This text begins by considering the phrase ‘digital haptology’ as suggested by the closing pages of Derrida's Le Toucher. It suggests that this moment in telecommunications presents a model of ‘tele-haptology’. The text goes on to consider Jean-Luc Nancy's ‘Noli me tangere’ as a response to Le Toucher. In particular it is concerned with Nancy's hypothesis on Modern literature and art as having an essential link to the gospel parables. Through a reading of Nancy's text and the gospels, this hypothesis (...) is placed in doubt. Notably, the argument is made that once again Nancy's discourse on touching leads him to make a too hasty fore-closure of otherness within his intended deconstruction of reading and his account of Mary Magdalene. In response to Nancy's formulation of literature as parable, an alternative consideration of literature as tele-haptology is proposed. (shrink)

Jacques Derrida has had a huge influence on contemporary political theory and political philosophy. Derrida's thinking has inspired Slavoj Zizek, Richard Rorty, Ernesto Laclau, Judith Butler and many more contemporary theorists. This book brings together a first class line up of Derrida scholars to develop a deconstructive approach to politics. Deconstruction examines the internal logic of any given text or discourse. It helps us analyze the contradictions inherent in all schools of thought,and as such it has proved revolutionaty in political (...) analysis,particularly ideology critique. This book is ideal for all students of political theory,and anyone looking for an accessible guide to Derrida's thinking and how it can be used as a radical tool for political analysis. (shrink)

An entirely original approach to deconstruction from a leading academic in the field.

The text by Derrida entitled, in English, Touching On – Jean-Luc Nancy is a text about neither ‘touching’ nor Jean-Luc Nancy, in any easy sense. Derrida never really gets started with touch and goes out of his way to correct Nancy's use of the term ‘deconstruction’. Following some exemplary cases of this in the book, this article demonstrates the technical differences between Derrida and Nancy that the former is keen to impress upon his readers.

In this book Martin McQuillan brings Derrida's writing into the immediate vicinity of geo-politics today, from the Kosovan conflict to the war in Iraq. The chapters in this book follow both Derrida's writing since Specters of Marx and the present political scene through the former Yogoslavia and Afghanistan to Palestine and Baghdad. His 'textual activism' is as impatient with the universal gestures of philosophy as it is with the complacency and reductionism of policy-makers and activists alike. This work (...) records a response to the war on thinking that has marked western discourse since 9/11. (shrink)

This essay takes the Genet column of Derrida's Glas as its point of departure for a wider discussion of Derrida's contribution to thinking on the question of Israel–Palestine. What would it mean for Genet to be at war, encircled or outcast? What of the polemos in Genet, in Derrida, in Glas? How are we to show that what always interests Derrida takes place among the Palestinians? What is the space of literature here? How does Genet explode as Western thought takes (...) a bow? Through a reading of Genet's Prisoner of Love and a number of Derrida's writings on Israel–Palestine, this essay unpacks an important configuration of the biographical, the literary and the philosophical in Glas, which still has profound significance for us 40 years after its original publication. (shrink)

How might we begin to think about deconstruction in relation to the formulation of political policy? Once we begin to ask this question the whole idea of policy as such is put in question and conversely the limitations of philosophy as the basis for political decision making quickly become apparent. Through a consideration of this problem and by reference to a number of key tropes in Derrida's later writings, this essay begins the task of thinking about the deconstruction of policy (...) and of asking what the future role of deconstructive thought might be. (shrink)

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

This paper attends to the curious affair of Jacques Derrida in Prague when he was arrested by the Czechoslovakian police on charges of drug smuggling. It reads two images by Valerio Adami and Nicolas Poussin, entitled, ‘The Massacre of the Innocents’, Tom Stoppard's play, Professional Foul about dissident philosophers in Prague, and a section from Ken McMullen's film Ghost Dance on Kafka. It turns around the question of what ‘innocence’ might mean in politics and reading.

Drawing together an assemblage of historical and textual reference, this article examines the curious connections between Paul de Man and Leo Strauss. It does not suggest an intellectual affinity between the two men (on the contrary). However, it notes the proximity of both around the question of dialogism in relation to de Man's reading of Rousseau.

Taking Derrida's essay “Psychoanalysis Searches the States of Its Soul: the Impossible Beyond of a Sovereign Cruelty” as my point of departure I would like to discuss three exemplary moments in the performative history of psychoanalysis in America: Freud's 1909 “Introductory Lectures to Psychoanalysis” at Clark University, Lacan's visit to the Yale School in 1975, and Derrida's fictionalization of his travel to America in the “Envois” section of The Post Card. Throughout, I would like to keep at the forefront of (...) our minds the question of cruelty and the unique and unusual place that cruelty plays in both American culture and the history of psychoanalysis in America. (shrink)

In light of recent writing on politics and violence within contemporary continental philosophy, this text revisits Derrida's frequently articulated philosophical opposition to the death penalty. This essay expresses dismay at a certain theoretical discourse today that finds within itself the resources to mount a defence from within the humanities of political violence and by extension an overt justification of the death penalty. Slavoj Žižek's essay on Robespierre is unpicked as one such representative text. It is contrasted to Derrida's scrupulous reading (...) of Kant as an advocate of the death penalty. This essay seeks to name and question a new Maoist, thanato-theological current in contemporary theoretical writing and should be considered as an opening salvo in a sustained future challenge to such thought. (shrink)

Love in the Post: From Plato to Derrida: The Screenplay and Commentary is an original screenplay inspired by Derrida’s The Post Card, together with new critical commentary by the filmmakers and interviews with leading Derrida scholars.

