This work offers a provocative new historical and systematic interpretation of the epistemological doctrines of three twentieth-century giants: Husserl, Heidegger, and Merleau-Ponty. Pietersma argues that these three philosophers, while connected by their phenomenological doctrines, have underappreciated and interestingly-linked views on the theory of knowledge.

The notion of "seeing the object itself," basic in husserl's theory of knowledge, Can only make sense, If we interpret it with the help of his notion of horizon or implicit context. Seeing the object itself is an achievement experienced as such. This must mean that the subject has an implicit awareness of a context of other possible epistemic situations in which what is now "seen" or viewed "close up" can be referred to from a "distance." "distance" is here of (...) course not to be understood in a purely objective spatial sense. What distance, If any, Separates him from the object is a function of what cognitive steps, If any, The subject is aware of as steps he might take in order to obtain a better grasp of the object. It is beyond the scope of this article to study how this purely phenomenological contrast between modes of intentionality precisely functions within husserl's epistemology as a whole. This would require a thorough discussion of his concepts of 'evidenz' and truth and of the way in which he confronts skepticism. (shrink)

In an article which appeared in The Philosophical Review Karl Ameriks argues in favour of the rather surprising thesis that Husserl, his own statements and a host of commentators and critics notwithstanding, was a realist, i.e., a philosopher who held that “there are physical objects which exist outside consciousness and are not wholly dependent on it”. More recently, Harrison Hall, in his contribution to the volume Husserl, Intentionality, and Cognitive Science, has argued that in Husserl's view there is no legitimate (...) philosophical issue between realism and idealism, because philosophy is concerned exclusively with meanings. Both interpretations are careful, documenting each point with texts, and contain several elements that are illuminating. Yet they are fundamentally mistaken as regards their main thesis, as I shall argue in this paper. (shrink)

This anthology of recent critical studies of Maurice Merleau-Ponty and his work is intended as a useful text for upper-level undergraduate and graduate students of philosophy.

The paper begins with a characterization of its methodological point designed to bring out those features that would recommend it to philosophers. The concept of this method is emphatically distinguished from the scope given to it by philosophers who actually use it. Husserl, For instance, Held that all philosophical questions are accessible by this method of reduction. In the last part of the paper I am suggesting that there is a legitimate form of skepticism which husserl's position fails to recognize.

WHY HAS CONTEMPORARY PHENOMENOLOGY apparently dropped the discipline of epistemology from the rostrum of philosophy? I find it strange in the highest degree, because the philosopher generally acknowledged as the father of phenomenology, Edmund Husserl, introduced it by way of emphasizing the universality of the problem of knowledge. Facing up to the latter, he argued, will lead us to phenomenology in its full philosophical significance. Here I am, of course, thinking of the lectures of 1907, later published in the collected (...) works as The Idea of Phenomenology. Nowadays, however, an account of phenomenology that emphasizes the theory of knowledge of Husserl and later philosophers who declared their indebtedness to him, for example, Heidegger and Merleau-Ponty, encounters the charge that such an account distorts everything in the phenomenological tradition. Apparently epistemology is out, and ontology is in. Even knowledge itself is spoken of in ontological language, for example, as a mode of being. How did phenomenologists get from one to the other? In the light of the so-called transcendental-phenomenological reduction and the usual argumentation surrounding it, it is a bit counterintuitive to have phenomenology end up as an ontology. (shrink)

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

THE VALUE OF SCIENCE INTRODUCTION The search for truth should be the goal of our activities; it is the sole end worthy of them. Doubtless we should first bend our efforts to assuage human suffering, but why ? Not to suffer is a negative ...

One of the major works of an important modem philosopher, Matter and Memory investigates the autonomous yet interconnected planes formed by matter and perception on the one hand and memory and time on the other. Henry Bergson (1859-1941) was awarded the Nobel Prize in 1927. His works include Time and Free Will, An Introduction to Metaphysics, Creative Evolution, and The Creative Mind.

