In this paper, I hope to show how a recent theory in the philosophy of mind concerning how we ‘read’ the minds of others – namely, Heal’s version of simulation theory – is consistent with the view that the kind of understanding we bring to bear on the irrational is different in kind from the way we understand one another in the course of everyday life. I shall attempt to show that Heal’s version of simulation theory (co-cognition) is to be (...) favoured over its rival ‘theory theories’ in the light of its accommodation of deeply irrational mental states. I claim that simulation theory preserves an asymmetry of psychological explanation which is not similarly preserved by a theory theory account, and I argue that this preservation of asymmetry is an advantage of Heal’s account. (shrink)

In his new book Animals and African Ethics, Kai Horsthemke examines whether an African morality can be extended to include animal rights. He argues that the African ethical systems of ubuntu and ukama, because they are anthropocentric at heart, do not adequately make space for animal rights. In his defense of animal rights, Horsthemke responds to arguments claiming that there is a difference between racism and speciesism, and that the latter is morally justifiable even though the former is not. I (...) examine this discussion and agree with Horsthemke that the arguments in favor of speciesism are weak. I defend the claim that—like racism—speciesism is morally unjustifiable. (shrink)

Animal ethics committees (AECs) appeal to utilitarian principles in their justification of animal experiments. Although AECs do not grant rights to animals, they do accept that animals have moral standing and should not be unnecessarily harmed. Although many appeal to utilitarian arguments in the justification of animal experiments, I argue that AECs routinely fall short of the requirements needed for such justification in a variety of ways. I argue that taking the moral status of animals seriously—even if this falls short (...) of granting rights to animals—should lead to a thorough revision or complete elimination of many of the current practices in animal experimentation. (shrink)

I argue that cultural practices that harm animals are not morally defensible: Tradition cannot justify cruelty. My conclusion applies to all such practices, including ones that are long-standing, firmly entrenched, or held sacred by their practitioners. Following Mary Midgley, I argue that cultural practices are open to moral scrutiny, even from outsiders. Because animals have moral status, they may not be harmed without good reason. I argue that the importance of religious or cultural rituals to adherents does not count as (...) a sufficiently good reason to harm or kill animals, since rituals are inherently symbolic, and cultures are able to adapt and change, making adherence to cruel traditions unnecessary. (shrink)

In his famous essay “Of the Standard of Taste,” Hume seeks to reconcile two conflicting intuitions—one affirming the subjectivity and variety of taste and the other acknowledging the existence of an artistic standard that is both based on taste and has stood the test of time—by postulating “ideal critics”1 who can serve as the arbiters of taste. However, because philosophers disagree about the role of the ideal critics themselves, instead of settling the matter, Hume’s attempt at reconciliation has created more (...) controversy rather than less. Some, like Noël Carroll, think that the ideal critic is a redundant heuristic device and should be dispensed with,2 while others, like Peter Kivy, are concerned that by .. (shrink)

I defend Hume's account of tragic pleasure against various objections. I examine his account of the emotions in order to clarify his "conversion theory". I also argue that Hume does not give us a theory of tragedy as an aesthetic genre, but rather elucidates the felt experience of a particular work of tragedy. I offer a partial reading of King Lear by way of illustration. Finally, I suggest that the experiences of aesthetic pleasure, and aesthetic sadness, share certain qualities. "Tragic (...) pleasure" is possible, in part, because the pity of tragedy is realised through the pleasure of the aesthetic. (shrink)

'It is ... exactly because Hecuba is nothing to us that her sorrows are so suitable a motive for a tragedy.' Oscar Wilde Much of the contemporary debate concerning the nature and role of fictive emotions has argued that we do feel garden-variety emotions for fictional characters; the puzzle has been to account for this, given our knowledge of their fictional status. In this paper I argue that many of the emotional responses we have towards fictional characters are nothing like (...) the emotions we feel in ordinary life. The implications for our engagement with literary fictions are subsequently examined. S. Afr. J. Philos. Vol.22(3) 2003: 267–275. (shrink)

