Anthony Brueckner argues for a strong connection between the closure and the underdetermination argument for scepticism. Moreover, he claims that both arguments rest on infallibilism: In order to motivate the premises of the arguments, the sceptic has to refer to an infallibility principle. If this were true, fallibilists would be right in not taking the problems posed by these sceptical arguments seriously. As many epistemologists are sympathetic to fallibilism, this would be a very interesting result. However, in this paper I (...) will argue that Brueckner’s claims are wrong: The closure and the underdetermination argument are not as closely related as he assumes and neither rests on infallibilism. Thus even a fallibilist should take these arguments to raise serious problems that must be dealt with somehow. (shrink)

Sentences containing predicates of personal taste (for example, ‘tasty’, ‘funny’) and aesthetic predicates (for example, ‘beautiful’) give rise to an acquaintance inference: They convey the information that speakers have first-hand experience with the object of predication and they can only be uttered appropriately if that is the case. This is surprisingly hard to explain. I will concentrate on aesthetic predicates, and firstly criticize previous attempts to explain the acquaintance phenomena. Second, I will suggest an explanation that rests on a speech (...) act theoretical version of hybrid expressivism, according to which, in uttering ‘X is beautiful’ speakers perform two illocutionary acts simultaneously: an expressive and an assertive one. I will spell out this suggestion in detail and defend it against objections. Considering puzzles related to the acquaintance inference will lead to a new argument for a promising version of hybrid expressivism in meta-aesthetics. (shrink)

Statements such as “X is beautiful but I don’t like how it looks” or “I like how X looks but it is not beautiful” sound contradictory. How contradictory they sound might however depend on the object X and on the aesthetic adjective being used (“beautiful”, “elegant”, “dynamic”, etc.). In our study, the first sentence was estimated to be more contradictory than the latter: If we describe something as beautiful, we often intend to evaluate its appearance, whereas it is less counterintuitive (...) to appreciate an appearance without finding it beautiful. Furthermore, statements including “beautiful” appeared more contradictory than those including “elegant” and “dynamic”, pointing to its greater evaluative component. When related to artworks, sentences could appear less contradictory due to readers’ consideration of the divergence between conventional beauty and art-related sensory pleasures that can even include negative valence. Such ambivalence might be more frequent in art-objects than in other artefacts. Indeed, in our study, sentences referring to artworks were estimated to be less contradictory compared to sentences referring to other artefacts. Meanwhile, an additional small group of graphic design students showed a less clear difference between art-related and non-art-related sentences. We discuss the potential influence of art experience and interest as well as theoretical and methodological challenges like the conceptualization of beauty. (shrink)

Consequentialist positions in philosophy spell out normative notions by recourse to final aims. Hedonistic versions of ETHICAL consequentialism spell out what is MORALLY right/justified via recourse to the aim of increasing pleasure and decreasing pain. Veritistic versions of EPISTEMIC consequentialism spell out what is EPISTEMICALLY right/justified via recourse to the aim of increasing the number of true beliefs and decreasing the number of false ones. Even though these theories are in many respects structurally analogous, there are also interesting disanalogies. For (...) example, popular versions of epistemic consequentialism implicitly endorse the truth-indication principle (which claims that a belief is epistemically justified only if there are factors indicating that the belief itself is true), whereas popular versions of ethical consequentialism do not subscribe to an analogous pleasure-indicating principle (which claims that an act is morally justified only if there are factors indicating that performing the act itself is pleasurable). In a first step I will argue that this difference rests on the fact that plausible versions of epistemic consequentialism have to meet certain constraints, which versions of ethical consequentialism do not have to satisfy. As these constraints can be easily met by incorporating the truth-indication principle, epistemic consequentialists tend to subscribe to it. In a second step I will investigate whether the identified constraints can also be met independent from the truth-indication principle. Are there plausible versions of veritistic epistemic consequentialism that reject the principle, thereby allowing that some beliefs can be epistemically justified even though no factors speak in favor of their truth? Building on ideas put forward by Ludwig Wittgenstein, Crispin Wright, and others, I will answer this question affirmatively. (shrink)

