This is a superb anthology that questions the value and even the existence of honor in the contemporary world. Although readers have had the benefit of excellent works on this concept from mainly a...

The European Legacy, Volume 17, Issue 4, Page 549-550, July 2012.

The European Legacy, Volume 17, Issue 3, Page 416, June 2012.

The main idea of Being-Moved is that the epistemological concept of human nature, as professed by Michel Foucault, need not be an eighteenth-century invention conceived as a natural science biopowe...

Peter Longerich’s Hitler: A Biography is a lengthy book. It consists of 965 pages of text (44 chapters within seven categories), 246 pages of notes, and 70 pages of listed sources: archival, period...

This is a superb anthology that questions the value and even the existence of honor in the contemporary world. Although readers have had the benefit of excellent works on this concept from mainly a...

Robert Brandom defends the intelligibility of the notion of a fully discursive practice that does not include any kind of logical vocabulary. Logical vocabulary, according to his account, should be understood as an optional extra to discursive practice, not as a necessary ingredient. Call this the Layer Cake Picture of the relation of logical to non-logical discursive practices. The aim pursued in this paper is to show, by way of an internal critique, that the Layer Cake Picture is in (...) fact incompatible with the most central claims of Brandom’s philosophy. A way is sketched how to give up the Layer Cake Picture and still hold on to a position that is central to Brandom’s philosophical outlook, namely his expressivism about logic. (shrink)

In this paper, I offer a detailed critical reading of Robert Brandom’s project to give an expressive bootstrapping account of intentionality, cashed out as a normative-phenomenalist account of what I will call genuine normativity. I claim that there is a reading of Making It Explicit that evades the predominant charges of either reductionism or circularity. However, making sense of Brandom’s book in the way proposed here involves correcting Brandom’s own general account of what he is doing in it, and (...) thus presenting the argumentative structure of Making It Explicit in a new light. (shrink)

In this paper, I offer a detailed critical reading of Robert Brandom’s project to give an expressive bootstrapping account of intentionality, cashed out as a normativephenomenalist account of what I will call genuine normativity. I claim that there is a reading of Making It Explicit that evades the predominant charges of either reductionism or circularity. However, making sense of Brandom’s book in the way proposed here involves correcting Brandom’s own general account of what he is doing in it, and (...) thus presenting the argumentative structure of Making It Explicit in a new light. (shrink)

The scope and importance of the present work is manifest even to a casual glance; the actual heights of scholarly penetration and disinterestedness to which it rises can only be appreciated by the detailed examination of its text. From this latter examination, it readily appears that we are confronted with no ad hoc construction, no work cut, so to say, to fit a present need, however valid and cogent; but a work reflecting a near lifetime of application and animated by (...) a relentless devotion to documentary truth. For this reason, any account of it must, in simple justice, begin with a brief historical notice of the work itself. (shrink)

A re-newed interest in, and appreciation of, the problems of history, both as the theory of historical process and as historiography became one of the marked characteristics of twentieth century thought and this book discusses Benedetto Croce's historical writings in that context.

The definitive book on ethics for chemical dependency treatment professionals.

