Results for 'Antonin Artaud'

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  1. Antonin Artaud:¿ Tratamento cruel ou cirugia ontológica?Wilson Coêlho Pinto - 2002 - Utopía y Praxis Latinoamericana: Revista Internacional de Filosofía Iberoamericana y Teoría Social 18:69-80.
    El artículo tiene como objetivo -a pesar de su modestia- contribuir a una mejor comprensión de la relación de parentesco de Antonin Artaud, con muchos de sus conrtemporáneos considerados como "vanguardistas". Al mismo tiempo, se pretende desmitificar la idea que se tiene de Artaud sólo como un hombre de teatro, si tenemos en cuenta su actuación en otras áreas. Sobretodo, su contribución al pensamiento y su constante necesidad de comunicarse con el mundo; principalmente, cuando afirma que "Europa (...)
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  2.  15
    Antonin Artaud: ¿Tratamento cruel ou cirugia ontológica?Wilson Pinto Coêlho - 2002 - Utopía y Praxis Latinoamericana 7 (18):69-79.
    El artículo tiene como objetivo –a pesar de su modestia– contribuir a una mejor comprensión de la relación de parentesco de Antonin Artaud, con muchos de sus conrtemporáneos considerados como “vanguardistas”. Al mismo tiempo, se pretende desmitificar la idea que se tiene de Artaud sólo como un..
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  3.  2
    Antonin Artaud Et L’Essence du Thé'tre.Henri Gouhier - 1974 - Vrin.
    Henri Gouhier fut fasciné par Artaud, autant que par Claudel. Sans se laisser séduire par le personnage douloureux et provocateur, il étudie minutieusement tous les textes, les entreprises , les témoignages de l’époque pour discerner la pensée – Artaud, que ce dernier nommait lui-même sa « métaphysique ». Ainsi :1) le théâtre n’est pas un genre littéraire, n’est pas asservi à un texte. Il n’a pas de finalité artistique, ni pédagogique.2) Il doit être rejeté de la littérature dans (...)
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  4.  37
    Antonin Artaud and the Promise of a Great Therapeutic.Jean-Joseph Goux & Salah el Moncef bin Khalifa - 2008 - Angelaki 13 (3):17 – 24.
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  5. Antonin Artaud – wędrowny wieszcz.Bogdan Banasiak - 2001 - Sztuka I Filozofia 19:254.
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  6.  5
    Antonin Artaud[REVIEW]Sanche de Gramont & Eric Sellin - 1971 - Diacritics 1 (2):21.
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  7.  20
    Letters on Loan: Antonin Artaud's Correspondence with Jacques Rivière?Raphaël Sigal - 2017 - Diacritics 45 (1):50-73.
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  8.  12
    Du réalisme du Nord au Théâtre de la cruauté résonances entre Bruegel l’Ancien et Antonin Artaud.Caroline Pires Ting - 2020 - PSN-PSYCHIAT SCI HUM 18:63-79.
    Beyond the eras a dialogue seems to have been established between Bruegel the Elder (1525-1569) and Antonin Artaud (1896-1948). The poet’s wonder at the « painting of the North », both realistic and emblematic, reveals his deepest ideal as an artist : painting, a « magical » operation, deploys a power of expression based on signs and no longer on words, which the theatre is also called upon to seize. The juxtaposition of Bruegel’s Triumph of Death and a (...)
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  9.  52
    The Idiocy of the Event: Between Antonin Artaud, Kathy Acker and Gilles Deleuze.Frida Beckman - 2009 - Deleuze and Guatarri Studies 3 (1):54-72.
    Exploring the evolution of the conceptual persona of the idiot from the philosophical idiot in Deleuze to the Russian idiot in Deleuze and Guattari, this article suggests that their use of the figure of Antonin Artaud as a model for an idiocy that is freed from the image of thought is problematic since Artaud in fact evinces a nostalgia for the capacity for thought. The article invites the writings of Kathy Acker and argues that Acker makes possible (...)
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  10.  1
    In the Vicinity of Incarnated Nothingness: Antonin Artaud and His Metaphysical Dominant.A. N. Fatenkov - 2018 - Russian Journal of Philosophical Sciences 9:110-128.
    The article considers the authentic and extreme forms of metaphysics. Antonin Artaud’s personality is at the center of attention. The author endeavors to verbally explicate his metaphysics, which is not strictly verbal. The explication of Artaud’s modern metaphysics is carried out in comparison with the triad of the “ancient modernist” Gorgias. The role of nothingness and the ambivalent attitude of contemporary metaphysicians to Artaud are examined. In the author’s opinion, the position of A. Artaud can (...)
