Zum Geleit -- Metapher und Allegorie bei Philo von Alexandrien -- Philos Kosmologie zwischen Platonismus und Biblizismus -- Die kosmische Bedeutung des jüdischen Hohepriesters im Denken Philos von Alexandrien -- Das Gebet bei Philo von Alexandrien -- Aretē und Pathos bei Philo von Alexandrien -- Hoffnung und Freude, Kummer und Furcht bei Philo von Alexandrien -- Gesundheit und Krankheit bei Philo von Alexandrien -- Vom Tod des Leibes und der Seele sowie der Freiheit als dem höchsten irdischen Gut oder Die (...) Rolle des Todes in Philos Denken . (shrink)

Theologie / Altes Testament Philo von Alexandrien nimmt eine Schlüsselstellung in der hellenistischen Geistesgeschichte ein, weil er der erste mittelplatonische Denker gewesen ist, dessen Schriften zum größten Teil überliefert sind. Seine Schriften sind darüber hinaus eine unentbehrliche Quelle für die hellenistische und stoische Philosophie, deren Werke nicht erhalten sind. Seine theologiegeschichtliche Bedeutung beruht darauf, dass er sich als Erster bei seinen Auslegungen der Fünft Bücher Mose zur Welt- und Existenzerhellung der ihm vorliegenden Schriften der griechischen Philosophen und...

English summary: With this work, Otto Kaiser presents the Tria Corda lectures on the three topics of destiny and freedom and divine providence as well as the beauty and harmony in the world and the problem of the existence of evil.

T. 1. Grundlegung -- T. 2. Jahwe, der Gott Israels, Schöpfer der Welt und des Menschen.

On the background and within the framework of the traditional Israelite-Jewish anthropology Ben Sira advises his pupils and readers to accept death as a fate and to draw the consequences of the fact that human beings have no other life than the present one. For the Lord the shortness of human life gives reason for his mercy, if they return to his commands. On the other hand the way a man dies is a parameter for God's judgement. Apart from the (...) fact that everybody is responsible for his fate the transitory character of life gives reason to enjoy oneself using his property for gifts to his friend and the embellishment of the own transitory days. But he should as well take care of his name, for a good name is just what may survive. In regard to the death of other people one should not withdraw from a dying, but after his death not lengthen the mourning for this would weaken himself whithout helping the dead one. This in the whole conservative outlook of Ben Sira protected him against philosophical and apocalpytic speculations, which he judged as devorced from reality. All what a humans may need for their life became revealed to them by the Lord. To act according to his commandments is better than to look out for fresh revelations. So we may understand Ben Sira as a representative of Judaism as a religion of reason in a transitional age, even if we would credit to his unnamed opponents that they had some idea about the transcendent mystery of life. (shrink)

In einer vor kurzem erschienenen Studie unternahm es Denis Feissel, sich in gründlicher Weise mit zwei Dokumenten zur Geschichte der Kirche der Byzakene (Byzacena) zur Zeit des Kaisers Iustinos II. auseinanderzusetzen: mit einer an den Erzbischof der Byzakene gerichteten sacra Iustinos' II. vom 1. Mai 568 und mit einer damit in einem bestimmten Zusammenhang stehenden „Beamtenurkunde“, aus der ein Teil der älteren Literatur auf eine auslösende kaiserliche iussio Iustinos' II. vom 5. Dezember 566 geschlossen hat. Von beiden Urkunden bietet Feissel (...) auf der Grundlage des einzigen heute noch greifbaren Textzeugen, des Cod. Lips. Univ. 3493–3494 („Codex Haenel“ bei Feissel), eine kritische Edition, durch die jetzt alle früheren Ausgaben überholt sind. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Response to David Carr, “The Significance of Music for the Promotion of Moral and Spiritual Value”Iris M. YobDavid Carr has addressed a question that has been lurking in philosophical literature for centuries and, I might add, in our collective intuition as well: Just what is the connection between music and the moral and spiritual life? And as we have come to expect from his work, he brings a (...) new perspective to this perennial question in his answer. First he traces a line of thinking since Plato about music and the ordering of the soul, he touches on the role of music and the other arts in exploring the complexities of the moral imperative as it is lived out in human lives, and returns at the end to give a new take on the old Platonic idea of ordering of the soul. Just maybe, he suggests, the detachment, however temporary, "from the trials and tribulations that beset us in the day to day rough and tumble of human practical affairs" "in the interests of some more balanced perspective" on spiritual and moral matters "might be easier to achieve in the contemplation and appreciation of great works of 'music alone.'"This conclusion does not lay claim to more than what is perfectly reasonable. Allowing oneself to be immersed in a great work of music or art or architecture or dance may very well provide that distance from every day life where one might [End Page 209] re-center and refocus, refresh and renew one's outlook on the world. Such an engagement with an artwork can interrupt the patterns of thinking and acting that might have become increasingly thoughtless and ego-centric. It can be a re-creation in the true sense of the word. Paul Tillich, one of the great twentieth century religious philosophers, tells of an experience he had during the First World War where he served as a chaplain in the German army. On a brief leave from the front he visited Kaiser Friedrich Museum in Berlin and stood entranced before Botticelli's "Madonna and Child with Singing Angels." The moment was spiritually transformative, he tells us, lifting his spirits beyond the mud and grime of the battlefield to contemplate life and meaning on a different plane altogether. The experience enabled him to return to duty with renewed inner strength and calm.1 I believe this is a rather powerful and compelling example of what Carr is talking about.In coming to his conclusion, Carr is relying on the particularly difficult case of "music alone," that is, music that does not have words, title, or any other kind of representative function. In other words his argument does not depend on any didactic nature or morally or spiritually directive intent of the music. Rather, it is centered on music that ostensibly is not about anything. This is musical sound composed and performed for the appreciation of what it is in itself. And yet, in providing distance from the every day world, according to Carr, it can give expression to "realms of spiritual experience that lie beyond the sensual and empirical." Here we enter the world of the metaphorical and symbolic, what Rudolf Otto would call the "irrational" or "superrational," or the realm of the Holy. While Carr does not state this explicitly I would go so far as to say that this realm of the wordless and sacred is where the spiritual and the moral are grounded and from where they draw their power.Against this background, I would like to ask how does "music alone," in the sense intended by Carr and Peter Kivy from whom he borrowed the term bring about this effect? We are unable now to ask Tillich what it was that gave the Botticelli its impact for him, but it is curious that what it did for him it most likely did not do for all the other soldiers from the front who happened upon it the way he did. Tillich would most likely explain its effect by resorting to his theory of symbols, because after all this painting does have a literal meaning that might very well have inspired him. But... (shrink)

