Why is beauty consoling? Ancient and Medieval Western philosophy was primarily concerned with beauty in relation to truth and goodness. The theistic religions assume a link between beauty, goodness and truth, all of which are viewed as Divine attributes. This is one reason for the iconoclasm that all three Abrahamic religions share to a greater or lesser degree. Yet, creative fictions of great artistic beauty aspire to a certain truthfulness. A work of the imagination may deepen or purify our emotions (...) such that we gain a clearer understanding of reality. Beauty is consoling because it resolves the contradictions of experience; art can be a conduit to a supreme transcendent unity. The Iconic Imagination is both a reflection on the redemptive potential of art, and an investigation of the traditions of occidental Christianity, Judaism, Hinduism and Islam in their confrontations with the particular power of art to represent the transcendent. Throughout, Hedley argues that the malaise of much contemporary reflection upon beauty is a consequence of the marginalisation of beauty's religious dimension. (shrink)

This chapter contains sections titled: Against the Thracian Maid Know Thyself! Philosophy and History The Glass of Reflection Symbolism and Transcendence References.

International Archives of the History of Ideas Archives internationales d'histoire des idées, Vol. 196. -/- Introduction, S. Hutton; Nicholas of Cusa : Platonism at the Dawn of Modernity, D. Moran; At Variance: Marsilio Ficino Platonism And Heresy, M.J.B. Allen; Going Naked into the Shrine:Herbert, Plotinus and the Consructive Metaphor, S.R.L.Clark; Commenius, Light Metaphysics and Educational Reform, J. Rohls ; Robert Fludd’s Kabbalistic Cosmos, W. Schmidt-Biggeman; Reconciling Theory and Fact:The Problem of ‘Other Faiths’ in Lord Herbert and the Cambridge Platonists, D. (...) Pailin; Trinity, Community and Love: Cudworth’s Platonism and the Idea of God, L. Armour; Chaos and Order in Cudworth’s Thought, J-L. Breteau; Cudworth, Prior and Passmore on the Autonomy of Ethics, R. Attfield; Substituting Aristotle: Platonic Themes In Dutch Cartesianism, H. van Ruler; Soul, Body, And World: Plato’s Timaeus And Descartes’ Meditations, C. Wilson ; Locke, Plato and Platonism, G.A.J. Rogers; Reflections on Locke’s Platonism, V. Nuovo; The Platonism at the Core of Leibniz’s Philosophy, C. Mercer; Leibniz and Berkeley: Platonic Metaphysics and ‘The Mechanical Philosophy’, S. Brown; Which Platonism for which Modernity? A Note on Shaftesbury’s Socratic Sea-Cards, L. Jaffro; Platonism, Aesthetics and the Sublime at the Origins Of Modernity, D. Hedley. (shrink)