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  11.  12
    The Assimilating Harmony: A Reading of Antonin Artaud's Heliogabale.Carol Jacobs - 1977 - Substance 6 (17):115.
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  12. Uvre Et Destruction : Jacques Derrida Et Antonin Artaud.Jean-Christophe Goddard - 2005 - In Charles Ramond & J. -M. Salanskis (eds.), Derrida: La Déconstruction. Presses Universitaires de France.
     
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  13.  1
    50 Drawings to Murder Magic.Antonin Artaud - 2008 - Seagull Books.
    Antonin Artaud was a poet, theorist, philosopher, essayist, playwright, actor and director, and one of the 20th century’s most important theoreticians of drama. His theory of the ‘Theatre of Cruelty’ has influenced playwrights as diverse as Beckett, Genet, Albee and Gelber. Magic was always a central concept for Artaud, and in nearly all his writing it is given the most positive force, as something capable of healing the rift between words and things, culture and life. But during (...)
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  14.  6
    Antonin ArtaudAntonin Artaud, Man of VisionAntonin Artaud, Poet Without Words.Sanche de Gramont, Eric Sellin, Bettina Knapp & Naomi Greene - 1971 - Diacritics 1 (2):21.
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  15. Nowe objawienia bytu.Antonin Artaud - 2001 - Sztuka I Filozofia 19.
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  16. Teatr okrucieństwa.Antonin Artaud - 2001 - Sztuka I Filozofia 19:254.
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  17. Berkeley, George 60, 62 Bemasconi, Robert Lln Bernauer, James 176, 180n, 181, 196 Beyssade, Jean-Marie 30n.Andrew Arato, Hannah Arendt, Jean-Baptiste Aristide, Antonin Artaud, Marcus Aurelius, Gaston Bachelard, Francis Bacon, Mikhail Bahktm, Gregory Bateson & Charles Baudelaire - 2003 - In Edith Wyschogrod & Gerald P. McKenny (eds.), The Ethical. Blackwell. pp. 217.
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  18.  52
    ‘Man Is Ill Because He Is Badly Constructed’: Artaud, Klossowski and Deleuze in Search for the Earth Inside.Rick Dolphijn - 2011 - Deleuze and Guatarri Studies 5 (1):18-34.
    Starting with Antonin Artaud's radio play To Have Done With The Judgement Of God, this article analyses the ways in which Artaud's idea of the body without organs links up with various of his writings on the body and bodily theatre and with Deleuze and Guattari's later development of his ideas. Using Klossowski (or Klossowski's Nietzsche) to explain how the dominance of dialogue equals the dominance of God, I go on to examine how the Son (the facialised (...)
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  19.  7
    Uccello's Fluttering Monument to Hawkwood, with Schwob and Artaud.Javier Berzal de Dios - 2016 - Diacritics 44 (2):86-103.
    At the twilight of the nineteenth century, the French symbolist writer Marcel Schwob assimilated Paolo Uccello (1397-1475) into modern sensibilities: “For Uccello did not care about the reality of things, but about their multiplicity and about the infinitude of lines.” Schwob’s consideration of Uccello (much like Antonin Artaud’s, who wrote the surrealist “Uccello le poil”) has been traditionally neglected by art historians. And yet, these literary encounters with the painter retain a sense of hermeneutical validity that, I argue, (...)
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  20.  8
    Thought’s Obsessive Vigilance: At the Limit of Derrida’s Reading of Antonin Arnaud.Alejandro A. Vallega - 2009 - Epoché: A Journal for the History of Philosophy 14 (1):143-166.
    Although not often recognized as a major concern in his fecund writings, as Derrida himself indicates, Antonin Artaud accompanies his thought throughout his career. This essay explores that relationship by marking the various places where it appears, and by focusing on Derrida’s early discussions of Artaud. In them, Derrida traces the obsessive character of metaphysics as figured by Artaud’s word, a word that occurs as a speaking-writing-drawing. While Derrida’s discussions expose us to the physicality of (...)’s word and with them to a saying exterior to the metaphysical tradition. Derrida’s own obsession with the transcendental voice keeps him at a distance from engaging in the physicality and play of language one finds in Artaud’s words. (shrink)
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  21.  8
    The Life of an Idiot: Artaud and the Dogmatic Image of Thought After Deleuze.Jon K. Shaw - 2016 - Theory, Culture and Society 33 (7-8):237-252.
