Bringing together Luce Irigaray's early psychoanalytically orientated writings with her more recent and more explicitly political writings, Irigaray and Politics weaves together the ontological, political and ethical dimensions of Irigaray's philosophy of sexuate difference in imaginative ways.

Margaret Whitford's study provides the ideal introduction to Irigaray's thought, offering a sustained interpretation of her whole corpus, including previously untranslated French texts. Whitford suggests that Irigaray's work should be seen as "philosophy in the feminine," actively opposing the complicity of philosophy with other social practices which exclude or marginalize women.

For Tamsin Lorraine, the works of Luce Irigaray and Gilles Deleuze open up new ways of thinking about subjectivity. Focusing on the affinities between the theorists' views—while addressing weaknesses of each—she offers both a cogent analysis of their often challenging writings on this topic and an accessible introduction to their philosophical projects. Through her readings she articulates an approach to subjectivity as an embodied, dynamic process, one that speaks to beliefs about personal identity as well as to the practical (...) problems people face in their relations with one another.Lorraine begins by distinguishing between "conceptual" and "corporeal" considerations of subjectivity and by reviewing recent interdisciplinary efforts to theorize the body. She then turns to Irigaray and Deleuze, finding in the former's notion of the "feminine other" and in the latter's, unique conceptions of nomadic thinking inspiration for a model designed to overcome mind/body dualisms. Her analysis of Irigaray and Deleuze suggests a conception of humanity which amounts to a visceral philosophy—a way of thinking that is receptive to the fluxes of dynamic life forces. (shrink)

Alison Stone offers a feminist defence of the idea that sexual difference is natural, providing a new interpretation of the later philosophy of Luce Irigaray. She defends Irigaray's unique form of essentialism and her rethinking of the relationship between nature and culture, showing how Irigaray's ideas can be reconciled with Judith Butler's performative conception of gender, through rethinking sexual difference in relation to German Romantic philosophies of nature. This is the first sustained attempt to connect feminist conceptions (...) of embodiment to German idealist and Romantic accounts of nature. Not merely an interpretation of Irigaray, this book also presents an original feminist perspective on nature and the body. It will encourage debate on the relations between sexual difference, essentialism, and embodiment. (shrink)

Lucidly and persuasively written, this book will be an invaluable resource for students and scholars seeking to understand Irigaray's original contribution to philosophical and feminist thought.

The following hopes to bring Plato’s unwritten doctrines into proximity with Irigaray’s concept of the Two as found in works like To Be Two or I love to you. By focusing on the the indefinite Dyad, Plato's reported co-archai with the One, it will be evidenced that Platonism begins and ends with a One which is not One (a kind of Two). Further, in this Dyad's failure to be One, it ultimately comes to possess its own productive and destructive (...) power or, to use Irigaray's words, to love toward the Other in such a way as to produce or give birth to other others, real difference. Finally, Irigaray’s conception of the Two has dramatic social implications for her as a feminist, grounding a transformation of the political order of things. Due to this political import, the final section shifts to questioning whether Plato’s reported protological principles, the One and the indefinite Dyad, could perform a similar work. (shrink)

In lieu of an abstract, here is the opening paragraph of the essay: Luce Irigaray’s critics charge that her attempt to carve out a space for nature and the feminine self through an engagement with Buddhism smacks of Orientalism. Associating Buddhism with a philosophy of nature can lead to feminizing and exoticizing the non-Western other. Because she relies more on lessons learned from yogic teachers than Buddhist texts or scholarship, her work seems to be an appropriation of Buddhist ideas (...) and a critique of Western ideology 3 rather than a reflection of Buddhist philosophy. I trace Orientalist readings of Buddhism, including those of Irigaray, back to Hegel’s influence on comparative philosophy. Indeed, her analysis of the feminine self and nature often seem more like a response to Hegel than an examination of Buddhist principles. Some scholars resist Hegel’s reading by arguing that the Buddhist Absolute manifests in the indeterminately disjunctive and alternative versions of reality and self. Others suggest that the meaning of Buddhism can be found in examining its practices rather than its logic. (shrink)

In this introduction, we consider how this volume demonstrates not only that the question of sexual difference can be asked with Irigaray but that her project necessitates engaging the question if we are to take seriously her diagnosis of sexual difference as “one of the major philosophical issues, if not the issue, of our age.” We consider how Irigaray's questioning of sexual difference implicates a dialectic of natural and cultural determinations, challenging reductive and essentialist readings of her project. (...) In the process, we trace how the contributors of this volume think sexual difference with Irigaray, revealing the value of her thought for addressing contemporary debates about sex, gender, and race. (shrink)

