Results for 'Charles Baudelaire'

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  1. High Art Charles Baudelaire and the Origins of Modernist Painting.David Carrier - 1996
     
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  2.  9
    Charles Baudelaire, Edgar Allan Poe. Traducción de Carmen Santos.Jean-François Tock - 1993 - Revue Philosophique De Louvain 91 (92):659-659.
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  3.  1
    Charles Baudelaire und Carl Georg Brunius: Bilder des Mittellateinischen im 19. Jahrhundert.Bernd Roling - 2007 - Frühmittelalterliche Studien 41 (1):249-276.
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  4.  7
    The Anti-Plato of Charles Baudelaire.Panos Eliopoulos - 2013 - Dialogue and Universalism 23 (4):173-180.
    In Charles Baudelaire’s poetry there is only one direct reference to Plato. The French poet juxtaposes the joy of the senses to the ascetic, as he perceives it, pursuit of the Platonic Good. This juxtaposition is taking place not only with the aid of ethical terms, but principally through their transformation into aesthetic ones. For Baudelaire, the absence of the metaphysical or symbolical light is tautological to beauty, but also a firm ground where the poet stands upon (...)
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  5. Walter Benjamin, Charles Baudelaire. Un poète lyrique à l'apogée du capitalisme Reviewed by.Francis Parmentier - 1983 - Philosophy in Review 3 (4):155-157.
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  6.  11
    Figures of critique in Walter Benjamin: from german romanticism to Charles Baudelaire.Luciana Espinosa - 2017 - Alpha (Osorno) 45:47-58.
    Resumen: En el presente artículo buscaremos analizar los diversos tratamientos que Walter Benjamin ha realizado a lo largo de su obra acerca de la crítica como temática eminentemente filosófica. Para ello abordaremos, en primer lugar, su acercamiento a la poesía del Romanticismo alemán, luego a la poesía barroca y, finalmente, a la obra de Baudelaire con el objetivo de justificar que una comprensión acabada de la crítica implica necesariamente para el filósofo alemán recuperar la actualización como clave de lectura (...)
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  7.  11
    Figuras de la Crítica En Walter Benjamin: Del Romanticismo Alemán a Charles bauDelaire.Luciana Espinosa - 2017 - Alpha (Osorno) 45:47-58.
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  8. La Alegoría En El Origen Del Drama Barroco Alemán de Walter Benjamín y En Las Flores Del Mal de Charles Baudelaire.Lucía Olivan Santaliestra - forthcoming - A Parte Rei.
  9. A. Grava's L'Aspect Metaphysique du Mal Dans l'Oeuvre Litteraire de Charles Baudelaire Et d'Edgar Allan Poe. [REVIEW]Robert F. Creegan - 1956 - Philosophy and Phenomenological Research 17:431.
     
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  10. Maquillaje.(La apariencia: iniciación de correspondencias en Charles Baudelaire).José Miguel Arancibia - 2009 - A Parte Rei 65:12.
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  11.  43
    Baer, Ulrich. Remnants of Song. Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan. Stanford, CA: Stanford University Press, 2000. Pp. 343. [REVIEW]Sam W. Bloom - 2005 - Substance 34 (1):180-184.
  12.  11
    L'Aspect Metaphysique du Mal Dans L'Oeuvre Litteraire de Charles Baudelaire Et d'Edgar Allan Poe.Arnolds Grava - 1957 - Philosophy and Phenomenological Research 17 (3):431-432.
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  13.  13
    The Aesthetics of Falling: Contingency in Avant-Garde Art From Charles Baudelaire to Lars von Trier.Christian Refsum - 2011 - Empedocles: European Journal for the Philosophy of Communication 2 (1):79-94.
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  14.  4
    The Image of Petrified Unrest. Charles Baudelaire’s Allegorical Intention According to Walter Benjamin.Mateusz Palka - 2018 - Nowa Krytyka 40:167-200.
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    La Relativité de L’Interprétant Poétique: L’Exemple de ’Parfum Exotique’ de Charles Baudelaire.Alexandre L. Amprimoz - 1986 - Semiotica 60 (3-4):259-278.
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  16.  1
    La Relativité de L’Interprétant Poétique: L’Exemple de ’Parfum Exotique’ de Charles Baudelaire.Alexandre L. Amprimoz - 1986 - Semiotica 60 (3-4):259-277.