Aesthetic statements of the form ‘X is beautiful’ are evaluative; they indicate the speaker’s positive affective attitude regarding X. Why is this so? Is the evaluative content part of the truth conditions, or is it a pragmatic phenomenon (i.e. presupposition, implicature)? First, I argue that semantic approaches as well as these pragmatic ones cannot satisfactorily explain the evaluativity of aesthetic statements. Second, I offer a positive proposal based on a speech-act theoretical version of hybrid expressivism, which states that, with the (...) literal utterance of ‘X is beautiful’, we perform two illocutionary acts simultaneously, an assertive and an expressive one. I will specify this theory in detail and argue that it can satisfactorily account for the evaluative content of aesthetic statements. I will also discuss the advantages of the theory over other variants of expressivism in meta-aesthetics. (shrink)

Is art epistemically valuable? Catherine Z. Elgin answers this question in the affirmative. She argues for the epistemic value of art on the basis of her innovative epistemological theory, in which the focus is shifted from knowledge and truth to a non-factive account of understanding. After an exposition and critique of her view, as she develops it in her most recent book “True Enough” (MIT-Press, 2017), I will build on some of her ideas in order to strengthen her account.

This paper aims to delineate the class of aesthetic judgments linguistically. The main idea is that aesthetic judgments can be specified by a certain set of assertibility conditions, i.e., by norms that govern appropriate speech-acts. This idea is spelled out in detail and defended against various objections. The suggestion leads to an interesting account of aesthetic judgments that is theoretically fruitful: It provides the basis for a non-circular and satisfying characterization of the whole domain of aesthetic research and it marks (...) an important linguistic difference between aesthetic judgments and judgments of personal taste. (shrink)

This paper argues that there is a problem for the justificatory significance of perceptions that has been overlooked thus far. Assuming that perceptual experiences are propositional attitudes and that only propositional attitudes which assertively represent the world can function as justifiers, the problem consists in specifying what it means for a propositional attitude to assertively represent the world without losing the justificatory significance of perceptions—a challenge that is harder to meet than might first be thought. That there is such a (...) problem can be seen by reconsidering and modifying a well-known argument to the conclusion that beliefs cannot be justified by perceptions but only by other beliefs. Nevertheless, the aim of the paper is not to conclude that perceptions are actually incapable of justifying our beliefs but rather to highlight an overlooked problem that needs to be solved in order to properly understand the justificatory relationship between perceptions and beliefs. (shrink)

Confronted with the problem of induction, Hans Reichenbach accepts that we cannot justify that induction is reliable. He tries to solve the problem by proving a weaker proposition: that induction is an optimal method of prediction, because it is guaranteed not to be worse and may be better than any alternative. Regarding the most serious objection to his approach, Reichenbach himself hints at an answer without spelling it out. In this paper, I will argue that there are two workable strategies (...) to rehabilitate Reichenbach’s account. The first leads to the widely discussed method of meta-induction, as proposed by Gerhard Schurz. The second strategy has not been suggested thus far. I will develop the second strategy and argue for it being, in some respects, superior to the first and closer to Reichenbach’s own position. (shrink)

This paper discusses a structural analogy between Kant’s theory of regulative ideas, as he develops it in the Appendix to the Transcendental Dialectic, and Crispin Wright’s theory of epistemic entitlements. First, I argue that certain exegetical difficulties with respect to the Appendix rest on serious systematic problems, which – given other assumptions of the Critique of Pure Reason – Kant is unable to solve. Second, I argue that because of the identified structural analogy between Kant’s and Wright’s views the project (...) Kant pursues in the Appendix can be rehabilitated by recourse to Wright’s theory. (shrink)

Die These der evidentiellen Einzigkeit besagt, dass es im Lichte von Gesamt-Evidenz E genau eine doxastische Einstellung – Für-Wahr-Halten, Für-Falsch-Halten, Enthaltung – gibt, die von Subjekten in Bezug auf eine beliebige Proposition rationalerweise eingenommen werden kann. Auf den ersten Blick ist diese These sehr plausibel. Der vorliegende Aufsatz diskutiert zunächst die Relevanz des Prin- zips sowohl in klassischen (nicht-formalen) sowie in formalen erkenntnistheoretischen Forschungstraditionen. Anschließend wird untersucht, wie plausibel das Prinzip bei genauerer Betrachtung tatsächlich ist und auf welchen Überlegungen dessen (...) anfängliche Attraktivität eigentlich beruht. Es wird nachgewiesen, dass alle in der Literatur vorgebrachten Argumente für die These nicht überzeugend sind. Allerdings wird eine bisher übersehene Überlegung präsentiert, welche die These zumindest zu einem gewissen Grad motivieren kann. (shrink)

