In Introduction to a Phenomenology of Life, renowned French philosopher Renaud Barbaras aims to construct the basis for a phenomenology of life. Called an introduction because it has to deal with philosophical limits and presuppositions, it is much more, as Barbaras investigates life in its phenomenological senses, approached through the duality of its intransitive and transitive senses. Originally published in French (Introduction à une phénoménologie de la vie) Introduction to a Phenomenology of Life first defines the problem (...) of life phenomenologically, then studies the failures of the phenomenological movement to adequately think about life, and finally elaborates a new, original, and productive approach to the problem. He engages "object-oriented" philosophies with this approach and concludes that they are far more phenomenological than previously believed. Combining original interpretations and expert readings of philosophers such as Kant and Husserl and contemporary thinkers such as Bergson, Badiou, and Deleuze, Barbaras offers here a powerful and important contribution to phenomenology and continental thought. (shrink)

Trois dates ponctuent le présent volume, composé d'un ensemble d'inédits, d'un dossier, d'études et de lectures critiques, et donnent ainsi à Bergson sa place dans le XXe siècle philosophique. 1902, il y a cent ans exactement : c'est la date du cours inédit au Collège de France dont on lira ici les premières leçons et qui prépare L'introduction à la métaphysique publiée l'année suivante. Dans ce cours intégralement sténographié pour Péguy, on entend Bergson exposer comment le réel se donne et (...) se retire immédiatement à nous, se donne dans un contact absolu, sympathie ou intuition, se retire pour les besoins de l'action et par la force des signes, et doit être reconquis par la métaphysique, dès lors introduite avec sa différence dans le jeu philosophique du siècle. L dossier présenté ici porte ensuite sur Les Deux Sources de la morale et de la religion, publiées trente ans plus tard, en 1932. Il témoigne d'un impressionnant renouveau d'intérêt pour cet ouvrage trop vite et trop exclusivement situé dans l'itinéraire spirituel de son auteur, les querelles religieuses de son époque, les enjeux immédiats des années 1930. Tous ces enjeux sont aussi présents ici, à travers un inédit de Bergson et des articles de chercheurs français et étrangers, mais à travers aussi des perspectives anthropologiques, sociologiques, philosophiques, entièrement nouvelles. 1960 enfin : telle est la date du cours inédit de Victor Goldschsnidt, plus connu comme lecteur de Platon, des stoïciens ou de Rousseau, que nous présentons ici, qui porte sur le premier chapitre de Matière et mémoire et la notion de "champ transcendantal", et qui introduit aussi au dossier sur le livre que ce cours a inspiré en 1964 au philosophe brésilien Bento Prado Jr, récemment traduit. Cet ensemble conduit à réévaluer entièrement la place de Bergson dans le moment philosophique des années 1960 : elle est centrale, aussi bien en elle-même qu'à travers Merleau-Ponty ou Deleuze. Aujourd'hui enfin, à travers les études générales également rassemblées, et l'ensemble de ce volume qui en appelle d'autres, nous pouvons réaccéder à Bergson à la fois pour lui-même, dans le débat avec les moments principaux du siècle, et pour aller plus loin. (shrink)

La 4ème de couverture porte : "Le propre du désir, à l'instar du besoin, est que l'accès à ce qu'il vise l'exacerbe au lieu de le combler, comme si son véritable objet, le désiré, était toujours au-delà de ce qu'il est susceptible de rencontrer. C'est que le désiré n'est justement pas un objet, mais cela même qui transcende tous les objets au titre de leur fond ontologique commun et qui n'est autre que le monde lui-même. Tout désir est désir du (...) monde, non pas au sens où il se rapporterait à un monde déjà là, mais parce qu'il en est la condition d'apparition - il est donc désir transcendantal. C'est à l'analyse de ce désir transcendantal que cet ouvrage se consacre, en montrant notamment que sa dynamique propre implique à la fois une communauté ontologique entre le sujet et le monde et une séparation radicale. Enfin, nous reviendrons, à la lumière de ces résultats, sur la question du désir empirique, pour en conclure qu'il procède d'une désublimation du désir transcendantal, comme si l'autre désiré était ce point du monde où le monde se replie et transparaît en lui-même.". (shrink)

Pt. 1. La séparation -- Les deux sens de la finitude -- La scission -- L'archi-événement -- La métaphysique -- Le langage -- Biologie privative -- L'exode -- L'exil -- Le langage -- Pt. 2. Le sentiment -- Le poétique -- Le sentiment -- Ipséité et ouverture -- Michel Henry -- Merleau-Ponty -- Heidegger -- Henri Maldiney.

