The pragmatist turn in Philosophy in the late XIX century and XX century was a serious attempt to refuse the privilege of the representational elements of the conscious- ness in the production of knowledge. Such privilege has its roots in Ancient Philosophy, in some consequences of the Platonic heritage, but was toughened by Modern philosophers of empiricist or aprioristic lineages within the modern concepts of Experience and Truth. With these last concepts of Experience and Truth I’m referring to the objectivising (...) tendency that leads to identify experience with the final object resulting from the judicative fixation of relations. Due to the fixation of some basic relations the object of experience was identified and conceived with such and such characteristics as something independent of the mental or judicative activity. Such method of fixation and objectivising of relations is also present in the common-sense ideas of Reality, Experience and Truth. In the field of the theory of signs the reputation of the modern concept of representation was so vast that despite the progress in the discovery of the differential character of the linguistic units, Saussure’s well-known notion of sign and the division between “signifiant” and “signifié” still kept the reference to the double across the body/mind polarity and to the “mental image” of the sign, Vorstellung, concept or “signifié,” as the core of meaning. If Peirce and James agree in the refusal of the classical theory of representation, their rejection came from different horizons and their critiques don’t mean the same. I’ll try to show that James’s and Peirce’s attempts are not disjunctive, although they are not members of a simple addition. In the writings of the Tartu School and in T. Sebeok’s reassessment to Peircean semeiosis one finds interesting tools to reconsider the relation to the World of the “field of consciousness” and semeiosic cycles, beyond representationalism, such as the concepts of environment and primary, secondary and tertiary modelling systems. Starting with these insights I’ll propose at the end of the essay the notion of a double environment between psychic systems and systems based on communication. (shrink)

Luxury entails a public differentiating use of objects and commodities, which is grounded on the overlapping of the spending with commodities and the ostentation of perceptible signs stimulating social imitation. In the eighteenth century, the debates on luxury emphasized the importance of the scrutiny of the power of imagination as intimately related to the contagious and mimetic character of the use of luxury objects. Thus, “luxury” represents a conceptual and, more generally, a semantic momentum in the evolution of the description (...) of the society grounded on the influence of imitation. The several textual testimonies of the luxury debates in the eighteenth century, including Bernard de Mandeville’s contribution, attest the epistemological perplexity regarding the status of the psychic side of the definition of commodities, or economic goods, as utilities responding to specific human needs: the escalade of the emulation in the acquisition of luxury objects seems to deny any relevant connection of luxury to basic needs. This justifies the reference to imagination as the psychic source of the needs connected to luxury consumption and the absence of a direct correspondence between luxury goods and needs. B. Mandeville’s views on the theme of luxury and overconsumption in his Fable of the Bees and other writings are a privileged starting point for the explanation of these aspects of the evolution of the modern commercial society. -/- Keywords Luxury • Commercial society • Imitation • Consumption • Utility. (shrink)

Elena Esposito’s interview is a great opportunity to ponder on the applications of Niklas Luhmann’s systems theory to current social themes. Among these, I consider the meaning of a theory of ….