    The conceptual persona of the idiot recurs and evolves over the decades between Deleuze’s Difference and Repetition and his final book with Guattari, What is Philosophy?, shifting from a philosophical question to a nonphilosophical one that allies thought with literature and life. The great figure of this shock of literature is Antonin Artaud who, Deleuze argues, refinds thought’s creative capacity by putting it back in touch with its immanent outside – with a machinic and pre-personal ‘unthought’. This essay (...)
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  22.  12
    Mimèsis et catharsis : de la représentation à la dénégation du réel chez Aristote, Artaud et Brecht.Alain Bernard Marchand - 1988 - Philosophiques 15 (1):108-127.
    La présente étude propose une relecture de trois théoriciens dont les investigations continuent à servir de pierre angulaire à la théâtrologie : celles d'Aristote dont La Poétique, outre le fait qu'elle consacre le théâtre occidental, sert de fondement à l'esthétique dramatique et celles, plus récentes, d'Antonin Artaud et de Bertolt Brecht qui, bien qu'ils aient réfuté radicalement les théories aristoté- liciennes, ne se sont pas moins distingués l'un de l'autre pour donner les deux grandes voies que l'on sait (...)
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  23.  92
    Aesthetic Theory and The Philosophy of Nature.Said Mikki - manuscript
    We investigate the fundamental relationship between philosophical aesthetics and the philosophy of nature, arguing for a position in which the latter encompasses the former. Two traditions are set against each other, one is natural aesthetics, whose covering philosophy is Idealism, and the other is the aesthetics of nature, the position defended in this article, with the general program of a comprehensive philosophy of nature as its covering theory. Our approach is philosophical, operating within the framework of the ontology of the (...)
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  24. Against Brain-in-a-Vatism: On the Value of Virtual Reality.Jon Cogburn & Mark Silcox - 2014 - Philosophy and Technology 27 (4):561-579.
    The term “virtual reality” was first coined by Antonin Artaud to describe a value-adding characteristic of certain types of theatrical performances. The expression has more recently come to refer to a broad range of incipient digital technologies that many current philosophers regard as a serious threat to human autonomy and well-being. Their concerns, which are formulated most succinctly in “brain in a vat”-type thought experiments and in Robert Nozick's famous “experience machine” argument, reflect a fundamental misunderstanding of the (...)
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  25. The Antichrist: Exterminating Texts and Terminal Ecstasies.Friedrich Nietzsche - 2006 - Solar Books.
    Antonin Artaud's novelised biography of the 3rd-century Roman Emperor Heliogabalus is simultaneously his most accessible and his most extreme book. Written in 1933, at the time when Artaud was preparing to stage his legendary Theatre of Cruelty, Heliogabalus is a powerful concoction of sexual excess, self-deification and terminal violence. Translated by Alexis Lykiard and with an introduction by Stephen Barber.
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  26. Teatr Zawsze Umiera.Stanley Gontarski - 2020 - Acta Universitatis Lodziensis. Folia Litteraria Polonica 59 (4):191-209.
    The Theater Is always Dying traces the resilience of live theatrical performance in the face of competing performative forms like cinema, television and contemporary streaming services on personal, hand-held devices and focuses on theater’s ability to continue as a significant cultural, community and intellectual force in the face of such competition. To echo Beckett, we might suggest, then, that theater may be at its best at its dying since its extended demise seems self-regenerating. Whether or not you “go out of (...)
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  27. Deleuze and the Enaction of Nonsense.William Short, Alistair Welchman & Wilson Shearin - 2014 - In Tom Froese & Massimiliano Cappuccio (eds.), Enactive Cognition at the Edge of Sense-Making. pp. 238-265.
    This chapter examines the ways in which French philosopher Gilles Deleuze offers conceptual resources for an enactive account of language, in particular his extensive consideration of language in The Logic of Sense. Specifically, Deleuze’s distinction between the nonsense of Lewis Carroll’s portmanteau creations and that of Antonin Artaud’s “transla- tion” of Carroll’s Jabberwocky highlights the need for an enactive, rather than merely embodied, approach to sense-making, particularly with regard to the general category of what Jakobson and Halle (1956) (...)
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  28.  13
    The Question of Re-Turning: Toward or Away From the Virtual?Sanja Dejanovic - 2015 - Journal of French and Francophone Philosophy 23 (1):79-101.
