This new edition brings Farquharson's authoritative 1944 translation up to date and includes a helpful introduction and notes for the student and general reader. Rutherford includes a selection of letters from Marcus to his tutor Fronto--most of which date from his earlier years--that offer personal detail and help to fill out the somber portrait of the emperor that is found in the Meditations.

The Meditations, a bedside book of reflections and self-admonitions, give unique access to the mind of an ancient ruler. In this study they are made more approachable to the modern reader, through explanations of the historical and philosophical background, and the main themes of the emperor's thought.

This book is not a study of Plato's philosophy, but a contribution to the literary interpretation of the dialogues, through analysis of their formal structure, ...

Marcus Aurelius, Roman emperor from 161 to 180 A.D., is renowned for his just rule and long frontier wars. But his lasting fame rests on his Meditations, a bedside book of reflections and self-admonitions written during his last years, that provide unique insights into the mind of an ancient ruler and contain many passages of pungent epigram and poetic imagery. This study is designed to make the Meditations more accessible to the modern reader. Rutherford carefully explains the historical and (...) philosophical background, charts the main themes and tendencies of Marcus's thought, and relates stylistic detail to the intellectual and moral outlook of the author. His goal is to define Marcus's aims, attitudes, and styles more precisely and restore his work to the position it held in the past, that of a spiritual classic which can be read and enjoyed by people who are not professional scholars. (shrink)

The epistle to Florus has usually been grouped with the epistle to Augustus and the Ars Poetica, partly because of its length, which sets it, like the other two, apart from the letters of the first book, and partly because of the common interest in literary theory which is manifested in all three. These poems have always been the subject of controversy; but 2. 2 has received less attention than the others, perhaps because the elegance and humour of the poem, (...) which have been so often praised, have eclipsed the possibility that it may have something to say, especially about Horace himself, his personality and his changing allegiances to philosophy and poetry. The object of this paper is to offer a reading of 2. 2, not as a piece of autobiography, nor as a mosaic of conventional motifs, but as an examination by Horace of his own poetry and poetic aims, in which he is testing and criticizing his own achievement, and himself. In this he continues one of the most attractive and impressive practices of the earlier book of epistles. Horace here abnegates his role as a lyric poet, and this is generally taken literally as placing the poem quite precisely between the completion of Epistles 1 and Horace's resumption of lyric writing in the Carmen Saeculare and Odes 4. But more important is the way in which Horace in Ep. 2. 2 itself expresses a judgement about his own poetic ambitions. The philosophic themes of the Epistles and the more frivolous lyric subjects which he presents as the essence of his Odes, are both aspects of Horace's poetry and personality; the question is whether one should be considered more valid than the other in the poet's own mature judgement, whether Horace should in fact have outgrown either or both kinds of poetry. In this poem, then, it is important not only that he renews the renunciation of poetry and the gay life which he made at Ep. 1. 1. 10–11, but also that this decision is to some extent forced on him, and reluctantly made. (shrink)

The epistle to Florus has usually been grouped with the epistle to Augustus and the Ars Poetica, partly because of its length, which sets it, like the other two, apart from the letters of the first book, and partly because of the common interest in literary theory which is manifested in all three. These poems have always been the subject of controversy; but 2. 2 has received less attention than the others, perhaps because the elegance and humour of the poem, (...) which have been so often praised, have eclipsed the possibility that it may have something to say, especially about Horace himself, his personality and his changing allegiances to philosophy and poetry. The object of this paper is to offer a reading of 2. 2, not as a piece of autobiography, nor as a mosaic of conventional motifs, but as an examination by Horace of his own poetry and poetic aims, in which he is testing and criticizing his own achievement, and himself. In this he continues one of the most attractive and impressive practices of the earlier book of epistles. Horace here abnegates his role as a lyric poet, and this is generally taken literally as placing the poem quite precisely between the completion of Epistles 1 and Horace's resumption of lyric writing in the Carmen Saeculare and Odes 4. But more important is the way in which Horace in Ep. 2. 2 itself expresses a judgement about his own poetic ambitions. The philosophic themes of the Epistles and the more frivolous lyric subjects which he presents as the essence of his Odes, are both aspects of Horace's poetry and personality; the question is whether one should be considered more valid than the other in the poet's own mature judgement, whether Horace should in fact have outgrown either or both kinds of poetry. In this poem, then, it is important not only that he renews the renunciation of poetry and the gay life which he made at Ep. 1. 1. 10–11, but also that this decision is to some extent forced on him, and reluctantly made. (shrink)

