This paper explores the complex relationship between the plant evolutionist G. Ledyard Stebbins and the animal evolutionist Theodosius Dobzhansky. The manner in which the plant evolution was brought into line, synthesized, or rendered consistent with the understanding of animal evolution (and especially insect evolution) is explored, especially as it culminated with the publication of Stebbins's 1950 book Variation and Evolution in Plants. The paper explores the multi-directional traffic of influence between Stebbins and Dobzhansky, but also their social and professional networks (...) that linked plant evolutionists like Stebbins with Edgar Anderson, Carl Epling, and the 'Carnegie team' of Jens Clausen, David Keck, and William Hiesey with collaborators on the animal side like I. Michael Lerner, Sewall Wright and L.C. Dunn and other 'architects' of the synthesis like Ernst Mayr, Julian Huxley and George Gaylord Simpson. The compatibility in training, work styles, methodologies, goals, field sites, levels of analysis, and even choice of organismic systems is explored between Stebbins and Dobzhansky. Finally, the extent to which coevolution between plants and insects is reflected in the relationship is explored, as is the power dynamic in the relationship between two of the most visible figures associated with the evolutionary synthesis. (shrink)

This paper attempts a critical examination of scholarly understanding of the historical event referred to as "the Darwinian Revolution." In particular, it concentrates on some of the major scholarly works that have appeared since the publication in 1979 of Michael Ruse's "The Darwinian Revolution: Nature Red in Tooth and Claw." The paper closes by arguing that fruitful critical perspectives on what counts as this event can be gained by locating it in a range of historiographic and disciplinary contexts that include (...) the emergence of the discipline of evolutionary biology (following the "evolutionary synthesis"), the 1959 Darwin centenary, and the maturation of the discipline of the history of science. Broader perspectives on something called the "Darwinian Revolution" are called for that include recognizing that it does not map a one-to-one correspondence with the history of evolution, broadly construed. (shrink)

This paper attempts a critical examination of scholarly understanding of the historical event referred to as "the Darwinian Revolution." In particular, it concentrates on some of the major scholarly works that have appeared since the publication in 1979 of Michael Ruse's "The Darwinian Revolution: Nature Red in Tooth and Claw." The paper closes by arguing that fruitful critical perspectives on what counts as this event can be gained by locating it in a range of historiographic and disciplinary contexts that include (...) the emergence of the discipline of evolutionary biology, the 1959 Darwin centenary, and the maturation of the discipline of the history of science. Broader perspectives on something called the "Darwinian Revolution" are called for that include recognizing that it does not map a one-to-one correspondence with the history of evolution, broadly construed. (shrink)

This paper explores the special problems encountered by the biographer of a living scientific subject. In particular, it explores the complex of problems that emerges from the intense interpersonal dynamic involving issues of distance, privacy and trust. It also explores methodological problems having to do with oral history interviews and other supporting documentation. It draws on the personal experience of the author and the biographical subject of G. Ledyard Stebbins Jr., the botanist, geneticist and evolutionist. It also offers prescriptives and (...) recommendations for future research. (shrink)

This paper serves as an introduction to a special collection of papers exploring the centrifugal and centripetal forces in the process of disciplining and popularizing the science of evolution in the period preceding and after the modern synthesis of evolution.

ABSTRACT This essay offers a chronological survey of the range of songs and musical productions inspired by Darwin and his theory since they entered the public sphere some 150 years ago. It draws on an unusual set of historical materials, including illustrated sheet music, lyrics and librettos, wax cylinder recordings, vinyl records, and video recordings located in digital and sound archives and on the Internet. It also offers a characterization of the varied genres and a literary analysis of the forms (...) as a way of understanding the diverse audiences engaging, and indeed “entertaining,” Darwin and the implications of his theory. It argues that the engagement with Darwin and his celebrated theory is far more creative than has been appreciated and recommends that historians of science further explore Darwin and his theory as embodied in a fuller range of cultural expressions. This will lead to an understanding of Darwin's “iconic” status that draws on a fuller range of human sensory experience and that also enables us to appreciate his—and his theory's—enduring power to engage the human imagination. (shrink)

ABSTRACT This essay offers a chronological survey of the range of songs and musical productions inspired by Darwin and his theory since they entered the public sphere some 150 years ago. It draws on an unusual set of historical materials, including illustrated sheet music, lyrics and librettos, wax cylinder recordings, vinyl records, and video recordings located in digital and sound archives and on the Internet. It also offers a characterization of the varied genres and a literary analysis of the forms (...) as a way of understanding the diverse audiences engaging, and indeed “entertaining,” Darwin and the implications of his theory. It argues that the engagement with Darwin and his celebrated theory is far more creative than has been appreciated and recommends that historians of science further explore Darwin and his theory as embodied in a fuller range of cultural expressions. This will lead to an understanding of Darwin's “iconic” status that draws on a fuller range of human sensory experience and that also enables us to appreciate his—and his theory's—enduring power to engage the human imagination. (shrink)

This paper consists of two parts: the first is a brief historical summary of relevant discussions to date involving members of the panel; the second part is a discussion of the new contextualism within science studies, the consequent move towards the cultural study of scientific knowledge, and what this means for intellectual/cultural historians of science in terms of specific procedures. Thus, my role on this panel-as I understand it-- will be to play the sociologically and philosophically minded historian to the (...) sociologically and historically minded philosophers as all of us attempt to adapt cross-disciplinary procedures to our specific disciplinary needs. (shrink)

This essay is a response to Denis Noble’s argument that the evolutionary synthesis was based on illusory science and that it itself is a kind of illusion. The response includes an historical examination of the relationship between evolutionary biology and molecular biology, along with the importance of history in evolutionary biology, which is an historical science. It raises concerns about adherence to one standard evolutionary theory, and urges the reader to consider a more contextualist and historicist approach, one that adopts (...) a more pluralistic view of evolutionary theory. It ends with the provocative question of what evolution would mean if it had no history. (shrink)

Charles Darwin. On the Origin of Species. Edited by Joseph Carroll. 672 pp., bibl., index. Peterborough, Ont.: Broadview Press, 2003. $9.95, Can $12.95, £6.99 (paper).