Puts Schelling in conversation with twentieth-century continental philosophy.

_Reconsiders the contemporary relevance of Schelling’s radical philosophical and religious ecology._.

Philosophy after comparative philosophy -- Thinking about Nietzsche and Zen -- Strange saints (Schopenhauer, Nietzsche, Hakuin) -- Convalescence (Nietzsche, James, Hakuin) -- Nietzsche in the pure land (Nietzsche, Shinran, Tanabe) -- Planomenal nourishment (Nietzsche, Deleuze, Dogen) -- Pure experience and philosophy after comparative philosophy.

This is an essay on place in light of the ecological crisis as an exercise in what Pierre Charbonnier has recently called ecological reason, that is, “the environmental reflexivity of our species.” How do the roots of our prevailing political and economic relationships to the many lands that sustain us appear retroactively from the perspective of ecological reason? In a kind of tragic reversal, the mad rush to global prosperity and political dignity now appears as the emerging catastrophe of our (...) failure to heed the terrestrial affordances that sustain us. I explicate this problem and root about for responses to it by lacing together the recent work of Charbonnier as well as John Sallis, Bruno Latour, and Brian Burkhart in a single weave of place-specific thinking. How can we begin to rethink place from the ground up? (shrink)

How are the teachings of a thirteenth-century master relevant today? Twenty contemporary writers unpack Dogen's words and show how we can still find meaning in his teachings. Engaging Dogen's Zen is a practice oriented study of Shushogi (a canonical distillation of Dogen's thought used as a primer in the Soto School of Zen) and Fukanzazengi (Dogen's essential text on the practice of "just sitting," a text recited daily in the Soto School of Zen). It is also a study of the (...) entire self. Here, the principles of Soto Zen practice are unpacked and explained by leading contemporary Buddhists from the living tradition--monks, priests, academics, and community teachers. Tackling Dogen's approach to key issues, such as the preeminence of shikantaza, universal buddha nature, and what it means to be a Mahayana Buddhist, the contributors to the volume help Zen practitioners and any who are trying to deepen their lives to appreciate better the teachings of Soto Zen and make these teachings part of their lives. By revisiting what remains precious in Shushogi and Fukanzazengi, we let them breathe just as we learn to breathe in zazen. We find that Soto practice not only engages Dogen and Sakyamuni, but all of our sisters and brothers, and indeed the great earth itself. Includes essays from Kosho Itagaki, Taigen Dan Leighton, Tenshin Charles Fletcher, Shudo Brian Schroeder, Glen A. Mazis, David Loy, Drew Leder, Steven DeCaroli, Steve Bein, John Maraldo, Michael Schwartz, Tetsuzen Jason M. Wirth, Leah Kalmanson, Erin Jien McCarthy, Dainen David Putney, Steven Heine, Graham Parkes, Mark Unno, Shudo Brian Schroeder, and Kanpu Bret W. Davis. (shrink)

Our new issue brings unlikely philosophers into dialogue (for example, Adorno and Krishnamurti) for the first time as well as reconsiders some of the most important figures (for example, Nietzsche...

On the True Sense of Art collects essays by philosophers responding to John Sallis's Transfigurements: On the True Sense of Art as well as his other works on the philosophy of art, including Force of Imagination and Logic of Imagination. Each of the chapters, by some of the leading thinkers in Continental philosophy, engages Sallis's work on both ancient and new senses of aesthetics--a transfiguration of aesthetics--as a beginning that is always beginning again. With a responsive essay by Sallis himself, (...) On the True Sense of Art forms a critical introduction to the thought of this generation's most important aesthetician. (shrink)

These 14 essays bring Schelling in tune with such luminaries as Heidegger, Derrida, Bataille, Foucault, Deleuze, Levinas, and Irigaray and situate him squarely in the centre of current themes.

Essays exploring a rich intersection between phenomenology and idealism with contemporary relevance.

This is a philosophical rumination on Shawn Loht’s important extension of “film as philosophy” into a Heideggerian phenomenological account of the philosophical response that cinema can engender. After considering the importance of these kinds of approaches, I turn to Loht’s phenomenological engagement with Terrence Malick’s early masterpiece, Days of Heaven (1978). After sympathetically reviewing his “interpretation”, I expand upon its delineation of “earth and world” to include the “fallenness” of the world as well as the possibility of a metanōetic awakening (...) to the vocation of “mud doctor”, that is, to heal the rift between earth and world, a rift made more exigent by world war, economic exploitation, and the ecological catastrophe of the Anthropocene. (shrink)

Schelling argued that early modern science had discarded the ancient teaching of matter – the world soul (die Weltseele or anima mundi, the unity of soul and body, eternity and time, absolute possibility and existence) – «into the common grave they dug for nature and have brought about the death of all science». In order to put science on a more philosophical tract, Schelling retrieved the work of Giordano Bruno as part of his «handful» of thinkers who in a contemporary (...) context appear on the border between an ancient but still vital sense of philosophy and the emerging scientific study of nature. (shrink)

_A new English translation of Schelling’s unfinished magnum opus, complete with a contextualizing introduction by the translator._.

