The first commented edition of K.W.F. Solger's Vorlesungen über Ästhetik (1819), edited by Giovanna Pinna.

1 More than two centuries later, the aesthetic reflection of Idealism does not seem to have lost interest in philosophical debate at all. It is a multifaceted interest, which has partly historical-conceptual reasons, since it was post-Kantian philosophy that first posed the problem of defining art in systematic and cognitive terms, and partly more genuinely theoretical ones, for instance the contemporary declinations of a typically Idealistic theme such as the socio-historical determination o...

This paper reconsiders the Idealistic aesthetics of tragedy from an unconventional point of view. It investigates the relationship between theory and dramatic canon by focusing on those works and authors that are excluded from the canon by the theoretical discourse. My aim is to show that Idealist philosophers and Romantic critics concur in constructing a unitary model of the tragic conflict that is partly defined through its contraposition to the ‘Senecan’ conception of tragedy as a representation of suffering and as (...) a dialectic of passions. Seneca here stands for an entire line of European dramaturgy, which involves Shakespeare and culminates in French Classicism. This contrast does not merely concern a literary model, but also, more generally, the conception of subjectivity underlying the dramaturgy of passions. This paper thus helps to shed light on the controversial relationship between the idealistic philosophy of the tragic with modern tragedy at large. -/- Keywords: Theory of Tragedy, Idealism, Seneca, Hegel, Pathos . (shrink)

Literature plays a relevant role in Hegel’s philosophical discourse. On the one hand, literary references are often interwoven with his speculative argumentation, on the other hand, the Aesthetics regards poetry as the highest form of artistic expression, for it is able to represent the different ways of human action and to bring up their hidden ideal presuppositions. The aim of this paper is to show how the concept of action is crucial to the interpretation of literary phenomena in the Aesthetics, (...) but assumes different configurations in relation to the historical transformation of the concept of subjectivity. To verify the specifically aesthetic import of concepts such as action and recognition, which originally belong to the ethical-political sphere, I will examine Hegel’s interpretation of the chivalric literature, which is present in various areas and with different functions in the structure of the Aesthetics, as a component of his theory of subjectivity. This topic has been little studied but offers an interesting perspective on some problematic points of Hegel’s theory: the controversial relation between the structural dimension of the concept of art and historical development of artistic forms, the apparently univocal paradigm of classic beauty, and the definition of artistic modernity. (shrink)

In the article I discuss the philosophical premises of Kleist's literary work, focussing on the relationship between his conception of moral conscience and Kant's ethics.

That there is a connection between Romanticism and the sublime seems obvious, and it is indeed evident in the poetic, artistic, and musical production of European Romanticism as a whole. The sublime, as tension toward infinity, as elevation of the soul, and as experience of the absolute in nature, constitutes undoubtedly one of the characterizing features of the poetics of Romanticism. Much less known, however, is the theoretical reflection on the concept of the sublime, and in fact scholarship on the (...) modern sublime tends to neglect its theoretical development after Kant and Schiller, moving directly to Nietzsche and the postmodern. The theoretical definition of the sublime, on the contrary, plays a far from secondary role in the aesthetic of German idealism, where it was not conceptualized in opposition to the beautiful, but rather as one of its constitutive moments. While no longer approached in relation to the aesthetic experience of nature, the sublime has been included in art theory, ostensibly losing its theoretical centrality, but in reality contributing to modify radically the characteristics of the idea of the beautiful. That of philosophers is a form of crypto-sublime that is parallel but distinct from the sublime of poets and artists, and that operates underground to influence the definition of the forms of beauty. The present volume aims to outline the development of the philosophical conception of the sublime from Schiller, who formulated a theory of tragedy based on Kant’s philosophy and thereby laid the foundation of Romanticism, to the philosophers of the Hegelian school, who placed the sublime, together with the comic, the ugly, and the grotesque, at the center of aesthetic reflection. (shrink)

Philosophical reflection is a constitutive element of Schiller’s dramatic production from its very beginning. This chapter reconstructs the different stages of the interaction between Schiller’s tragedies and philosophy, the turning point of which can be seen in his theoretical work inspired by Kant. In his early tragedies, philosophical themes enter directly into the dramatic construction: in Die Räuber, we find a philosophical anthropology and critique of materialism, whereas in Fiesco and in Don Karlos echoes of the thought of Shaftesbury, Montesquieu (...) and Ferguson bring out the relationship between moral principles and political action. Instead, the late tragedies, beginning with Wallenstein, show a more complex and critical attitude towards philosophical thought, and are partly conceived as a response to questions left open in his theoretical writings. (shrink)