Modern analytic philosophy of religion has become increasingly interested in the dogmatic substances of Christian theology. I argue that the doctrine of the Trinity provides an instance of the importance of dogmatic formulation for an appreciation of the philosophical aspect of the Christian concept of God. The starting point of mydiscussion is the recent defence of pantheism by Michael Levine, and his discussion of Neoplatonist and German Idealist models of deity. Both metaphysical theism and the alleged Neoplatonic metaphysical genealogy of (...) pantheism are considered with particular reference to St Augustine's account of creation in the Confessions . Just as it is impossible to distinguish the purely philosophical from the purely dogmatic concept of God, one cannot give an adequate modern account of theism without a rigorous and sensitive treatment of the historical models. The issue of pantheism shows how a misunderstanding of the meaning of concept of ‘unity’ can distort our view of theism as a model of deity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Coleridge’s Intellectual Intuition, the Vision of God, and the Walled Garden of “Kubla Khan”Douglas HedleyIn his seminal work of 1917 Das Heilige Rudolph Otto quotes a number of passages as instances of the “Numinose.” Alongside those quotations from more conventional mystics, Plotinus, and Augustine, Otto refers to Coleridge’s “savage place” in Kubla Khan. 1 It is also pertinent that, when trying to define Romanticism, C. S. Lewis appeals (...) to the longing for the “unnameable something” fired by “morning cobwebs in late summer” or the “opening lines of Kubla Khan.” 2 Perhaps it is a mere coincidence that two of the most penetrating and influential scholars of religion in the twentieth century should appeal to Coleridge and his poem “Kubla Khan.” I wish to suggest reasons why the link between the imagery of “Kubla Khan” and a mystical experience of transcendence is not merely fortuitous. Indeed the connection between Coleridge’s mature writing and the imagery of the poem shows that we have good reason for seeing him as consciously writing, both as a poet and as a philosopher, within a visionary mystical tradition. I propose that it is no accident that Coleridge’s most visionary poem draws upon the central Christian image of paradise: the walled garden.This is an attempt not to interpret “Kubla Khan” but rather to suggest Coleridge’s place in the history of ideas as a Christian poet and philosopher. He is best described as an essentially speculative and mystical philosopher-theologian. 3 [End Page 115] By “speculative” I mean a theology inspired by those Church Fathers who emphasize the “vision” of God as an intellectual contemplation (speculari) of the transcendent Absolute, the prius of all being. The scholastics, the medieval German mystics, the Cambridge Platonists, and some of the German Idealists have all been influenced by such a speculative impulse. 4 Hegel uses the term “speculative” for his Dialectic. 5A philosophical or “speculative” approach to theology has invoked hostility from Tertullian onwards. Coleridge’s philosophy of religion often excited the fear of the new pantheistic German theology. John Henry Newman castigated Coleridge’s speculation as more heathen than Christian. Yet the speculative movement in theology spawned both a radical and a conservative wing, and we have to judge Coleridge’s thought in the light of the more conservative branch of nineteenth-century Idealism. D. F. Strauss jettisoned the transcendent “yonder” of traditional theology in favor of his philosophical or “scientific” approach to Christianity. Coleridge, however, could not adhere to theology of immanence; he wished to present a theology of an adamantly transcendent character.The walled garden is an eminently appropriate image of transcendence and was used as such by the fifteenth-century Christian Platonist Nicholas of Cusa, who is one of the links between Patristic theology and German Idealism. I shall draw upon his book The Vision of God as a paradigm of the sort of speculative mysticism which informs Coleridge’s metaphysics and much of his poetry. 6 Reflection upon an exotic poetic image may help us to clarify one of Coleridge’s philosophical tenets; the walled garden can be seen to symbolize that transcendent numinous reality, which the soul inchoately and barely consciously seeks and strives for.Coleridge’s “Mysticism” and the Imagery of “Kubla Khan”Richard Holmes claims that the “Kubla Khan” provides evidence of a transition in Coleridge’s interests and presents this switch from “classical and religious mythology” to the “drama of self-knowledge... the growth of consciousness and civilisation” as a key to Coleridge’s poetry. Holmes writes: [End Page 116][H]is instinct that the modern Epic subject must now centre on “the mind of man,” through “travels, voyages and histories,” shows a shift of poetic focus characteristic of the new Romantic age. The Epic could no longer draw on classical or religious mythology for the framework of its action. It must become contemporary with the world of scientific, anthropological, and psychological exploration: it must centre in some way on the drama of self-knowledge, on the growth of consciousness and civilisation. 7Coleridge would not have seen a conflict between the drama of self-consciousness and classical and religious mythology. In “Kubla... (shrink)

’Sacrifice Imagined’ is an original exploration of the idea of sacrifice by one of the world’s pre-eminent philosophers of religion. Despisers of religion have poured scorn upon the idea of sacrifice as an index of the irrational and wicked in religious practice. Nor does its secularised form seem much more appealing. One need only think of the appalling cult of sacrifice in numerous totalitarian regimes of the twentieth century. Yet, sacrifice remains a part of our cultural and intellectual ’imaginary’. (...) class='Hi'>Hedley proposes good reasons to think that issues of global conflict and the ecological crisis highlight the continuing relevance of the topic of sacrifice for contemporary culture. The subject of sacrifice has been decisively influenced by two books: Girard’s ’The Violence and the Sacred’ and Burkert’s ’Homo Necans’. Both of these are theories of sacrifice as violence. Hedley’s book challenges both of these highly influential theories and presents a theory of sacrifice as renunciatio. (shrink)

