In The Last of Us and Theology: Violence, Ethics, Redemption? global academics probe theological and moral themes in the acclaimed video game franchise and series. Follow the plight of Joel, Ellie, Tess, and other beloved (and hated) characters while reading chapters examining themes like forgiveness, violence, fatherhood, and God.

Review of: Religion of the Field Negro: On Black Secularism and Black Theology.

In Posthumanism: A Guide for the Perplexed, Peter Mahon gives his readers an overview of posthumanism, examining the intoxicating-and often troubling-entanglements of humans, animals and technology in science, society and culture that constitute its field. Mahon not only explores the key scientific advances in information technology and genetics have made us and society posthuman, but also how certain strands in art (such as science fiction and video games) and philosophy (for example, in the work of Andy Clarke and Jacques (...) Derrida) have played-and continue to play-a crucial role in shaping how we understand those advances. Central to Mahon's analysis of posthumanism is an understanding of technology as a pharmakon-an ancient Greek word for a substance that is both a poison and a cure. In the light of this analysis, Mahon considers our posthuman future, as envisioned by a range of futurists, from Ray Kurzweil to those at the Machine Intelligence Research Institute. What seems clear is that this future will require massive shifts in how we think about ourselves as techno-biological entities, about the benefits and threats of intelligent technologies and about the roles consumerism and universal basic income will play in societies. Posthumanism is our present, our future and a challenge to which we must rise. The book provides a concise and coherent overview of Posthumanism, introducing all the key concepts and themes, and is ideal for undergraduates who require more than just a simple introduction to Posthumanist thought. (shrink)

Flannery O'Connor is considered one of America's greatest fiction writers. The immensely talented Robert Giroux, editor-in-chief of Harcourt, Brace & Company and later of Farrar, Straus & Giroux, was her devoted friend and admirer. He edited her three books published during her lifetime, plus Everything that Rises Must Converge, which she completed just before she died in 1964 at the age of thirty-nine, the posthumous The Complete Stories of Flannery O'Connor, and the subsequent award-winning collection of her letters titled The (...) Habit of Being. When poet Robert Lowell first introduced O'Connor to Giroux in March 1949, she could not have imagined the impact that meeting would have on her life or on the landscape of postwar American literature. Flannery O'Connor and Robert Giroux: A Publishing Partnership sheds new light on an area of Flannery O?Connor?s life?her relationship with her editors?that has not been well documented or narrated by critics and biographers. Impressively researched and rich in biographical details, this book chronicles Giroux?s and O?Connor?s personal and professional relationship, not omitting their circle of friends and fellow writers, including Robert Lowell, Caroline Gordon, Sally and Robert Fitzgerald, Allen Tate, Thomas Merton, and Robert Penn Warren. As Patrick Samway explains, Giroux guided O'Connor to become an internationally acclaimed writer of fiction and nonfiction, especially during the years when she suffered from lupus at her home in Milledgeville, Georgia, a disease that eventually proved fatal. Excerpts from their correspondence, some of which are published here for the first time, reveal how much of Giroux's work as editor was accomplished through his letters to Milledgeville. They are gracious, discerning, and appreciative, just when they needed to be. In Father Samway's portrait of O'Connor as an extraordinarily dedicated writer and businesswoman, she emerges as savvy, pragmatic, focused, and determined. This engrossing account of O'Connor's publishing history will interest, in addition to O'Connor's fans, all readers and students of American literature. (shrink)