Contemporary philosophical discussion on the nature of the imagination has been influenced by recent empirical work in cognitive science. Our imaginative and emotional engagement with works of fiction has been explained by appealing to the similarities between our ordinary cognitive functioning and the workings of our imagination. Believing and imagining, it is argued, are governed by a “single code.” I argue against this claim, and suggest that our imagination – and in particular our literary imagination – in many respects functions (...) very differently from ordinary cognition. (shrink)

This paper defends a version of “suspension of disbelief” in an analysis of the problem concerning our emotional responses to fictional characters. The paper begins with an analysis of the issues, as raised initially by Colin Radford. It then offers an examination of Coleridge's notion of the suspension of disbelief. It is argued that a developed version of this concept provides a solution to Radford's problem. The concept is defended against possible objections. Finally, its psychological plausibility is examined. S. Afr. (...) J. Philos. Vol.21(3) 2002: 190-199. (shrink)

The paper defends Wollheim’s account of aesthetic expressive perception by showing that it may fruitfully be extended to artistic genres other than painting. The paper hopes to show the richness of Wollheim’s theory of expressive projection as an account of aesthetic perception. In investigating the application of Wollheim’s account of artistic expression to literature, I shall illustrate how understanding expression as the result of the projective activity of the writer is a useful way of understanding some of the expressive properties (...) of two poems by Wordsworth. I shall also attempt to show how Wordsworth’s poems require and facilitate the activity of projection by the reader, so as to allow for the appreciation of the work’s expressive properties. In exploring the application of Wollheim’s account of expression-as-projection to poetry, this paper will also attempt to defend Wollheim’s account against some objections raised by Malcolm Budd. (shrink)

The Kleinian psychoanalyst Hanna Segal argues for the reparative nature of art, and especially of the genre of classical tragedy. According to Kleinian theory, healthy psychological development requires that early infantile aggressive and destructive emotions are worked through; such “working through” is necessary for the development of conscience, for feelings of empathy, as well as for cognitive development. It is also a necessary condition for creative activity. Segal examines the roots of the impulse to create by looking specifically at the (...) genre of classical tragedy; she argues that the pleasure we derive from tragedy is non-contingently related to the distressing elements of the drama. Thus not only are the formal and aesthetic elements important for the containment of powerfully distressing emotions, but the distressing emotions themselves are a necessary ingredient of the aesthetic pleasure This paper will examine Segal’s discussion of tragedy in the light of her commitments to Kleinian theory, and it will attempt to explore more fully the contributions of difficult or painful emotions towards aesthetic pleasure. (shrink)

This paper argues against the view that the Freudian unconscious can be understood as an extension of ordinary belief-desire psychology. The paper argues that Freud’s picture of the mind challenges the paradigm of folk psychology, as it is understood by much contemporary philosophy of psychology and cognitive science. The dynamic unconscious postulated by psychoanalysis operates according to rules and principles which are distinct in kind from those rules that organise rational and conscious thought. Psychoanalysis offers us a radical reconception of (...) our ordinary way of thinking about our own minds. (shrink)

In this brief reply to the essays by Edwin Etieyibo, Thad Metz, and Elisa Galgut, I argue that African morality is neither biocentric nor ecocentric in the sense of accepting that “there is no significant moral difference between animal and human slaughter and rituals,” and that African modal relationalism is problematic in both its empirical assumptions and its normative counsel. I concede that anthropocentrism, whether this involves the view that only human beings merit moral treatment or the view (...) that any human is necessarily superior to or more significant morally than any other animal, is not essential to African morality. There exist several resources in African philosophical thinking for deriving a nonanthropocentric and nonspeciesist ethical orientation. The task, however, is a formidable one that requires imagination as well as intellectual consistency and honesty. (shrink)