A definition of virtual or virtuality is not an easy task. Both words are of recent application in Philosophy, even if the concept of virtual comes from a respectable Latin tradition. Today’s meaning brings together the notions of potentiality, latency, imaginary representations, VR, and the forms of communication in digital media. This contagious, and spontaneous synonymy fails to identify a common vein and erases memory as a central notion. In the present essay, I’ll try to explain essential features of the (...) concept of virtual, taking the investigation of memory troubles in Pierre Janet’s work as an exemplification. Pierre Janet’s work represents a rare combination of medical observation and description of symptoms of mental illnesses, therapeutic guidance in hypnosis and philosophical writing about the main psychological themes of an epoch in transition from a Metaphysics of the Soul to the modern Experimental Psychology. Pierre Janet’s intellectual evolution since the 1880s until the end of his life is dominated by the philosophical project of a theory of the psychic system supported by three basic pillars: a concept of personality, a theory of memory and a sketch of a general theory of conduct. Such complex endeavour cannot be abstracted from the initial connections with Jean-Martin Charcot’s school at La Salpêtrière which meant a turning point in the tradition of the “animal magnetism” concerning the treatment of epileptic-hysterical symptoms along with the contributions of Hyppolite Bernheim’s “Nancy School” of hypnotism. J.-M. Charcot’s or H. Bernheim’s theorising about the organic and psychological aspects of the hypnotic treatment of the hysterical symptoms was already aware of the difficulty in dealing with the extent of the dissimulation of the patients regarding the symptoms of the illness, under hypnotic suggestion, even if Charcot insisted in the identification and cataloguing of the organic expressions, such as contractures or the posture of the body in arc during the attacks. The precise location of the “great hysteria” in the organic-psychic corridor was itself a riddle. If a symptom is a special type of sign, in the case of the “great hysteria” nobody knew for sure what it stood for. The clinical symptom of the attack stood for an organic trouble with cerebral causes, a psychological interruption of the normal sensorial and muscular movements or a disguise of the female desire? Pierre Janet described many hysterical patients, somnambulism and multiple personality since his articles in La Revue Philosophique de la France et l’ Étranger, a Journal founded by the philosopher, experimental psychologist and his intellectual predecessor Théodule-Armand Ribot. The description of the case of the “great hysterical” Lucie, treated by him, is an example of a theoretical hypothesising on multiple personality and discontinuity of memories fragments. There are more cases revealing the same relation between hysteria, somnambulism, personality dissociation and “alternating memory”. Decisively inspired by and corroborating P. Janet’s ideas, S. Freud conceived also the essential of the hysterical sicknesses as disorders of memory. The theme of memory came even more to the foreground in the dissertation L’Automatisme Psychologique. Here, the strange world of somnambulism was scrutinised along with hysterical contractures and convulsions, anaesthesia, the compulsion to repetition, obsessions, “automatic writing” in hysterical patients, multiple personality and “alternating memories”. In the depicted cases memory could not be taken as a homogenous series of remembrances or as a stock of disposable information but as a variable of the depth of the personalities’ inner formation. The so-called “seconde existence” of some somnambulists referred not only unconscious representations and unconscious thoughts but complete or inceptive latent personalities provided with multiple virtual existences and multiple memories. Hypnosis was the privileged technique to access to such multiple memories ignored by the official personality. Later and after the writing of his M.D. Dissertation, Contribution à l’ Étude des Accidents Mentaux chez les Hystériques, P. Janet addressed again the themes of memory and alternating memories in a series of lectures at the Collège de France but now according to the larger framework of a general theory of conduct which included a description of the social actions participating in the narrative construction of personal memories, and the role of social memory. (shrink)

O conhecimento está limitado a representações de sistemas psíquicos e às suas contrapartes linguísticas? O significado deve ser restrito aos conteúdos proposicionais? "Sequencialidade doSentido e Formas Cognitivas" desafia os pressupostos tradicionais em redor das respostas a estas questões. No presente trabalho caracterizam-se os sistemas que recorrem a formas cognitivas, a partir dos seus elementos e dos tipos de operações que concretizam. Estes sistemas são Sistemas baseados no Sentido nos seus elementos e nas operações que articulam tais elementos. Trata-se de sistemas (...) psíquicos e sociais. Assim se restringe a noção de sentido às concretizações psíquicas e sociais do processamento interpretativo de sinais, apenas para o propósito de identificar o objeto teórico do presente trabalho. Há todo um processamento de sinais na realidade físico-biológica, e cognição correspondente, que não adquire valor interpretativo para sistemas psíquicos ou sociais. O conhecimento e as formas cognitivas são mais vastos que o processamento interpretativo de sinais, mesmo que se admita que é na consciência e nos atos comunicativos que a cognição adquire um estatuto proposicional pleno e se pode, assim, tornar um objeto para a avaliação lógica. O conhecimento foi entendido de dois modos: i) como um processo de que resulta a forma cognitiva, tradicionalmente chamada representação, devido a ter sido exemplificada e escrutinada em sistemas psíquicos formados por elementos da consciência (representações); ii) à luz de operações com múltipla instanciação, por isso não limitadas à consciência humana. (shrink)