Un texte inédit de Jan Patocka (1907-1977) intitulé " Sur les problèmes des traductions philosophiques " (1968) dans une traduction française originale d'Erika Abrams ouvre ce volume collectif qui cherche à penser l'existence humaine et le monde commun grâce à l'oeuvre aussi capitale que protéiforme de ce philosophe tchèque. Des spécialistes en phénoménologie, en philosophie sociale et politique, en anthropologie et en esthétique déploient ici sa richesse et sa fécondité à travers quatre problématiques : le Monde commun, le Mouvement critique (...) de la liberté, la Phénoménologie et la théorie du mouvement de l'existence, le Temps et l'Histoire. (shrink)

This chapter discusses the phenomenology of life. The a priori of correlation characterises the being as what presents itself in its appearances only by being absent from them, as offering itself up to an exploration, in the face of which it continuously steps back or withdraws. Transcendental life must contain something living in order to be able to characterise itself as life. Desire never meets its object except in the mode of the object's own absence, and this is why nothing (...) stops it. The link between desire and the world is the truth of the relation between consciousness and object. The phenomenological dynamic that sees in desire the essence of the subject leads to a dynamic which has a truly ontological scope. In truth, ‘Life’ is the name given to the sense of Being: nothing that claims to be can stand outside life's embrace. (shrink)

En 1990, s'est tenu a Lyon le premier colloque explicitement consacré à Henri Maldiney. L'idée était de lui donner la parole, mais seulement après avoir entendu quelques-uns de ses anciens étudiants et de ses plus proches amis (Jacques Schotte, André du Bouchet, Roland Kuhn), réunis autour de questions centrales pour chacun d'eux. Encre Marine a publié les meilleures pages provenant de ces journées dans Existence : crise et création. En 2012, Henri Maldiney a eu cent ans. L'Association Internationale Henri Maldiney (...) (AIHM) a réuni un colloque d'une journée à Lyon organisé avec la Faculté de Philosophie de l'Université Jean-Moulin, là où Henri Maldiney a longtemps enseigné (dont les actes sont à paraître) et un autre de deux journées à Paris, rue d'Ulm, là où Henri Maldiney a été étudiant, organisé avec les Archives Husserl. Les contributions ici réunies montrent comment l'oeuvre de Maldiney est aujourd'hui lue à la fois par quelques-uns qui accompagnent son travail depuis longtemps déjà et par de tout nouveaux lecteurs - ce qui témoigne de la diffusion de sa pensée. Certains ont pu dire que, désormais, on peut lire Henri Maldiney "comme un classique". La reprise du texte de Maldiney Existence : crise et création " montre que décidément, même dans le retrait lié au grand âge, Henri Maldiney continue, à travers son oeuvre, d'exercer une singulière présence. (shrink)

_Desire and Distance_ constitutes an important new departure in contemporary phenomenological thought, a rethinking and critique of basic philosophical positions concerning the concept of perception presented by Husserl and Merleau-Ponty, though it departs in significant and original ways from their work. Barbaras's overall goal is to develop a philosophy of what "life" is—one that would do justice to the question of embodiment and its role in perception and the formation of the human subject. Barbaras posits that desire and (...) distance inform the concept of "life." Levinas identified a similar structure in Descartes's notion of the infinite. For Barbaras, desire and distance are anchored not in meaning, but in a rethinking of the philosophy of biology and, in consequence, cosmology. Barbaras elaborates and extends the formal structure of desire and distance by drawing on motifs as yet unexplored in the French phenomenological tradition, especially the notions of "life" and the "life-world," which are prominent in the later Husserl but also appear in non-phenomenological thinkers such as Bergson. Barbaras then filters these notions through Merleau-Ponty. (shrink)

The Being of the Phenomenon opens European post-structuralism to further study and is certain to inspire new thinking about the origins of Merleau-Ponty’s phenomenology.

Interview with Renaud Barbaras, conducted on May 18, 2011.

Cet article vise d’abord à restituer de manière systématique le mouvement propre de la pensée de Patočka, mouvement qui ne correspond à aucun développement chronologique et n’est exposé nulle part sous cette forme mais sous-tend, à mes yeux, ce que Patočka a nommé phénoménologie a-subjective. Ce mouvement prend son point de départ dans une critique de la version subjectiviste de l’apparaître, principalement...