Most moral theorists agree that it is one thing to believe that someone has slighted you and another to resent her for the insult; one thing to believe that someone did you a favor and another to feel gratitude toward her for her kindness. While all of these ways of responding to another's conduct are forms of moral appraisal, the reactive attitudes are said to 'go beyond' beliefs in some way. We think this claim is adequately explained only when we (...) take seriously the fact that reactive attitudes are emotions. In this paper, we appeal to insights of the emotions literature to highlight one key way in which reactive attitudes go beyond beliefs: beliefs about a person and her morally significant conduct merely ascribe to the person the property of having performed a morally significant action, while reactive attitudes are ways of experiencing that person as having performed a morally significant action. We then suggest that appreciating this is a crucial first step toward understanding why reactive emotions play roles in our practices around responsibility that beliefs do not. (shrink)

Before 1800 nothing was irrelevant. So argues Elisa Tamarkin's sweeping cultural history of a key shift in consciousness: the arrival, around 1800, of "relevance" as the means to grasp how something previously disregarded becomes important and interesting. At a time when so much makes claims to attention every day, how does one decide what is most valuable right now? This is not only a contemporary problem. For Ralph Waldo Emerson, the question for the nineteenth century was how, in the (...) immensity and "succession" of objects, anything becomes a proper object of experience. How that question was finally defined as one of relevance is the story of Apropos of Nothing. Relevance, Tamarkin shows, was primarily an Anglo-American concept. It engaged major intellectual figures, centrally the pragmatists-William James, Alain Locke, and John Dewey-and before them thinkers including Emerson and Alfred North Whitehead. Most of all, relevance was a problem for the worlds of art, literature, education, and criticism. These were fascinated by how old, boring, distant, or unfamiliar things get taken in; how they are admitted as meaningful; how they come home to us like the ludicrous raven comes to Edgar Allan Poe's student in the middle of the night in some obscure connection with himself. Many nineteenth-century American artists saw their paintings as pragmatic works that make relevance-that suggest versions of events that feel apropos of our world the moment we see them. (Tamarkin's book is richly illustrated, in color, with works by Winslow Homer, Abbott Handerson Thayer, Edgar Degas, and others.) Relevance remains a conundrum, especially for the humanities. It obliges us to say why we admit Poe's poem-or, say, a line of Emerson's-is interesting enough to study it, to dedicate ourselves to understanding it, to affirming that this effort is, in Emerson's words, "relevant to me and mine, to nature, and the hour that now passes.". (shrink)

This study focuses on the devices implemented in classical Indian texts on ritual and language in order to develop a structure of rules in an economic and systematic way. These devices presuppose a spatial approach to ritual and language, one which deals for instance with absences as substitutions within a pre-existing grid, and not as temporal disappearances. In this way, the study reveals a key feature of some among the most influential schools of Indian thought. The sources are Kalpasūtra, Vyākaraṇa (...) and Mīmāṃsā, three textual traditions which developed alongside each other, sharing - as the volume shows - common presuppositions and methodologies. The book will be of interest for Sanskritists, scholars of ritual exegesis and of the history of linguistics. - Cover. (shrink)

Animal Suffering: Philosophy and Culture explores the multifaceted moral meanings allocated to non-human suffering in contemporary Western culture.

In this paper, we look at installation art through the lens provided by the notion of “affective artifact” (Piredda 2019). We argue that affective character is central to some works of installation art and that some of those works can expand our knowledge of our affective lives, while others can contribute to the construction of our identities. Sections (2), (3), and (4) set the stage for our discussion of affective installation artworks by, respectively, situating it within the debate on affective (...) artifacts, looking at some general issues concerning the affective character of artworks, and sketching out a view of the ontology of installation art. In section (5), we discuss the affective character of six works of installation art. In section (6), we show how those artworks can reveal aspects of who we are. Section (7) concludes. (shrink)