In this essay, Heidegger's theses on art, as he develops them in the text "On the Origin of the Work of Art," are reconstructed, interpreted, and critically evalua- ted. In doing so, we pursue a threefold goal. First, his theses on art are put in relation to the main theme of his philosophy: the question of being. Second, the different ways in which Heidegger takes art to be epistemically valuable are dif- ferentiated and reconstructed in detail. Third, Heidegger's theses are (...) related to the contemporary debate on the epistemic value of art and critically discussed. (shrink)

This paper focuses on a combination of the antiskeptical strategies offered by semantic externalism and the inference to the best explanation. I argue that the most difficult problems of the two strategies can be solved, if the strategies are combined: The strategy offered by semantic externalism is successful against standard skeptical brain-in-a-vat arguments. But the strategy is ineffective, if the skeptical argument is referring to the recent-envatment scenario. However, by focusing on the scenario of recent envatment the most difficult problems (...) of the antiskeptical strategy posed by the inference to the best explanation can be solved. The most difficult problems with this strategy are: Why is an explanation of our experience offered by the skeptical hypothesis more complex than our standard explanation? Why is the more complex explanation less likely to be true? By focussing on the recent envatment hypothesis both questions can be answered satisfactorily. Therefore, the combination of semantic externalism and the inference to the best explanation yields a powerful antiskeptical argument. (shrink)

Although the concept of judgment has been replaced by the concept of belief in many philosophical subdisciplines, it has retained its central role in aesthetics. This paper discusses the following explanation for this: In contrast to the concept of belief, the concept of judgment presupposes conscious and first-personal engagement with the object about which the judgment is being made, and this conscious and first-personal engagement with the object in question plays a more important role in aesthetics than in other domains.

This paper argues that within the class of aesthetic judgments, interesting variations occur depending on whether the judgment refers to an artwork or not. Additionally, it is suggested that in order to understand and satisfactorily explain these variations, one needs a convincing specification of the notion of “art”. Thus, the main thesis of this paper is that a general theory of aesthetic judgments needs to be supplemented by a convincing and theoretically fruitful theory of art.

Pretheoretically we hold that we cannot gain justification or knowledge through an epistemically circular reasoning process. Epistemically circular reasoning occurs when a subject forms the belief that p on the basis of an argument A, where at least one of the premises of A already presupposes the truth of p. It has often been argued that process reliabilism does not rule out that this kind of reasoning leads to justification or knowledge. For some philosophers, this is a reason to reject (...) reliabilism. Those who try to defend reliabilism have two basic options: (I) accept that reliabilism does not rule out circular reasoning, but argue that this kind of reasoning is not as epistemically “bad” as it seems, or (II) hold on to the view that circular reasoning is epistemically “bad”, but deny that reliabilism really allows this kind of reasoning. Option (I) has been spelled out in several ways, all of which have found to be problematic. Option (II) has not been discussed very widely. Vogel considers and quickly dismisses it on the basis of three reasons. Weisberg has shown in detail that one of these reasons is unconvincing. In this paper I argue that the other two reasons are unconvincing as well and that therefore option (II) might in fact be a more promising starting point to defend reliabilism than option (I). (shrink)

Die philosophische Skepsis bezweifelt argumentativ, dass Menschen über Wissen verfügen. Eine interessante und viel beachtete Reaktion auf diese Skepsis basiert auf dem semantischen Externalismus. Obwohl die antiskeptische Strategie des Externalismus im Laufe der Jahre entscheident verbessert wurde, krankt sie in den Augen vieler Philosophen immer noch an einer stark beschränkten Reichweite: Sie ist nur hinsichtlich ganz bestimmter Varianten skeptischer Argumentation erfolgreich – durch geschickte Modifikation des skeptischen Arguments ist der Skeptiker in der Lage, sein Argument gegen den externalistischen Angriff zu (...) immunisieren. In diesem Artikel gehe ich der Frage nach, ob die vom Externalismus erzwungene modifizierte Fassung des skeptischen Arguments anfälliger für antiskeptische Angriffe ist als die ursprüngliche Version. Drei Versuche, die vom Externalismus erzwungene Modifikation des skeptischen Arguments in antiskeptischer Hinsicht auszunutzen, werden diskutiert. Einer der Versuche erscheint zunächst viel versprechend, doch letztlich erweisen sich alle drei antiskeptischen Folgestrategien als unbefriedigend. (shrink)