L'oeuvre de Merleau-Ponty est tout entiere commandee par le souci de mettre rigoureusement en oeuvre le mot d'ordre husserlien de retour aux choses memes, ce qui exige, conformement au geste amorce par Husserl dans la Krisis, de reconnaitre l'oeuvre de l'idealisation -c'est-a-dire de l'objectivation- la meme ou elle se fait oublier, afin de la neutraliser. A l'instar de Bergson, pour qui la tache de la philosophie etait d'aller chercher l'experience au-dessus du tournant ou, s'inflechissant dans le sens de l'utilite, elle (...) devient proprement l'experience humaine, pour Merleau-Ponty, la tache de la pensee est de se situer a ce tournant ou l'experience s'accomplit et se voile a la fois dans des productions ou elle se fait proprement humaine, de definir un sens de l'Etre anterieur a la bifurcation du preobjectif et de l'oeuvre idealisante. Le but des recherches est de tenter de clarifier la nature exacte du tournant de l'experience ainsi que le projet phenomenologique merleau-pontien. (shrink)

Cette introduction explique la perception, reconnue par Husserl sous le titre de "donation par esquisses". Il s'agit d'opérer une réduction radicale qui va de la critique du néant au monde comme a priori de tout apparaître. A ce monde correspond un sujet dont le sens d'être fait problème puisqu'il est à la fois un moment du monde et en rapport avec la totalité comme telle.

The course on nature coincides with the re-working of Merleau-Ponty's breakthrough towards an ontology and therefore plays a primordial role. The appearance of an interrogation of nature is inscribed in the movement of thought that comes after the Phenomenology of Perception. What is at issue is to show that the ontological mode of the perceived object - not the unity of a positive sense but the unity of a style that shows through in filigree in the sensible aspects - has (...) a universal meaning, that the description of the perceived world can give way to a philosophy of perception and therefore to a theory of truth. The analysis of linguistic expression to which the philosophy of perception leads opens out onto a definition of meaning as institution, understood as what inaugurates an open series of expressive appropriations. It is this theory of institution that turns the analysis of the perceived in the direction of a reflection on nature: the perceived is no longer the originary in its difference from the derived but the natural in its difference from the instituted. Nature is the "non-constructed, non-instituted," and thereby, the source of expression: "nature is what has a sense without this sense having been posited by thought." The first part of the course, which consists in a historical overview, must not be considered as a mere introduction. In fact, the problem of nature is brought out into the open by means of the history of Western metaphysics, in which Descartes is the emblematic figure. The problem consists in the duality - at once unsatisfactory and unsurpassable - between two approaches to nature: the one which accentuates its determinability and therefore its transparency to the understanding; the other which emphasizes the irreducible facticity of nature and tends therefore to valorize the view-point of the senses. To conceive nature is to constitute a concept of it that allows us to "take possession" of this duality, that is, to found the duality. The second part of the course attempts to develop this concept of nature by drawing upon the results of contemporary science. Thus a philosophy of nature is sketched that can be summarized in four propositions: 1) the totality is no less real than the parts; 2) there is a reality of the negative and therefore no alternative between being and nothingmess; 3) a natural event is not assigned to a unique spatio-temporal localization; and 4) there is generality only as generativity. (shrink)

In French, the verb "to live" designates both being alive and the experience of something. This ambiguity has a philosophical meaning. The task of a phenomenology of life is to describe an originary sense of living from which the very distinction between life in the intransitive sense and life in the transitive, or intentional, sense proceeds. Hans Jonas is one of those rare authors who has tried to give an account of the specificity of life instead of reducing life to (...) categories that are foreign to it. However, the concept of metabolism, by which Jonas characterizes vital activity, attests to a presupposition as to life: life is conceived as self-preservation, that is, as negation of death, in such a way that life is, in the end, not thought on the basis of itself. The aim of this article is to show that life as such must be understood as movement in a radicalized sense, in which the living being is no more the subject than the product. All living beings are in effect characterized by a movement, which nothing can cause to cease, a movement that largely exceeds what is required by the satisfaction of needs and that, because of this, bears witness to an essential incompleteness. This incompleteness reveals that life is originarily bound to a world. Because the world to which the living being relates is essentially non-totalizable and unpresentable, living movement can not essentially complete itself. Thus, in the final analysis, life must be defined as desire, and in virtue of this view, life does not tend toward self-preservation, as we have almost always thought, but toward the manifestation of the world. (shrink)