The Cambridge Platonists are modern thinkers and the context of seventeenth-century Cambridge science is an inalienable and decisive part of their thought. Cudworth’s interest in ancient theology, however, seems to conflict with the progressive aspect of his philosophy. The problem of the nature, however, of this ‘Platonism’ is unavoidable. Even in his complex and recondite ancient theology Cudworth is motivated by philosophical considerations, and his legacy among philosophers in the eighteenth and nineteenth centuries should not be overlooked. In particular we (...) will draw on the scholarship of the German Egyptologist Jan Assmann in order to reassess the significance of Cudworth’s theory of religion for later philosophical developments. (shrink)

Coleridge's relation to his German contemporaries constitutes the toughest problem in assessing his standing as a thinker. For the last half-century this relationship has been described, ultimately, as parasitic. As a result, Coleridge's contribution to religious thought has been seen primarily in terms of his poetic genius. This book revives and deepens the evaluation of Coleridge as a philosophical theologian in his own right. Coleridge had a critical and creative relation to, and kinship with, German Idealism. Moreover, the principal impulse (...) behind his engagement with that philosophy is traced to the more immediate context of English Unitarian-Trinitarian controversy of the eighteenth and nineteenth centuries. The book re-establishes Coleridge as a philosopher of religion and as a vital source for contemporary theological reflection. (shrink)

Modern analytic philosophy of religion has become increasingly interested in the dogmatic substances of Christian theology. I argue that the doctrine of the Trinity provides an instance of the importance of dogmatic formulation for an appreciation of the philosophical aspect of the Christian concept of God. The starting point of my discussion is the recent defence of pantheism by Michael Levine, and his discussion of Neoplatonist and German Idealist models of deity. Both metaphysical theism and the alleged Neoplatonic metaphysical generalogy (...) of pantheism are considered with particular reference to St Augustine's account of creation in the "Confessions". Just as it is impossible to distinguish the purely philosophical from the purely dogmatic concept of God, one cannot give an adequate modern account of theism without a rigorous and sensitive treatment of the historical models. The issue of pantheism shows how a misunderstanding of the meaning of concept of 'unity' can distort our view of theism as a model of deity. (shrink)

Sacrifice Imagined is an original exploration of the idea of sacrifice by one of the world's preeminent philosophers of religion. Despisers of religion have poured scorn upon the idea of sacrifice as an index of the irrational and wicked in religious practice. Nor does its secularised form seem much more appealing. One need only think of the appalling cult of sacrifice in numerous totalitarian regimes of the twentieth century. Yet sacrifice remains a part of our cultural and intellectual 'imaginary'. (...) class='Hi'>Hedley proposes good reasons to think that issues of global conflict and the ecological crisis highlight the continuing relevance of the topic of sacrifice for contemporary culture. The subject of sacrifice has been decisively influenced by two books: Girard's The Violence and the Sacred and Burkert's Homo Necans. Both of these are theories of sacrifice as violence. Hedley's book challenges both of these highly influential theories and presents a theory of sacrifice as renunciation of the will. His guiding influences in this are the much misunderstood Joseph de Maistre and the Cambridge Platonists. (shrink)

