Voltaire, the pen name of François-Marie Arouet (1694-1778), was one of the most influential leaders of the French Enlightenment. His defense of individual freedom of conscience and his criticisms of religious fanaticism and oppressive orthodoxy had a telling effect on Western history, inspiring several leading founders of America's new laws. This is the first English translation of many of his key texts from his famous pamphlet war for tolerance, written from 1750 to 1768, originally published under pseudonyms to avoid (...) imprisonment and to educate the average citizen. Included are "The Sermon of Rabbi Akib" (a searing attack on anti-Semitism), "Prayer to God" (from the famous Treatise on Tolerance), the hugely popular "Catechism of the Honest Man," "The Dinner at Count Boulainvillier's," and other witty, sometimes acerbic pieces that point out the errors in the Bible, the corruption of the clergy, and the religiously-inspired persecutions, both of his day and across the ages. Many of these pamphlets were burned in a losing battle by the authorities. With a lengthy introduction and copious notes by the editor and translator, plus an appendix including first-hand accounts of the battle by noted mathematician and French revolutionary Condorcet, Frederick the Great, Irish writer Oliver Goldsmith, and others, this excellent compilation will be a welcome addition to the libraries of anyone with an interest in human rights and freedom of thought. (shrink)

Originally published in 1951, this book contains the French text of six contes by Voltaire, including his famous Candide. The stories are prefaced with an introduction by Professor F. C. Green on why Voltaire chose to write short stories rather than long novels, and the philosophical themes the author employs most regularly in each work. This book will be of value to anyone with an interest in Voltaire's shorter prose works or in pre-Revolution French literature more generally.

Remarques sur les Pensées de M. Pascal.--Les Lettres philosophiques.--Traité de métaphysique.--Discours sur l'homme.--Poème sur la loi naturelle.--Poème sur le désastre de Lisbonne.

El presente volumen ofrece una cuidada edición de esta obra clave de la Ilustración, surgida en el círculo de intelectuales reunido en torno a la figura de Federico de Prusia. En sus voces, Voltaire analiza un amplio abanico de cuestiones que van de la estética a la política, con especial hincapié en el hecho religioso, al que dedica buena parte de su penetrante reflexión. El resultado es un libro fundamental del pensamiento moderno, cuya lectura sigue manteniendo en la actualidad (...) buena parte de su vigencia. (shrink)

'What can you say to a man who tells you he prefers obeying God rather than men, and that as a result he's certain he'll go to heaven if he cuts your throat?'Voltaire's Pocket Philosophical Dictionary, first published in 1764, is a major work of the European Enlightenment. It is also a highly entertaining book: this is no 'dictionary' in the ordinary sense, nor does it treat 'philosophy' in the modern meaning of the term. It consists of a sequence (...) of short essays or articles, arranged in alphabetical order, and covering everything from Apocalypse and Atheism to Tolerance and Tyranny. The unifying thread of these articles is Voltaire's critique of established religion: ridicule of established dogma, attacks on superstition, and pleas for toleration. Witty and ironic, this is very much a work of combat, part of Voltaire's high-profile political struggle in the 1760s to defend the victims of religious and political intolerance. This new translation is based on the definitive French text, and reprints the edition that provoked widespread controversy and condemnation. In his Introduction Nicholas Cronk considers the work's continuing relevance to modern debates about religious intolerance and its consequences. (shrink)

This is one more edition of Voltaire's "Candide", meant to highlight the wealth of philosophical and theological discussions hidden behind the apparently innocent veil of the most renowned fable of modernity. The rather extended apparatus accordingly consists of a series of short chapters by Filippo Bruni on the Enlightenment and Metaphysics, and in more detail, on theology, Free choice, the problem of evil, and happiness in an imperfect world and another by Sergio Cremaschi on the Enlightenment and morality, and (...) in more detail on moral universalism, on religion without metaphysics, toleration, and pacifism. -/- Table of contents I. Before the text A trick for priests A scandalous book Garden with view -/- II. Text Candide or optimism -/- III. Context Biography 1. The seven years war 2. Calvinists and Socinians 3. Jiansenists and Gesuits 4. Marranos and inquisitors 5. Conquistadores and slave-traders 6. Paraguay under the Jesuits -/- IV. Co-text 1. Enlightenment and Metaphysics 1.1. Theology 1.2. Free choice 1.3. The problem of evil 1.4. Being happy in an imperfect world -/- 2. Enlightenment and morality 2.1. Universal morality 2.2. Religion without Metaphysics 2.3. Toleration 2.4. Pacifism -/- 3. Enlightenment and the images of other places 3.1. The image of Eldorado 3.2. The image of Paraguay 3.3 The image of the Islamic world 3.4. The image of the Jew -/- 4. The conte philosophique -/- Bibliography Lexicon Index of names and concepts -/- V. Reader’s guide. (shrink)

Poem on the Lisbon disaster.--We must take sides.--The questions of Zapata.--Epistle to the Romans.--The sermon of the fifty.--Homily on superstition.--Homily on the interpretation of the Old Testament.--Homily on the interpretation of the New Testament.--A treatise on toleration.