Desire and Distance constitutes an important new departure in contemporary phenomenological thought, a rethinking and critique of basic philosophical positions concerning the concept of perception presented by Husserl and Merleau-Ponty, though it departs in significant and original ways from their work. Barbaras’s overall goal is to develop a philosophy of what “life” is—one that would do justice to the question of embodiment and its role in perception and the formation of the human subject. Barbaras posits that desire and (...) distance inform the concept of “life.” Levinas identified a similar structure in Descartes’s notion of the infinite. For Barbaras, desire and distance are anchored not in meaning, but in a rethinking of the philosophy of biology and, in consequence, cosmology. Barbaras elaborates and extends the formal structure of desire and distance by drawing on motifs as yet unexplored in the French phenomenological tradition, especially the notions of “life” and the “life-world,” which are prominent in the later Husserl but also appear in non-phenomenological thinkers such as Bergson. Barbaras then filters these notions (especially “life”) through Merleau-Ponty. (shrink)

This paper explores the notion of sensing (Empfinden) as developed by Erwin Straus. It argues that the notion of sensing is at the center of Strauss's thought about animal and human experience. Straus's originality consists in approaching sensory experience from an existential point of view. Sensing is not a mode of knowing. Sensing is distinguished from perceiving but is still a mode of relation to exteriority, and is situated on the side of what is usually called affectivity. At the same (...) time Strauss redefines the field of that which is commonly characterized as affectivity. Sensing designates a stratum that lies deeper than the division between perceiving and feeling (s'éprouver), a self-affection that is not an alternative to the opening upon exteriority. It corresponds to a mode of immediate communication, to a sympathy with the world that does not entail any thematic dimension, but does not fall back into a blind fusion. Rather, sensing is something in the living being's mode of moving that is irreducible, and that includes a tending toward something. (shrink)

Husserl is the first philosopher who has managed to account for the specificity of perception, characterized as givenness by sketches (Abschattungen); but neither Husserl nor Merleau-Ponty have given a satisfying definition of the subject of perception. This article tries to show that the subject of perception must be conceived as living being and that, therefore, the phenomenology of perception must lead to a phenomenology of life. Here, life is approached from an existential point of view, that is to say, as (...) a specific relationship to the world. However, life cannot be characterized from human existence in a privative way, as in Heidegger's philosophy: on the contrary, human existence, and particularly perception itself, must be understood from vital existence, and accordingly, an "additive" anthropology must replace the privative zoology. The hypothesis of this article is that it is by characterizing life as desire, we are able to account for perception as givenness by sketches. (shrink)

This article explores some indications in the texts of Patočka that point towards a concept of language which no longer takes it to be a derived layer of an original perceptive basis: he disassociates intuition from origin, and establishes a co-origin of language and perception. It is this co-origin whose meaning and limits this article seeks to determine.

The universal a priori of the correlation between transcendental being and its subjective modes of givenness constitutes the minimal framework for any phenomenological approach. The proper object of phenomenology is then to characterize both the exact nature of the correlation and the sense of being of the terms in relation, that is to say, of subject and world. It involves demonstrating that a rigorous analysis of the correlation unfolds necessarily on three levels and that phenomenology is thus destined to move (...) beyond itself towards a cosmology and metaphysics. The phenomenological correlation that we will establish is essentially a relation between a subject that is desire and a world that is pure transcendence and assumes their common belonging to a φύσίς whose description stems from a cosmology. But the difference of the subject, without which there is no correlation, refers itself to a more originary split that affects the very process of the manifestation and opens the space of metaphysics. (shrink)

O a priori universal da correlação entre o ente transcendente e seus modos subjetivos de doação desenha o quadro mínimo de qualquer abordagem que se reivindique fenomenológica. Seu objetivo próprio é, então, caracterizar ao mesmo tempo a natureza exata da relação e o sentido de ser dos termos em relação, a saber, do sujeito e do mundo. Trata-se de mostrar que uma análise rigorosa da correlação necessariamente se desdobra em três níveis e que a fenomenologia está, assim, destinada a ultrapassar-se (...) a si mesma em direção a uma cosmologia e a uma metafísica. A correlação fenomenológica, a qual se estabelece como sendo, no fundo, a relação entre um sujeito que é desejo e um mundo que é profundidade, supõe sua filiação comum a uma physis, cuja descrição depende de uma cosmologia. Mas a diferença do sujeito, sem a qual não há correlação, remete ela própria a uma cisão, ainda mais originária, a qual afeta o processo mesmo da manifestação e abre espaço a uma metafísica. Nós mostramos, portanto, que a fenomenologia se realiza sob a forma de uma dinâmica geral da manifestação, na medida em que ela é necessariamente conduzida a pensar o movimento sob a tripla figura do desejo que atravessa nossa existência, do arquimovimento da manifestação e do arquievento da cisão que o afeta. (shrink)