This chapter is a study on Luce Irigaray’s engagement with Martin Heidegger’s approach to language. Although language is central to both thinkers, rather than privileging language in terms of the poëtic event of being, the arising of something out of itself, Irigaray reveals how language is privileged in terms of its promise of dialogue between two who are different. This difference provides for a limit to what can be known or recognized, as well as for a creative potentiality (...) that is directed towards the future. (shrink)

In this essay, which is preceded by an interview with the translator, Luce Irigaray revisits her earlier critique of Maurice Merleau-Ponty’s privileging of the visible, but also takes further her own thinking by drawing specifically on the issues raised within the context of painting and the creation of artworks. The focal point of her discussion is Merleau-Ponty’s essay on art, “Eye and Mind.”.

Luce Irigaray has devoted considerable energy to wrestling with some key figures in twentieth-century phenomenology. Since the topic for this special issue is the relationship between phenomenology and ancient philosophy, I plan in the following to look at Irigaray’s reading of Plato, given the centrality of carnality, sexuation and embodiment, not just to her own project, but the manner in which she invokes the same notions as part of her critique of Plato along with a number of twentieth-century (...) phenomenologists. (shrink)

In Speculum of the Other Woman (1974), Luce Irigaray argues that "any theory of the subject has always been appropriated by the masculine." This paper offers an analysis of Irigaray's critique of subjectivity and examines the psychological mechanism referred to as "the phallic economy of castration." A different way of conceiving the relation between subject and object is explored by imagining a new subject of desire.

: My essay incorporates Irigaray's notion of the sensible transcendental, a dynamic attempt to reconstitute the body/mind dualism which founds Western thought, into a reading of the practice of European concert dance. I contend that Irigaray's efforts toward articulating a language of the body as active agent have much to offer (feminist) analyses of dance practice, and develop this claim through a reading which reflects philosophically on the changing nature of my own dance activity.

In Speculum of the Other Woman, Luce Irigaray argues that “any theory of the subject has always been appropriated by the masculine.” This paper offers an analysis of Irigaray's critique of subjectivity and examines the psychological mechanism referred to as “the phallic economy of castration.” A different way of conceiving the relation between subject and object is explored by imagining a new subject of desire.

In this paper, I tried to sketch out Luce Irigaray's ambiguous relationship with the tradition of western psychoanalysis. -/- I evaluated her critiques on Freudian and Lacanian psychoanalysis, and defended the idea that she succeeds at transcending the many feminist evils of psychoanalysis as a tradition, by feminizing the psychoanalytical practice.

Some feminist commentators ignore Luce Irigaray’s contributions to rethinking classical and neoclassical theories of the market when their aims and hers are often largely of a piece. Other feminist commentators celebrate Irigaray’s writings by privileging a certain conception of the gift her philosophy is said to evoke because it challenges the logic of the market economy and its masculinist biases. Instead of viewing the market and the gift in a binary way, I argue that Irigaray examines the (...) conditions of possibility for transvaluing value and exchange as such. By way of an internal critique of economic texts and discourses, Irigaray draws out the available conceptual resources for the possibility of a model of exchange between two positively valued – sexuate – subjects. In this article I focus on the texts where Irigaray explicitly engages with key components of political economy – ‘Commodities among Themselves’, ‘Women on the Market’ and ‘Women, the Sacred and Money’ – and also her conceptualisation of a nonmarket economy in Elemental Passions. These brilliant and complex essays yield an understanding of the forms and the flows (value and exchange) of all economies (whether symbolic, linguistic, cultural or political) necessary for cultivating a sexuate economy. (shrink)

My essay incorporates Irigaray's notion of the sensible transcendental, a dynamic attempt to reconstitute the body/mind dualism which founds Western thought, into a reading of the practice of European concert dance. I contend that Irigaray's efforts toward articulating a language of the body as active agent have much to offer analyses of dance practice, and develop this claim through a reading which reflects philosophically on the changing nature of my own dance activity.