The question whether art is of any epistemic value is an old question in the philosophy of art. Whereas many contemporary artists, art-critics, and art-historians answer this question affirmatively, many contemporary philosophers remain skeptical. If art is of epistemic significance, they maintain, then it has to contribute to our quest of achieving our most basic epistemic aim, namely knowledge.Unfortunately, recent and widely accepted analyses of knowledge make it very hard to see how art might significantly contribute to the quest of (...) achieving this aim. Hence, by the lights of recent epistemology, it is questionable whether art is of any epistemic value. In order to hold on to the epistemic value of art, one has three options: (a) reject the recent analyses of knowledge that make the epistemic value of art questionable, (b) accept the recent analyses of knowledge but argue that they are compatible with the epistemic value of art, or (c) find another epistemic aim (besides knowledge) and show that art is of significant help in achieving this aim. In this paper I will argue that, at least with respect to pictorial art, option (c) seems promising. By reconsidering some basic insights and ideas from Nelson Goodman we can identify (objective) understanding as an epistemic aim to which pictorial art makes a significant contribution. (shrink)

Die These der philosophischen Skepsis besagt, dass Menschen über keinerlei Wissen bzw. Rechtfertigung verfügen. So unplausibel diese These klingen mag, so überraschend ist es, dass sie gleich durch eine Vielzahl an Argumenten verteidigt werden kann. Die besten dieser Argumente lassen sich in gewisser Hinsicht als Paradoxa verstehen: Aus äußerst plausiblen Prämissen werden in logisch einwandfreier Weise Konklusionen abgeleitet, die sehr unplausibel – ja, geradezu absurd sind. Befriedigende Lösungen skeptischer Paradoxa sind daher unerlässlich, um ein kohärentes Verständnis von Wissen und Rechtfertigung (...) zu erarbeiten. In diesem Buch werden zunächst die gesamte Bandbreite skeptischer Argumente sowie wichtige anti-skeptische Lösungsansätze systematisch analysiert. Ausgehend von dieser Analyse wird dann ein bisher übersehener, einheitlicher Lösungsweg hinsichtlich aller skeptischen Paradoxa motiviert und auf seine Tragfähigkeit hin geprüft. Die anvisierte Lösung führt schließlich zur Theorie des „nicht-wahrheitsindikativen Konsequentialismus“. Obwohl diese Theorie bisher kaum Beachtung fand, fällt ihr theoretisches Kosten–Nutzen–Verhältnis insbesondere im Vergleich mit vielbeachteten alternativen Lösungsansätzen überraschend positiv aus. (shrink)

Welchen Zweck verfolgen wir mit ästhetischen Urteilen, wie z.B. „Das ist schön“? Drücken wir damit nur unsere Begeisterung aus oder schreiben wir Gegenständen objektive, von uns unabhängige Eigenschaften zu? Können ästhetische Urteile wahr oder falsch sein, und falls ja, gilt der jeweilige Wahrheitswert dann allgemeingültig oder muss er in gewisser Hinsicht relativiert werden? Das Buch ist der Aufgabe gewidmet, Fragen dieser Art zu beantworten. Sprachphilosophische Fragen in Bezug auf ästhetische Urteile lassen sich allerdings nur dann präzise behandeln, wenn man sie (...) um metaphysische Analysen ästhetischer Eigenschaften ergänzt. Es wird daher eine kombinierte Theorie ästhetischer Urteile und Eigenschaften motiviert, im Detail ausgearbeitet und gegen Angriffe verteidigt. Die Theorie verbindet Elemente einer Doppelsprechakttheorie – nach der wir mit ästhetischen Aussagen simultan beschreibende und expressiv-bewertende Akte ausführen – mit einer reaktions-dispositionalen Charakterisierung ästhetischer Eigenschaften. (shrink)