In this article, the Bild or image of the sculptor used by Plotinus and adapted by his Christian follower Meister Eckhart forms the basis of a reflection on the religious or otherworldly dimension in ethics and on the relationship of esthetics, morality, and religion. The image of the sculptor who chips away at his sculpture exemplifies the relationship of the individual to its divine archetype. Such knowledge involves transformation of the knower, a turning back of the image to the archetype, (...) a shaping of the self that emerges from recognition of its true identity and vocation. This constitutes the dynamic dimension of Bildung in Eckhart as educere, a leading forth from attachment to particular things and a purification and reformation of the self according to its true image. The turning back is thereby a turning within to the supreme Good, the nobility and the purity of the Divine nature, which is the origin of the true self and its intrinsic dignity as image of its transcendent source. (shrink)

This essay examines Henry More’s engagement with Jacob Böhme and compares the sympathetic critique of Böhme with More’s much more negative evaluation of Spinoza. More directs his criticism of Böhme at the similarities between Spinoza and Böhme: their materialism and confusion of God and world. The present essay suggests, however, that the perception of shared Platonism informs More’s more favourable approach to the Silesian. The problem of what “Platonism” means in this context is thus also addressed. Böhme’s writings were valued (...) by More because of a shared metaphysics that rejected both radical dualism and pantheism, and the Platonic theology of the goodness of God and the freedom of man, together with the rejection of predestination. Spinoza, on the other hand, is rejected because of his radical determinism, his denial of any substantial distinction between good and evil, and the transcendent being of the divine. (shrink)

SUMMARYPeter Jonkers' paper ‘Justifying Sacrifice’ presents a subtle and nuanced defence of the ethical paradigm of sacrifice as offering up ‘for the sake of’ another item or principle. He employs Hegel and Levinas for this purpose. While Jonkers presents his position as in basic agreement with the position of John Milbank in his paper ‘Midwinter Sacrifice’, I claim that the two positions are, in fact, diametrically opposed. Milbank is proposing a radical critique of the ethical paradigm of sacrifice as the (...) product of, and in collusion with, secular nihilism. Thus there is no justification of sacrifice ‘for the sake of’ for Milbank: certainly not in the forms presented by either Hegel or Levinas. Milbank's motive for such a strident rejection of such theories lies in his overarching theory of the secular as itself an illegitimate alternative theology. I conclude, however, that Jonkers can withstand the challenge of Milbank. Nevertheless, any adequate justification of the model of sacrifice needs to be augmented by an account of both its metaphysical underpinning and its symbolism. (shrink)

This article reflects upon the relationship between philosophy and theology. It further considers the persisting relevance of the specifically Hellenic inheritance of philosophy as contemplation and the Delphic exhortation, “Know thyself!” It concludes with reflections upon the role of imagination in relation to the philosophical idea of God as the supreme and transcendent causal principle of the physical cosmos.

The Cambridge Platonists mark an important juncture in Western intellectual history. Benjamin Whichcote, Ralph Cudworth, Henry More and John Smith helped shape the modern idea of selfhood and the contemporary culture of autonomy, toleration, and rights. Not only do they represent one of the great phases of the Platonic tradition, but also this group of Cambridge thinkers arguably represent a ‘Copernican revolution’ in Western moral philosophy. Attention has also been drawn to their impact on women thinkers such as Anne Conway, (...) Damaris Masham, Catharine Macaulay, and Mary Wollstonecraft. The key aesthetic notion of ‘disinterested pleasure’ can be traced back to Cambridge Platonist influence on Shaftesbury, and their concept of Plastic Nature shaped the modern concepts of artistic creativity and genius. There is, however, a striking neglect of Cambridge Platonism in contemporary research, and there is also disagreement about the application and even the legitimacy of the category ‘Cambridge Platonism’ itself. We maintain however that ‘Cambridge Platonism’ is nevertheless a helpful category for exploring the intellectual milieu or constellation of these thinkers. This is not to say that all of the figures included in this volume belong to a tightly defined group of ‘Platonists’, but a distinctive early modern transformation of Platonism is at work among these writers, and a better understanding of the networks, intellectual and personal, of these figures is the aim of the volume. (shrink)