Among the many points of interest in N.G. Wilson's admirable new text of Aristophanes is his handling of the closing scene ofLysistrata, and in particular the question of the heroine's role in that scene. In the new OCT we find the short speech 1273–8 ascribed to Lysistrata, while the apparatus notes ‘legato tribuunt quidam’. The song which follows is also given to Lysistrata, but the apparatus comments ‘quis canat incertum est.’ Finally Lysistrata is presumed to speak the single line 1295 (...) inviting the Spartan ambassador to sing a fresh song. (shrink)

As Rutherford acknowledges, there remains much disagreement on basic methodologies for the study of Plato. Briefly put, the dominant view has been that the dialogues present and argue for a range of doctrines, that is, offer us extensive and reliable evidence regarding theories espoused by Plato. Although there are numerous versions of what commentators have labeled the "doctrinal" approach, most generally put they emphasize either development or overall unity. While a second group of interpreters grants that Plato embraced theories, (...) it contends that his views were not promulgated in writing but instead transmitted orally. A third methodology, deeply opposed to the doctrinal stance, emphasizes that the dialogues pose a host of questions. On this view, the primary value of Plato's writings lies here, and in their prompting us to search for answers, rather than in any answers that they themselves allegedly provide. In the process of raising issues Plato may evince some general philosophical commitments, but this is to be distinguished sharply from the presentation of arguments, often interrelated, for philosophical views about the nature of reality, knowledge, and so on. (shrink)

II. first issued . . . 1904 Firs I Issue in One Vol. . . 1926 PRINTED IN IRE AT BRITAIN BY OLIVER AND BOYD, EDINBURGH PREFACE TO THE NEW EDITION THIS book has ...

Despite All Critique (2014) -- World Politics and Western Reason (1980) -- The Doubled Outsides of the Modern International (2005) -- The Subject of Security (1995) -- The Protection of Nature and the Nature of Protection (2005) -- Social Movements/World Politics (1994) -- Europe is Not Where It is Supposed to Be (2000) -- They Seek it Here, They Seek it There : Looking for Politics in Clayoquot Sound (2003) -- Violence, Modernity, Silence : From Weber to International Relations (1993) (...) -- Hobbes, Origins, Limits (2011) -- War, Terror, Judgement (2002) -- International, Imperial, Exceptional (2005) -- Which Democracy for Which Demos? (2013) -- The Political Theory of Boundaries and the Boundaries of Political Theory : Interview With Raia Prokhovnik (2012). (shrink)

To controlforceaccurately under a wide range of behavioral conditions, the central nervous system would either require a detailed, continuously updated representation of the state of each muscle (and the load against which each is acting) or else force feedback with sufficient gain to cope with variations in the properties of the muscles and loads. The evidence for force feedback with adequate gain or for an appropriate central representation is not sufficient to conclude that force is the major controlled variable in (...) normal limb movements.Morton's hypothesis, thatlengthis controlled by a follow-up servo, has a number of difficulties related to the delays, gains, variability, and specificity in feedback pathways comprising potential servo loops. However, experimental evidence is consistent with these pathways providing servo assistance for some movements produced by coactivation of α- and static γ-motoneurons. Dynamic γ-motoneurons may provide an additional input for adaptive control of different types of movements.The idea that feedback is used to compensate for changes in musclestiffnesshas received experimental support under static postural conditions. However, reflexes tend to increase rather than decrease the range of variation in muscle stiffness during some cyclic movements. Theoretical problems associated with the regulation of stiffness are also discussed. The possibilities of separate control systems forvelocityorviscosityare considered, but the evidence is either negative or lacking. I conclude that different physical variables can be controlled depending on the type of limb movement required. The concept of stiffness regulation is also useful under some conditions, but should probably be extended to the regulation of the visco-elastic properties (i.e., the mechanical impedance) of a muscle or joint. (shrink)