When communal sharing relationships suddenly intensify, people experience an emotion that English speakers may label, depending on context, “moved,” “touched,” “heart-warming,” “nostalgia,” “patriotism,” or “rapture”. We call the emotion kama muta. Kama muta evokes adaptive motives to devote and commit to the CSRs that are fundamental to social life. It occurs in diverse contexts and appears to be pervasive across cultures and throughout history, while people experience it with reference to its cultural and contextual meanings. Cultures have evolved diverse practices, (...) institutions, roles, narratives, arts, and artifacts whose core function is to evoke kama muta. Kama muta mediates much of human sociality. (shrink)

Little is known about the psychological processes that can explain how connectedness to nature evolves. From social psychology, we know that emotions play an essential role when connecting to others. In this article, we argue that social connectedness and connectedness to nature are underpinned by the same emotions. More specifically, we propose that social relational emotions are crucial to understanding the process, how humans connect to nature. Beside other emotions, kama muta (Sanskrit: being moved by love) might play a particular (...) crucial role when connecting to nature. Future research should address the consideration of social relational emotions in a range of areas when investigating the human-nature relationship. (shrink)

A proposal that the basic mental models used to structure social interaction result from self-organization in brain activity.

Feeling moved or touched can be accompanied by tears, goosebumps, and sensations of warmth in the centre of the chest. The experience has been described frequently, but psychological science knows little about it. We propose that labelling one’s feeling as being moved or touched is a component of a social-relational emotion that we term kama muta. We hypothesise that it is caused by appraising an intensification of communal sharing relations. Here, we test this by investigating people’s moment-to-moment reports of feeling (...) moved and touched while watching six short videos. We compare these to six other sets of participants’ moment-to-moment responses watching the same videos: respectively, judgements of closeness, reports of weeping, goosebumps, warmth in the centre of the chest, happiness, and sadness. Our eighth time series is expert ratings of communal sharing. Time series analyses show strong and consistent cross-correlations of feeling moved and touched and closeness with each other and with each of the three physiological variables and expert-rated communal sharing – but distinctiveness from happiness and sadness. These results support our model. (shrink)

A configuration of infantile attributes including a large head, large eyes, with a small nose and mouth low on the head comprise the visual baby schema or Kindchenschema that English speakers call “cute.” In contrast to the stimulus gestalt that evokes it, the evoked emotional response to cuteness has been little studied, perhaps because the emotion has no specific name in English, Norwegian, or German. We hypothesize that cuteness typically evokes kama muta, a social-relational emotion that in other contexts is (...) often labeled in English as being moved or touched, heartwarming, nostalgia, patriotic feeling, being touched by the Spirit, the feels, etcetera. What evokes kama muta is sudden intensification of a communal sharing relationship, either communal sharing between the person and another, or communal sharing between observed others. In accord with kama muta theory, we hypothesize that a kama muta response to cuteness results from a sudden feeling of communal sharing with the cute target. In colloquial terms, the perceiver adores the cute kittens and their heart goes out to them. When a person perceives cute targets interacting affectionately - that is, intensifying communal sharing between them - this should strengthen a kama muta response. We experimentally investigated these predictions in two studies (N = 356). Study 1 revealed that videos of cute targets evoked significantly more kama muta than videos of targets that were not particularly cute. Study 2, pre-registered, found that, as hypothesized, when cute targets interacted affectionately they evoked more kama muta and were humanized more than when they were not interacting. We measured the level of kama muta by self-reports of sensations and signs and of feelings labelled heartwarming, being moved, and being touched. Participants' ratings of kama muta were positively correlated with reported cuteness. In addition, as in our previous research on kama muta elicited by other types of stimuli, trait empathic concern predicted kama muta responses and perceived cuteness. The studies thus provide first evidence that cute stimuli evoke the heartwarming emotion of kama muta. (shrink)

Most psychological research consists of experiments that put people in artificial situations that elicit unnatural behavior whose ecological validity is unknown. Without knowing the psychocultural meaning of experimental situations, we cannot interpret the responses of WEIRD people, let alone people in other cultures. Psychology, like other sciences, needs to be solidly rooted in naturalistic observation and description of people around the world. Theory should be inductively developed and tested against real-world behavior.