Jochen BRIESEN verteidigt in diesem Buch einen Dispositionalismus in Bezug auf ästhetische Eigenschaften und eine „hybride“ Auffassung in Bezug auf ästhetische Urteile: Er vertritt die Ansicht, dass mit jedem ästhetischen Urteil zwei Sprechakte vollzogen werden, nämlich ein expressiver und ein assertiver Sprechakt. Mit dem assertiven Sprechakt wird dem Gegenstand eine ästhetische Eigenschaft zugeschrieben. Die ästhetische Eigenschaft ist eine dispositionelle Eigenschaft, nämlich die Disposition, unter bestimmten (idealen) Bedingungen in einem Rezipienten einen bestimmten mentalen Zustand zu verursachen. Dieser mentale Zustand (...) ist die Manifestation der ästhetischen Eigenschaft. Der expressive Sprechakt soll genau jenen mentalen Zustand ausdrücken, in dem sich die dispositionelle Eigenschaft manifestiert. (shrink)

Religionskritik wird gerade in der jungeren Vergangenheit bevorzugt als Kritik an der vermeintlichen Irrationalitat religiosen Glaubens artikuliert. Die Autoren der im vorliegenden Konferenzband versammelten Beitrage fragen zunachst anhand exemplarischer Studien zu Hamann, Hegel, Schelling, Nietzsche und Rudolf Otto nach der Bedeutung und Funktion des Irrationalen in rezeptionsgeschichtlich massgeblichen religionsphilosophischen Entwurfen der (Nach-)Aufklarung. Erganzt und zugespitzt wird der historische Abschnitt des Bandes durch Analysen zu Werk und Wirkung Soren Kierkegaards, dem neuzeitlichen Irrationalitatstheoretiker par excellence. Daruber hinaus wird aus systematischer Perspektive nach (...) der kritischen und/oder konstruktiven Funktion des Irrationalitatsthemas fur Religionsphilosophie und Theologie gefragt, wobei nicht nur semantische, sondern auch fundamentaltheologische und ethische Aspekte Berucksichtigung finden. Mit Beitragen von: Daniel Conway, Istvan Czako, Dario Gonzalez, Todd Gooch, Zoltan Gyenge, Gesche Linde, William McDonald, Peter Sajda, Jochen Schmidt, Heiko Schulz, Harald Steffes, Jon Stewart, Curtis Thompson, Knut Wenzel, Oliver Wiertz. (shrink)

Competitive athletes act within cultures of risk in sports and often decide to return to sport despite having acute health problems. The outcomes of such risky return-to-play decisions can not only negatively affect their future health, but also limit their sports performance or even upset their career paths. Following risk-management-decision theory with its focus on active risk defusing, we developed a model for understanding the process of return-to-play decision making from an athlete’s perspective. Based on the method of active information (...) search, a quasi-naturalistic return-to-play decision scenario was created in order to assess amateur team sport athletes’ decision making strategies. The main goals were to identify different information acquisition patterns and to analyze the influence of social pressure to play hurt on decision making. A total of 72 competitive team sport athletes (36 females, 36 males, m= 25.7 years of age, 3rd to 6th league level) out of three disciplines (volleyball, basketball, and handball) participated in the experimental study. Facing the same medical scenario (a partial tear of the supraspinatus tendon), athletes show different approaches to return-to-play decision making. The main focus is on potential sporting consequences of withdrawal from competition due to injury, while only few players favoring well-informed decisions based on thorough risk analysis. The athletes who chose the medically risky alternative to play hurt mostly employed strategies of active risk defusing, which got activated when severe sporting consequences were perceived. Those who chose to withdraw from competition primarily referred to maximin heuristic, particularly when social pressure to play was reduced. The findings can be used to improve rehabilitation. (shrink)

