Reinhart Koselleck is among the most original German theorists of history and historiography. His international reputation is due in part to his contributions as theorist and editor of the remarkable lexicon Geschichtliche Grundbegriffe (GG). The GG is an exceptional reference work that goes far towards realizing Koselleck's program and distinctive version of Begriffsgeschichte (the history of concepts, conceptual history). What is presented here is a translation in full of Koselleck's own entry on Krise (crisis). Few articles in the GG demonstrate (...) more successfully Koselleck's theoretical concerns, his method, and innovative use of sources. (shrink)

The first step in planning a lexicon of European political and legal concepts is to decide upon how it is to be organised. Among the principal alternatives are the formats of three German reference works on the history of concepts (Begriffsgeschichte) and the methods associated with John Pocock and Quentin Skinner. Although these German and Anglophone styles are often regarded as incompatible, on closer inspection, they turn out to be in many respects complementary, as Skinner has recently acknowledged. What would (...) such a format look like? Is it possible to overcome the difficulties inherent in attempting a lexicon combining continental and Anglophone political and legal concepts? (shrink)

The program of the Geschichtliche Grundbegriffe, formulated primarily by Otto Brunner, Werner Conze, and Reinhart Koselleck, calls for relating conceptual change to structural transformations of government, society, and economy in German-speaking Europe. J. G. A. Pocock, of Cambridge, identified the range of alternative and competing political discourses available to early modern writers, while Quentin Skinner, also of Cambridge, treated political theories in terms of those historical contexts and linguistic conventions which both facilitate and circumscribe legitimations of political arrangements, and he (...) described such theories as intentional speech acts. Despite the differences in the German and Anglophone modes of treating political language, however, there are no major obstacles in bringing them together. The GG could profit from Pocock's technique of analysis and comparison in identifying early modern political languages, and the issues raised by Skinner about political thought and theorizing as forms of linguistic action, as well as the effect of general linguistic conventions upon available modes of legitimating political arrangements. The Anglophone mode might profit from considering the GG's non-reductive use of social history in conjunction with that of concepts, and from the GG's systematic use of contemporary sources of language and linguistic definitions. (shrink)

Few thinkers exerted a greater influence upon British thought and public policy between 1880 and 1914 than T. H. Green. In his appraisal Richter applies to Green, usually studied as a philosopher, the techniques of analysis taken from sociology and the history of ideas. The result is important both as a study of a man who considerably affected the thought of his time and also as a contribution to the social and intellectual history of Victorian England. The chapter headings (...) include: Idealism and the Crisis of the Evangelical Conscience; Metaphysical Foundations; the Principles of Political Obligation; From the Old Liberalism to the New: Private Property, Capitalism and State Intervention; and the Life of Citizenship. (shrink)

The volume explores distinctive issues involved in translating political and social thought. Thirteen contributors consider problems arising from the study of translation and cultural transfers of texts, in particular in terms of translation studies, and the history of concepts.

It has been argued recently that tyranny is a persisting phenomenon very much alive today, a greater danger than newer forms of misrule such as totalitarianism. One argument is based on human nature being such that the temptation to abuse political power in the form of tyranny remains a possibility in all societies. Another defines tyranny as a spiritual disorder of the soul and polity. Both date the 19th century as the time when tyranny dropped out of the western political (...) vocabulary. In this view, modern political thought, like political science generally, has been impoverished by ignorance of, or indifference to, the nature of tyranny. By contrast, I treat tyranny not as possessing an essential, unchanging nature, but as a contested political concept used for a variety of purposes by different regimes and groups. Nor do I agree that, because ‘tyranny’ was used infrequently during the 19th century, systematic abuses of political power went unnoticed and unclassified. I treat a number of cases by postulating a family of controversial and contested regime types: tyranny, despotism, absolute monarchy, Bonapartism, Caesarism, and dictatorship. From them I conclude that, after tyranny was conflated with despotism at the end of the 18th century, both concepts were redescribed in terms of newer classifications belonging to the same conceptual family. Because ‘tyranny’ was then extended to many non-political arenas, it became so trivialized as to leave no prospect of our retrieving its once potent political meanings. If ‘tyranny’ is equally applicable to teachers, husbands, fashions, or public opinion, the concept has lost its political cutting edge. It now lacks any distinctive meaning that might frame a situation and define it as calling for urgent and decisive action, especially in foreign policy. (shrink)

Did Tocqueville treat democracy as a type of society, as a political regime, or in terms of their interactions? This paper argues against the assumption that Tocqueville's concept of this relationship remained constant over his three decades as a theorist. Beginning with his literal acceptance of Guizot's doctrinaire definition of democracy as an état social, Tocqueville then developed an eclectic political sociology. Without rejecting the significance of social organization for politics, he often reverted to Montesquieu's theory of the complex interaction (...) between the social and political. Finally, after the Second Republic's violent end by the coup he had as a statesman sought to prevent, Tocqueville was disgusted by the pseudo-democratic Bonapartist arguments used by the Second Empire's apologists to legitimate it. His final position was that any adequate definition of democracy had to include, not only social equality, but also political liberty and the participation of citizens in a government incorporating a genuine political life. (shrink)

This entry contains the German text of Reinhart Koselleck's response to the papers given at the meeting in December, 1992 at the German Historical Institute, Washington to commemorate the completion of the lexicon, Geschichtliche Grundbegriffe. Published in English translation, Koselleck's Offene Fragen an die >Geschichtlichen Grundbegriffe<, presented inter alia, the first major confrontation between German Begriffsgeschichte, as practiced by Koselleck, and J.G.A. Pocock, speaking for the Cambridge School dominant in the English-speaking world, Koselleck's German text is accompanied by a Note (...) summarizing his reply to the critique by Pocock, who invoked arguments previously made by Quentin Skinner. Also included are the views on Begriffsgeschichte now held by Skinner and Pocock twenty years later. (shrink)