L’article expose et discute l’un des plus importants livres récents dans le domaine de la philosophie de la religion : Perceiving God : The Epistemology of Religious Experience de William Alston. Parmi les principaux problèmes soulevés par la thèse de Alston – une défense «analytique» de l’expérience mystique de la perception de Dieu – la question de savoir si la notion de perception doit être prise littéralement ou comme une métaphore est fondamentale. À cet égard, l’article insiste sur l’ambiguïté de (...) la conception d’Alston. Dans la mesure aussi où la perception est conçue par Alston en termes de pratique établie, n’est-il pas possible de montrer que son analyse de la perception divine ne correspond qu’imparfaitement aux moments historiques où elle a joué un rôle théologique important, particulièrement dans la lignée platonicienne ? -/- This is an exposition and discusion of one of the most important of recent books in the area of philosophy of religion : Perceiving God : The Epistemology of Religious Experience, by William Alston. Among the principal problems he brings up in his “analytic” defence of the mystical experience of the perception of God, the question of knowing whether the notion of perception should be taken literally or in a metaphoric sense is fundamental. On this point, the article insists on the ambiguous nature of Alston’s concept. In that Alston thinks of perception as established practice, is it not possible to show that his analysis of divine perception corresponds rather imperfectly to the historic moments in which it has played an important theological role, particularly in the line of Platonism ? (shrink)

The nineteenth century was a turbulent period in the history of the philosophical scrutiny of religion - this volume is an authoritative guide for all who are interested in the debates that took place in this seminal period.

This volume contains essays that examine the work and legacy of the Cambridge Platonists. The essays reappraise the ideas of this key group of English thinkers who served as a key link between the Renaissance and the modern era. The contributors examine the sources of the Cambridge Platonists and discuss their take-up in the eighteenth-century. Readers will learn about the intellectual formation of this philosophical group as well as the reception their ideas received. Coverage also details how their work links (...) to earlier Platonic traditions. This interdisciplinary collection explores a broad range of themes and an appropriately wide range of knowledge. It brings together an international team of scholars. They offer a broad combination of expertise from across the following disciplines: philosophy, Neoplatonic studies, religious studies, intellectual history, seventeenth-century literature, women’s writing, and dissenting studies.The essays were originally presented at a series of workshops in Cambridge on the Cambridge Platonists funded by the AHRC. (shrink)

Despisers of religion throughout the centuries have poured scorn upon the idea of sacrifice, which they have targeted as an index of the irrational and wicked in religious practice. Lucretius saw the sacrifice of Iphigenia as an instance of the evils perpetrated by religion. But even religious reformers like Xenophanes or Empedocles rail against ‘bloody sacrifice’. What kind of God can demand sacrifice? Yet the language of sacrifice persists in a secular world. Nor does its secularised form seem much more (...) appealing. One need only think of the appalling and grotesque cult of sacrifice in numerous totalitarian regimes of the twentieth century. The perversion of the Jihad in radical Islam in contemporary Europe would provide another sombre instance. Throughout Europe in the last few years we have seen the revival of a classical Enlightenment atheism, a movement that, far removed from Nietzsche's pathos for the Death of God, pursues a vigorous and relentless policy of Écrasez l'infâme! Indeed, contemporary polemicists like Dawkins and Hitchens wish to emphasise precisely this dimension of Christianity: not just false but nasty! The modern cultured despisers of religion are the self confessed descendants of Hume and Voltaire. Religion is the product of the period of ignorance in the superstitious and terrified fearful infancy of humanity, and is the crude attempt to face the natural human longing for knowledge, consolation and emotional support. How can one strive to defend the concept of sacrifice against such cultured despisers? I think we need to start by reflecting upon why the slaughter of an animal, say, makes holy – sacra facere? The root meaning of ‘sacrifice’ has a basis in ritual practice, as its Latin etymology suggests. Though in common parlance it communicates a giving up or rejection, the word as we are going to understand it signifies the substitution , or more perhaps sublimation , of an item or interest for a higher value or principle. St Augustine speaks of the outward symbol of the true sacrifice of spiritual offering that God requires in the altar of the heart – a sacrifice of humility and praise. The metaphor works because his audience was familiar with the literal sense of the term. (shrink)