O artigo homenageia a obra de Bento Prado Jr, enfatizando a originalidade e o aspecto crítico de sua postura filosófica. Neste sentido, ele analisa a força do conceito de “Presença” – eixo central da tese de doutoramento do autor, publicada sob o título Presença e campo transcendental –, capaz de desenhar de maneira inédita um ponto de convergência entre as filosofias de Bergson, Sartre e Merleau-Ponty.

resumo Neste artigo exploramos algumas indicações, presentes nos textos de Patočka, que apontam para uma concepção da linguagem que não a põe mais como camada derivada com relação a um solo perceptivo originário. Dissociando intuitividade e originariedade, Patoˇcka estabelece uma co-originariedade entre linguagem e percepção, co-originariedade da qual procuramos ao mesmo tempo esclarecer o sentido e determinar os limites. palavras-chave linguagem – percepção – fenomenologia – intuição – fala.

Merleau-Ponty disparaît brusquement en 1961, laissant inachevée une œuvre essentielle qui devait fixer la signification ultime de toutes ses recherches antérieures et qui nourrira de nombreux courants de la philosophie contemporaine. Le propos du présent ouvrage est à la fois d'en tenter une lecture, c'est-à-dire une reconstitution aussi précise que possible s'appuyant de manière privilégiée sur les notes de travail posthumes, et de prendre la mesure de cette " intra-ontologie " que Merleau-Ponty considérait comme l'accomplissement nécessaire de la phénoménologie husserlienne. (...) L'ambition de cette ontologie est d'assumer, c'est-à-dire de dépasser la " diplopie " de l'ontologie occidentale depuis Descartes, la tension entre la reconnaissance d'un ordre brut de l'existence, irréductible aux thématisations de la science, et la nécessité de fonder la connaissance et l'objectivité. Une telle entreprise ne peut aboutir qu'au prix d'un changement de terrain radical. Celui-ci passe d'abord par la dénonciation du " positivisme " ontologique à l'œuvre dans la revendication réaliste du fait, dans la position intellectualiste de l'eidos, comme dans la tentative de dépasser dialectiquement leur opposition. Il s'accomplit sous la forme d'un mouvement régressif qui, de l'expression, fait retour vers le logos originaire en lequel elle s'enracine, mettant ainsi à jour un univers de l'essence sauvage, sol phénoménologique ultime que les notions de Chair et de Dimension visent à thématiser. Celles-ci permettent de penser une unité et une signifiance du monde qui ne compromettent pas sa profondeur originaire, une expression qui n'est pas ordonnée à la positivité d'un eidos ou d'un telos, une phénoménalisation qui excède de toutes parts les phénomènes qu'elle déploie. L'ambition de cet ouvrage est ainsi de tenter de restituer à l'ontologie de Merleau-Ponty la place qui lui revient: par-delà Husserl et Heidegger. (shrink)

This article aims at accounting for the difference between human and animal from a tension between two movements: an archi-movement which defines the way of being of the world and is life itself, and an archi-event of separation of the world from itself that affects life and is the source of living beings. Animal can be characterized by the fact that, in spite of being separated from the archi-life movement, the power of this movement prevails on the archi-event. This means (...) that the animal can be defined by an intimacy with the world, to such an extent that his movements are deeply inscribed in the world. Animal relates with the world by drifting and gliding within it: its existence is exodus. On the contrary, the human relationship with the world is dominated by a separation from rather than a drift within it, to such an extent that the human’s distinguishing feature is the fact that it has no place in the world and is, in this sense, characterized by an exile from this world. (shrink)

Este texto presenta en un primer momento el movimiento propio de la fenomenología a-subjetiva de Patočka a partir de su crítica de la versión subjetivista del aparecer, para así posteriormente mostrar una dinámica fenomenológica que comprende la manifestación como la obra misma del mundo. En este sentido, el destino de la fenomenología se trasciende en la elaboración del a priori universal de la correlación que estipula la universalidad de una manifestación anónima. Es así que finalmente la fenomenología se modifica en (...) una cierta cosmología que nos obligará a repensar una nueva acepción del ser del sujeto y que postula un nuevo sentido de ser del mundo a partir de una concepción asubjetiva del aparecer.This text initially presents the specific movement of Patočka’s a-subjective phenomenology, itself based on his critique of the subjectivist version of the Appearing. Subsequently a phenomenological dynamic comes to light, which understands the manifestation as the very world’s work. In this way, the phenomenological’s fate is inflected by the formulation of the universal a priori of correlation that stipulates the universality of an anonymous manifestation. Finally, phenomenology is perceived as a certain cosmology which will commit us to rethink of a new meaning for the subject’s being and of the world’s being from an asubjective’s conception of the Appearing. (shrink)