When do people say that they are moved, and does this experience constitute a unique emotion? We review theory and empirical research on being moved across psychology and philosophy. We examine feeling labels, elicitors, valence, bodily sensations, and motivations. We find that the English lexeme being moved typically (but not always) refers to a distinct and potent emotion that results in social bonding; often includes tears, piloerection, chills, or a warm feeling in the chest; and is often described as pleasurable, (...) though sometimes as a mixed emotion. While we conclude that it is a distinct emotion, we also recommend studying it in a more comprehensive emotion framework, instead of using the ambiguous vernacular term being moved as a scientific term. (shrink)

ABSTRACTSome political ads used in the 2016 U.S. election evoked feelings colloquially known as being moved to tears. We conceptualise this phenomenon as a positive social emotion that appraises and motivates communal relations, is accompanied by physical sensations, and often labelled metaphorically. We surveyed U.S. voters in the fortnight before the 2016 U.S. election. Selected ads evoked the emotion completely and reliably, but in a partisan fashion: Clinton voters were moved to tears by three selected Clinton ads, and Trump voters (...) were moved to tears by two Trump ads. Viewers were much less moved by ads of the candidate they did not support. Being moved to tears predicted intention to vote for the candidate depicted. We conclude that some contemporary political advertising is able to move its audience to tears, and thereby motivates support. (shrink)

Presenting evidence from the social brain, we argue that neural reuse is a dynamic, socially organized process that is influenced ontogenetically and evolutionarily by the cultural transmission of mental techniques, values, and modes of thought. Anderson's theory should be broadened to accommodate cultural effects on the functioning of architecturally similar neural systems, and the implications of these differences for reuse.

This parable from the beloved philosopher Alan Watts tells the story of a confused fish who begins to chase his own tail in an effort to keep from falling to the bottom of the ocean. The poor fish becomes more and more anxious and exhausted, until the Great Sea speaks up to remind him of what was supporting him all along. This is a 32-page, fully illustrated picture book with illustrations from award-winning illustrator Khoa Le with a message (...) every bit as relevant now as when it first appeared in a periodical in the 1950s. (shrink)

In 1996, Alan Sokal, a Professor of Physics at New York University, wrote a paper for the cultural-studies journal Social Text, entitled: 'Transgressing the Boundaries: Towards a transformative hermeneutics of quantum gravity'. It was reviewed, accepted and published. Sokal immediately confessed that the whole article was a hoax - a cunningly worded paper designed to expose and parody the style of extreme postmodernist criticism of science. The story became front-page news around the world and triggered fierce and wide-ranging (...) controversy. -/- Sokal is one of the most powerful voices in the continuing debate about the status of evidence-based knowledge. In Beyond the Hoax he turns his attention to a new set of targets - pseudo-science, religion, and misinformation in public life. 'Whether my targets are the postmodernists of the left, the fundamentalists of the right, or the muddle-headed of all political and apolitical stripes, the bottom line is that clear thinking, combined with a respect for evidence, are of the utmost importance to the survival of the human race in the twenty-first century.' The book also includes a hugely illuminating annotated text of the Hoax itself, and a reflection on the furore it provoked. (shrink)

Philosophical Perspectives, Volume 35, Issue 1, Page 189-205, December 2021.

The recent publication of The Logic of Scientific Discovery makes available for the first time an English translation of Popper’s Logik der Forschung. Numerous footnotes and 155 pages of new appendices have been added to the original text. However, the original text itself has been left unchanged. For an elaboration of many of the points sketched in the new material the author refers to a forthcoming sequel to this volume, Postscript: After Twenty Years.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

What do people consciously experience when they read? There has been almost no rigorous research on this question, and opinions diverge radically among both philosophers and psychologists. We describe three studies of the phenomenology of reading and its relationship to memory of textual detail and general cognitive abilities. We find three main results. First, there is substantial variability in reports about reading experience, both within and between participants. Second, reported reading experience varies with passage type: passages with dialogue prompted increased (...) reports of inner speech, while passages with vivid visual detail prompted increased reports of visual imagery. Third, reports of visual imagery experiences, inner speech experiences, and experiences of conscious visual perception of the words on the page were at best weakly related to general cognitive abilities and memory of visual and auditory details. (shrink)

Ethics, Policy & Environment, Volume 14, Issue 3, Page 377-392, October 2011.

Alan Millar; V*—The Idea of Experience, Proceedings of the Aristotelian Society, Volume 96, Issue 1, 1 June 1996, Pages 75–90, https://doi.org/10.1093/aristotel.

Alan Millar; V*—The Idea of Experience, Proceedings of the Aristotelian Society, Volume 96, Issue 1, 1 June 1996, Pages 75–90, https://doi.org/10.1093/aristotel.