Montesquieu's comparative method was his greatest contribution to the human sciences. Eighteenth-century European thinkers had developed many different models and conflicting evaluations of regimes and societies outside their continent. Thus Montesquieu had to create a method for comparative analysis, master data from the vast travel literature, and decide among competing interpretations of it. Montesquieu used comparison to show differences and to demonstrate similarities among the laws and practices of different peoples, as well as in a given people at different periods; (...) to specify the range of variations among those similarly classified; and, above all, to explain both uniformities and diversities. He devised five distinct modes of comparison, each phrased in a different set of categories. From them were to be generated many of the disciplines and special fields in the human sciences.1. (shrink)

After publishing the first part of Democracy in America, Tocqueville travelled through England and Ireland. With his impressions of the early industrial revolution still fresh, he read and annotated Machiavelli's Florentine Histories. Tocqueville's interest was present-minded: could Florence be used 'as an argument for or against democracy in our time?' Rejecting charges that modern democracies share the defects that bought down the Florentine Republic, Tocqueville contrasted late medieval and modern republicanisms; direct and representative democracies; the politics of city states to (...) those of larger modern nations with substantial urban and rural populations. Comparing renaissance Florence to industrial revolution Manchester and Birmingham led Tocqueville to consider redefining equality in economic rather than purely social terms. These notes suggest that in 1836, he held a view of the relationships between manufacturers and workers different from that of his later chapter 'How Industry could Give Rise to Aristocracy' in the 1840 Democracy. (shrink)

This paper considers comparison in eighteenth-century Europe 1) as philosophical reflection upon an operation of the human mind and passions, 2) as a discourse on diversity and similarities of regimes and societies within and beyond Europe. Der Beitrag befaßt sich mit dem "Vergleichen" - "comparison" - im Europa des achtzehnten Jahrhunderts. "Comparison" ist einerseits eine philosophische Reflexion über einen Prozeß des menschlichen Geistes und der menschlichen Leidenschaften, andererseits ein Diskurs über die Unterschiede und Gemeinsamkeiten von Regierungs- und Gesellschaftsformen innerhalb und (...) außerhalb Europas. (shrink)

In the human sciences of eighteenth century Europe, systematic comparison played a crucial part, generally as a method but also occasionally as a target of criticism. Particularly in the domains of political and social thought, comparison was conceptualized and practiced in sharply contested forms: philosophical, social-scientific, and rhetorical. While some of the meanings now carried by the concept of comparison in the human sciences coincide with what was understood by it in the eighteenth century, others do not. This paper discusses (...) such competing concepts and practices of comparison in Locke, Voltaire, Montesquieu, Hume, and Herder, who contested the very notion of the commensurability of human regimes and societies. Comparison turned out to be a profoundly ambiguous and controversial concept, holding in suspension a number of disparate intentions and methods. Writers could use comparative studies to accentuate differences, establish similarities, or reveal ranges of variation within the same category. Comparisons and contrasts became crucial weapons in all major eighteenth century disagreements dividing Europeans among themselves, as well as in theories of where they stood in relation to the rest of the world. (shrink)

The essential political writings of Montesquieu--a substantial abridgment of The Spirit of the Laws, plus judicious selections from _The Persian Letters_ and _Considerations of the Romans' Greatness and Decline_--are masterfully translated by Melvin Richter. Prefaced by a new fifty-page introduction by Richter for this revised edition, The Selected Political Writings displays the genius and virtuosity of Montesquieu the philosopher, social critic, political theorist, and literary stylist, whose work commands the attention of all students of the Enlightenment and (...) of modern constitutional thought. (shrink)

_ Source: _Volume 10, Issue 1, pp 76 - 97 This article presents an account of those works, related to conceptual history and historiographical issues, written by the American historian of political thought Melvin Richter. The attention is primarily directed toward the reception of the German historiographical style called “_Begriffsgeschichte_”, and especially on its reception among Anglophone scholars. Therefore, the main objective of the article is to throw light on Richter’s understanding of _Begriffsgeschichte_, and to sum up (...) his efforts to put in contact Koselleck’s “history of concepts” with the works of authors such as Quentin Skinner and John G. A. Pocock, who are associated with the so-called “_Cambridge school contextualists_”. Thus, the aim is to point out their direct thought about _Begriffsgeschichte_, and consequently, to see how they’ve reacted to Richter’s proposals concerning the possibility of adopting that “history of concepts” as the frame for future historical researches. By doing so, and relying mainly on the extensive contributions appeared on the pages of the specialized periodicals, this article highlights some of the principal reactions to the theoretical and practical implications of “conceptual history”; in particular as they are emerging in the midst of what is indeed a recent and still ongoing international debate. Furthermore, the article tries to compare Koselleck’s _Begriffsgeschichte_ with some works of “analytical bibliography”. It is also interesting to note that these bibliographical studies are associated with Cambridge University as well as the historical researches of Skinner and Pocock. (shrink)

Guiding you through the topics that shape aesthetics, this introduction explores the truth, meaning, taste, aesthetic merit and the role of perception. Each chapter offers a wealth of examples from Asia, including Sonny Liew's The Art of Charlie Chan Hock Chye, Tan Tai Yong, Kueh Appreciation Day and dragon kiln pottery. They deal with controversies and address central questions, such as: When are artworks considered dangerous? Why does Socrates recommend the banishment of the poets? What are the problems and challenges (...) posed by forgery? Here is a creative and accessible introduction that inspires a love for art and aesthetics. (shrink)