Candide is the most famous of Voltaire's 'philosophical tales', in which he combined witty improbabilities with the sanest of good sense. This edition includes four other prose tales - Micromegas, Zadig, The Ingnu, and The White Bull - and a verse tale based on Chaucer's The Wife of Bath's Tale,: What Pleases the Ladies.

David Wootton's scalpel-sharp translation of _Candide_ features a brilliant Introduction, a map of Candide's travels, and a selection of those writings of Voltaire, Leibniz, Pope and Rousseau crucial for fully appreciating this eighteenth-century satiric masterpiece that even today retains its celebrated bite.

Après une étape sur Saturne où il se fait un compagnon de voyage, philosophe comme lui, Micromégas, habitant de Sirius, vient visiter la terre des hommes, " notre petite fourmilière " : occasion de péripéties nombreuses et de dialogues variés. Puis, à la fin du livre, les deux personnages reprennent leur voyage, on ne sait vers quelle destination. Le lecteur ne les accompagne plus. Il demeure aux côtés des Terriens, ses semblables. Si l'étrangeté dont joue Voltaire dans ce conte (...) qu'il publie en 1752 est d'abord celle des deux voyageurs, des autres mondes habités et du voyage interstellaire, c'est bien ensuite celle des Terriens qu'il met en scène : étrangeté physique, puis intellectuelle et philosophique. Le livre ainsi nous invite à changer de rôle, à philosopher nous aussi, non sur des créatures imaginaires, mais au contraire sur l'Homme. A l'évidence, Voltaire s'amuse. Son rire pourtant n'est pas gratuit : Micromégas est une histoire philosophique, une magnifique leçon de " gai savoir ". (shrink)

Voltaire (1694-1778), novelist, dramatist, poet, philosopher, historian, and satirist, was one of the most renowned figures of the Age of Enlightenment. In this collection of anti-clerical works from the last twenty-five years of Voltaire's life, he roundly attacks the philosophical optimism of the deists, the so-called inspiration of the Bible, the papacy, and vulgar superstition. These great works reveal Voltaire not only as a polemicist but also as a profound humanitarian. Selections include "Poem on the Lisbon Disaster," (...) "We Must Take Sides," "The Questions of Zapate," "The Sermon of the Fifty," homilies on superstition and the interpretation of the Old and New Testaments, and his famous "Treatise on Toleration.". (shrink)

Voici une dition qui contribuera sans doute clairer une activit encore mal connue de Voltaire, celle d' diteur. Car de cette uvre composite qu'est le Discours de l'empereur Julien Voltaire se veut avant tout et reste bien l'organisateur, empruntant l'empereur du IVe si cle le r quisitoire qu'il a dress dans son Contre les Galil ens et au marquis d'Argens, son moderne et premier traducteur, la 'belle infid le' qu'il a donn e lire cinq ans plus t t (...) ceux qui n'entendaient ni le grec ni le latin. Voltaire n'a cependant conserv le joyau que pour le servir dans une monture toute nouvelle: d'Argens avait accompagn sa traduction d'une substantielle pr face et d'une annotation abondante; mais Voltaire a cart la premi re et retenu un tiers seulement de la seconde, encadrant d sormais le Discours de ses propres textes; en pr faces un 'Avis au lecteur' suivi d'un 'Portrait de l'empereur Julien' et d'un 'Examen du Discours'; en postface un virulent 'Suppl ment au Discours'. A quoi l'on ajoutera les quarante-quatre notes r dig es par l' diteur et qui s'adjoignent aux treize notes de d'Argens qu'il a conserv es; ce sont les 'nouvelles notes de divers auteurs' annonc s par la page de titre et dont quatre sont sign es Damilaville, Boulanger, Bolingbroke et 'le th ologien Th ro': sous ces noms d'emprunt, l' diteur ne s'est pas fait scrupule de r utiliser certains de ses textes ant rieurs, pas plus qu'il n'a craint, par de simples coupes habilement op r es dans certaines notes de d'Argens, de d figurer l'occasion la pens e du marquis quand elle se trouve contraire la sienne. Ainsi voit-on clairer sous ses diff rents aspects une activit ditoriale dont il fallait aussi p n trer les motifs. (shrink)