In lieu of an abstract, here is a brief excerpt of the content:The Literary Method of Urban Design: Design Fictions Using FictionAlan Marshall (bio)For students of design the world over, there’s usually nowhere near enough time in the school year to build a prototype of each and every single innovative idea that pops into one’s head—let alone to test them all in the social world or the marketplace. To speedily explore as many innovations as possible, students are sometimes encouraged to (...) follow an alternative pathway, to create “design fiction.” Intended to exist only on paper or the screen, a “design fiction” is not really destined for the real world.1 As a learning technique, it allows for a significant degree of technical experimentation as well as the imagining of new social arrangements. Many design experts see this “free-for-all” method as rather annoying and untrustworthy—more art than science. Yet for the most creative students, it serves to liberate them from the various constraints of their discipline. My own peculiar process of “design fiction” is what I call the “Literary Method of Urban Design.” I will come to this method in a moment.Last year, I was invited by the Bauhaus Museum in Weimar, Germany, to contribute artworks for a special exhibition entitled “Ways to Utopia: Life Between Desire and Crisis” (running from April 1, 2023—January 29, 2024).2 [End Page 560] This exhibition is a celebration of the one-hundredth anniversary of the Bauhaus’s first architectural product: a modern suburban family home in the city of Weimar called the Haus Am Horn. Built in 1923 the Haus Am Horn ushered in the Bauhaus style, a streamlined functional elegance presented in clean, bright, hopeful hues.3 Beyond just style, though, the house was proffered up in utopian terms. Its Bauhaus creators suggested that such a home could be mass-produced on an industrial scale cheaply and efficiently to provide elegant living to every single family in Europe, be they rich or poor. In its first iteration, the Staatliches Bauhaus was a high-spirited, playful, future-oriented, and socially aware fine arts and architecture school that ran from 1919 to 1933 in Weimar, then Dessau, then Berlin. However, its liberalism and experimentation away from traditional teaching and practice invited scorn from conservatives and from the Nazi Party. The former took the Bauhaus school’s funding away; the latter shuttered it for good. Despite the closure of the building, the Bauhaus style transformed design across the world as former teachers and ex-students applied Bauhaus principles and approaches in new settings. The old Bauhaus school has since been resurrected, with the opening of Bauhaus Universität Weimar, and the Bauhaus Museum, with locations in Weimar and Dessau.A few years back, Skyhorse Publishers published a book of my own “design fictions” depicting real-world cities set far in the future, each presented in utopian terms.4 Because of this, the Bauhaus approached me to help them celebrate their centennial anniversary by displaying my utopian urban designs in their museum. However, to convey the centenary theme of the exhibition, they requested exactly 100 different artworks of 100 different urban utopias portraying 100 different real-world cities set 100 years in the future. At the time, I had only produced eighty such works over the preceding decade. However, since the exhibition was to include masterworks by Bauhaus design greats like George Muche and Alma Buscher, I did not want to fall short. To make the “century” in quick time, I pushed ahead by deploying my own peculiar “Literary Method of Urban Design.”5 This method comprises three steps:1. Select a city.2. Select a literary work.3. Design the future of the selected city, based upon the themes of the selected literary work.[End Page 561] Click for larger view View full resolutionFigure 1.Future London. By the author, inspired by More’s Utopia (1516).When I used this method for the first time with Thomas More’s Utopia (1516) as the literary base, a curator at the Museum of London was tickled enough to include it in an exhibition about the future of London.6Since then, the utopian spark has flowed through many of... (shrink)

Alan Carter; XIII*—Moral Theory and Global Population, Proceedings of the Aristotelian Society, Volume 99, Issue 1, 1 June 1999, Pages 289–314, https://doi.org/.