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  17.  13
    Remnants of Song: Trauma and the Experience of Modernity in Charles Baudelaire and Paul Celan (Review).Sam W. Bloom - 2005 - Substance 34 (1):180-184.
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  18.  1
    Decadentismo y melancolía en la Modernidad estético-filosófica y en la lírica de Charles Baudelaire.Sebastián Assaf - 2020 - Cuadernos Filosóficos / Segunda Época 16.
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  19.  13
    From Baudelaire to Surrealism.Charles Edward Gauss & Marcel Raymond - 1950 - Journal of Aesthetics and Art Criticism 9 (2):155.
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  20. The Essence of Laughter and Other Essays.CHARLES BAUDELAIRE - 1956
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  21.  5
    Baudelaire with Freud: Theory and PainLe Dernier Baudelaire[REVIEW]Jeffrey Mehlman & Charles Mauron - 1974 - Diacritics 4 (1):7.
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  22.  32
    Baudelaire’s Critique of Sculpture. Cusmariu - 2015 - Journal of Aesthetic Education 49 (3):96-124.
    Am şlefuit materia pentru a afla linia continuă.Und das Problem ensteht: was is das, was übrigbleibt, wenn ich von der Tatsache, daß ich meinen Arm hebe, die abziehe, daß mein Arm sich hebt?Acknowledged to have launched modern poetry with Les Fleurs du mal, Charles Baudelaire was also a prolific and influential art critic, a close friend of Edouard Manet, and an early champion of Eugène Delacroix. At one time decidedly not a friend of sculpture, Baudelaire published a (...)
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  23.  53
    O ideal de Baudelaire por Walter Benjamin.Luciano Ferreira Gatti - 2008 - Trans/Form/Ação 31 (1):127-142.
    O artigo examina a interpretação feita por Walter Benjamin dos poemas de Charles Baudelaire marcados pela noção de ideal, a qual se opõe ao spleen. Benjamin encontra aí o esforço de rememoração de uma experiência plena, a qual constituiria, por sua vez, um elemento essencial à compreensão da modernidade como impossibilidade desta forma de experiência. Com as noções de beleza e de aura, o artigo busca ainda salientar a importância da categoria da distância para a configuração desta forma (...)
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  24.  3
    Baudelaire Laboratory. Brief History of a Project by Walter Benjamin.Marina Montanelli - 2020 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 13 (2):17-29.
    The article intends to retrace, from a historical-philological point of view, the main steps of Walter Benjamin’s unfinished research and works, conducted during his later years, dedicated to Charles Baudelaire. Setting Benjamin’s translation of the Ta-bleaux parisiens as the first result of his interest for the poet, the text delves into the composition process of The Arcades Project, from which the idea of a book on Baudelaire then takes shape. The article examines the crucial stages of this (...)
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  25. Empowering Poetic Defiance: Baudelaire, Kant, and Poetic Agency in the Classroom.Joshua M. Hall - 2018 - In Frank Jacob, Shannon Kincaid & Amy E. Traver (eds.), Poetry across the Curriculum. Leiden, Netherlands: pp. 141-157.
    Many strategies for incorporating poetry into non-poetry classes, especially outside of English and associated disciplines, appear to make poetry subservient and secondary in relation to the prose content of the course. The poet under consideration becomes a kind of involuntary servant to one or more prose authors, forced to “speak only when spoken to,” and effectively prevented from challenging the ideas of the course’s prose writers, and thereby the instructor. Fortunately, this is not the only strategy for incorporating poetry into (...)
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  26.  46
    Baudelaire’s Aesthetic.Matthew Del Nevo - 2010 - Sophia 49 (4):509-519.
    This paper will take up the work of Charles Baudelaire, poetic and critical, in order to present the Baudelairean aesthetic and to make a case for its relevance in our judgments about art today. Baudelaire was the first poet of the modern built environment and is known as the father of modern poetry. While his poetry is still admired, his aesthetic has been historicised: deemed to belong to that time and place in which Baudelaire wrote. This (...)
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  27. Baudelaire: Prolegômenos a Toda Biografia Existencial Sartreana Futura.Gustavo Fujiwara - 2018 - Griot : Revista de Filosofia 18 (2):233-259.