La circulation du savoir philosophique à travers les traductions du grec au syriaque, du grec à l'arabe, du syriaque à l'arabe, de l'arabe au latin forme, depuis un siècle et plus de recherches savantes, un domaine scientifique à part entière. Ce volume réunit des spécialistes des disciplines du domaine voulant rendre hommage à un collègue dont l'activité a ouvert une voie, Henri Hugonnard-Roche. Spécialiste de la transmission du grec au syriaque de la logique aristotélicienne, Henri Hugonnard-Roche a montré par ses (...) recherches la continuité entre la philosophie de l'Antiquité tardive et la pensée des chrétiens de langue syriaque d'un côté, des savants musulmans écrivant en arabe, de l'autre. Réunis souvent par ce que Werner Jaeger avait autrefois désigné comme 'la portée œcuménique de l'Antiquité classique', des musulmans et des chrétiens faisant partie d'un cercle philosophique se penchaient, dans la ville de Bagdad au Xe siècle, sur le texte d'Aristote. Leur 'Aristote' était souvent celui de l'Antiquité tardive : l'Aristote de l'école néoplatonicienne d'Alexandrie que les intellectuels de la Syrie chrétienne avaient déjà rencontré quelque quatre siècles auparavant et qu'ils avaient traduit, en même temps que Galien, et parfois commenté. Des noms presque inconnus comme celui de Sergius de Resh'ayna (mort en 536) commencent dans nos manuels à en côtoyer d'autres bien plus connus, comme celui de Boèce, grâce aux recherches de Henri Hugonnard-Roche. (shrink)

Este texto é a primeira parte do terceiro capítulo de minha tese de doutoramento - MÁRIO DE ANDRADE, PLURAL . Aí, tenta-se a produção de um biografema à maneira de Roland Barthes, de quem é a epígrafe do capítulo. O biografema é uma livre-produção textual na medida em que não deriva de significado , mas, enfatizando imagens, cenas, gestos, fragmentos textuais, pulsões, opera significancias. O biografema não dispensa a biografia - usa-a, desmembra-a, desgasta-a. Disseminação, o biografema não hesita em lançar (...) mão de todos os operadores de linguagem à disposição. Se a biografia opera com dados, instituindo a verossimilhança no biografado, o biografema retém o arbitrário na produção do ser-de-tinta que imprime no papel.Ce texte est une partie du troisième chapitre de mon Doctorat de 3 ème Cycle - Mário de Andrade: Pluriel . Il s'agit d'un essai de production d'un biographème, à la façon de Roland Barthes. Le biographème c'est de la production textuelle à la dérive des signifiants. Ne s'inquiétant point de la vérité, le biographème joue à la vraisemblance tout en la déjouant. Dissémination, un biographème n'hesite pas à mètre en oeuvre tous les opérateurs de langage a sa portée. Agissant de la sorte, il fait usage de la biographie, Técartelle en la rendant autre à l'écart Si la biographie travaille avec des faits en vue de l'établissement du vraisemblable du biographe, le biographème retient l'arbitraire de la production de cet "être-en-encre" qu'il imprime sur le papier. Son enjeu c'est donc le jeu des images, des scènes, des gestes, des fragments textuels, des pulsions, c'est-à-dire, des signifiances. (shrink)

Neste e-book, apresentamos parte deste desenvolvimento, organizado conforme as três áreas de investigação do Programa de Pós-Graduação em Estudos Linguísticos (PosLin), da Faculdade de Letras (FALE), na Universidade Federal de Minas Gerais (UFMG). Os 23 textos que compõem este volume são resultado de pesquisas de mestrado e de doutorado desenvolvidas no PosLin e são apresentados por textos breves de professores-pesquisadores convidados e/ou que atuaram como debatedores no XII SETED.

We commonly recognize vague predicates when we do not find boundaries to their extension. Would an omniscient being find it equally impossible to establish such boundaries? I will argue that if a semantic theory of vagueness like supervaluationism is correct, we cannot answer the question. The reason is that, under this assumption, cooperative behaviour is not possible for an omniscient being.