This is the first of an ongoing series of review essays in which the authors of significant new works of philosophy engage their readers. These inaugural two readings discuss Rein Raud’s important new reassessment of contemporary ontology, Being in Flux: A Post-Anthropocentric Ontology of the Self. They consider its accomplishments, both on its own terms and with reference to its East Asian and South Asian precursors. Raud then offers a response.

Thinkers like Slavoj Žižek and Tim Morton have heralded the end of our ideological constructions of nature, warning that popular “ecology” or the “natural” is just the latest opiate of the masses. Attempting to think what I call Nature after Nature, I turn to the Kamakura period Zen master Dōgen Eihei (1200–1253) to explore the possibilities of thinking Nature in its non-ideological self-presentation or what Dōgen called “mountains and rivers (sansui).” I bring Dōgen into dialogue with his great champion, the (...) American poet Gary Snyder (who understands the process of sansui as “the wild”), as well as with thinkers as diverse as Schelling, Kundera, Žižek, Agamben, and Muir. Beyond Nature being any one thing, what Badiou derides as the “cosmological one,” I argue for the reawakening and sobering up to multiple Nature, beyond its appearance as an object to a discerning subject, as the bioregions which give us our interdependent and dynamic being. (shrink)

Abstract:Despite his ridicule of Schelling, Nietzsche’s thought is in much greater proximity to Schelling’s philosophy than he realized. This essay explores this surprising and mutually illuminating relationship and concludes by arguing that this unexpected resonance exposes a sensibility, both fundamental and practical, to approach the reigning ecological crisis.

Continental philosophy, beginning with Kant, has found itself exposed to the abyss of reason. This crisis makes it a more ready dialogue partner with some of the Zen tradition. I explore this opening by bringing Eihei Dōgen into an encounter with Continental thought, broadly construed. Rather than demonstrate how Dōgen already fits within Continental thought or re-engineering the latter so that he can fit, I argue that this encounter, already precipitated by Continental philosophy’s own acknowledgement of the felix culpa of (...) Western philosophy’s otherwise indefensible overreach, transforms and expands the manners in which thinking counts as philosophical. This is no less than to recover a sense of philosophy as genetic and creative, rather than a shopworn tool kit of universal insights. (shrink)

As a sign that interest in Schelling is growing beyond its initial reception within more continentally inflected studies, Lara Osteric has collected eleven generally impressive essays that are organized around the chronological development of Schelling’s thinking, and that reassess his place in the history of philosophy.Eric Watkins enters the debate around the decisive influences on Schelling’s early thinking. Conceding the well-known influences of Hölderlin, Fichte, Jacobi, and the Pantheismusstreit, his reactionary Tübingen teachers, and Reinhold’s attempt to provide a firm foundation (...) for Kantian critical philosophy, Watkins argues for... (shrink)

Volume 11, Issue 1, March 2019, Page 4-5.

Our fourteenth year of publication begins with an exceptional expansion of our sense of philosophy’s powers and resources. In our special featured article, Brian Schroeder’s groundbreaking essay, “...

"Blessed are they who are empty, for in them life finds no restrictions, no barriers."I begin by expressing my heartfelt gratitude to my three astute readers, all of whose own work I admire and esteem. They already inhabit the philosophical universe to which my book aspires, and I am moved that they recognize this. Writing, to borrow Paul Celan's famous simile, often seems like a message in a bottle, tossed out to sea. How rare and wonderful that it washes ashore, (...) and rarer still when received in a heartland!These insightful comments, provocative embellishments and commentaries, and well-posed questions are, to my thinking, the highest honor that a reader can grant a text. I learned much from them. As Maurice... (shrink)

This essay is devoted to an examination of the relationship between truth and laughter in the works of Nietzsche. My central text shall be the much malignedbook four of Zarathustra, with special attention paid to the braying of the ass. Laughter has been traditionally considered irrelevent to serious philosophical content and, at best, a stylistic quirk. I argue that this stems from a basic predjudice that is constitutive of a large part of the Western tradition, namely, the confusion of working (...) hard (a sine qua non for philosophy) with taking oneself seriously. I then analyze laughter in Nietzsche’s works as the voice of truth itself. Laughter is the affirmation of a register of truth as the other beginning that has been lost in every thing that begins. Such an analysis involves a discussion of the nature of both truth and laughter. In so doing, I also distinguish Nietzschean laughter from three representative and seminal accounts of laughter provided by Hobbes, Bergson, and Kant. (shrink)

This essay is devoted to an examination of the relationship between truth and laughter in the works of Nietzsche. My central text shall be the much malignedbook four of Zarathustra, with special attention paid to the braying of the ass. Laughter has been traditionally considered irrelevent to serious philosophical content and, at best, a stylistic quirk. I argue that this stems from a basic predjudice that is constitutive of a large part of the Western tradition, namely, the confusion of working (...) hard (a sine qua non for philosophy) with taking oneself seriously. I then analyze laughter in Nietzsche’s works as the voice of truth itself. Laughter is the affirmation of a register of truth as the other beginning that has been lost in every thing that begins. Such an analysis involves a discussion of the nature of both truth and laughter. In so doing, I also distinguish Nietzschean laughter from three representative and seminal accounts of laughter provided by Hobbes, Bergson, and Kant. (shrink)