    Neste artigo pretendemos analisar a maneia pela qual o filósofo francês Jean-Paul Sartre modaliza, a partir da psicanálise existencial elaborada em L’être et le néant, sua biografia existencial sobre o poeta Charles Baudelaire. Em Baudelaire, seremos capazes de localizar os prolegômenos a toda biografia existencial sartreana futura, isto é, o modus operandi de investigação/escrita biográfica de Sartre.
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  28.  23
    Photography Clichés: On Baudelaire’s Media Aesthetics and the Mechanical Arts.Marit Grøtta - 2017 - Nordic Journal of Aesthetics 25 (53).
    The aim of this article is two-folded. First, I wish to situate Baudelaire in the midst of 19th-century media, bring attention to the way he explored the new media of his day, and suggest that he developed his own media aesthetics. Second, I wish to examine Baudelaire’s relation to photography more specifically, emphasizing his love of commonplaces and clichés. I begin by contextualizing Baudelaire’s notorious attack on photography in the Salon de 1859 and then examine three poems (...)
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  29. Baudelaire Critico.Giovanni Macchia - 1988
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  30. Berkeley, George 60, 62 Bemasconi, Robert Lln Bernauer, James 176, 180n, 181, 196 Beyssade, Jean-Marie 30n.Andrew Arato, Hannah Arendt, Jean-Baptiste Aristide, Antonin Artaud, Marcus Aurelius, Gaston Bachelard, Francis Bacon, Mikhail Bahktm, Gregory Bateson & Charles Baudelaire - 2003 - In Edith Wyschogrod & Gerald P. McKenny (eds.), The Ethical. Blackwell. pp. 217.
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  31.  5
    Terminology in the Salon Reviews of Charles Pierre Baudelaire.Richard Webb - 1993 - Journal of Aesthetic Education 27 (2):71.
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  32.  23
    Painting Memories: On the Containment of the Past in Baudelaire and Manet.Michael Fried - 1984 - Critical Inquiry 10 (3):510-542.
    Near the beginning of Charles Baudelaire’s Salon of 1846—one of the most brilliant and intellectually ambitious essays in art criticism ever written—the twenty-five-year-old author states that “the critic should arm himself from the start with a sure criterion, a criterion drawn from nature, and should then carry out his duty with a passion; for a critic does not cease to be a man, and passion draws similar temperaments together and exalts the reason to fresh heights.”1 It may be (...)
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  33.  7
    The Dissonance of Modernity: On Baudelaire and Adorno.Joseph Acquisto - 2022 - British Journal of Aesthetics 62 (1):101-114.
    This essay considers 'modern' poetry and music as interrelated signifying practices in the works of Charles Baudelaire and Theodor Adorno through a focus on their approach to understanding dissonance. For Baudelaire, dissonance depends on consonance in order to be perceived at all, a fact which allows us to read the modern not just in terms of a break with the past but also as dependent on it. This essay demonstrates the mutually constitutive nature of consonance and dissonance (...)
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  34.  1
    Morris, Mill, and Baudelaire: Sources of Wildean Socialism.Seamus Flaherty - 2020 - History of European Ideas 46 (6):827-843.
    ABSTRACT This article examines Oscar Wilde’s liberal socialist tract, ‘The Soul of Man Under Socialism’. It posits three discrete arguments. It argues, firstly, that in ‘The Soul of Man’ Wilde was deeply engaged with the socialist theory of William Morris. It claims that Wilde not only repudiated Morris’s aesthetic philosophy, rejecting Morris’s views about co-operation, usefulness, and tradition, and pouring scorn on the notion of dignity in manual labour, but that Wilde also echoed Morris’s utopian romance, News from Nowhere, in (...)
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  35.  10
    Benjamín y Baudelaire: tiempo, correspondencias, ALEGORIA.Patricia Trujillo - 2016 - Eidos: Revista de Filosofía de la Universidad Del Norte 24:90-103.
    Este articulo explora los temas de las correspondencias y la alegoría en las reflexiones de Walter Benjamin sobre la poesía de Charles Baudelaire. Compara dichas reflexiones con otros enfoques críticos de la época y pone de relieve la relación, que Benjamin consideraba esencial, entre la forma de la obra baudeleriana y las transformaciones históricas de mediados del siglo XIX. This paper explores the presence of correspondances and allegory in Walter Benjamin's thoughts on the poetry of Charles (...). It compares these thoughts with other contemporary critical approaches and points up the relationship, which Benjamin considered essential, between the form of Baudelaire's work and the historical changes of the mid-nineteenth century. (shrink)
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  36.  64
    The Art of Life: Foucault’s Reading of Baudelaire’s “The Painter of Modern Life”.Corey McCall - 2010 - Journal of Speculative Philosophy 24 (2):138-157.