Über das Verstehen von Kunst nachzudenken heißt über die Bedeutsamkeit von Kunst nachzudenken. Jochen Schuff zeichnet nach, wie Ludwig Wittgenstein und Stanley Cavell diesen Gedanken auf komplementäre Weise entfalten. Wittgenstein rückt in seinen verstreuten Bemerkungen zur Ästhetik die unterschiedlichen Spiele von Ausdruck und Verstehen zwischen kultureller Tradition und spontanen Reaktionen in den Fokus. Cavell erläutert die Bedeutsamkeit von Kunst an den Medien und Werken seiner Gegenwart--und daran, wie mit ihnen zentrale Aspekte der menschlichen Lebensform erfahrbar werden. Die vorliegende Studie (...) bietet eine systematische Lektüre der Kunstphilosophien Wittgensteins und Cavells, aber sie bleibt dabei nicht stehen. Sie testet ihre Befunde mithilfe philosophischer Betrachtungen aktueller Filme, Videos und Installationen von Jonathan Glazer, Mark Leckey, Rineke Dijkstra, Omer Fast, Isa Genzken, Douglas Gordon, Christian Marclay und Pharrell Williams. --Page [4] of cover. (shrink)

With this special issue, we would like to promote research on changes in the funding of the sciences, social sciences, and humanities. Since funding secures the livelihood of researchers and the means to do research, it is an indispensable condition for almost all research; as funding arrangements are undergoing dramatic changes, we think it timely to renew the science studies community’s efforts to understand the funding of research. Changes in the governance of science have garnered considerable attention from science studies (...) and higher education research; however, the impact of these changes on the conduct and content of research has not received sufficient attention, and theoretical insights into the connections between funding practices and research practices are few and far between. The aim of this special issue is to contribute to our theoretical understanding of the changing nature of research funding and its impact on the production of scientific knowledge. More specifically, we are interested in the interplay between funding and research practices: What is the impact of institutionalised funding arrangements on the production of scientific knowledge? (shrink)

In the present research, we examine the relation between leader mindfulness and employee performance through the lenses of organizational justice and leader-member relations. We hypothesize that employees of more mindful leaders view their relations as being of higher leader-member exchange quality. We further hypothesize two mediating mechanisms of this relation: increased interpersonal justice and reduced employee stress. In other words, we posit that employees of more mindful leaders feel treated with greater respect and experience less stress. Finally, we predict that (...) LMX quality serves as a mediator linking leader mindfulness to employee performance—defined in terms of both in-role and extra-role performance. Across two field studies of triadic leader-employee-peer data and dyadic leader–employee data, we find support for this sequential mediation model. We discuss implications for theorizing on leadership, organizational justice, business ethics, LMX, and mindfulness, as well as practical implications. (shrink)

Was sind naturwissenschaftliche Phanomene und inwiefern kann die Beantwortung dieser Frage zu einer besseren philosophischen Einschatzung der wissenschaftlichen Praxis beitragen? Dieses Buch untersucht die wissenschaftstheoretische Unterscheidung zwischen Daten und Phanomenen, um ihre Bedeutung fur die Debatte um den Wissenschaftlichen Realismus zu klaren. Ausgehend von einer Analyse des Phanomenbegriffs werden sowohl realistische als auch antirealistische Anwendungen der Unterscheidung auf ihre Uberzeugungskraft gepruft. Auf Grundlage der Ergebnisse dieser Untersuchung wird fur ein realistisches Phanomenverstandnis pladiert und erortert, wie exakt Wissenschaftstheoretiker die wissenschaftliche Praxis (...) beschreiben mussen, um zutreffende philosophische Schlussfolgerungen ziehen zu konnen.". (shrink)

An outline topography of musical accessibility. What is musical accessibility? ; Society, atonality, psychology -- Accessibility discourse in rock, and cultural change. Case study 1 : 'Prog' rock/punk rock : sophistication, directness and shock ; Zeitgeist : accessibility in flux -- A valiant failure? : new art music and the people. Case study 2 : Vaughan Williams' national music in context ; Art music, vernacular music and accessibility -- Accessibility, identity and social action. Case study 3a : Accessibility in action (...) : Bahia, Brazil ; 3b : Samba in Wales : how is adopted music accessible? -- Part five. Themes. Some key concepts. (shrink)

In this paper we show that Audi’s fallibilist foundationalism is beset by three unclarities. First, there is a conceptual unclarity in that Audi leaves open if and how to distinguish clearly between the concepts of fallibility and defeasibility. Second, there is a general unclarity: it is not always clear which fallibility/defeasibility-theses Audi accepts or denies. Finally, there is an unclarity of self-application because Audi does not specify his own claim that fallibilist foundationalism is an inductivist, and therefore itself fallible, thesis. (...) The critical part of our paper is supplemented by a constructive part, in which we present a space of possible distinctions between different fallibility and defeasibility theses. These distinctions can be used by Audi as a toolkit to improve the clarity of fallibilist foundationalism and thus provide means to strengthen his position. (shrink)

Comics are complex multimodal documents that make for intriguing materials to analyze with computer vision and computational linguistics. This review summarizes the growing developments in computational modeling which have been progressing to analyze visual narratives across their various substructures.