For many years emotion theory has been characterized by a dichotomy between the head and the body. In the golden years of cognitivism, during the nineteen-sixties and seventies, emotion theory focused on the cognitive antecedents of emotion, the so-called “appraisal processes.” Bodily events were seen largely as byproducts of cognition, and as too unspecific to contribute to the variety of emotion experience. Cognition was conceptualized as an abstract, intellectual, “heady” process separate from bodily events. Although current emotion theory has moved (...) beyond this disembodied stance by conceiving of emotions as involving both cognitive processes (perception, attention, and evaluation) and bodily events (arousal, behavior, and facial expressions), the legacy of cognitivism persists in the tendency to treat cognitive and bodily events as separate constituents of emotion. Thus the cognitive aspects of emotion are supposedly distinct and separate from the bodily ones. This separation indicates that cognitivism’s disembodied conception of cognition continues to shape the way emotion theorists conceptualize emotion. (shrink)

The theory of autopoiesis is central to the enactive approach. Recent works emphasize that the theory of autopoiesis is a theory of sense-making in living systems, i.e. of how living systems produce and consume meaning. In this chapter I first illustrate (some aspects of) these recent works, and interpret their notion of sense-making as a bodily cognitive- emotional form of understanding. Then I turn to modern emotion science, and I illustrate its tendency to over-intellectualize our capacity to evaluate and understand. (...) I show that this overintellectualization goes hand in hand with the rejection of the idea that the body is a vehicle of meaning. I explain why I think that this over-intellectualization is problematic, and try to reconceptualize the notion of evaluation in emotion theory in a way that is consistent and continuous with the autopoietic notion of sense-making. (shrink)

Two different copies of the influental Jewish philosophical and theological Maimonides’ Guide of the Perplexed, one in Hebrew and a second in Latin, are recorded in Pico’s library. A third copy, probably also belonged to him, is now the ms. Kassel, Universitätsbibliothek - Landesbibliothek und Murhardsche Bibliothek der Stadt, 2° theol. 67. The manuscript now in Kassel shows that Pico was not only a reader of Maimonides’ Guide but also a translator. Numerous passages have in fact been revised by Pico (...) in order to improve the latin translation evidently considered not particularly correct. (shrink)

Self-disorders in depression and schizophrenia have been the focus of much recent work in phenomenological psychopathology. But little has been said about the role the material environment plays in shaping the affective character of these disorders. In this paper, we argue that enjoying reliable (i.e., trustworthy) access to the things and spaces around us — the constituents of our material environment — is crucial for our ability to stabilize and regulate our affective life on a day-today basis. These things and (...) spaces often play an ineliminable role in shaping what we feel and how we feel it; when we interact with them, they contribute ongoing feedback that " scaffolds " the character and temporal development of our affective experiences. However, in some psychopathological conditions, the ability to access to these things and spaces becomes disturbed. Individuals not only lose certain forms of access to the practical significance of the built environment but also to its ​ regulative​ significance, too — and the stability and organization of their affective life is compromised. In developing this view, we discuss core concepts like " affordance spaces " , " scaffolding " , and " incorporation ". We apply these concepts to two case studies, severe depression and schizophrenia, and we show why these cases support our main claim. We conclude by briefly considering implications of this view for developing intervention and treatment strategies. (shrink)

1. Introduzione e testi.--2. Commento e indici.

A presente pesquisa tem como escopo analisar como as denominadas “razões de segurança” enquanto justificadoras de medidas excepcionais e a existência de uma peste são visualizadas por Giorgio Agamben enquanto paradigmas de governo. O objetivo é demonstrar como esses dois fatores, com a pandemia do coronavírus, se uniram e se transformaram no que o filósofo italiano denomina biossegurança. Para tanto, tratando-se de pesquisa essencialmente bibliográfica, de abordagem qualitativa, serão exploradas obras de Agamben sobre seu método, textos anteriores ao COVID-19 e (...) seus alertas acerca dos dispositivos de controle adotados no combate ao vírus. A partir disso, conclui-se pela importância da tarefa do filósofo em lançar constantemente seu olhar crítico sobre os fenômenos atuais, momentos de seu tempo e história, enquanto esta ainda está em curso. (shrink)

Vittorio Guidano, fondatore della psicoterapia cognitivista post-razionalista, ha offerto alcuni spunti di riflessione sui cambiamenti del senso di identità che presumibilmente si sono succeduti nel corso delle epoche storiche in relazione ai diversi contesti di vita. Dell’interesse per questo tema testimonia una lezione, di cui l’autrice riporta alcuni stralci sinora inediti. La lezione si è tenuta a Roma, presso l’APC- Associazione di Psicoterapia Cognitiva, in data 26 gennaio del 1999, nell’ambito di un training di formazione in psicoterapia. Il tema discusso (...) è l’influenza della scrittura alfabetica nel dar forma all’esperienza umana, un argomento su cui è possibile intrecciare proficuamente le analisi di Guidano e le riflessioni di Carlo Sini. (shrink)