In lieu of an abstract, here is a brief excerpt of the content:Transgressing the Boundaries: An Afterword*Alan D. SokalAlas, the truth is out: my article, “Transgressing the Boundaries: Toward a Transformative Hermeneutics of Quantum Gravity,” which appeared in the spring/summer 1996 issue of the cultural-studies journal Social Text, is a parody. 1 Clearly I owe the editors and readers of Social Text, as well as the wider intellectual community, a non-parodic explanation of my motives and my true views. One (...) of my goals here is to make a small contribution toward a dialogue on the Left between humanists and natural scientists—“two cultures” which, contrary to some optimistic pronouncements (mostly by the former group), are probably farther apart in mentality than at any time in the past fifty years.Like the genre it is meant to satirize—myriad exemplars of which can be found in its reference list—my article is a mélange of truths, half-truths, quarter-truths, falsehoods, non sequiturs, and syntactically correct sentences that have no meaning whatsoever. (Sadly, there are only a handful of the latter: I tried hard to produce them, but I found that, save for rare bursts of inspiration, I just didn’t have the knack.) I also employed some other strategies that are well-established (albeit sometimes inadvertently) in the genre: appeals to authority in lieu of logic; speculative theories passed off as established science; strained and even absurd analogies; rhetoric that sounds good but whose meaning is [End Page 338] ambiguous; and confusion between the technical and everyday senses of English words (for example: linear, nonlinear, local, global, multidimensional, relative, frame of reference, field, anomaly, chaos, catastrophe, logic, irrational, imaginary, complex, real, equality, choice).I should emphasize that all works cited in my article are real, and all quotations are rigorously accurate; none are invented. Indeed, the most hilarious passages in my article were not written by me: they are direct quotes from the Masters.But why did I do it? I confess that I’m an unabashed Old Leftist who never quite understood how deconstruction was supposed to help the working class. And I’m a stodgy old scientist who believes, naively, that there exists an external world, that there exist objective truths about that world, and that my job is to discover some of them. (If science were merely a negotiation of social conventions about what is agreed to be “true,” why would I bother devoting a large fraction of my all-too-short life to it? I don’t aspire to be the Emily Post of quantum field theory.)But my main concern isn’t to defend science from the barbarian hordes of lit crit. Rather, my concern is explicitly political: to combat a currently fashionable postmodernist/poststructuralist/social-constructivist discourse—and more generally a penchant for subjectivism—which is, I believe, inimical to the values and future of the Left. 2 Alan Ryan said it well:It is, for instance, pretty suicidal for embattled minorities to embrace Michel Foucault, let alone Jacques Derrida. The minority view was always that power could be undermined by truth.... Once you read Foucault as saying that truth is simply an effect of power, you’ve had it.... But American departments of literature, history and sociology contain large numbers of self-described leftists who have confused radical doubts about objectivity with political radicalism, and are in a mess. 3Likewise, Eric Hobsbawm has decriedthe rise of “postmodernist” intellectual fashions in Western universities, particularly in departments of literature and anthropology, which imply that all “facts” claiming objective existence are simply intellectual constructions. In short, that there is no clear difference between fact and fiction. But there is, and for historians, even for the most militantly antipositivist ones among us, the ability to distinguish between the two is absolutely fundamental. 4 [End Page 339](Hobsbawm goes on to show how rigorous historical scholarship can refute the fictions propounded by reactionary nationalists in India, Israel, the Balkans and elsewhere.) And as the acerbic sociologist Stanislav Andreski noted long ago,So long as authority inspires awe, confusion and absurdity enhance conservative tendencies in society. Firstly, because clear and logical thinking leads to a cumulation of knowledge (of which the progress of... (shrink)

In his The Problems of Philosophy Bertrand Russell presents us with his famous argument for representative realism. After a clear and accessible analysis of sensations, qualities and the multiplicity of perceptions of the qualities of physical objects, Russell concludes with a bold statement: -/- "The real table, if there is one, is not immediately known to us at all, but must be an inference from what is immediately known". -/- My argument and analysis strongly suggests that the conclusion that Russell (...) reaches in his argument is counterintuitive and incoherent. The philosophical statement that he presents on the table, in the opening pages of his famous Problems argument is fundamentally misconstrued, and as it stands, it is logically unacceptable. (shrink)

The Heythrop Journal, Volume 63, Issue 3, Page 378-385, May 2022.

The Heythrop Journal, Volume 63, Issue 4, Page 583-612, July 2022.

British Journal for the History of Philosophy, Volume 19, Issue 6, Page 1201-1212, December 2011.