This article provides an interpretation of the ecophenomenological dimension of Luce Irigaray's work. It shows that Irigaray builds upon Heidegger's recovery of the ancient sense of nature as physis, self-emergence into presence. But, against Heidegger, Irigaray insists that self-emergence is a material process undergone by fluid elements, such as air and water, of which the world is basically composed. This article shows that this “elemental materialist” position need not conflict with modern science. However, the article criticises (...) class='Hi'>Irigaray's claim that men and women inhabit radically different sexuate worlds. Although this claim has some phenomenological basis, ultimately it is undercut by Irigaray's own elemental materialism, which implies that sexuate difference colours our perception but does not cleave it down a radical difference in kind. We can therefore accept and develop Irigaray's contribution to ecophenomenology without her insistence on radical sexuate duality. (shrink)

By reading the analyses of mysticism found in Beauvoir and Irigaray with and against some medieval women's mystical texts, the paper articulates a possible space for the divine within feminist thought.

This article recontextualizes Irigaray with reference to post-Freudian psychoanalytic theories of narcissism, and argues that a persistent theme in her work has been the diagnosis of the narcissism of Western culture. It indicates that one of the possible sources for her diagnosis of Western culture is the work of Béla Grunberger. It also argues that it is possible to make connections between Irigaray's critique of Western civilization and other related critiques. The second part of the article sketches a (...) brief account of the Kleinian and post-Kleinian concept of projective identification, and argues that reinterpreting Irigaray in the light of this concept can help to shed more light on her account of the significance of the maternal container. (shrink)

In her book To be Born, Luce Irigaray offers a novel philosophy of the child. Instead of viewing the child as a bearer of rights and in need of adequate care as is common in contemporary philosophies of childhood, Irigaray presents the child as a metaphor of a new human being which represents natural belonging. The rearticulation of the human has been ongoing in Irigaray’s philosophy from its beginnings with its efforts to give voice to the excluded, (...) silenced, repressed feminine. Irigaray’s phenomenological restructuring of subjectivity in her philosophy of sexuate difference is taken to a new level with her philosophy of the child. Her conception of the child is interpreted here in light of the experiential and affective turn within phenomenology and cognitive sciences about philosophical thinking as embodied and embedded thinking for a new era. Irigaray sheds light on the silencing and repressing of the child within us in an effort to enable us as adult beings to think from and with it. Philosophical thinking needs to be more consciously connected with the embodied sources of thought that are already present in early infancy and continue to be present in adult thinking as neglected or repressed experiential and affective layers of thought. Irigaray’s philosophy of the child is a basis for a methodology of embodied philosophical thinking such as has been developed within Claire Petitmengin’s microphenomenology and within Eugene Gendlin’s methodology of philosophical thinking from the felt sense. (shrink)

Irigaray's early work seeks to multiply possibilities for women's self-expression by recovering a sexual difference in which male and female are neither the same nor opposites, but irreducibly different modes of embodiment. In her more recent work, however, Irigaray has emphasized the duality of the sexes at the expense of multiplicity, enshrining the heterosexual couple as the model of sexual ethics. Alison Stone's recent revision of Irigaray supplements her account of sexual duality with a theory of bodily (...) multiplicity derived from Butler, Nietzsche, and certain German Romantics; but to the extent that Stone maintains the primacy of sexual duality, her revision fails to address the claims of multiplicity on their own terms. In this paper, I interpret a passage from Marcel Proust's novel, Sodom and Gomorrah, in order to develop an alternative theory of sexual difference in which sexual duality is affirmed in relation to a third, unsexed but sexual force which multiplies the possibilities for sexual pleasure beyond heterosexual coupling. Proust's emphasis on sexed ``parts'' rather than sexed morphologies is generative of maximally diverse combinations, all of which are equally natural and equally enhanced through artifice. (shrink)

Luce Irigaray is one of the leading French feminist philosophers and psychoanalysts. _The Irigaray Reader _is a collection of her most important paeprs to date, ranging across feminism, philosophy, psychoanalysis and linguistics. A number of them appear here for the first time in English.