Originally published in French in 1964, Le Parjure represents in fiction the life of celebrated literary theorist Paul de Man. Thomas's novel was the subject of Derrida’s essay ‘Le Parjure, Perhaps’, which is reprinted in this critical edition of the novel. The volume includes essays by J. Hillis Miller, Ellen Burt and Tom Cohen.

The first part of this work addresses the current state of critical theory, and questions the post-ness of the epistemological space after the event of theory as an institutional practice. The second part contains examples of the type of work theory has made possible, demonstrating the new directions opening up both within theory itself and in cross-disciplinary study as a result of theory. In this sense, post can be understood to be in dialogue with issues relating to postmodernism, post-Marxism and (...) post-feminism. (shrink)

Étienne Balibar has provided a sustained commentary on the politics of Greece and its relation to the European Union. This writing is a practical mobiliza­tion of Balibar’s theoretical work on universalism and European identities. This essay questions some of the assumptions that provide a seeming confidence in Balibar’s decision-making with respect to Greece that are not found elsewhere in his work. It goes on to explore the questions of balance and calculation in Balibar and in writing on politics more generally.

Étienne Balibar has provided a sustained commentary on the politics of Greece and its relation to the European Union. This writing is a practical mobiliza­tion of Balibar’s theoretical work on universalism and European identities. This essay questions some of the assumptions that provide a seeming confidence in Balibar’s decision-making with respect to Greece that are not found elsewhere in his work. It goes on to explore the questions of balance and calculation in Balibar and in writing on politics more generally.

The text by Derrida entitled, in English, Touching On – Jean-Luc Nancy is a text about neither ‘touching’ nor Jean-Luc Nancy, in any easy sense. Derrida never really gets started with touch and goes out of his way to correct Nancy's use of the term ‘deconstruction’. Following some exemplary cases of this in the book, this article demonstrates the technical differences between Derrida and Nancy that the former is keen to impress upon his readers.

In these essays, a range of leading scholars seek both to investigate the historical, institutional and philosophical origins of deconstruction and to think through the problem of the idea of origin itself"--Provided by publisher.

Through an account of Derrida's late text on Paul de Man, ‘“Le Parjure”, Perhaps’, as a deliberately indiscrete confession, this essay considers the wider question of secrecy. It examines an unsuspected institutional history of deconstruction while suggesting a role for secrecy as the necessary condition of any critical reading. Along with De Man, the essay finally revisits the claim for ‘the radical secrecy of fiction’ as a basic structure of phenomena.

This article begins from a consideration of this issue’s contention that ‘central to politicized academic projects … is a critique of the cultural power of institutions’ and in particular pedagogical institutions. It argues that is clear enough what the Editor is thinking of here: he names ‘cultural studies’ as his prime suspect and from here it is not too far a leap to imagine that the pedagogical institution at which his ‘politicized academic projects’ take aim is the university. The article (...) concedes that this might all appear to be superficially true, and that much of what is argued in it will up hold this hypothesis. However, the article does not wish to rush too quickly towards an unproblematic equation of cultural studies, or the ‘politicized academic project’ of a critical study of culture with something like a pedagogy of the popular. Equally, it proposes, we must distinguish rigorously between ‘a pedagogy of the popular’, pedagogy able to treat the popular, popular pedagogy, and popular culture as such. In this respect it argues that we would not wish to foreclose the impertinent question of ‘what is cultural studies?’ too early in an understanding of what it might mean to offer an institutional critique that takes the form of pedagogy. Much will depend upon what we mean by these vaguest of terms ‘culture’, ‘education’, ‘power’ and ‘pedagogy’ itself, none of which is at all straightforward even though a certain normative discourse renders such terms the cornerstone of national policy debates through which billions of human and financial capital are routed. The stakes in fact could not be higher in a ‘critique of the cultural power of [pedagogical] institutions’. Therefore, it is crucial that we make the effort to understand, or at least begin to unpack, a conjunction such as the one Bowman offers here that amalgamates ‘politicized academic projects such as cultural studies and politicized work in cultural theory and philosophy’. It argues that we will not be able to progress to a wider schema until we have some leverage on this relation. And this is what this article seeks to provide. (shrink)

An original screenplay inspired by Sophocles’ Antigone, retold through the contemporary Greek crisis and modern European philosophy.

An original screenplay inspired by Sophocles’ Antigone, retold through the contemporary Greek crisis and modern European philosophy.