    In his essay "What Is Enlightenment?" Foucault compares the role of modernity in the work of the decadent Parisian poet Charles Baudelaire with that of the austere Prussian philosopher Immanuel Kant. He claims that the relationship between these two strange bedfellows can be found in the value each writer accords to the present in contrast to the past and future. Each writer claims, in his own style, that each individual must render his or her existence meaningful by cultivating (...)
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  37. Monster –Sammlung und Allegorie.Charles T. Wolfe & Alexandre Métraux - 2016 - In Sarah Schmidt (ed.), Sprachen des Sammelns. Literatur als Medium und Reflexionsform des Sammelns. Munich, Allemagne: pp. 487-495.
    an essay on monsters, science and categories from Diderot to Baudelaire.
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  38.  30
    The Romantic Realism of Michel Foucault Returning to Kant.Charles R. Varela - 2013 - Journal for the Theory of Social Behaviour 43 (2):226-245.
    Beatrice Han argues that the theories of subjection (determinism: structure) and subjectivation (freedom: agency) are the “the blind spot of Foucault's work:” to the very end of his life, in being transcendental and historical theories, respectively, they were in irresolvable conflict. In part I, I have argued that Foucault encourages us to situate the theories of the subject in an un-thematized reach for a metaphysics of realism which, in effect, was to ground his uncertain complementary reach for a naturalist conduct (...)
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  39.  19
    The Romantic Realism of Michel Foucault The Scientific Temptation.Charles R. Varela - 2013 - Journal for the Theory of Social Behaviour 43 (1):1-22.
    Beatrice Han has argued that the theories of subjection (determinism: structure) and subjectivation (freedom: agency) are the “the blind spot[s] of Foucault's work.” Furthermore, she continues, as historical and transcendental theories, respectively, Foucault left them in a state of irresolvable conflict. In the Scientific Temptation I have shown that, as a practicing researcher, Foucault encourages us to situate the theories of the subject in the context of his un-thematized search for a metaphysics of realism, the purpose of which was to (...)
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  40.  15
    Crowds, Clouds, Politics and Aesthetics, Flipping Again.Esther Leslie - 2013 - Nordic Journal of Aesthetics 23 (44-45).
    This paper seeks an urban poetics under the pressures of flux, polyglot babble and the rise of technoculture. In so doing it traces the intertwinements of aesthetics and politics as they manifest over the last 150 years. Charles Baudelaire’s poetry is characterised as a delirious response to the delirium of capitalist modernity, in which ‘words rise up’, as he puts it, but it is a also a barometer, which measures the degrees of entwinement of aesthetics and revolutionary politics (...)
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  41.  11
    Fantasmi Dell'arte: Sei Storie Con Spettatore.Filippo Fimiani - 2012 - Liguori.
    « The destiny of Art—a revenant». « The object of Art might be to seek to eliminate the necessity of the object ». This book’s theme and method stand halfway between these two assertions—the first by the German romantic poet Novalis, the second by the Californian post-minimalist artists Robert Irwin and James Turrell about a research program on art and technology in the late 1960s. Neither of these statements declares that art is dead. On the contrary, they announce that art (...)
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  42.  30
    Camus’s Algerian in Paris: A Prose Poetic Reading of L’Étranger.Alistair Rolls - 2011 - Sophia 50 (4):527-541.
    This paper demonstrates that L'Étranger , Camus's famous novel about an outsider, had by as early as 1946 become just as much of an 'insider' in terms of its affiliation to the Parisian literary tradition. More than an insider simply by virtue of its contemporary place in the French canon, then, the novel is also intertextually bound to a tradition of oxymoronic poetics dating back to Charles Baudelaire's Paris Spleen ( Les Petits poèmes en prose ). I shall (...)
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  43. Donner le Temps: La Fausse Monnaie.Jacques Derrida - 1991 - Editions Galilée.