A practicing psychoanalyst, Luce Irigaray is also a linguist and a philosopher. Irigaray's earliest book, Le Language des déments (1973), is a study of language and various forms of mental disturbance. It was out of her experience of psychoanalysis, both as analysand and analyst (see 1977, p. 62), that in 1974 Irigaray came to publish Speculum of the Other Woman, a book which takes as its trajectory, however, the history of Western philosophy from Plato to hegel (see (...) Article 6). In her reinterpretation of the Western philosophical tradition Irigaray identifies and excavates the repressed feminine that she sees as having been systematically sublimated by a logic of representation that functioned according to a monolithic economy geared towards masculinity. Her view is that “all Western discourse presents a certain isomorphism with the masculine sex: the privilege of unity, form of the self, of the visible, of the specularisable, of the erection” which “does not correspond to the female sex: there is not ‘a’ female sex” (1977, p. 64). Hence the title of her 1977 work This Sex Which is Not One, which can be read either as “the (female) sex that does not count as such within the masculine economy of the visible,” or as “the (female) sex that is not singular, but multiple” (see Jardine and Menke, 1991, p. 64). (shrink)

In this paper we take Luce Irigaray’s idea of fluid feminine subjectivity as productive for the project of rethinking agency in a collaborative feminist-Confucian context. We discuss how diffused agency in the Analects can be used alongside Irigaray’s work to critique contemporary notions of atomic agency. Our argument employs the notions of fluidity and agency in Irigaray and the Analects with concentrations on: 1) similarities between Irigaray’s “philosophy of breath” and Confucian ritual; 2) parallels between fluid (...) feminine subjectivity and diffused agency; and 3) a shared concern for the ethical life. We thus see how Confucianism can contribute to contemporary feminist discourse. (shrink)

Simone de Beauvoir remarks that women have trouble articulating a “we” together; this foible of language is connected to our unwillingness to claim our subjectivity, and to our ability to say “I” in ordinary conversation. The corresponding political difficulty is that the “we” of a non-exclusionary women’s solidarity and revolution seems almost impossible to imagine. Luce Irigaray’s paradigm of between-women-talk, best designated as talk amongst women and non-cis-men, offers a way of reforming the language required: a Platonic participation where (...) desire beyond purpose is the only qualification, with #MeToo being one imperfect conversational example. Interrogating our reluctance and hesitation at the possibilities of this conversation makes our need for the language of mutually reinforcing subjectivity clear. (shrink)

This paper explores the compatibility of Luce Irigaray's recent insistence on the need to revalue nature, and to recognise culture's natural roots, with her earlier advocacy of social transformation towards a culture of sexual difference. Prima facie, there is tension between Irigaray's political imperatives, for if culture really is continuous with nature, this implies that our existing, non-sexuate, culture is naturally grounded and unchallengeable. To dissolve this tension, Irigaray must conceive culture as having self-transformative agency without positioning (...) culture as active vis-à-vis an inert and passive nature. I argue that Irigaray achieves this by conceiving culture to arise from a division internal to nature. She derives this idea from Hölderlin, who claims that nature originally divides itself into subjects and objects, and from Heidegger, who maintains that nature inflicts an originary violence upon itself. Critically reworking Hölderlin and Heidegger, Irigaray argues that male nature tends to turn against itself to generate an anti-natural, ecologically destructive, culture. She argues, however, that this tendency can be redirected and alleviated by the very cultural resources which male nature generates in dividing itself. Irigaray thus develops a unique way to advocate social change while recognising nature's profound impact and influence upon culture. (shrink)

A broad exploration of Irigaray’s philosophy of life and living. Featuring a highly accessible essay from Irigaray herself, this volume explores her philosophy of life and living. Life-thinking, an important contemporary trend in philosophy and in women’s and gender studies, stands in contrast to philosophy’s traditional grounding in death, exemplified in the work of philosophers such as Socrates, Plato, and Schopenhauer. The contributors to Thinking Life with Luce Irigaray consider Irigaray’s criticisms of the traditional Western philosophy (...) of death, including its either-or dualisms and binary logic, as well as some of Irigaray’s “solutions” for cultivating life. The book is comprehensive in its analyses of Irigaray’s relationship to classical and contemporary philosophers, writers, and artists, and produces extremely fruitful intersections between Irigaray and figures as diverse as Homer and Plato; Alexis Wright, the First-Nations novelist of Australia; and twentieth-century French philosophers like Sartre, Badiou, Deleuze, and Guattari. It also develops Irigaray’s relationship to the arts, with essays on theater, poetry, architecture, sculpture, and film. “This is a very timely text; it places Irigaray scholarship in conversation with the lively field of feminist philosophies of life, and this is a really wonderful, fruitful match. The collection itself contains many marvelous pieces. Luce Irigaray’s essay is strong and pithy—she reiterates a number of her important ideas, in accessible language, and places them in the context of pertinent questions in feminism.” — Sabrina L. Hom, coeditor of Thinking with Irigaray. (shrink)

In this monograph on Luce Irigay, Kelly Ives explores the French thinker's ideas on the politics of sexual difference.

