Marx would not have anything much to contribute to contemporary discussions of ‘normativity’, because he would reject various of the assumptions on which they rest. Thus, he does not believe it possible to isolate ‘moral normativity’ as a distinct object of decontextualised study so as to derive from it rationally grounded imperative to individual action. This does not mean that Marx can provide no orientation for human action, but this has a different nature and structure. Marx suspicions of ethical theories (...) are well founded, but his own productivist assumptions should be revisited. (shrink)

This chapter contains sections titled: Acknowledgments References.

This book is vigorous in its arguments, displays an impressive historical sweep, and on several occasions gets in the perfect skewering criticism.

Its first paradigms are in the writings of Marx and Freud. In this book Raymond Geuss sets out these fundamental claims and asks whether they can be made good.

The Birth of Tragedy is one of the seminal philosophical works of the modern period. The theories developed in this relatively short text have had a profound influence on the philosophy, literature, music and politics of the twentieth century. This edition presents a new translation by Ronald Speirs and an introduction by Raymond Geuss that sets the work in its historical and philosophical context. The volume also includes two essays on related topics that Nietzsche wrote during the same (...) period. (shrink)

The other, potentially diabolical, aspect of this construction is the one that presented itself to Primo levi when he realised that in Auschwitz there was no “ why” (“hier gibt es kein 'Warum' ” [“here there is no 'why'”]). levi's experience, of course, ...

This book tries to argue for both of two theses that some have thought are incompatible, one negative, the other positive. To start with the negative thesis, the book opposes the 'normative turn' in political philosophy: the idea that the right approach to politics is to start from thinking abstractly about our own normative views and apply them to judging political structures, decisions, and events. Rather, the book argues, the study of politics should be focused on the historically and sociologically (...) contextualized sphere of real politics. The second, and positive thesis, is that opposition to the 'normative turn' need not mean the end of utopianism, although that utopianism needs to be re-understood. The utopian impulse is not an attempt to describe a perfect society, but an impulse to think the impossible in politics. That is, it is an attempt to articulate deep-seated desires that cannot be realized under current conditions and to imagine how structures and forms of action that now seem invariant can be changed."--Provided by publisher. (shrink)

Political judgment in its historical context -- The politics of managing decline -- Moralism and realpolitik -- On the very idea of a metaphysics of right -- The actual and another modernity : order and imagination in Don Quixote -- Culture as ideal and as boundary -- On museums -- Celan's Meridian -- Heidegger and his brother -- Richard Rorty at Princeton : personal recollections -- Melody as death -- On bourgeois philosophy and the concept of "criticism".

In politics, utopians do not have a monopoly on imagination. Even the most conservative defenses of the status quo, Raymond Geuss argues, require imaginative acts of some kind. In this collection of recent essays, including his most overtly political writing yet, Geuss explores the role of imagination in politics, particularly how imaginative constructs interact with political reality. He uses decisions about the war in Iraq to explore the peculiar ways in which politicians can be deluded and citizens (...) can misunderstand their leaders. He also examines critically what he sees as one of the most serious delusions of western political thinking--the idea that a human society is always best conceived as a closed system obeying fixed rules. And, in essays on Don Quixote, museums, Celan's poetry, Heidegger's brother Fritz, Richard Rorty, and bourgeois philosophy, Geuss reflects on how cultural artifacts can lead us to embrace or reject conventional assumptions about the world. While paying particular attention to the relative political roles played by rule-following, utilitarian calculations of interest, and aspirations to lead a collective life of a certain kind, Geuss discusses a wide range of related issues, including the distance critics need from their political systems, the extent to which history can enlighten politics, and the possibility of utopian thinking in a world in which action retains its urgency. (shrink)

Philosophers-professionals and the armchair variety-are given to defending comprehensive world views. Raymond Geuss, one of the most celebrated thinkers of our time, dispenses with this ambition for intellectual unity. Ranging across the history of art and ideas, Geuss argues for flexibility, doubt, and the accommodation of unresolved complexity.

Ask a question and it is reasonable to expect an answer or a confession of ignorance. But a philosopher may defy expectations. Confronted by a standard question arising from a normal way of viewing the world, a philosopher may reply that the question is misguided, that to continue asking it is, at the extreme, to get trapped in a delusive hall of mirrors. According to Raymond Geuss, this attempt to bypass or undercut conventional ways of thinking, to escape (...) from the hall of mirrors, represents philosophy at its best and most characteristic. To illustrate, Geuss explores the ideas of twelve philosophers who broke dramatically with prevailing wisdom, from Socrates and Plato in the ancient world to Wittgenstein and Adorno in our own. The result is a striking account of some of the most innovative and important philosophers in Western history and an indirect manifesto for how to pursue philosophy today. Geuss cautions that philosophers' attempts to break from convention do not necessarily make the world a better place. Montaigne's ideas may have been benign, but the fate of the views developed by, for instance, Augustine, Hobbes, and Nietzsche has been more varied. But in the act of provoking people to think differently, philosophers make clear that we are not fated to live within the often stifling systems of thought that we inherit. We can change the subject. A work of exceptional range, power, and originality, Changing the Subject manifests the precise virtues of philosophy that it identifies and defends. (shrink)

