Dynamical Grammar explores the consequences for language acquisition, language evolution, and linguistic theory of taking the underlying architecture of the language faculty to be that of a complex adaptive dynamical system. It contains the first results of a new and complex model of language acquisition which the authors have developed to measure how far language input is reflected in language output and thereby get a better idea of just how far the human language faculty is hard-wired.

To deal with syntactic structure, one needs to go beyond a simple model based on associative structures, and to adopt a dynamical systems perspective, where each phrase and sentence of a language is represented as a trajectory in a syntactic phase space. Neural assemblies could possibly be used to produce dynamics that in principle could handle syntax along these lines.

Close relationships are described in terms of the temporal coordination of behavior based on the similarity of partners’ internal states. Coupled nonlinear dynamical systems were used to model the emergence, maintenance, and disruption of coordination in such relationships. For each system, there was a control parameter corresponding to an internal state and a dynamical variable corresponding to behavior. Computer simulations investigated how the temporal coordination of behavior in a relationship reflects the similarity of partners’ control parameters and the strength of (...) coupling. Several types of coordination were observed, with in-phase synchronization occurring for strong coupling and similarity in internal states. In a variation of the model, each system could adjust its own control parameter to synchronize its dynamics with that of the other system. Simulation results provide insight into several topics in the study of close relations and group dynamics. (shrink)

The text introduces a translation of Ilyenkov’s famous text “On the State of Philosophy,” which was meant as a letter to the Central Committee of the CPSU and expressed his exasperation with the development of Soviet philosophy. In our introduction, we describe the historical context of the emergence of the letter, including the main changes in Soviet philosophy in the 1960s (esp. rise in popularity of cybernetics), and the institutional details of Ilyenkov’s biography. We point to the contemporary relevance of (...) the letter by emphasizing how Ilyenkov’s dialectical account of science can enrich contemporary discussions in the sociology of science and STS. (shrink)

We present a dynamical model of interaction between recognition memory and affect, focusing on the phenomenon of “warm glow of familiarity.” In our model, both familiarity and affect reflect quick monitoring of coherence in an attractor neural network. This model parsimoniously explains a variety of empirical phenomena, including mere-exposure and beauty-in-averages effects, and the speed of familiarity and affect judgments.

Quality is usually considered to be an attribute of an object, its degree of excellence or, more subjectively, fitness for use. Stemming from this point of view, the goal of most ranking systems is to find efficient ways of discovering, or rather uncovering, the quality of specific products or services. However, from a social psychological perspective it seems that the notion of quality belongs predominantly to the realm of social relationships. We argue that quality exists mainly between the users of (...) an object, not within the object itself, and its functions are predominantly social, i.e. promoting interactions, creating a shared reality, or building social relationships. Quality is constructed in social interactions and used as a token therein. In the present paper we outline the social functions of quality, and discuss the implications of this perspective for designing more useful recommendation systems. (shrink)

Autor artykułu przedstawia w syntetycznym skrócie zasady kształtowania się dwóch podstawowych form wypowiedzi literacko-muzycznej w antycznym świecie cywilizacji greckiej i hellenistycznej. Pokrótce omawia sposoby przejawiania się muzyki, traktowanej jako ważny element obiegu kulturowego w ówczesnej rzeczywistości. Archetypiczne wzorce hymnu i peanu - podstawowych form literacko-muzycznych kultury greckiej - zostały omówione według charakterystycznych cech oraz poparte konkretnymi przykładami literackimi. Wskazano, że synkretyzm form literacko-muzycznych, charakterystyczny dla antycznej kultury śródziemnomorskiej, był powiązany z elementami kultu religijnego. Wymiar religijny stanowił ważne uzupełnienie praktycystycznego sposobu (...) traktowania muzyki w świecie cywilizacji antycznej, niekiedy wysuwające się na pierwszy plan. Szczególnie widoczne było to w przypadku wczesnochrześcijańskiej twórczości hymnograficznej, opartej na syntezie tradycji hellenistyczno-rzymskiej i judeochrześcijańskiej. (shrink)

Many psychological studies have shown that human‐generated sequences are hardly ever random in the strict mathematical sense. However, what remains an open question is the degree to which this (in)ability varies between people and is affected by contextual factors. Herein, we investigated this problem. In two studies, we used a modern, robust measure of randomness based on algorithmic information theory to assess human‐generated series. In Study 1 (), in a factorial design with task description as a between‐subjects variable, we tested (...) the effects of context and mental fatigue on human‐generated randomness. In Study 2 (), in online research, in experimental design, we further investigated the effect of mental fatigue on the randomness of human‐generated series and the relationship between the need for cognition (NFC) and the ability to produce random‐like series. Results of Study 1 show that the activation of the ability to produce random‐like series depends on the relevance of the contextual cues (), whether they activate known representations of a random series generator and consequently help to avoid the production of trivial sequences. Our findings from both studies on the effect of mental fatigue (Study 1 – ; Study 2 – ) and cognitive motivation () demonstrate that regardless of the context or task's novelty people quickly lose interest in the random series generation. Therefore, their performance decreases over time. However, people high in the NFC can maintain the cognitive motivation for a longer period and consequently on average generate more random series. In general, our results suggest that when contextual cues and intrinsic constraints are in optimal interaction people can temporarily escape the structured and trivial patterns and produce more random‐like sequences. (shrink)

Table of ContentsAndrzej KLAWITER, Krzystof #ASTOWSKI: Introduction: Originality, Courage and Responsibility List of Books by Leszek NowakSelected Bibliography of Leszek Nowak's WritingsScience and Idealization Theo A.F. KUIPERS: On Two ...