This book integrates studies on the thought of Bernard de Mandeville and other philosophers and historians of Modern Thought. The chapters reflect a rethinking of Mandeville’s legacy and, together, present a comprehensive approach to Mandeville’s work. The book is published on the occasion of the 300 years that have passed since the publication of the Fable of the Bees. Bernard de Mandeville disassembled the dichotomies of traditional moral thinking to show that the outcomes of the social action emerge as new, (...) non-intentional effects from the combination of moral opposites, vice and virtue, in such a form that they lose their moral significance. The work of this great writer, philosopher and physician is interwoven with an awareness of the paradoxical nature of modern society and the challenges that this recognition brings to an adequate perspective on the historical world of modernity. (shrink)

Devido à sua adoção no Inglês, as línguas nacionais divulgaram o termo de proveniência latina medium e o seu plural media para designar formas simbólicas e materiais de comunicação da sociedade moderna. O uso do termo no plural é recente e também a atenção teórica que despertou. É sob “Teoria dos Media”, “Filosofia dos Media”, “Filosofia dos novos Media”, etc. que a investigação empírica e teórica se tem desenvolvido nas últimas décadas em uma variedade de disciplinas e encruzilhadas disciplinares. O (...) termo inglês sobrepõe‑se ao latino e assim desperta antigos ecos. Nas outras línguas nacionais a potenciação destas ressonâncias interlinguísticas poderá não ser a mesma, como acontece no Inglês. No entanto, em media o cruzamento do Inglês e do Latim revela acerca do termo aquilo que teoricamente e do ponto de vista semântico é necessário ter em conta, a saber ‑a mediação. Os termos medium e media não definem objetos isoláveis nos seus predicados materiais, mas, antes, uma polimorfia material na mediação, que está aí, no mundo da perceção, enquanto forma e/ou reproduz comunicação. Ao mesmo tempo que parecem designar formas da perceção, os media não são corpos ou organismos nem estados psíquicos. O presente trabalho dá conta dos problemas suscitados pelos nexos entre comunicação, perceção e técnica nos media, identifica a herança clássica nas Filosofias da Técnica e as viragens modernas. É uma reflexão meta‑teórica sobre teoria dos media. (shrink)

Esta contribución revisa los principales aspectos discutidos en mi libro La Individuación de la Sociedad Moderna (en portugués), publicado en 2011. Este trabajo es un conjunto de investigaciones dedicadas al estudio de la semántica de los conceptos histórico-sociales de la modernidad. Se centró en los conceptos movilizados por G. W. F. Hegel en las Grundlinien der Philosophie des Rechts (1821), a lo largo del tratamiento de las tres figuras axiales de la tercera sección “Sittlichkeit”: la Familia, Sociedad Civil y el (...) Estado. Sin olvidar los temas derivados de la integración de la “Sittlichkeit” en el sistema de la Enciclopedia de las Ciencias Filosóficas, y su valor filosófico intrínseco, el núcleo de las investigaciones residió en la integración de los conceptos en corrientes semánticas mas amplias, particularmente en lo que se refiere a la reevaluación crítica de las consecuencias morales e políticas del Sistema de la Naturaleza de los siglos XVII e XVIII, de la que depende la comprensión de la critica hegeliana del Derecho Natural, desde Jena hasta Berlín. (shrink)