In lieu of an abstract, here is a brief excerpt of the content:The Status of the Person in the Humanism of Giovanni Gentile" A. ROBERT CAPONIGRI THE HUMANISMOf Giovanni Gentile has gradually come to be recognized as one of the major speculative achievements of our time. The great strength and appeal of this position lie chiefly in the manner in which it meets the exigencies of the modem analysis of man and human existence while retaining the basic classical insights (...) of western thought. It achieves a synthesis which possesses at once historical, speculative, and cultural value and which rectifies many of the unilateral analyses so much in evidence. At the same time, serious limitations have been alleged to mar the Gentilean view of man. The most important of these allegations concerns the notion most intimately associated with the humanism of the west: the person. Strangely, it has been charged that the humanism of Gentile not only fails to develop an adequate concept of the person but directly involves the diminution and constriction of this concept as it has developed historically and influenced the western view of man. His, it is asserted, is a humanism without the person, which is but a small remove from the paradoxical assertion that it is a humanism without man? In many ways this charge is most perplexing. Were it correct, it would certainly have the limiting and constrictive effects his critics have pointed out. The real perplexity resides, however, not in spelling out the probable consequences of the allegation, but in determining how it might ever have arisen and gained such credence and championship. The fact is that nothing could be further from Gentile's intention and (what is more important) more alien to the burden of his text than the least diminution of the person. On the contrary, the person constitutes the central and pivotal notion of the entire structure of Gentilean humanism. The constructive effort of his thought is directed principally to the elaboration and validation of this * This paper was read before the Thirteenth International Congress of Philosophy, Mexico City (September, 1963), but has not been included in the Proceedings of the Congress. 1 M. F. Sclacca, II XX Secolo (1947), Vol. I, pp. 400 ft.; R. Holmes, The Idealism of Giovanni Gentile (1957), passim; H. S. Harris, The Social Philosophy of Giovanni Gentile (1960), passim. [6q 62 HISTORY OF PHILOSOPHY concept of the person. Once established, this concept becomes the cardinal principle upon which all his subsequent explorations and assertions in the areas of art, ethics, social and political theory, and education hinge. Consequently, it seems of utmost importance, for the comprehension of his thought and of its place in the total prospect of contemporary philosophy, to place in clear relief the basic lineaments of the concept of the person as it emerges from the critical stages of Gentile's thought as well as the role it plays in all subsequent constructive efforts. Formation of the Concept of the Person in Gentile's Thought To understand the emergence of the concept of the person in actualism, it is necessary to determine clearly Gentile's basic point of departure. This is established firmly in the history of philosophy: a fact which corroborates Harris's perception that Gentile's thought is essentially an historical enterprise? One of Gentile's chief and most sustained fields of effort is the history of philosophy and his work in this area served a double purpose. The first was the properly historical and critical work of establishing an interpretation of the course of the history of western philosophy; s the second was to locate his own thought in the context of the history of philosophy as thus established and thus to endow it with a firm scientific and "public" character, to assign it a "public" basis. This public basis was the achievement of western philosophy which his analysis had recognized as solid and beyond cavil. This achievement, he reasoned, must constitute the point of departure of any further relevant speculation. Gentile took the philosophical position of Hegel as representing this indubitable achievement of western thought in its most salient features. This statement must be correctly understood to be of any help and importance in approaching his thought. Gentile did not... (shrink)

The theoretical problems of historiography derive chiefly from an ambiguity at the heart of the historian's task; historiography is uncertain as to its own theoretical character, that is, its character and status as a mode of knowing. On the one hand, historiography is oriented wholly toward the concrete, toward its rich and inexhaustible determination in quality; moreover, the concrete toward which it is oriented, is not statuesque, substantively plural and fixed, but fluid, dynamic, continuous. Such concretion can be fixed and (...) rendered for expression and communication only in narration, in images, therefore; as a consequence, written history appears in its own self-consciousness, that is to historiography, most immediately as art. The subsumption of history under the general concept of art as a form of knowing, however, is attended by insuperable difficulties. Chief among these is the fact that the concrete to which history, that is, written history, is addressed is the existent concrete; but the images of art, patently, are unsusceptible of the character of existence, save obliquely and typically. The forms of art, its images, are structures of pure quality, devoid of any determination of real and unreal, of any determination of existence, while the images of history are images of the real. But the character of existence cannot be intrinsic to any image, it cannot be simply a quality among qualities: it is rather the determination of quality to actuality which it does not possess simply as quality. The character of existence cannot consequently pertain to the images of history as images but must accede to them by a further theoretical act beyond that by which the image is evoked. This further act can only be logical. Existence must enjoy the status of logical predicate, not of esthetic quality. (shrink)

PROVIDENCE » 1 mm, doctrine of the modifications of the human mind con- 1 stitutes the first principle of the synthesis of time and idea A and, therefore, the first positive element of the Vichian theory of history. This synthesis is achieved in ...