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 33.4 (2000) 319-335 [Access article in PDF] Rhetoric as a Technique and a Mode of Truth: Reflections on Chaïm Perelman Alan Gross In memoriam: Henry Johnstone, fons et origo.In one of his many criticisms of The New Rhetoric, the philosopher Henry W. Johnstone Jr. complains about its chapter "The Dissociation of Concepts" that "one is never sure whether [Chaïm Perelman is] thinking of rhetoric primarily (...) as a technique or primarily as a mode of truth. One wonders, too, what status [he is] claiming for the book itself" (1978, 99). 1 Since the chapter in question largely concerns philosophical argument, the doubt is very much apropos. But the response to Johnstone's implied question--a response that Johnstone does not think available--is that the correct answer legitimately varies in a systematic way. While in philosophical contexts, and, incidentally, in scientific ones, rhetoric is invariably a mode of truth, in contexts of public address it need not be. To see how this systematic variation might be the case, I will focus, as does Johnstone, on the dissociation of concepts as a test case of the robustness of a rhetoric oriented toward truth. To do so, I must first define dissociation and then come to terms with the way in which concepts are dissociated in public address, in philosophy, and in science. In treating these examples, however, I must be wary. While they will vary systematically according to field, they are not each instances of any general "law" of dissociation. Johnstone is surely right to "doubt whether there is any general logic of dissociation; there is only the logic of each particular dissociation, generated in each case by a particular problem" (99). When I have run through my examples, I can return to Johnstone's question about the status of rhetoric and of Perelman's study of it.Suppose that, in a campaign for the United States Senate, my opponent says that the central issue is high taxes, not the rise of medical costs, while I say that the central issue is medical costs, not high taxes. Neither of us [End Page 319] need be engaged in the dissociation of concepts; we may simply be excluding taxes and medical care, respectively, from political matters that deserve our immediate and full attention; we may simply be breaking the link between these issues and those of high political salience. In Perelman's words, "[T]he technique of breaking up a liaison consists... in asserting that elements that should remain separated and independent are improperly associated" (Perelman and Olbrechts-Tyteca 1969, 411). Yet, if we think that adequate medical care for all Americans is a moral issue, that it transcends politics, we are dissociating this issue from the category of campaign issues of the ordinary sort, those that deal "merely" with expediency. In the process, we are devaluing matters of mere expediency. Dissociation is a way of taking the argumentative high ground, of putting an issue on a different plane, an act that in this case turns a political race into a moral contest. In Perelman's words, "[T]he dissociation of notions brings about a more or less profound change in the conceptual data that are used as a basis of argument. It is then no more a question of breaking the links that join independent elements, but of modifying the very structure of these elements" (412).To illustrate this difference, I will use two parallel passages on the same topic: one from Stephen Douglas and the other from Abraham Lincoln, both from the debate between them in Alton, Illinois, on 15 October 1858. In his passage, Douglas stoutly defends states' rights: This government was made on the great basis of the sovereignty of the States--the right of each state to regulate its own domestic institutions to suit itself, and that right was conferred with the understanding and expectation that inasmuch as each locality had separate and distinct interests, each state must have different and distinct local and domestic institutions, corresponding to the wants... (shrink)