The editors of the French edition of Michel Foucault's Introduction to Kant's Anthropology claim that Foucault started rereading Kant through Nietzsche in 1952 and then began rereading Kant and Nietzsche through Heidegger in 1953. This claim has not received much attention in the scholarly literature, but its significance should not be underestimated. In this article, I assess the likelihood that the editor’s claim is true and show how Foucault’s introduction to Kant’s Anthropology and his comments about Kant in The Order (...) of Things echo the concerns about finitude and subjectivity in Heidegger’s Kant and the Problem of Metaphysics. I then argue that Foucault's later preoccupation with Kant's essay An Answer to the Question: What is Enlightenment? should be regarded as an attempt to develop an alternative to the Heideggerian interpretation of Kant, and the preoccupation with finitude, that had played such an important role in Foucault’s earlier works. (shrink)

The European Legacy, Volume 17, Issue 5, Page 687-688, August 2012.

The advent of new forestry in the United States represents a traumatic shift in the philosophy of national forestry praxis, a broadening of values to include aesthetics and sustainability of natural ecological process. The ethics of traditional forestry are shown to be 'Stoic utilitarian' and positivist, while the ethics of new forestry adhere closely to the 'land ethic' of Aldo Leopold. Aesthetics in traditional forestry are shown to be modernist, and to have developed from, and in opposition to a Romantic (...) aesthetic of the late nineteenth century. This transition is traced from the first U.S. landscape architect, Frederick Law Olmsted Sr., to the first U.S.-born forester, Gifford Pinchot. The language and precepts of new forestry are shown to parallel those of postmodernism, and the possibility of a broadened aesthetics of forestry, developed through postmodernist criticism, is outlined. The language of gardening is used as a model of forestry praxis, with traditional forestry adhering to the principles of vegetable gardening, while new forestry offers an opportunity to flesh out an entire spectrum of gardening genres. (shrink)

Immanuel Kant: The Very Idea of a Critique of Pure Reason is a study of the background, development, exposition, and justification of Kant's Critique of Pure Reason. Instead of examining Kant's arguments for the transcendental ideality of space and time, his deduction of the pure concepts of the understanding, or his account of the dialectic of human reason, J. Colin McQuillan focuses on Kant's conception of critique. By surveying the different ways the concept of critique was used during the (...) eighteenth century, the relationship between Kant's critique and his pre-critical experiments with different approaches to metaphysics, the varying definitions of a critique of pure reason Kant offers in the prefaces and introductions to the first Critique, and the way Kant responds to objections, McQuillan is able to highlight an aspect of Kant's critical philosophy that is too often overlooked—the reason that philosophy is critical. (shrink)

A long-standing theme in discussion of perception and thought has been that our primary cognitive contact with individual objects and events in the world derives from our perceptual contact with them. When I look at a duck in front of me, I am not merely presented with the fact that there is at least one duck in the area, rather I seem to be presented withthisthing (as one might put it from my perspective) in front of me, which looks to (...) me to be a duck. Furthermore, such a perception would seem to put me in a position not merely to make the existential judgment that there is some duck or other present, but rather to make a singular, demonstrative judgment, that that is a duck. My grounds for an existential judgment in this case derives from my apprehension of the demonstrative thought and not vice versa. (shrink)

What constitutes better schooling for today's youth? In 1984 educational theorist Theodore R. Sizer formulated nine Common Principles to answer this question and launched The Coalition of Essential Schools, an organization of schools attempting to change their own structure, curriculum, pedagogy, and power relations according to Sizer's Principles. This important book, the first comprehensive look at Coalition schools, charts the course of reform at eight charter member schools. The Coalition now counts over 900 private, parochial, public, urban, suburban, and rural (...) secondary schools among its affiliates nationwide. Donna E. Muncey and Patrick J. McQuillan, experts in anthropology as well as education, conducted a five-year ethnographic study to understand what happened in Coalition schools. The authors looked at curricular and pedagogical developments; how changes affected individual students, teachers, administrators, and other school personnel; and how American cultural beliefs influenced efforts to change. The schools' reform experiences differed: some efforts were sustained when others stalled, change divided some faculties while others found a sense of shared purpose, and the principals of some schools facilitated change while others clearly inhibited it. This compelling book, written for all who are concerned with education in America, offers a wealth of insights into the complexities of change efforts in individual schools and in classrooms. (shrink)

Is it OK to lie to Siri? Is it bad to mistreat a robot for our own pleasure? Under what condition should we grant a moral status to an artificial intelligence (AI) system? This paper looks at different arguments for granting moral status to an AI system: the idea of indirect duties, the relational argument, the argument from intelligence, the arguments from life and information, and the argument from sentience. In each but the last case, we find unresolved issues with (...) the particular argument, which leads us to move to a different one. We leave the idea of indirect duties aside since these duties do not imply considering an AI system for its own sake. The paper rejects the relational argument and the argument from intelligence. The argument from life may lead us to grant a moral status to an AI system, but only in a weak sense. Sentience, by contrast, is a strong argument for the moral status of an AI system—based, among other things, on the Aristotelian principle of equality: that same cases should be treated in the same way. The paper points out, however, that no AI system is sentient given the current level of technological development. (shrink)