    It is by now generally understood that the nature of events are central to Deleuze’s philosophical endeavour. This has not meant, however, that the process mapped out by this concept has been adequately grasped. Indeed, the lines mapping out events are obscured, theoretical, even otherworldly, whenever the complexities of the creating of the virtual and the actual as the created, are reductively conceived as giving way to two separated domains; two separated domains whereby the repeater would be forever condemned to (...)
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  29.  17
    The Strangest Cult: Material Forms of the Political Book Through Deleuze and Guattari.Nicholas Thoburn - 2013 - Deleuze and Guatarri Studies 7 (1):53-82.
    This article investigates the complex object of the political book. Mobilising Deleuze and Guattari's typology of the book, the article assesses the material properties of four specific books (or sets of books): Mao Zedong's ‘Little Red Book’, Russian Futurist books, Antonin Artaud's paper ‘spells’, and Guy Debord and Asger Jorn's ‘anti-book’ Mémoires. Highly critical of the dominant mode of the political book, what they call the ‘root-book’, Deleuze and Guattari draw attention to the troubling religious structures and passions (...)
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  30.  3
    The Concept of Sense in Gilles Deleuze's Logic of Sense.Daniel W. Smith - 2022 - Deleuze and Guattari Studies 16 (1):3-23.
    What is the concept of sense developed by Deleuze in his 1969 Logic of Sense? This paper attempts to answer this question analysing the three dimensions of language that Deleuze isolates: the primary order of noises and intensities ; the secondary order of sense ; and the tertiary organisation of propositions. What renders language possible is that which separates sounds from bodies and organises them into propositions, freeing them for the expressive function. Deleuze argues that it is the dimension of (...)
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  31.  1
    The Wrong Side Out With(Out) God: An Autopsy of the Body Without Organs.Matthew G. Whitlock - 2020 - Deleuze and Guattari Studies 14 (3):507-532.
    While the Deleuzo-Guattarian concept of ‘body without organs’ is developed alongside their critique of Freudian and Lacanian psychoanalysis, it is also developed alongside their critique of Christianity, most poignantly in the sixth plateau of A Thousand Plateaus. Here Deleuze and Guattari quote Antonin Artaud in order to show how ‘the judgment of God weighs upon and is exercised against the BwO’. In order to understand this relationship between judgement of God and the BwO, this essay explores Deleuze's critiques (...)
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  32. Giorgio Agamben: Legal, Political and Philosophical Perspectives.Tom Frost - 2013 - Routledge.
    This book collects new contributions from an international group of leading scholars – including many who have worked closely with Agamben – to consider the impact of Agamben's thought on research in the humanities and social sciences. Giorgio Agamben: Legal, Political and Philosophical Perspectives addresses the potential of Agamben's thought by re-focusing attention away from his critiques of Western politics and towards his scheme for a political future. Part I of the book draws upon a wide range of issues such (...)
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  33.  24
    "After Great Pain": The Epistemology of the Grave According to Emily Dickinson.Daniel Thomières - 2017 - Philosophy and Literature 41 (2):338-359.
    For Emily Dickinson, writing often meant experimenting. She experimented with words so as to acquire new perspectives through her representations of the self and the world. It certainly looks as if each one of her most intense poems was an attempt to see how far one could go both with language and consciousness, and she accordingly knew that the general public would find her experiments unreadable. Only since 1955, when Thomas H. Johnson published the first collected edition, have we slowly (...)
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  34.  6
    Theatre as Contagion: Making Sense of Communication in Performative Arts.Małgorzata Sugiera - 2017 - Text Matters - a Journal of Literature, Theory and Culture 7 (7):291-304.
    Contagion is more than an epidemiological fact. The medical usage of the term is no more and no less metaphorical than in the entire history of explanations of how beliefs circulate in social interactions. The circulation of such communicable diseases and the circulation of ideas are both material and experiential. Diseases and ideas expose the power and danger of bodies in contact, as well as the fragility and tenacity of social bonds. In the case of the theatre, various tropes of (...)
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  35.  1
    The Tel Quel Reader.Patrick Ffrench & Roland-François Lack (eds.) - 1998 - Routledge.
    The work of the French literary review, intellectual grouping and publishing team Tel Quel had a profound impact on the formation of literary and cultural debate in the 1960s and 70s. Its legacy has had enormous influence on the parameters of such debate today. From its beginning in 1960 to its closure in 1982, it published some of the earliest work of Jacques Derrida, Julia Kristeva, Michel Foucault and Roland Barthes. It was also associated with some of the key ideas (...)