Outside Ethics brings together some of the most important and provocative works by one of the most creative philosophers writing today. Seeking to expand the scope of contemporary moral and political philosophy, Raymond Geuss here presents essays bound by a shared skepticism about a particular way of thinking about what is important in human life--a way of thinking that, in his view, is characteristic of contemporary Western societies and isolates three broad categories of things as important: subjective individual (...) preferences, knowledge, and restrictions on actions that affect other people. He sets these categories in a wider context and explores various human phenomena--including poetry, art, religion, and certain kinds of history and social criticism--that do not fit easily into these categories. As its title suggests, this book seeks a place outside conventional ethics.Following a brief introduction, Geuss sets out his main concerns with a focus on ethics and politics. He then expands these themes by discussing freedom, virtue, the good life, and happiness. Next he examines Theodor Adorno's views on the relation between suffering and knowledge, the nature of religion, and the role of history in giving us critical distances from existing identities. From here he moves to aesthetic concerns. The volume closes by looking at what it is for a human life to have "gaps"--to be incomplete, radically unsatisfactory, or a failure. (shrink)

"Raymond Geuss is a major voice in contemporary philosophy, and this book will enhance his stature even further. Containing some of his best pieces so far, "Outside Ethics" reveals his impressive range as well as the depth of his thought.

Outside Ethics brings together some of the most important and provocative works by one of the most creative philosophers writing today. Seeking to expand the scope of contemporary moral and political philosophy, Raymond Geuss here presents essays bound by a shared skepticism about a particular way of thinking about what is important in human life--a way of thinking that, in his view, is characteristic of contemporary Western societies and isolates three broad categories of things as important: subjective individual (...) preferences, knowledge, and restrictions on actions that affect other people. He sets these categories in a wider context and explores various human phenomena--including poetry, art, religion, and certain kinds of history and social criticism--that do not fit easily into these categories. As its title suggests, this book seeks a place outside conventional ethics. Following a brief introduction, Geuss sets out his main concerns with a focus on ethics and politics. He then expands these themes by discussing freedom, virtue, the good life, and happiness. Next he examines Theodor Adorno's views on the relation between suffering and knowledge, the nature of religion, and the role of history in giving us critical distances from existing identities. From here he moves to aesthetic concerns. The volume closes by looking at what it is for a human life to have "gaps"--to be incomplete, radically unsatisfactory, or a failure. (shrink)

This is a profound and concise essay on the basic structure of contemporary politics, written throughout in a voice that is sceptical, engaged, and clear.

Raymond Geuss is a critic of liberalism, a politics so pervasive in the West that it goes unnoticed. His attention sharpened by his own unorthodox intellectual journey, Geuss locates what we fail to see in the status quo: its shallowness and futility. Rejecting both authoritarian horror and liberal complacency, Geuss looks to genuinely new ideas.

"--Daniel Brudney, University of Chicago "The fund of information Geuss brings into his discussion of the ancients, and the verve and charm with which it is all presented, make the central chapters of this book particularly engaging.

UTOPIAN THOUGHT BETWEEN WORDS AND ACTION:Seminar with Raymond GeussInstitute for Philosophy and Social Theory, Belgrade, February, 2016.

There need be no incompatibility between utopian thinking and a “realist” political philosophy, if “realism” in political theory means, as it properly should, only the rejection of specific forms of unreflective illusion. Three forms of such illusion – wishful thinking, ideology, and the purportedly self-evident unities that are the targets of Nietzschean genealogy – are briefly discussed. Utopian thinking itself, it is suggested, will benefit from avoidances of these illusions.

This book by leading international scholars in the fields of history, philosophy and politics restores the subject to a place at the very centre of political theory and practice.

Raymond Geuss has been a distinctive contributor to the analysis and evaluation of German philosophy and to recent debates in ethics. In this new collection he treats a variety of topics in ethics, aesthetics, and the philosophy of history with special reference to the work of Hegel, Nietzsche, and Adorno. Two of the essays in the volume deal with central aspects of the philosophy of Nietzsche. The collection also contains an essay on the history of conceptions of 'culture' (...) and one on the ethics of Ernst Tugendhat. The remaining three essays focus on questions in aesthetics. The volume will be of interest to students of modern philosophy, German intellectual and cultural history, and literary theory. (shrink)

Is work as we know it disappearing? And if so why should we care? These questions are explored by Raymond Geuss in this compact but sweeping survey which integrates conceptual analysis, historical reflection, autobiography and social commentary. Geuss explores our concept of work and its origins in industrial production, the incentives and compulsions which societies use to get us to work, and the powerful hold which the work ethic has over so many of us. He also looks (...) at dissatisfaction with work - which is as old as work itself - and at various radical proposals for doing away with it, and at the seemingly irreversible growth of unemployment as a result of mechanisation. His book will interest anyone who wishes to understand the place of work in our world. This new series offers short and personal perspectives by expert thinkers on topics that we all encounter in our everyday lives. (shrink)

I distinguish three strands in the discussion of "culture" in nineteenth- and early twentieth-century Germany. One is centered around the analysis of the diverse folkways of various human groups. A second focuses on the cultivation of individual talents and capacities. The third treats aesthetic experience and judgment and its relation to forms of sociability. I discuss some of the various ways in which these three strands of discussion interacted historically and suggest some ways in which the study of this historical (...) episode might be relevant to contemporary discussions of "culture.". (shrink)

This article reports on a conversation convened by Quentin Skinner at the invitation of the Editors of The Journal of Political Philosophy and held in Cambridge on 13 February 2001.