Alan Thomas; IV*—Values, Reasons and Perspectives, Proceedings of the Aristotelian Society, Volume 97, Issue 1, 1 June 1997, Pages 61–80, https://doi.org/10.111.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Cit: ConsciousnessAlan PretiCit: Consciousness. By Bina Gupta. New Delhi: Oxford University Press, 2003. Pp. xi + 203.In his 1988 essay "Consciousness in Vedānta,"1 J. N. Mohanty pointed out that, Heidegger notwithstanding, a metaphysics of consciousness has been the destiny of Indian thought. Indeed, from the earliest Upaniṣadic speculations to the growth of the systems, the centrality of the concept of consciousness to the development of Indian philosophy can (...) hardly be denied. It is even arguable that the nature and function of consciousness was perhaps the greatest bone of contention among the darśanas, with some of the more critical disputes turning on the details of a particular theory of consciousness. The importance of the concept lies in the almost universal agreement among classical Indian philosophers that consciousness enjoys a fundamental epistemic priority regarding the guarantee of any ontological claim; any claim with respect to the existence of such and such, to the way the world is, ultimately depends on evidence that is (or was) in some way present to consciousness. Consciousness is thus the fons et origo of all knowledge; in its absence nothing can be claimed about the world.One of the most recent additions to a growing body of literature concerned with examining the concept of consciousness in Indian thought is Bina Gupta's Cit: Consciousness, the inaugural release of Oxford's Foundations of Philosophy in India series, initiated by the Centre for Philosophy and Foundations of Science in New Delhi. The editors intend for the series "to make available a critical reassessment of the philosophical achievement of the classical Indian tradition in such a way that it contributes to the dialogue between civilizations of the new century"—a prospect most welcome by those engaged in Indian and comparative philosophy. [End Page 619]Cit: Consciousness is a natural extension of Gupta's work in The Disinterested Witness: A Fragment of Advaita Vedānta Phenomenology (1998). While concerned there primarily with the notion of the witness consciousness (sākṣin) in the Vivarana tradition of Advaita Vedānta, in Cit Gupta seeks to provide a more general account of consciousness in Indian thought. Her stated goals are "(1) to demonstrate the profound contribution of Indian thought to the theme of consciousness, and (2) to make Indian thought accessible to my readers, irrespective of whether they belong to the Indian or Western tradition" (p. 11). Consistent with the aims of the series, Gupta's approach is conceptual, rather than historical; her focus is specifically on various theories of the nature of consciousness and on the arguments advanced on their behalf. Concerns regarding the losses incurred by abstracting the theories from their historical context are balanced by the recognition that the historical development of a particular school yields one type of understanding, its conceptual structure another (p. 12). In this connection, one may note that Gupta's emphasis on the arguments and conceptual frameworks could make for greater accessibility to those unfamiliar with the territory; certainly the prominence of philological and historical concerns found in many accounts of the development of the schools can prove distracting to the reader seeking the specific philosophical issues.Cit unfolds dialectically, beginning with an analysis of consciousness distilled from the Upaniṣads, continuing through the Nyāya-Vaiśesika and Yogācāra Buddhist views, and culminating with an examination of Advaita Vedānta, both in its classical form and in its "transformations" effected by the contemporary philosophers Sri Aurobindo, K. C. Bhattacharyya, and J. N Mohanty. The order in which the views are discussed is not arbitrary; Gupta's arrangement of the themes purposefully leads to an analysis of Advaita not only because it is, to her mind, "an amazing case of a sublime metaphysical system, subtle logical discursivity, and detailed phenomenological description" (p. x), but also in order to "show that the conceptual nature of the Advaitic theory of consciousness undergoes transformations in the hands of many contemporary thinkers, which makes the Advaitic theory of consciousness stronger and more responsive to modern philosophic challenges" (p. 13). The book, thus, in effect, seeks to vindicate an Advaitic view of consciousness. The final chapter includes a comparative assessment... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Nietzsche. His Philosophy of Contradictions and the Contradictions of His PhilosophyAlan D. SchriftWolfgang Müller-Lauter. Nietzsche. His Philosophy of Contradictions and the Contradictions of His Philosophy. Translated from the German by David J. Parent. Foreword by Richard Schacht. Ghicago: University of Illinois Press, 1999. Pp. xviii + 246. Paper, $21.95.Since this work first appeared in 1971, Wolfgang Müller-Lauter has been at the forefront of German Nietzsche scholarship. The long (...) overdue appearance in English translation of this important work is a welcome addition to the Nietzsche literature and, although dated in some respects, it remains an important work that warrants careful attention. As Richard Schacht notes in his foreword, the original publication of this work was a significant event in the history of Nietzsche studies in Germany. Coming ten years after the publication of Heidegger's massive two-volume Nietzsche, Müller-Lauter's book "provided a much-needed counterweight" to Heidegger's idiosyncratic treatment (ix). Aside from proferring a significant rejoinder to the Heideggerian interpretation, Müller-Lauter also responds to a vast array of German Nietzsche scholars, some well-known (K. Löwith, K. Jaspers, E. Fink, K. Schlechta), but many much less familiar. As such, this book is an important piece of historical scholarship, offering the contemporary English-speaking reader an interesting picture of German scholarship on Nietzsche before Heidegger's work took center stage as the dominant (unfortunately, some would say only) German work worth engaging.But Müller-Lauter's book is not just of historical interest; it offers a powerful and profound reading of Nietzsche's corpus focused on the question of contradiction, both the contradictions readers find amidst Nietzsche's various works and Nietzsche's own philosophy of contradiction, namely, that contradictoriness is in some sense constitutive of the world. For Müller-Lauter, contradiction, the unresolvable conflict between essentially antithetical perspectives, grounds Nietzsche's philosophizing in wills to power. Emphasizing the plurality of conflicting wills to power, Müller-Lauter offers in successive chapters interpretations of Nietzsche's views on history as the "concrete occurrences" of these conflicting wills to power; nihilism as the process by which an organized system of forces (physical, social, intellectual, cultural) disintegrates into an antagonistic multiplicity of competing wills; morality as demanding truths that, once discovered, it can neither face nor accept, fleeing instead into a fictitious world of its own creation; Christian truthfulness as a destruction of truth that presents a "multiplicity of mutually opposing untruths" (72). All of these interpretations are shown to rest upon a contradiction at the heart of Nietzsche's own account of will to power, namely, that the strong will to power both affirms the multiplicity of perspectives and yet imposes its perspective as absolute.This is the paradox of the overman, a paradox Müller-Lauter addresses in his final chapter on "the doctrine of eternal recurrence." Not surprisingly, the eternal recurrence reveals itself to be essentially contradictory. But this contradiction is not self-refuting; rather "since the eternal recurrence is only as a thought and a doctrine, its meaning remains insurmountably split into a duality" (121) reflected in two ultimately incompatible types of overman. There is, on the one hand, the "powerful overman" who sees the entirety of what is as necessary for his own existence; to affirm eternal [End Page 453] recurrence is to understand everything that has been as a necessary series of events that ends with himself at its apex. But there is also the "wise overman," who understands the totality of what has been and is as necessary for his having arrived at the present moment in which he transcends himself and becomes other. Where the meaning of the powerful overman's affirmation of eternal recurrence resides in his appearance as the being who is dominant, the meaning of the wise overman's affirmation lies in understanding and accepting what has been as the precondition for both what he presently is and what he can become. Although both types of overman want recurrence, Müller-Lauter concludes they want something different in it and by it: the wise overman "is concerned with dissolving in the stream of... (shrink)