In this paper, I put forward a philosophical analysis of some works by Martin Creed. I suggest that all the works under consideration are works of conceptual art as well as of installation art, and that they display significant expressive properties. The paper is structured as follows: in the first section, I claim that the works are ontologically similar and that they all appear problematic, because it is not very clear how they should be appreciated as artworks; in the second (...) section, I argue that the works belong to the genre conceptual art, that they are presented for intellectual appreciation, and that this is compatible with the fact that they also have expressive properties; in the third section, I submit that the works also belong to the category installation art and I explain what expressive properties they display. In the conclusion, I remark briefly on the interaction between the intellectual and aesthetic appreciation of Creed’s works. (shrink)

The authors make an attempt to comparatively analyse some stances of the Old Indian philosophy of language, exemplified by the Medieval Indian author Jayanta, along with the Western tradition of the analytical philosophy of language, and to highlight the differences as well as the similarities. The main focus is on Jayanta's discussion of the meaning vs. reference problem.

Phenomenology is one of the leading movements in twentieth-century philosophy and continues to exert a strong influence on many contemporary philosophical traditions and investigations. In recent years, phenomenological insights have been increasingly developed in relation to philosophy of illness, disability, race, gender, sexuality, and politics, leading to the emergence of critical phenomenology as a new, prominent field for interdisciplinary research. Magrì and McQueen's Critical Phenomenology: An Introduction is the first book of its kind, addressing the critical questions at the core (...) of both classical and contemporary phenomenology. This book provides a concise, accessible introduction to key areas of phenomenological research, such as intersubjectivity, bodily experience, race, gender, social experience, and political action. In doing so, it demonstrates both the rich history of phenomenology and its continuing philosophical and ethical importance. (shrink)

Olympe de Gouges (Montauban 1748 – Parigi 1793) è generalmente nota come autrice della Dichiarazione dei diritti della donna e della cittadina. Il documento, scritto nel 1791 in risposta alla Dichiarazione dei diritti dell’uomo e del cittadino, mette in luce la parzialità di quest’ultima, che, nonostante le rivendicazioni formalmente universalistiche, fu proclamata esclusivamente “da” e “per” esseri umani di sesso maschile. Nella sua dichiarazione, de Gouges rivendica il riconoscimento dei diritti civili e politici delle donne e anticipa così alcune delle (...) istanze centrali del femminismo. L’approccio di de Gouges, inoltre, pur aderendo al paradigma teorico del giusnaturalismo, si distingue all’interno di quest’ultimo per modernità e coerenza. L’impegno politico e intellettuale di de Gouges non rimase confinato alla rivendicazione dei diritti delle donne. Ella si espresse infatti su molti dei temi centrali del dibattito pubblico francese negli anni della Rivoluzione, tra cui la sanità pubblica e le politiche sociali, la questione del voto per testa o per ordine, l’esecuzione di Luigi Capeto, il divorzio, la schiavitù e la tratta degli schiavi. De Gouges denunciò inoltre le ingiustizie che caratterizzavano la situazione delle donne, degli schiavi, dei meno abbienti, dei malati, delle partorienti, dei figli illegittimi, mostrando le cause strutturali e sociali della loro vulnerabilità. Alcune delle sue proposte furono fatte proprie e realizzate dal governo rivoluzionario, come quella riguardante l’introduzione di una tassa volontaria per risanare le casse statali. La produzione intellettuale di de Gouges include romanzi e racconti, opere teatrali, saggi filosofici, pamphlet, lettere aperte e altri scritti brevi, e consta di circa 150 opere. Il suo impegno politico, che in lei si saldò sempre strettamente al lavoro intellettuale, le costò infine la vita. Nell’estate del 1793 fu arrestata mentre cercava di affiggere un manifesto dal titolo Le Tre Urne, in cui suggeriva di far decidere al popolo francese quale fosse la forma migliore di governo per la Francia. Dopo alcuni mesi di prigionia e un processo sommario, fu condannata a morte. La sentenza fu eseguita il 3 novembre del 1793. (shrink)