The author, starting from the critical review of Andrzej Klawiter's book (in Polish) „Research attitude and the structure of theoretical choice”, comes to consider questions concerning the opposition act/product in science and the problem of scientific interpretation. The considerations give him an occasion to formulate some rules of canonical scientific text formation (i.e. rules of cognitivism, clarity, contradiction, logical consistency, completness and consistency of interpretation).

How does affectivity contribute to moral judgment making? -- Normative dissonance vs. the order of argumentation -- Facing otherness as an ethical experiment -- The concepts of respect revisited -- What is universal? Between subjectivity and intersubjectivity -- Experimenting with values in legal contexts : Hegel and Radbruch -- Democracy begins in the mind. Developing democratic personality.

Do technologies advance our self-identities, as they do our bodies or cognitive skills? Are doomed to disintegration and an episodic self? This book examines how technologies affect our selves from the perspective of health humanities (e.g., transplantology, bionics, disability studies), phenomenology, philosophy of mind and posthumanism.

In 2017, Michael Nair-Collins formulated his Transitivity Argument which claimed that brain-dead patients are alive according to a concept that defines death in terms of the loss of moral status. This article challenges Nair-Collins’ view in three steps. First, I elaborate on the concept of moral status, claiming that to understand this notion appropriately, one must grasp the distinction between direct and indirect duties. Second, I argue that his understanding of moral status implicit in the Transitivity Argument is faulty since (...) it is not based on a distinction between direct and indirect duties. Third, I show how this flaw in Nair-Collins’ argument is grounded in the more general problems between preference utilitarianism and desire fulfillment theory. Finally, I present the constructivist theory of moral status and the associated moral concept of death and explain how this concept challenges the Transitivity Argument. According to my view, brain death constitutes a valid criterion of death since brain death is incompatible with the preserved capacity to have affective attitudes and to value anything. (shrink)

The paper begins with a proposal for a reconstruction of three major statements of the traditional Marxian version of historical materialism. The general concept of an adaptive mechanism is introduced to explain how, in the Marxian sense, several parts of the superstructure are to be thought of as determined by the economic base. The paper proceeds by asking whether the classical type of economic determination is valid not only for precapitalist and capitalist societies, but for socialist societies as well. An (...) answer in the negative is given. The author tries to outline a type of historical materialism which takes into account the autonomous role of political institutions and social relations as determinants in socialist societies. (shrink)

"Der vorliegende Band geht auf logikbezogene Spurensuche und vereinigt durchdachte, hochintelligente und zahlreiche neue Einsichten versprechende Texte. Wer sich ernsthaft mit Musik beschäftigt, sollte sich diesen Band nicht entgehen lassen." (bs, Musica sacra 4/2015) Texte zur Praxis, Theorie und Ästhetik der Musik beanspruchen den Begriff ›musikalische Logik‹, wobei die Vorstellungen über Geltung, Inhalt und Umfang dieses Begriffes weit divergieren. Im vorliegenden Buch wird eine problemgeschichtliche Klärung unternommen. Musikalische Logik erweist sich als Inbegriff der Bedingungen, unter welchen Musik als in sich (...) selbst begründeter Prozess erscheinen kann. Sie besteht in einem musikalischen Denken, dessen Zusammenhang generiert wird durch Differenzierung von Klangrelationen und Zeitmaßen, durch Bildung von Verknüpfungsweisen und Verlaufsformen, durch den variativen Gebrauch der resultierenden Modelle sowie durch Aufhebung und Neubildung der Konstituenten; als produktives Denken lässt sich das musikalische Denken die Wege nicht festlegen, die sich für seine Ausdrucks- und Kommunikationsweise bewährt haben. Musikalische Logik kann sich in voraushörbarer Konsequenz zeigen, aber auch und besonders in der Art, wie sich ein nicht zu antizipierender Prozess als in sich begründet erweist. Die Vielfalt der Möglichkeiten spricht nicht gegen die Erwartung von Logik in der Musik, sondern erfüllt die Eigenart des Logischen im Bereich des Schaffens gegenüber dem Logischen im Bereich des Erkennens. Die historische Darstellung führt von der Spätantike bis in die Mitte des 20. Jahrhunderts. Texts on the practice, theory and aesthetics of music make use of the term ‘musical logic’, although conceptions of the application, content and scope of the term differ greatly. This book attempts to solve this historical problem. Musical logic proves to be the embodiment of the conditions under which music can appear as a process founded in itself. It consists of musical thinking with ist context generated by the differentiation of relationships between sounds and of tempi, by the creation of forms of connection and progression, by the variational use of the resulting models and the suspension and re-creation of the constituent parts; as a form of productive thinking, music cannot define proven means for ist own expression and communication. Musical logic can manifest itself in consequences that can be aurally predicted, but also, and especially, in the ways in which a process that cannot be anticipated proves to be founded in itself. The range of possibilities does not contradict the expectation of logic in music but conforms to the peculiarity of logic in the sphere of creation as opposed to logic in the sphere of cognition. The historical presentation ranges from late antiquity to the mid 20th century. (shrink)

t. 1. Dialektyka.--t. 2. Ontologia i epistemologia.