The eighth Congrès des Sociétés de Philosophic de Langue Française at Toulouse, which, I should perhaps explain, was the first gathering of its sort to which I have been, was just about as unlike a Joint Session as an English philosopher might well have imagined it to be. Many of the differences arose naturally from the simple facts that French philosophy is very unlike British and that philosophers in France are greeted with banquets, civic receptions, concerts and other hospitable entertainments (...) when they meet together in congress. But there are other differences too. For one thing, the contributions are not only as a rule very different in content; they are also different in form. A general theme is set with a certain number of sub–headings. Then anybody who wishes may submit a “communication,” having if possible at least some appearance of relevance to the titular theme–though if this is not possible, it doesn't seem to matter very much as it may be included all the same. Obviously enough, if some share of the available space and time is to be given to every philosopher who wants it, , nobody is going to get very much. The result of all this is to be seen for this year in the Acts of the Congress L'Homme et son prochain , where hardly any of the no less than 76 contributors has more than four pages to himself. In the circumstances it would have been wholly surprising if such Acts had turned out to be anything other than a mainly tedious assortment of mostly undistinguished fragments, which is not, I fear, likely to prove of much interest to any reader of this Survey; which is a pity, as it is not only the receptions and the outings that make this Congress worth attending. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Melon and the Dictionary:Reflections on Descartes's DreamsAlan Gabbey and Robert E. HallThe interpretation of dreams is rarely answerable to either evidential or settled theoretical control. When the phantasms of the dreaming mind seem unaccountable, as they often do, they seem to belong to a mental world beyond the reach of historical, philosophical, or scientific analysis, a world for which the rules of methodological engagement seem inappropriate, rather than (...) merely impossible to observe. So in advance we ask the reader's indulgence if we appear somewhat to ignore the historian's normal duty to transmute favored speculations into well-argued conclusions based on solid evidence. We do have evidence to present, however, and indeed one or two conclusions that seem to us compelling. But if skeptics question their value, at least they will do so without envy, since they will not want to chase after our speculations on the Dreams—unless with the intention of chasing them and us out of the Cartesian arena altogether.Most of that arena is set aside for exegetical tussles with the respectable philosophizing of the Meditations, the Discourse on Method, and The Principles of Philosophy or The Passions of the Soul. But for some of the liveliest Cartesian games, you must move to that part of the arena where biographers, psychologists, psychoanalysts, and historians have fun with the "petit registre en parchemin," as the Stockholm Inventory describes it.1 This notebook contained [End Page 651] the twelve-page Olympica, in which Descartes recounted the three Dreams, announced his discovery of the foundations of "a wonderful science," and in the margin of the manuscript noted a year later his emerging understanding of "the foundation of a wonderful discovery." Later we'll rerun a few of the Olympian performances of previous interpreters, as preliminaries to a couple of our own interpretative games.First let us recall what happened on Saint Martin's Eve, the night of 10 November 1619, in Descartes's twenty-fourth year.2 In the days preceding that night Descartes's concern with the search for truth gave him much mental torment which the society of his friends could not dissipate. This tired him so much that his brain became inflamed: "he fell into a kind of enthusiasm, which left him in such a state that his depressed spirit was ready to receive dreams and visions." Retiring to bed "full of enthusiasm" from "having found that day the foundations of a wonderful science," Descartes (Baillet tells us) had three dreams "which he imagined could have come only from on high." In Dream I, while he was walking through the streets, his imagination was haunted by terrifying phantoms (fantômes). A severe disabling weakness in his right side forced him to bend over to his left so that he could continue toward his destination. Ashamed of walking in that way, he tried to straighten up, but a strong whirlwind spun him round three or four times on his left foot. Still more terrifying was the thought that he was falling at every step because of the difficulty in dragging himself through the streets.Then seeing a college with open gates, he entered, seeking relief from his afflictions, and intending to pray in the college chapel. But he had passed someone he knew without hailing him. He tried to return to greet him and was hurled back by the wind blowing against the chapel. At the same time he saw in the middle of the college courtyard another person who greeted him civilly by name, and told him that if he cared to look for Monsieur N., "he had something to give him." "M. Descartes imagined that it was a melon that someone had brought from some foreign country." But even more surprising was the fact that those who gathered round him to talk were standing straight and firm on their feet, whereas he was still bent over and staggering about, even though the wind which had threatened several times to blow him over had now greatly abated. At this point he awoke to feel a pain that made him fear that all this was the [End Page 652] work of... (shrink)

Alan Millar; V*—What's in a Look?, Proceedings of the Aristotelian Society, Volume 86, Issue 1, 1 June 1986, Pages 83–98, https://doi.org/10.1093/aristotelian/8.