Cecilia Muratori’s book is a major contribution to scholarship on the Romantic Age and idealistic philosophy. Jakob Böhme is a thinker of great importance within the German tradition, but is so dense and difficult that he is very hard to study without proper and expert guidance. Muratori has exceeded expectations in her lucid, imaginative, and brilliant exposition of Böhme’s thought in relation to Hegel and, indeed, the modern age. Hegel not only regarded Böhme as a writer of philosophical genius, but (...) also as the beginning of German philosophy. This book explains why. The priority here is no temporal accident. The designation is also a tribute to the proleptic power of the Silesian cobbler. Hegel’s attribution is... (shrink)

The fourth volume of The History of Evil explores the key thinkers and themes relating to the question of evil in Eighteenth and Nineteenth. The very idea of ¿evil¿ is highly contentious in modern thought and this period was one in which the concept was intensely debated and criticized. The persistence of the idea of evil is a testament to the abiding significance of theology in the period, not least in Germany. Compromising twenty-two chapters by international scholars, some of the (...) topics explored include: Berkeley on evil, Voltaire and the Philosophes, John Wesley on the origins of evil, Immanuel Kant on evil, autonomy and grace, the deliverance of evil: utopia and evil, utilitarianism and evil, evil in Schelling and Schopenhauer, Friedrich Nietzsche and the genealogy of evil, and evil and the nineteenth century idealists. The volume also explores a number of other key thinkers and topics within the period. This outstanding treatment of the history of evil at the crucial and determinative inception of its key concepts will appeal to those with particular interests in the ideas of evil and good. (shrink)

This essay remarks upon a seeming paradox in the philosophical anthropology of Joseph de Maistre (1753–1821). He presents a traditional Platonic asymmetry of reason and the passions. This is put to the service of an Origenistic-universalistic theology that revolves around questions of guilt, punishment and redemption and a theory of sacrifice. Maistre is far from being the irrationalist that many political theorists observe, even if he presents an antagonistic relationship between reason and passions, the rational self and its desires. The (...) apparently grim and sanguinary Platonism of the Savoyard Count can be neatly compared with Kant and contrasted with Hume’s sanguine, if not breezy, view of reason as a slave to the passions. (shrink)

Regarding the question of why it is that people feel the need to travel for recreational purposes, I suggest that the answer might be found in the concept of “play.” In my paper, I consider the seriousness of play as represented in the work of Johan Huizinga, who held that play lies at the very source of culture, and the novels of Hermann Hesse, in light of Joseph Pieper’s reflections on leisure and the ludic in relation to the contemplative. In (...) the Christian humanistic tradition, to which Hesse and Huizinga belong, play is identified with freedom and affirmation of the life of the mind, in contrast to the materialist ideal of work promulgated by the Industrial Revolution, whereas the opposing Christian tradition represented by Tertullian and Kierkegaard, attacked the culture of play. Pieper’s reflections on the relationship between leisure and liturgy add emphasis on the feast or festival as an occasion for affirmation of the contemplative, eternal, and transcendent over the temporal and transitory of everyday life. (shrink)

In this paper we explore some of the key themes in the thought of Werner Beierwaltes. He established a reputation as a scholar of Neoplatonism during a period of great renewal of Neoplatonic studies in the last century, and that esteem was justly deserved. Yet his work was motivated by the faith in Platonism as a living tradition and a resolute conviction that metaphysics is an ineluctable part of the philosophical vocation; and indeed he was irritated by jejune or simplistic (...) critiques of metaphysics. Plotinus was at the centre of his scholarship, which explored the great themes of Neoplatonism through medieval, Renaissance and Idealistic philosophy into the contemporary context. Theology, aesthetics and the question of selfhood or subjectivity were recurrent topics in his writing. The discussion of these problems was fueled by a keen sense of the abiding significance of the Platonic tradition for the most puzzling and urgent intellectual questions. (shrink)

