The major statements of the leading figures in the nineteenth- and twentieth-century German and French hermeneutic traditions.

Attempts to show that traditional definitions of "science" and "technology" fail to capture the complex discursive construction of scientific knowledge. Argues (accompanied by many literary and philosphical examples) that science, technology, and the humanities developed in concert with each other, and that their reciprocal relationship transcends traditional disciplinary boundaries. Cloth edition (unseen), $35. Annotation copyrighted by Book News, Inc., Portland, OR.

This translation of Lyotard's first book, La phenomenologie (first publication in 1954; the translation is from the 10th edition of 1986, Presses Universitaires de France) supplies an important link to Lyotard's more recent work.

The strategy of deconstruction displayed in the writing of Jacques Derrida forces a self-reflexive moment, in the encounter with the text, that disqualifies and obliterates the protocols of reading. "Binding Textuality" broaches and embraces the question of reading through an enactment of specific Derridean textual motifs. ;A central aim of the text is to expose Jacques Derrida through a reading of the relations his writing exhibits with respect to particular texts and textual themes promulgated in the history of Western philosophy. (...) To achieve this aim, a certain economy is established and maintained to force an opening in the style Jacques Derrida models. "Binding Textuality" proceeds in three Parts entitled "The Question of Reading: An Introduction," "Semeiotic, Language, Tradition," and "The Play of Ellipsis: Annular Translation." These parts proffer a rendering of the Derridean text, respectively, through: a series of questions that affords a pre-opening to that script; a staging of the horizontal boundaries or the tradition which prefigures that script; and an interpretive unraveling and restitching of Derrida's text to indicate the play at work in reading such a contemporary style of writing. ;The strategy of "Binding Textuality" is obliged to deploy or to undergo, and as such to demonstrate and to capitalize on, the contortions and tropes of Derrida's maneuvers and strategies as a style that plays with dissimulation, deceit, and artifice. Derrida's text is shown to afford a certain style of inquiry, a style of philosophy, or philosophic cunning. Affirming the invitation and encouragement of Derrida's text to risk the uncertainty of inquiry, the insight of "Binding Textuality" comes to just this: the writing of Jacques Derrida fosters a genuinely novel and unselfish rendering of paideia. Now, Jacques Derrida is read or seen as a bricoleur attempting to realize the necessity of self-criticism and the need for the recombination of ideas and possibilities that unfold through self-critique. (shrink)

Bringing together philosophy, literary criticism and textual theory, social and political theory, and the philosophy of language and cognitive science, this collection intends to establish an interpretive framework for exploring the ubiquity nd mediacy of technology.

Redefining, redrawing, and resetting the respective domains of philosophy, medicine, and health care, this book provides a conceptual point of departure from which the radical changes that will be required of health care in the next century can be envisioned and acted upon. It provides critical analyses of the conceptual apparatus that informs the many dimensions of health care practices, challenging the fundamental relationships of authority that exist between patients and health care practitioners, questioning the tradition of using classical ethical (...) theories within the domain of health care, and suggesting a set of different directions in which health care should develop. (shrink)

The focus of this essay is to display and to work within the congruent levels of discourse at play in Nietzsche's text, with particular reference to the trope ''woman." Derrida's treatment of Nietzsche produced in Eperons: Les Styles de Nietzsche provides the medium, the universe of discourse if you will, for reading Nietzsche's deployment of "woman" in his writings. Derrida is a prop that sets up the discourse in the following fashion: Nietzsche's metaphor of the vita femina is comprehended in (...) light of and integrated with Derrida's conception o/la femme-verite . The desire of this reading is to question the following: the ideal or idol of feminism and antifeminism, i.e., the image, the figure of woman as such, woman engenderedthrough the idiom of what should be the case or the condition of woman as a human being; and the presumptuous attitude of the feminist and/or anti-feminist, scholar or priest, that a particular discourse, her/his discourse, is of any interest or pertinence to women or woman. (shrink)

The focus of this essay is to display and to work within the congruent levels of discourse at play in Nietzsche's text, with particular reference to the trope ''woman." Derrida's treatment of Nietzsche produced in Eperons: Les Styles de Nietzsche provides the medium, the universe of discourse if you will, for reading Nietzsche's deployment of "woman" in his writings. Derrida is a prop that sets up the discourse in the following fashion: Nietzsche's metaphor of the vita femina is comprehended in (...) light of and integrated with Derrida's conception o/la femme-verite. The desire of this reading is to question the following: the ideal or idol of feminism and antifeminism, i.e., the image, the figure of woman as such, woman engenderedthrough the idiom of what should be the case or the condition of woman as a human being; and the presumptuous attitude of the feminist and/or anti-feminist, scholar or priest, that a particular discourse, her/his discourse, is of any interest or pertinence to women or woman. (shrink)

The essays presented here offer contemporary analyses of interpretation by prominent figures in philosophy and literary criticism, including Foucault, Kristeva, and Derrida.