O senso comum dá-nos motivos para acreditar que a identidade dos seres vivos naturais é diferente da identidade dos artefactos. Alegadamente, a identidade dos artefactos está dependente da forma que lhes é atribuída pelos seus criadores e não lhes vem de dentro, não é imanente. Digamos que é esta a distinção que, em geral, se presume entre “corpos vivos organizados” e “corpos artificiais organizados”. Ao presumir um ato construtivo humano, o corpo organizado artificial recebe de fora o seu princípio organizador (...) e o que define o seu uso. As obras de arte contam-se entre estes objetos assim como os instrumentos. No século XIX, algumas descrições sobre as manufaturas tinham chegado a uma definição de máquina como um corpo organizado dotado de moção interna, colocando assim o problema do estatuto das máquinas entre os artefactos. Não se estranha que um dos problemas recorrentes nas discussões filosóficas atuais sobre a técnica e a arte seja o do estatuto da dependência mental, intencional, dos artefactos. Essas discussões demonstraram que a dependência mental não pode ser avaliada sem clarificar a comunicação. Pode assim objetar-se aos autores exclusivamente preocupados com o tema restrito da intencionalidade da dependência mental o esquecimento da orientação comunicativa da produção, manual ou industrial, e do seu destino social. Com o presente estudo pretende mostrar-se como a herança platónica da mimésis, exemplificada com as “três camas” de República X, 597 b e ss., embora supondo uma dimensão comunitária, restritiva, do fazer técnico, está presente nos pressupostos de algumas versões teóricas modernas da técnica, da produção industrial e da arte. Clarificam-se as noções do artífice como produtor para a comunidade, do artefacto e da máquina na indústria para identificar os contrastes entre formas históricas distintas de compreender o fazer técnico e as correspondentes ressonâncias semânticas e teóricas. Seguidamente, caracteriza-se o discurso da crítica cultural, representado em alguns textos de Walter Benjamin, Theodor Adorno e Herbert Marcuse, como uma orientação teórica conservadora frente à autonomia da comunicação na modernidade, à expansão da produção industrial automatizada segundo diagramas e a sua aplicação aos produtos da arte. À luz de um escrutínio dos transmorfos da arte modernista, particularmente no DADA, revela-se como a arte explorou as colisões morfológicas resultantes da combinação entre motivos orgânicos, artísticos tradicionais e industriais para pôr a comunicação no centro do fazer artístico, desafiar a intencionalidade do autor e potenciar novas situações estéticas. O alcance das atitudes reativas perante o moderno, que o descrevem como unidimensional e redutor, fica assim limitado. Indo ao encontro das várias dimensões da remarcação do mercantil e do artístico nos transmorfos da arte conceptual, conclui-se este trabalho com a tese de que a comunicação artística, como sobrecodificação de vários media, tem a faculdade de redimensionar os emissores, destinatários e mensagens, mesmo quando tem lugar em meios de difusão estandardizados ou mercantilizados. (shrink)

Huayñusi es una danza-ritual relacionada con la siembra de papas (Solanum tuberosum), tiene un sentido simbólico que se expresa al bailar percutando los pies contra el suelo. Se ejecuta por parejas y en grupo. El objetivo del estudio fue mostrar que esta danza-rito es una estrategia simbólica orientada a neutralizar la amenaza de organismos biológicos externos que se cierne sobre los cultivos. El registro etnográfico que proviene de comunidades andinas de Tacna (Perú) referente a las prácticas agrícolas y rituales, hacen (...) concluir que Huayñusi responde a la necesidad simbólica de garantizar el desarrollo de la semilla. (shrink)

Here we prove the existence of sheaf cohomology theory in arbitrary o-minimal structures.

To reduce ambiguity across a conversation, interlocutors reach temporary conventions or referential precedents on how to refer to an entity. Despite their central role in communication, the cognitive underpinnings of the interpretation of precedents remain unclear, specifically the role and mechanisms by which information related to the speaker is integrated. We contrast predictions of one-stage, original two-stage, and extended two-stage models for the processing of speaker information and provide evidence favoring the latter: we show that both stages are sensitive to (...) speaker-specific information. Using an experimental paradigm based on visual-world eye tracking in the context of a referential communication task, we look at the moment-by-moment interpretation of precedents and focus on the temporal profile of the influence of the speaker and linguistic information when facing ambiguity. We find two clearly identifiable moments where speaker-specific information has its effects on reference resolution. We conclude that these two stages reflect two distinct cognitive mechanisms, with different timings, and rely on different representational formats for encoding and accessing information about the speaker: a cue-driven memory retrieval process that mediates language processing and an inferential mechanism based on perspective-taking abilities. (shrink)

Let M be an o-minimal expansion of a real closed field. Let G be a definably compact definably connected abelian n-dimensional group definable in M. We show the following: the o-minimal fundamental group of G is isomorphic to ℤn; for each k>0, the k-torsion subgroup of G is isomorphic to n, and the o-minimal cohomology algebra over ℚ of G is isomorphic to the exterior algebra over ℚ with n generators of degree one.