Henri Meschonnic was a linguist, poet, translator of the Bible and one of the most original French thinkers of his generation. He strove throughout his career to reform the understanding of language and all that depends on it. His work has had a shaping influence on a generation of scholars and here, for the first time, a selection of these are made available in English for a new generation of linguists and philosophers of language. This Reader, featuring fourteen texts covering (...) the core concepts and topics of Meschonnic's theory, will enrich, enhance and challenge your understanding of language. It explores his key ideas on poetics, the poem, rhythm, discourse and his critique of the sign. Meschonnic's vast oeuvre was continuously preoccupied with the question of a poetics of society; he constantly connected the theory of language to its practice in various fields and interrogated what that means for society. In exploring this fundamental question, this book is central to the study and philosophy of language, with rich repercussions in fields such as translation studies, poetics and literary studies, and in redefining notions such as rhythm, modernity, the poem and the subject. (shrink)

Both an ideal entrée for beginning readers and a solid text for scholars, the second edition of Peter Kalkavage's acclaimed translation of Plato's _Timaeus_ brings enhanced accessibility to a rendering well known for its faithfulness to the original text. An extensive essay offers insights into the reading of the work, the nature of Platonic dialogue, and the cultural background of the _Timaeus_. Appendices on music, astronomy, and geometry provide additional guidance. A brief outline of the themes of the work, a (...) detailed glossary, and a selected bibliography are also included. (shrink)

One of the most influential of the Victorian philosophers, Henry Sidgwick also made important contributions to fields such as economics, political theory and classics. A proponent of the utilitarianism of Jeremy Bentham and John Stuart Mill, which he analysed in his classic work The Methods of Ethics, he later turned to the practical side of politics in this work, published in 1891. His aim was to have a 'rational discussion of political questions in modern states', and he offers a (...) thorough examination of Victorian politics, beginning with a discussion of political theory before moving on to more concrete matters such as property and law. The later chapters discuss the function of government through themes such as procedural matters, international affairs, war, political parties, and public participation, giving a comprehensive account of both ideas about and the functioning of late-nineteenth-century government. (shrink)

On the nature of mathematical reasoning -- Mathematical magnitude and experience -- Non-Euclidian geometries -- Space and geometry -- Experience and geometry -- Classical mechanics -- Relative and absolute motion -- Energy and thermodynamics -- Hypotheses in physics -- Theories of modern physics -- Probability calculus -- Optics and electricity -- Electrodynamics -- The end of matter.

Henri Bergson (1859-1941) is one of the truly great philosophers of the modernist period, and there is currently a major renaissance of interest in his unduly neglected texts and ideas amongst philosophers, literary theorists, and social theorists. Creative Evolution (1907) is the text that made Bergson world-famous in his own lifetime; in it Bergson responds to the challenge presented to our habits of thought by modern evolutionary theory, and attempts to show that the theory of knowledge must have its basis (...) in a theory of life. (shrink)

Henri Bergson (1859-1941) is one of the truly great philosophers of the modernist period, and there is currently a major renaissance of interest in his unduly neglected texts and ideas amongst philosophers, literary theorists, and social theorists. Creative Evolution (1907) is the text that made Bergson world-famous in his own lifetime; in it Bergson responds to the challenge presented to our habits of thought by modern evolutionary theory, and attempts to show that the theory of knowledge must have its basis (...) in a theory of life. (shrink)

" Vivid . . . immense clarity . . . the product of a brilliant and extremely forceful intellect." — Journal of the Royal Naval Scientific Service "Still a sheer joy to read." — Mathematical Gazette "Should be read by any student, teacher or researcher in mathematics." — Mathematics Teacher The originator of algebraic topology and of the theory of analytic functions of several complex variables, Henri Poincare (1854–1912) excelled at explaining the complexities of scientific and mathematical ideas to lay (...) readers. Science and Method, written in 1908, has been appreciated by a wide audience of nonprofessionals and translated into many languages. It defines the basic methodology and psychology of scientific discovery, particularly in regard to mathematics and mathematical physics. Drawing on examples from many fields, it explains how scientists analyze and choose their working facts, and it explores the nature of experimentation, theory, and the mind. 1914 edition. Translated by Francis Maitland. (shrink)