This article rescues the original theory of violence that Jean-Paul Sartre developed in the late forties in Notebooks for an Ethics (1983). Notebooks is a posthumous and unfinished work in which the philosopher outlined the ethics promised in the last pages of Being and Nothingness. In this unfinished moral philosophy, violence is phenomenologically described as a human enterprise, freely chosen in an existential situation, which possesses the following essential features: the intransigent attitude, the destructive function, the dissociation of ends and (...) means, the rupture of bonds of solidarity, the magical belief, the self-justification, the demand and the devaluation of the freedom of others. The main objective of this article is to reconstruct this theory so that it is possible to judge its value today in the philosophical problem of defining what violence is. (shrink)

A dynamic threshold, which controls the nature and course of learning, is a pivotal concept in Page's general localist framework. This commentary addresses various issues surrounding biologically plausible implementations for such thresholds. Relevant previous research is noted and the particular difficulties relating to the creation of so-called instance representations are highlighted. It is stressed that these issues also apply to distributed models.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Plato's Charmides by Raphael WoolfAlan PichanickWOOLF, Raphael. Plato's Charmides. Cambridge: Cambridge University Press, 2023. 282 pp. Cloth, $110.00With the publication of Raphael Woolf's Plato's Charmides, Cambridge University Press releases its second commentary on the dialogue in the last two years. Woolf's contribution is a welcome addition. More than a discussion of the difficulties of defining sophrosune, his approach to the Charmides is distinctive in his attempt to unify (...) the drama and the argument of the dialogue around two elements that prior commentators have not stressed enough: the centrality of eros and the significance of Socrates' first-person narration of the conversation.Chapter 1 begins with an account of two methodological principles: the "principle of agnosticism," which states that "one should not assume, in advance... that one has knowledge of the aims and methods at work... of either Plato or... Socrates." Along with this principle, Woolf adopts what he calls "the principle of separation," which says that "we should not assume that what is said or done by any of Plato's characters is necessarily endorsed by Plato himself." These two principles, as principles, are helpful interpretive tools to confront the dialogue on its own terms. On Woolf's reading, Plato portrays Socrates in conversation with his interlocutors in order to "instill in his readers... the stance of inquiry... [, that is,] an attitude that does not take ideas or arguments on trust but engages reflectively with them." He argues, moreover, that such an endeavor on Plato's part can yield a "unified account" of the structure of the conversation Socrates has with Charmides and Critias, including the rich dramatic introduction to the dialogue.In chapter 2, Woolf turns to five examples from the Charmides that illustrate what he calls the stance of inquiry. In a particularly interesting section, Woolf turns to the ominous ending of the dialogue, in which Charmides conspires with Critias to force Socrates to continue to instruct him. It is a moment in which Plato intends his readers to think of the forthcoming violence of these two tyrants, and it thus prompts readers to confront the question: Was Socrates possibly a bad influence on Charmides? In answer to this question, Woolf suggests that Plato wants readers to reflect on the possibility that Socrates could be flawed (or at the very least, distinctive) in that "he seems sufficiently indifferent to the spatiotemporal world to be pretty much unaffected by the deaths of his comrades in battle," and that we may reasonably doubt that Socrates "would be any more affected by the havoc wreaked by the Thirty and by Charmides' subsequent fate." According to Woolf, such an interest in the abstract over the concrete should not be imitated by readers who have taken up the stance of inquiry toward Socrates.Woolf returns later in the book to defend this provocative claim, especially in chapters 4 and 5, but first turns in chapter 3 to develop his earlier claim that the unity of the dialogue can be grounded in Socrates' erotic concern with Charmides. Here he argues that Socrates' concern for the young man connects to the dominant medical metaphor in the dialogue: Socrates' claim to be a physician of the soul. Woolf makes a [End Page 559] compelling case for the importance of eros in the dialogue, and in drawing attention to the erotic features of the dramatic setting of the conversation, he makes an equally compelling argument that these elements are related to Socrates' role as a soul doctor. In Woolf's own account of the dialogue, it is only after 110 pages of commentary that the reader comes to hear Charmides' first definition of sophrosune (which Woolf prefers to translate as "temperance"). Woolf's procedure is warranted by the richness of the introduction and his persuasive case that this context is essential to understanding the dialogue as a whole. In particular, he demonstrates that the dramatic introduction reveals the importance that Plato lays on conversations in his account of Socratic philosophy. From here emerges Woolf's candidate for definition of sophrosune as "selfrealization." He argues that the dialogue suggests, especially in the dramatic introduction, that sophrosune is... (shrink)