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  36. Cryptes de Derrida.Jacob Rogozinski - 2014 - Lignes.
    Cet ouvrage est une édition revue et augmentée d'une première publication aux éditions Lignes/Léo Sheer, sous le titre Faire part, Cryptes de Derrida, à l'occasion du premier anniversaire de la mort de Jacques Derrida en 2005. Professeur de philosophie à l'université de Strasbourg, Jacob Rogozinski est notamment l'auteur de Le Moi et la chair. Introduction à l'ego-analyse et de Guérir la vie. La passion d'Antonin Artaud.
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  37.  25
    Force of Flesh: From the Phenomenology of the Living Body to the Ethics of Meat Consumption in Derrida’s Deconstruction of Law and Justice.Yoav Kenny - 2016 - Research in Phenomenology 46 (3):426-439.
    _ Source: _Volume 46, Issue 3, pp 426 - 439 The concept of _flesh_ had a very short and fragmented career in the writings of Jacques Derrida, appearing as such in central arguments only in his reading of Antonin Artaud from 1965 and in an interview with Jean-Luc Nancy from 1988. By exposing and exploring several implicit discussions of flesh in Derrida’s juridico-political texts from the 1990s, this paper outlines the conceptualization of flesh implicit in Derrida’s work and, (...)
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  38.  2
    A Transatlantic Political Theology of Psychedelic Aesthetics: Enchanted Citizens.Roger K. Green - 2019 - Springer Verlag.
    Arguing that we ought to look to psychedelic aesthetics of the 1960s in relation to current crises in liberal democracy, this book emphasizes the intersection of European thought and the psychedelic. The first half of the book focuses on philosophical influences of Herbert Marcuse and Antonin Artaud, while the second half shifts toward literary and theoretical influences of Aldous Huxley on psychedelic aesthetics. Framed within an emergent discourse of political theology, it suggests that taking a postsecular approach to (...)
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  39.  3
    Aesthetic Theory and the Philosophy of Nature.Said Mikki - 2021 - Philosophies 6 (3):56.
    We investigate the fundamental relationship between philosophical aesthetics and the philosophy of nature, arguing for a position in which the latter encompasses the former. Two traditions are set against each other, one is natural aesthetics, whose covering philosophy is Idealism, and the other is the aesthetics of nature, the position defended in this article, with the general program of a comprehensive philosophy of nature as its covering theory. Our approach is philosophical, operating within the framework of the ontology of the (...)
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  40. Unidade Ou Diferença: Entre o Corpo Derridiano E a Poesia Blanchotian.Mayara Dionizio - 2019 - Griot : Revista de Filosofia 19 (2):154-170.
    O presente artigo explora a divergência interpretativa entre as leituras de Jacques Derrida e Maurice Blanchot a respeito da obra de Antonin Artaud. A obra de Artaud demonstra a problemática acerca do processo da escrita como lugar de ausência, ou seja, a relação decalcada entre o pensamento e sua representação na linguagem falada e escrita. Para Blanchot, a questão sobre o impoder, inerente ao processo da escrita, é experienciada por Artaud como porvir da obra literária/poética, tais (...)
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  41.  1
    La liturgie et son double.Ângelo Cardita - 2019 - Laval Théologique et Philosophique 75 (1):3-16.
    This study is inspired by the thirst for a living theater by Antonin Artaud. We begin by looking for points of contact between the theater of cruelty and the Christian liturgy in the perspective of the call for active participation. Next, we question the philosophical transcription of Artaud’s gesture made by Derrida and, in particular, the liturgical significance of the theological criticism of the theater, that is, the criticism of the theological content of any representational theater. We (...)
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  42.  19
    Soliciting Self-Knowledge: The Rhetoric of Susan Sontag's Criticism.Cary Nelson - 1980 - Critical Inquiry 6 (4):707-726.
    Sontag is certainly attracted to the aesthetic she describes but not so wholeheartedly as many readers have assumed.1 One of the ironies of her career has been her reputation as an enthusiast for works toward which she actually expresses considerable ambivalence. Many of her essays include overt advocacy, but it is rarely uncomplicated or uncompromised.2 Despite her reputation for partisanship, she more typically begins her essays by recounting an experience of alienation, annoyance, uncertainty, or shock. For example, she describes the (...)
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  43. Speech Begins After Death.Philippe Artieres & Robert Bononno (eds.) - 2013 - Univ of Minnesota Press.