There is growing interest in machine ethics in the question of whether and under what circumstances an artificial intelligence would deserve moral consideration. This paper explores a particular type of moral status that the author terms psychological moral patiency, focusing on the epistemological question of what sort of evidence might lead us to reasonably conclude that a given artificial system qualified as having this status. The paper surveys five possible criteria that might be applied: intuitive judgments, assessments of intelligence, the (...) presence of desires and autonomous behavior, evidence of sentience, and behavioral equivalence. The author suggests that despite its limitations, the latter approach offers the best way forward, and defends a variant of that, termed the cognitive equivalence strategy. In short, this holds that an artificial system should be considered a psychological moral patient to the extent that it possesses cognitive mechanisms shared with other beings such as nonhuman animals whom we also consider to be psychological moral patients. -/- . (shrink)

Bergson's famous study of the philosophical implications of biological evolutionary theory, presenting the idea of a creative life force shaping both the world and itself.

"A mesure que végétaux et animaux se différenciaient, la vie se scindait en deux règnes, séparant ainsi l'une de l'autre les deux fonctions primitivement réunies. Ici elle se préoccupait davantage de fabriquer l'explosif, là de le faire détoner. Mais, qu'on l'envisage au début ou au terme de son évolution, toujours la vie dans son ensemble est un double travail d'accumulation graduelle et de dépense brusque : il s'agit pour elle d'obtenir que la matière, par une opération lente et difficile, emmagasine (...) une énergie de puissance qui deviendra tout d'un coup énergie de mouvement. ". (shrink)

HENRI BERGSON (1859-1941), philosophe français, professeur au Collège de France de 1900 jusqu´à 1921, récompensé avec le prix Nobel de littérature en 1928. Ses oeuvres majeures, écrites avec un style parfaitement accessible au lecteur non spécialisé, sont : « Essai sur les données immédiates de la conscience » (1889), « Matière et mémoire » (1896), « L´évolution créatrice » (1907) et « Les deux sources de la morale et de la religion » (1932). Dans ces études, Bergson élabore une vision (...) philosophique en opposition au matérialisme et positivisme scientifique. Concentrant sa recherche sur les intuitions individuelles, il prône la notion d´élan vital, lequel dirige le procès évolutif vers des états d´organisation de plus en plus complexes, et de là vient l´intérêt de donner prééminence à tout ce qui est spirituel et ouvertement créatif, sur tout ce qui est formel, fixé, fermé. Dans « Le rire : essai sur la signification du comique » (1900), il trouve que le comique est soulevé des que nous percevons dans les actions humaines les automatismes, répétitions ou dysfonctionnements qui contrastent avec l´essentielle spontanéité de la vie réelle. (shrink)

This volume offers a translation with introduction and notes of Henry of Ghent's questions on the being and essence of God from his Summa of Ordinary Questions (Summa quaestionum ordinarium). These questions form the heart of Henry's philosophy of God, especially his "new way" of proving the existence of God and his claim that God is the first object known by the human intellect.

HENRI BERGSON (1859-1941), philosophe français, professeur au Collège de France de 1900 jusqu´à 1921, récompensé avec le prix Nobel de littérature en 1928. Ses oeuvres majeures, écrites avec un style parfaitement accessible au lecteur non spécialisé, sont : « Essai sur les données immédiates de la conscience » (1889), « Matière et mémoire » (1896), « L´évolution créatrice » (1907) et « Les deux sources de la morale et de la religion » (1932). Dans ces études, Bergson élabore une vision (...) philosophique en opposition au matérialisme et positivisme scientifique. Concentrant sa recherche sur les intuitions individuelles, il prône la notion d´élan vital, lequel dirige le procès évolutif vers des états d´organisation de plus en plus complexes, et de là vient l´intérêt de donner prééminence à tout ce qui est spirituel et ouvertement créatif, sur tout ce qui est formel, fixé, fermé. Dans « Le rire : essai sur la signification du comique » (1900), il trouve que le comique est soulevé des que nous percevons dans les actions humaines les automatismes, répétitions ou dysfonctionnements qui contrastent avec l´essentielle spontanéité de la vie réelle. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)