Las Comunidades de Aprendizaje son reconocidas por sus estrategias de inclusión y participación democrática. El objetivo de este texto es conocer las estrategias de participación democrática que se llevan a cabo en una escuela constituida como Comunidad de Aprendizaje. Los resultados muestran las experiencias de éxito educativo, convivencia e implicación de la comunidad educativa que surgen como consecuencia de la transformación de la escuela hacia un proyecto más inclusivo y participativo. En definitiva, la participación democrática representa una estrategia educativa y (...) reivindicativa que pretende acabar con las desigualdades que convergen en los espacios educativos. (shrink)

È possibile connettere la concezione hegeliana della verità con alcune teorie filosofiche a noi contemporanee? Il presente lavoro esplora gli aspetti più rilevanti della concezione hegeliana della verità attraverso la ‘lente’ del confronto con quella che oggi viene chiamata identity theory of truth. Tale confronto si articola intorno ad alcune nozioni chiave: ‘pensiero’, ‘contenuto di pensiero’, ‘giudizio’, ‘contenuto del giudizio’, ‘realtà’ e ‘identità’. Lo scopo che viene perseguito non è una traduzione della filosofia di Hegel dentro schemi, categorie e linguaggi (...) caratteristici del pensiero contemporaneo. L’analisi mostra, piuttosto, come il potenziale teorico della riflessione hegeliana sulla verità sia ancora in grado di mettere in discussione e stimolare le nostre elaborazioni sul tema. (shrink)

The Tahāfut al-tahāfut is Averroes' response to the Tahāfut al-falāsifa written by Abū Hāmid al-Ghazālī. The work in its Latin translation from the Arabic was entitled Destructio destructionum, and an incomplete edition of this translation was published by Agostino Nifo in 1497.The MS. Naples, Biblioteca Nazionale, VIII E 31, unknown until now to scholars, belonged to Giovanni Pico della Mirandola. It is a manuscript of the Destructio destructionum, translated into Latin in 1328 by Calonymos ben Calonymos ben Meir of Arles (...) for Robert of Anjou, and extensively annotated by Pico. The manuscript differs from Nifos' edition in that it also includes the second part of the Destructio destructionum with the until-now unpublished disputations on the natural sciences. (shrink)

This book highlights the emergence of a new mathematical rationality and the beginning of the mathematisation of physics in Classical Islam. Exchanges between mathematics, physics, linguistics, arts and music were a factor of creativity and progress in the mathematical, the physical and the social sciences. Goods and ideas travelled on a world-scale, mainly through the trade routes connecting East and Southern Asia with the Near East, allowing the transmission of Greek-Arabic medicine to Yuan Muslim China. The development of science, first (...) centred in the Near East, would gradually move to the Western side of the Mediterranean, as a result of Europe's appropriation of the Arab and Hellenistic heritage. Contributors are Paul Buell, Anas Ghrab, Hossein Masoumi Hamedani, Zeinab Karimian, Giovanna Lelli, Marouane ben Miled, Patricia Radelet-de Grave, and Roshdi Rashed. (shrink)

The experience of agency refers to the feeling that we control our own actions, and through them the outside world. In many contexts, sense of agency has strong implications for moral responsibility. For example, a sense of agency may allow people to choose between right and wrong actions, either immediately, or on subsequent occasions through learning about the moral consequences of their actions. In this study we investigate the relation between the experience of operant action, and responsibility for action outcomes (...) using the intentional binding effect as an implicit, quantitative measure related to sense of agency. We studied the time at which people perceived simple manual actions and their effects, when these actions were embedded in scenarios where their actions had unpredictable consequences that could be either moral or merely economic. We found an enhanced binding of effects back towards the actions that caused them, implying an enhanced sense of agency, in moral compared to non-moral contexts. We also found stronger binding for effects with severely negative, compared to moderately negative, values. A tight temporal association between action and effect may be a low-level phenomenal marker of the sense of responsibility. (shrink)

The idea for _Philosophy in a Time of Terror_ was born hours after the attacks on 9/11 and was realized just weeks later when Giovanna Borradori sat down with Jürgen Habermas and Jacques Derrida in New York City, in separate interviews, to evaluate the significance of the most destructive terrorist act ever perpetrated. This book marks an unprecedented encounter between two of the most influential thinkers of our age as here, for the first time, Habermas and Derrida overcome their (...) mutual antagonism and agree to appear side by side. As the two philosophers disassemble and reassemble what we think we know about terrorism, they break from the familiar social and political rhetoric increasingly polarized between good and evil. In this process, we watch two of the greatest intellects of the century at work. (shrink)