Radical Orthodoxy is the most radical and influential theological development in a generation. Many have been bewildered by the range and intensity of the writings which constitute Radical Orthodoxy. This book spans the range of the history of thought discussed by Radical Orthodoxy, tackling the accuracy of the historical narratives on which their position depends. The distinguished contributors examine the history of thought as presented by the movement, presenting a series of critiques of individual Radical Orthodox 'readings' of key thinkers. (...) Contributors include: Eli Diamond, Wayne Hankey, Todd Breyfogle, John Marenbon, Richard Cross, Neil Robertson, Douglas Hedley, David Peddle, Steven Shakespeare, Hugh Rayment-Pickard, and George Pattison. (shrink)

Christianity has understood the environment as a gift to nurture and steward, a book of divine revelation disclosing the divine mind, a wild garden in need of cultivation and betterment, and as a resource for the creation of a new Eden. This Cambridge Companion details how Christianity, one of the world's most important religions, has shaped one of the existential issues of our age, the environment. Engaging with contemporary issues, including gender, traditional knowledge, and enchantment, it brings together the work (...) of international scholars on the subject of Christianity and the Environment from a diversity of fields. Together, their work offers a comprehensive guide to the complex relationship between Christianity and the environment that moves beyond disciplinary boundaries. To do this, the volume explains the key concepts concerning Christianity and the environment, outlines the historical development of this relationship from antiquity to the present, and explores important contemporary issues. (shrink)

Plato’s "Parmenides" presents the modern reader with a puzzle. Noted for being the most difficult of Platonic dialogues, it is also one of the most influential. This new edition of the work includes the Greek text on facing pages, with an English translation by Arnold Hermann in collaboration with Sylvana Chrysakopoulou. Hermann's Introduction provides an overview and commentary aimed at scholars and first time readers alike.

On 18–19 May 2018, a symposium was held in the Research Institute of Irish and Scottish Studies at the University of Aberdeen to commemorate the tenth anniversary of the death of Ronald W. Hepburn (1927–2008). The speakers at this event discussed Hepburn’s oeuvre from several perspectives. For this book, the collection of the revised versions of their talks has been supplemented by the papers of other scholars who were unable to attend the symposium itself. Thus this volume contains contributions from (...) eighteen notable scholars of different disciplines, ranging from contemporary aesthetics and art theory through to philosophical approaches to religion, education and social anthropology. It also includes a bibliography of Hepburn’s writings. The essays were first published in two special issues of the Journal of Scottish Thought, vols. 10–11 (2018–2019). -/- Ronald William Hepburn was born in Aberdeen on 16 March 1927. He went to Aberdeen Grammar School, then he graduated with an M.A. in Philosophy (1951) and obtained his doctorate from the University of Aberdeen (1955). His tutor at Aberdeen was Donald MacKinnon (1913– 1994), a Scottish philosopher and theologian, the author of A Study in Ethical Theory (1957) and The Problem of Metaphysics (1974). Hepburn taught as Lecturer at the Department of Moral Philosophy at Aberdeen (1956–60), and he was also Visiting Associate Professor of Philosophy at New York University (1959–60). He returned from the United States as Professor of Philosophy at Nottingham University. In 1964, he was appointed as a Chair in Philosophy at the University of Edinburgh and between 1965 and 1968 he was also Stanton Lecturer in the Philosophy of Religion at the University of Cambridge. From 1975 until his retirement in 1996, he held the Professorship of Moral Philosophy at Edinburgh. He died in Edinburgh on 23 December 2008. His philosophical interests ranged from theology and the philosophy of religion through moral philosophy and the philosophy of education to art theory and aesthetics. Notably, Hepburn is widely regarded as the founder of modern environmental and everyday aesthetics as a result of the influence of papers in the 1960s which pioneered a new approach to the aesthetics of the natural world. (shrink)