Der Versohnung dient Dialektik. Das Konzept der negativen Dialektik lasst sich als das Vorhaben verstehen, Dialektik durch dialektische Mittel zu uberwinden. Doch wie geht die radikale Kritik gesellschaftlicher Verhaltnisse und traditioneller Denkformen, eine Fundamentalkritik des falschen Ganzen, zusammen mit einem emphatischen Begriff von Utopie, mit der Idee einer Versohnung von Menschheit und Natur? In dieser Frage kommt ein Spannungsverhaltnis zum Ausdruck, das das gesamte Werk Adornos pragt und sich in paradoxalen und aporetischen Gedankenfiguren ausdruckt. Diese Untersuchung rekonstruiert das negativ-utopische Denken (...) Adornos, indem es dessen Leitmotive in ideengeschichtlichen Konstellationen transparent macht. (shrink)

Although the computational properties of the Region Connection Calculus RCC-8 are well studied, reasoning with RCC-8 entails several representational problems. This includes the problem of representing arbitrary spatial regions in a computational framework, leading to the problem of generating a realization of a consistent set of RCC-8 constraints. A further problem is that RCC-8 performs reasoning about topological space, which does not have a particular dimension. Most applications of spatial reasoning, however, deal with two- or three-dimensional space. Therefore, a consistent (...) set of RCC-8 constraints might not be realizable within the desired dimension. In this paper we address these problems and develop a canonical model of RCC-8 which allows a simple representation of regions with respect to a set of RCC-8 constraints, and, further, enables us to generate realizations in any dimension d = 1. For three-and higher-dimensional space this can also be done for internally connected regions. (shrink)

Today, avatars often represent users in digital worlds such as in video games or workplace applications. Avatars embody the user and perform their actions in these artificial environments. As a result, users sometimes develop the feeling that their self merges with their avatar. The user realizes that they are the avatar, but the avatar is also the user—meaning that avatar’s appearance, character, and actions also affect their self. In the present paper, we first introduce the event-coding approach of the self (...) and then argue based on the reviewed literature on human-avatar interaction that a self-controlled avatar can lead to avatar-self merging: the user sets their own goals in the virtual environment, plans and executes the avatar’s actions, and compares the predicted with the actual motion outcomes of the avatar. This makes the user feel body ownership and agency over the avatar’s action. Following the event-coding account, avatar-self merging should not be seen as an all-or-nothing process, but rather as a continuous process to which various factors contribute, including successfully taking the perspective of the avatar. Against this background, we discuss affective, cognitive, and visuo-spatial perspective taking of the avatar. As evidence for avatar-self merging, we present findings showing that when users take the avatar’s perspective, they can show spontaneous behavioral tendencies that run counter to their own. (shrink)

This paper gives a simple method for providing categorial brands of feature-based unification grammars with a model-theoretic semantics. The key idea is to apply the paradigm of fibred semantics (or layered logics, see Gabbay (1990)) in order to combine the two components of a feature-based grammar logic. We demonstrate the method for the augmentation of Lambek categorial grammar with Kasper/Rounds-style feature logic. These are combined by replacing (or annotating) atomic formulas of the first logic, i.e. the basic syntactic types, by (...) formulas of the second. Modelling such a combined logic is less trivial than one might expect. The direct application of the fibred semantics method where a combined atomic formula like np (num: sg & pers: 3rd) denotes those strings which have the indicated property and the categorial operators denote the usual left- and right-residuals of these string sets, does not match the intuitive, unification-based proof theory. Unification implements a global bookkeeping with respect to a proof whereas the direct fibring method restricts its view to the atoms of the grammar logic. The solution is to interpret the (embedded) feature terms as global feature constraints while maintaining the same kind of fibred structures. For this adjusted semantics, the anticipated proof system is sound and complete. (shrink)