This paper examines the ways in which Luce Irigaray and Jean-François Lyotard critique western metaphysics by drawing on notions of birth and infancy. It shows how both thinkers position birth as an event of beginning that can be reaffirmed in every act of initiation and recommencement. Irigaray's reading of Diotima's speech from Plato's Symposium is positioned as a key text for this project alongside a number of essays by Lyotard in which he explores the potency of infancy as (...) the condition of philosophy itself. Despite this potency, however, Lyotard suggests that metaphysics is haunted by a melancholia that is inseparable from the limits of thought. I argue that Irigaray is able both to explain why western metaphysics is constitutively melancholic and to offer a shift in perspective that means we are not inevitably condemned to melancholia. The paper concludes that while Lyotard's account of infancy challenges the terms of western metaphysics from within, Irigaray's reassessment of our beginnings in birth offers the possibility of an alternative metaphysical horizon. (shrink)

The dreaming body -- The philosophical Jung -- Locating identities : individual and collective matters -- Projection : the mirror image -- Divine reversal -- Mimesis revisited : Demeter and Persephone -- Jung, Irigaray, and essentialism : a new look at an old problem -- Speaking of the collective unconscious.

This article discusses two well‐known texts that respectively describe learning and teaching, drawn from the work of Freud and Plato. These texts are considered in psychoanalytic terms using a methodology drawn from the philosophy of Luce Irigaray. In particular the article addresses Irigaray's approach to the analysis of speech and utterance as a ‘cohesion between the source of the utterance and the utterance itself’ (Hass, 2000). I apply this approach to ask whether educational tradition has fractured the relationship (...) between pedagogy and the body of the teacher/pupil. Teaching and learning are re‐addressed in ways that challenge the gender‐neutral representation of pedagogy as a systematic technique. (shrink)

____Ethics of Eros__ sheds light on contemporary feminist discourse by questioning the basic distinctions and categories in feminist theory. Tina Chanter uses the work of Luce Irigaray as the focus for a critique of French and Anglo-American feminism as it is articulated in the debate over essentialism. While these two branches of feminism represent opposing views, Chanter advocates a productive exchange between the two.

Explicating Heidegger''s and Irigaray''s critiques of difference, this essay proposes a new approach to the crucial concept of relationship in their thought. Articulated as proximity rather than difference, such relationality works in a manner that is non-appropriative and free from power. The essay shows that at the center of Heidegger''s questioning of being is not the ontico-ontological difference but the notion of nearness (Nähe), elaborated by Heidegger as a critique of the metaphysical logic of difference and relation. Linking Heidegger''s (...) nearness with his critique of power in the recently published Besinnung, the essay explains how such relationality exceeds the parameters of power (machtlos). The remainder of the essay investigates the way in which Irigaray''s reformulation of sexual difference as an ethics of proximity similarly calls into question the differential economy of being and aims at a new model of non-appropriative relation. While Heidegger links the change in relation from power to letting be to a decisive confrontation with modern technicity, Irigaray criticizes this approach and reformulates the question of technology through the prism of sexual difference. By taking into account the often ignored aspects of Irigaray''s thought - temporality, event, proximity - the essay situates Irigaray''s ethics and culture of sexual difference not only beyond the discussions of essentialism but also outside the equality-difference debates. (shrink)

This paper explores the symbolic implications of Luce Irigaray's images of the female body, particularly the two lips and the mucous. It suggests that Irigaray's work reveals some of the problems attendant on "positive images of women.".

Journal of Philosophy of Education, Volume 56, Issue 2, Page 251-264, April 2022.

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Is love essential to ethical life, or merely a supplement? In Kant’s view, respect and love, as duties, are in tension with each other because love involves drawing closer and respect involves drawing away. By contrast, Irigaray says that love and respect do not conflict because love as passion must also involve distancing and we have a responsibility to love. I argue that love, understood as passion and based on respect, is essential to ethics.

ABSTRACT Luce Irigaray has devoted considerable energy to wrestling with some key figures in twentieth-century phenomenology. Since the topic for this special issue is the relationship between phenomenology and ancient philosophy, I plan in the following to look at Irigaray’s reading of Plato, given the centrality of carnality, sexuation and embodiment, not just to her own project, but the manner in which she invokes the same notions as part of her critique of Plato along with a number of (...) twentieth-century phenomenologists. (shrink)