Results of a study investigating the relation between personality traits and ethical-orientation indicate sex is not an good predictor for differences in Machiavellian-, Type A personality- or ethical-orientation. Intelligence is found to be positively associated with Machiavellian- and Type A personality-orientation but negatively associated with ethical-orientation. Machiavellians tend to have Type A personalities, but tend to be less ethically-oriented than Nonmachiavellians. Type A personalities are more ethically-orientated than Type B personalities.

This essay reads Iris Marion Young’s foundational essay “Throwing Like a Girl” as one of the first serious attempts to mount a critique of phenomenology’s universal aspirations using its own methods, in order to show that its humanism was deeply, if unknowingly, inflected by gender. I show how Young’s use of Erwin Straus’s and Maurice Merleau-Ponty’s phenomenological methods both extend and challenge their claims, and her how assertions about the particularity of feminine existence call into question some of phenome-nology’s deepest (...) convictions about bodily existence in general. Her argument thus uses phenomenology to call into question the phenomenological foundation on which it rests, in a feminist reconsideration of motility, space, intentionality, and transcendence. I conclude by turning to “Throwing Like a Girl: Twenty Years Later” twenty years after its publication and consider the phenomenology of action and relation that Young gestures toward there. Dans cet article, nous présenterons l’article révolutionnaire d’Iris Marion Young, « Lancer comme une fille », comme l’une des premières tentatives de critiquer les aspirations universelles de la phénoménologie en utilisant ses propres méthodes. Young démontre que l’humanisme de la phénoménologie est profondément (et mal-gré elle) influencé par le genre. Nous montrerons en quoi le recours par Young aux approches phénoménologiques d’Erwin Straus et de Maurice Merleau-Ponty permet de mettre à l’épreuve leurs thèses. Nous expliquerons ensuite comment son exploration de la spécificité de l’existence féminine met en question les convictions les plus profondes de la phénoménologie concernant l’existence corporelle en général. Ainsi, en examinant la motilité, l’intentionnalité et la transcendance dans une perspective féministe, Young fait appel à la phénoménologie pour questionner les fondements phénoménologiques sur lesquels il repose. Dans un deuxième temps, nous abor-derons, vingt ans après sa publication, l’article « Throwing Like a Girl : Twenty Years Later » pour présenter la phénoménologie de l’action et de la relation qui y est esquissée. (shrink)

_Humanizing Education_ offers historic examples of humanizing educational spaces, practices, and movements that embody a spirit of hope and change. From Dayton, Ohio, to Barcelona, Spain, this collection of essays from the _Harvard Educational Review_ carries readers to places where people have first imagined—and then organized—their own educational responses to dehumanizing practices and conditions. Contributors include Montse Sánchez Aroca, William Ayers, Kathy Boudin, Fernando Cardenal, Jeffrey M. R. Duncan-Andrade, Marco Garrido, Jay Gillen, Maxine Greene, Kathe Jervis, Nancy Uhlar Murray, Valerie (...) Miller, Wendy Ormiston, Ana Y. Ramos-Zayas, Vanessa Siddle Walker, Arthur E. Thomas, and Travis Wright. (shrink)

Argues that love plays an essential—if often implicit—role in Hegel's mature theory of moral subjectivity and political community.

By exploring and giving equal weight to transgendered subjectivities, however, Gayle Salamon upends these certainties.

This essay considers what is critical in critical phenomenology, and asks what features critical and phenomenological methods share. I suggest three fundamentally significant resonances between the critical and phenomenological enterprises. First is the suggestion that critique, like phenomenology, is an attempt to move beyond a dualism of inside and outside in order to extend into outer regions of what is known. Second is the insistence that what at first appears to be a purely negative endeavor, a finding of limit, is (...) incomplete if, upon finding that limit, it comes to a stop. Just as the reduction is not a means to banish or negate the world, but rather the condition through which it can more fully emerge, critique cannot be merely a cataloguing of the limitations of the present situation. Third is the openness to the possibilities of the world, a wonder or curiosity, that is revealed through the work of description in phenomenology, or Foucault’s characterization of philosophy not as an unmasking, but a making visible of what is visible. Finally I consider critical phenomenology’s futures: How is a newly enlivened kind of scholarship emerging from these two forms of thinking, both of which have been dismissed as outmoded or irrelevant? The new work currently emerging in phenomenology, with its emphasis on its own reflexive self-consideration and decolonization, offers hope that it might yet be capacious enough to simultaneously encompass the revelation of its limitations as well as the expansion of its reach. (shrink)

Inequity has been a hallmark of the COVID-19 pandemic in the United States, especially in the sharply disproportionate impacts among people of color. Recent studies have confirmed that t...

Western aesthetics attends to its art as a symbohsm-statement created by an artist with a signature-statement. Accompanying every piece is a unique set of informative signs, symbols and techniques which allow for interpretive readings from an individual expression within the Western cultural context. Does an art form from another culture, specifically the Tibetan thanka as selfless art in a selfless culture, retain its aflfectivity and integrity when attended to by Western perusal outside its cultural context? And when the thanka travels, (...) does it come with all its baggage? (shrink)