This article deals with various responses to the phenomenon of Orientalism. Since the publication of Edward Said s book _Orientalism_, there has been an ongoing discussion about the influence of Orientalism on contemporary social sciences in the East. In the West, Orientalism was an original theory, but in the East its acceptance was tantamount to an assimilation of foreign point of view on social reality. I argue that it is a symptom of provincialism among scientists from the East. Even though (...) most of them tried to overcome Orientalism, they used the same categories and methodology. In this sense they repeated its mistakes and misunderstandings. This article analyzes different attempts of overcoming Orientalism and shows why they are provincial. (shrink)

In this article we critically reflect on ‘feminist research methods’ and ‘methodology’, from the perspective of a feminist research unit at a South African university, that explicitly aims to improve gender-based violence service provision and policy through evidence-based advocacy. Despite working within a complex and inequitable developing country context, where our feminist praxis is frequently pitted against seemingly intractable structural realities, it is a praxis that remains grounded in documenting the stories of vulnerable individuals and within a broader political project (...) of working towards improving the systems that these individuals must navigate under challenging social and structural conditions. We primarily do this by working with non-governmental organisations (NGOs) providing gender-based violence services in research conceptualisation, design and implementation. This raises unique and complex questions for feminist participatory research, which we illustrate through a case study of collaborative, participatory research with NGOs to improve health and criminal justice outcomes for survivors of sexual violence. Issues include the possibility of good intentions/good research designs failing; the suitability of participatory research in sensitive service provision contexts; the degree(s) of engagement between researchers, service providers (collaborators/participants) and research participants; as well as our ethical duties to do no harm and to promote positive, progressive change through personal narratives and other forms of evidence. Given the demands of our context and these core issues, we not only argue that there are no ‘feminist methods’, but also caution against the notion of a universal ‘feminist methodology’. Whilst we may all be in agreement about the centrality of gender to our research and analysis, the fundamental aims and assumptions of mainstream (Western) feminist approaches do not hold true in all contexts, nor are they without variance in mode, ideal degrees of participation and importance to social context. (shrink)

To date, 1.7 million US military service personnel have been deployed to Iraq and Afghanistan. Of those, one in five are suffering from diagnosable combat-stress related psychological injuries including Posttraumatic Stress Disorder (PTSD). All indications are that the mental health toll of the current conflicts on US troops and the medical systems that care for them will only increase. Against this backdrop, research suggesting that the common class of drugs known as beta-blockers might prevent the onset of PTSD is drawing (...) much interest. I urge caution against accepting too quickly the use of beta-blockers for dealing with the psychological injuries that combat experiences can wreak. Beta-blockers are thought to work by disrupting the formation of emotionally disturbing memories that typically occur in the wake of traumatic events and that in some people manifest as PTSD. Focusing on a single dimension of soldiers' experience in combat, namely, their perpetration of other-directed violence, I argue that some of the emotional memories blunted by beta-blockers play important roles in the recovery of moral aspects of soldiers' selves damaged by experiences of combat violence — specifically, in the achievement of a state of grace— and, therefore, that the use of beta-blockers may come with distinct moral costs. (shrink)

The critical examination of current hypotheses is one of the key ways in which scientific fields develop and grow. Therefore, any critique, including Haidle and Schlaudt’s article, “Where Does Cumulative Culture Begin? A Plea for a Sociologically Informed Perspective,” represents a welcome addition to the literature. However, critiques must also be evaluated. In their article, Haidle and Schlaudt review some approaches to culture and cumulative culture in both human and nonhuman primates. H&S discuss the “zone of latent solutions” hypothesis as (...) applied to nonhuman primates and stone-toolmaking premodern hominins. Here, we will evaluate whether H&S’s critique addresses its target. (shrink)