ponens is compatible with vindicating most ordinary uses of modus ponens in reasoning. (shrink)

Every attempt to examine our consciousness’s passive life and its dynamic in its various forms inevitably intersects with our primal awareness of the future. Even though Husserl’s theory of time-consciousness enjoys a certain fame, his conception of our primordial relation to the future has not been adequately accounted for. The book at hand aims to offer a close study of Husserl’s view of protentional consciousness and to trace its unique contribution to our overall awareness of time. It offers an extensive (...) analysis of various aspects of protention by investigating its connection to different fields and levels of experience. To achieve such a task, the book stresses the need to enrich the familiar formal account of protention with a material one. Thus, alongside issues pertaining exclusively to the form of protention, such as its relation to fulfillment as well as its double-intentional structure, various other dimensions are discussed, such as the phenomena of disappointment and correction as well as the role hyle plays in both of them. In the same vein, special attention is given to the relation between protentional consciousness and affectivity, thus shedding light on the dynamic unity of our living-present. What this study purports to show is that Husserl’s phenomenology is equipped to offer a solid account of the thinnest and subtlest ways in which we are aware of the future in our experiential life. (shrink)

This study contributes substantially to research on Aristotelian logic in Byzantium. It includes a critical edition of the commentary by Leo Magentenos, the Metropolitan of Mytilene (twelfth c.?) on Book II of the Prior Analytics along with an edition of the syllogism diagram attributed to this work in the manuscript tradition of this work.

Dans la pensée de Rousseau, l'aliénation revêt plusieurs sens. Cette notion, qui avait principalement une origine théologique et fut par la suite associée aux théories du contractualisme, celle de Hobbes par exemple, ou à la théorie du droit de Grotius, subit alors une profonde transformation. En dépit de son rôle central dans la pensée politique de Rousseau, notamment dans son ouvrage Du contrat social, elle a été peu étudiée de façon systématique. Ce livre propose une lecture méthodique de Rousseau, afin (...) d'éclairer sa conception de l'aliénation et de comprendre sa dualité, fondement de l'auto-institution de la communauté politique."--Page 4 of cover. (shrink)

Cet ouvrage propose une lecture méthodique de la place centrale et des sens multiples de l'aliénation et de l'extériorisation dans la Phénoménlogoie de l'esprit de Hegel. Quelle est la place de ces notions dans l'oeuvre majeure du philosophe allemand? L'auteur tente ainsi de mettre l'accent tantôt sur l'aspect et l'enracinement profondément social-historique de ces deux notions.

The aim of this volume is to explore new approaches to the problem of the constitution of the various aspects of sociality and to confront these with received ideas. Therefore many of the contributions to this volume are devoted to a rather holistic and antireductionist conception of social objects, groups, joint actions and collective knowledge. The topics, that are dealt with are: a) the question of the ontological status of social objects and their relation to physical objects, b) collective agency (...) and c) the question whether there can be shared knowledge and shared beliefs - a rather new topic in the discussion of the social aspects of personal life. (shrink)

At first glance, love seems to be a psychological state for which there are normative reasons: a state that, if all goes well, is an appropriate or fitting response to something independent of itself. Love for one’s parent, child, or friend is fitting, one wants to say, if anything is. On reflection, however, it is elusive what reasons for love might be. It is natural to assume that they would be nonrelational features of the person one loves, something about her (...) in her own right. According to the “quality theory,” for example, reasons for love are the beloved’s personal attributes, such as her wit and beauty. In J. David Velleman’s provocative and ingeniously argued proposal, the reason for love is the beloved’s bare Kantian personhood, her capacity for rational choice and valuation.1 But no such nonrelational feature works. To appreciate just one difficulty, observe that whatever nonrelational feature one selects as the reason for love will be one that another person could, or actually does, possess. The claim that nonrelational features are reasons for love implies, absurdly, that insofar as one’s love for Jane is responsive to its reasons, it will accept any relevantly similar person as a replacement. (shrink)