    Donner, est-ce possible? Dès lors qu'il engage dans le cercle de l'échange, le don semble s'annuler. Pour donner, il faudrait ne rien attendre en retour. Rien espérer, rien escompter de ce qui doit rester incalculable. Plus gravement encore, et avant même que rien ne s'inscrive dans une économie des signes ou des choses, il suffit peut-être qu'il y ait intention de donner, il suffit que le don apparaisse comme tel à la conscience ou que dans son sens il devienne présent (...)
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  44. Thinking Poetry: Philosophical Approaches to Nineteenth-Century French Poetry.Joseph Acquisto (ed.) - 2013 - Palgrave-Macmillan.
    Why have poets played such an important role for contemporary philosophers? How can poetry link philosophy and political theory? How do formal considerations intersect with philosophical approaches? These essays seek to establish a dialogue between poetry and philosophy. Each essay contributes to our understanding of the relationships between theory and lived experience while providing new insight into important poets such as Charles Baudelaire, Stéphane Mallarmé, Victor Hugo, and others. The broad range of metaphysical, phenomenological, aesthetic, and ethical approaches (...)
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  45.  35
    Chiffonnier contre flâneur: Construction et position de la Passagenarbeit de Walter Benjamin.Marc Berdet - 2012 - Archives de Philosophie 75 (3):425-447.
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  46. The Structuralists: From Marx to Lévi-Strauss.Richard T. De George - 1972 - Garden City, N.Y., Anchor Books.
    Marx, K. Preface to A contribution to the critique of political economy. From Capital.--Freud, S. From The psychopathology of everyday life.--De Saussure, F. From Course in general linguistics.--Tynianov, Y. and Jakobson, R. Problems in the study of language and literature.--Jakobson, R. Linguistics and poetics.--Jakobson R. and Lévi-Strauss, C. Charles Baudelaire's "Les chats."--Barthes, R. The structuralist activity. To write: an intransitive verb?--Lévi-Strauss, C. The structural study of myth. Four winnebago myths. History and dialectic.--Althusser, L. Marx's immense theoretical revolution.--Foucault, M. (...)
     
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  47.  2
    What Gives (with Derrida)?John O'Neill - 1999 - European Journal of Social Theory 2 (2):131-145.
    This article is a close reading of Jacques Derrida's critique of Marcel Mauss's classic, The Gift, and its revision through Charles Baudelaire's `The Counterfeit Coin'. Derrida's rejection of any exchange/reciprocity relation in the gift as an immoral binding of free subjects strangely accommodates the current ideological crisis of the gift in welfare societies. Moreover, Derrida's textual substitution of Baudelaire for Mauss repeats the counterfeit practice on which his own aporia of the gift is based.
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  48.  34
    El transfondo ocultista del cuervo: desde su simbolismo poético a los "topoi" modernistas.Dolores Romero López - 2013 - 'Ilu. Revista de Ciencias de Las Religiones 18:201-218.
    The anthropological and religious interest for the raven is present in Buddhism, in biblical stories, in North and Greek mythologies, in Arthurian legend and in Spanish epic. The occultism attributed to the raven the mission of guidance of dead human souls after death. This article tracks how the raven transfers its occult connotations to the poetic symbol analyzing the poem«The Raven» by EdgarAlan Poe in its cultural and aesthetic context. Charles Baudelaire and the French symbolists dignified the intertextual (...)
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  49.  29
    The Problem of Affects in Aesthetics: Burke, Lyotard and Ranciere.Elga Freiberga - 2008 - Proceedings of the Xxii World Congress of Philosophy 1:79-86.
    I was more excited by Jacques Ranciere’s idea about aesthetics being, in his opinion, a special way of thinking (mode de pensee) that works of art provoke and that tends to show what they are like as art objects. Aesthetics then (following this intention) would not be viewed as a discipline akin to art theory that wouldexamine the structure of the work of art, its peculiarities, conditions of arising, et cetera, all that attests either to its objectivity or subjectivity. Ranciere (...)
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  50.  59
    Towards a Theory of Toys and Toy-Play.Alan Levinovitz - 2017 - Human Studies 40 (2):267-284.
    The distinction between toys and games is built into grammar itself: one plays games but plays with toys. Although some thinkers have recognized the importance of the distinction, their insights are often contradictory and vague, and the word toy is used unsystematically to refer to a wide range of objects and associated play-activities. To remedy this problem a phenomenological approach to play could be helpful, but those that exist rarely discuss the difference between forms of play, instead using playfulness as (...)
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