    In 1968, Michel Foucault agreed to a series of interviews with critic Claude Bonnefoy, which were to be published in book form. Bonnefoy wanted a dialogue with Foucault about his relationship to writing rather than about the content of his books. The project was abandoned, but a transcript of the initial interview survived and is now being published for the first time in English. In this brief and lively exchange, Foucault reflects on how he approached the written word throughout his (...)
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  44.  9
    L’incarnation phénoménologique à l’épreuve du « corps sans organes ».Alain Beaulieu - 2004 - Laval Théologique et Philosophique 60 (2):301-316.
    Résumé L’incarnation phénoménologique a-t‑elle, dès Husserl, une origine christique? Ce qu’on a appelé le tournant théologique de la phénoménologie amorcé dans les années 1960 en France obéirait bien plutôt, en ce cas, à l’inspiration du mouvement phénoménologique dès ses débuts. On explore ici cette question, en mettant la chair phénoménologique à l’épreuve de l’athéisme de Deleuze et du thème du « corps sans organes » issu du rapport conflictuel d’Antonin Artaud avec la mystique chrétienne, et en remontant à (...)
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  45.  70
    Corps À: Body/Ies in Deconstruction.Thomas Clément Mercier - 2019 - Parallax 25 (1):1-7.
    This essay explores how contemporary works of critical theory and deconstruction can challenge preconceptions of the body and embodiments and interrogate their limits, particularly in relation to intertwined foldings of desire, gender, race and sexuality. It aims to suggest that Jacques Derrida’s acute concern for the question of translation might help challenge and re-configure the conventional dichotomy between understandings of the body either as physical/material or as socio-culturally constructed. The authors then analyse the questions of translation and untranslatability in relation (...)
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  46.  2
    Watching Chariots Pass By: A Personal Reflection on Being Inspired by the Work of Asphodel.Richard Arrandale - 2002 - Feminist Theology 11 (1):16-26.
    In this article, I want to assess the contribution of the work of Asphodel in terms of an idea of inspiration. Through autobiographical and personal reflection, I want to develop an idea of inspiration that owes something to Christ's idea of embodied thinking as well as Antonin Artaud's approach to transformative theatre. What I want to suggest is that part of assessing the contribution of the work of a thinker must include the sense in which she inspires and (...)
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  47. Revelation and Phenomenal Relations.Antonin Broi - 2020 - Philosophical Quarterly 70 (278):22-42.
    Revelation, or the view that the essence of phenomenal properties is presented to us, is as intuitively attractive as it is controversial. It is notably at the core of defences of anti-physicalism. I propose in this paper a new argument against Revelation. It is usually accepted that low-level sensory phenomenal properties, like phenomenal red, loudness or brightness, stand in relation of similarity and quantity. Furthermore, these similarity and quantitative relations are taken to be internal, that is, to be fixed by (...)
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  48. Effective Altruism and Systemic Change.Antonin Broi - 2019 - Utilitas 31 (3):262-276.
    One of the main objections against effective altruism is the so-called institutional critique, according to which the EA movement neglects interventions that affect large-scale institutions. Alexander Dietz has recently put forward an interesting version of this critique, based on a theoretical problem affecting act-utilitarianism, which he deems as potentially conclusive against effective altruism. In this article I argue that his critique is not as promising as it seems. I then go on to propose another version of the institutional critique. In (...)
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    The Evolution of Phenotypic Plasticity: Genealogy of a Debate in Genetics.Antonine Nicoglou - 2015 - Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 50:67-76.
    The paper describes the context and the origin of a particular debate that concerns the evolution of phenotypic plasticity. In 1965, British biologist A. D. Bradshaw proposed a widely cited model intended to explain the evolution of norms of reaction, based on his studies of plant populations. Bradshaw’s model went beyond the notion of the “adaptive norm of reaction” discussed before him by Dobzhansky and Schmalhausen by suggesting that “plasticity” the ability of a phenotype to be modified by the environment (...)
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    Demuth Randomness and Computational Complexity.Antonín Kučera & André Nies - 2011 - Annals of Pure and Applied Logic 162 (7):504-513.
    Demuth tests generalize Martin-Löf tests in that one can exchange the m-th component a computably bounded number of times. A set fails a Demuth test if Z is in infinitely many final versions of the Gm. If we only allow Demuth tests such that GmGm+1 for each m, we have weak Demuth randomness.We show that a weakly Demuth random set can be high and , yet not superhigh. Next, any c.e. set Turing below a Demuth random set is strongly jump-traceable.We (...)
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