Daß einer der zentralsten Texte, mit denen sich die Byzantinistik zu beschäftigen hat, das unter dem Namen des Kaisers Konstantinos VII. Porphyrogennetos laufende „Zeremonienbuch“, nicht nur von einem codex unicus, dem Cod. Lips. Univ. Rep. I 17 (gr. 28) (im folgenden: L), repräsentiert wird, sondern daß es daneben auch einen Überlieferungszweig in Palimpsesten gibt, ist der Wissenschaft seit geraumer Zeit bekannt: 1960 veröffentlichten Cyril Mango und Ihor Ševčenko eine erste Studie zu den von ihnen im Cod. Chalc. S. Trinitatis 133 (...) (125) aufgefundenen Palimpsestfragmenten (im folgenden: C), und in den siebziger Jahren des vergangenen Jahrhunderts entdeckten bzw. identifizierten Wolfgang Waldstein und Otto Kresten weitere palimpsestierte Bruchstücke im Cod. Athous Vatop. 1003 (im folgenden: V) und stellten fest, daß die palimpsestierten Folien des Vatopedinus aus dem nämlichen „Muttercodex“ stammen, der auch bei der Anfertigung des Chalcensis palimpsestiert und ausgebeutet wurde. (shrink)

What are the conditions under which one biological object is a part of another biological object? This paper answers this question by developing a general, systematic account of biological parthood. I specify two criteria for biological parthood. Substantial Spatial Inclusionrequires biological parts to be spatially located inside or in the region that the natural boundary of t he biological whole occupies. Compositional Relevance captures the fact that a biological part engages in a biological process that must make a necessary contribution (...) to a condition that is minimally sufficient to one or more of the characteristic behaviors of the biological whole. Instead of emphasizing the diversity of part-whole relations in the biological world, this paper asks what biological part-whole relations have in common and what constrains their existence, in general. After presenting the two criteria for biological parthood I discuss in how far my account can cope with hard cases (e.g., redundant parts) and I reveal the merits and limits of monism. (shrink)

Back cover: This book develops a philosophical account that reveals the major characteristics that make an explanation in the life sciences reductive and distinguish them from non-reductive explanations. Understanding what reductive explanations are enables one to assess the conditions under which reductive explanations are adequate and thus enhances debates about explanatory reductionism. The account of reductive explanation presented in this book has three major characteristics. First, it emerges from a critical reconstruction of the explanatory practice of the life sciences itself. (...) Second, the account is monistic since it specifies one set of criteria that apply to explanations in the life sciences in general. Finally, the account is ontic in that it traces the reductivity of an explanation back to certain relations that exist between objects in the world (such as part-whole relations and level relations), rather than to the logical relations between sentences. Beginning with a disclosure of the meta-philosophical assumptions that underlie the author’s analysis of reductive explanation, the book leads into the debate about reduction(ism) in the philosophy of biology and continues with a discussion on the two perspectives on explanatory reduction that have been proposed in the philosophy of biology so far. The author scrutinizes how the issue of reduction becomes entangled with explanation and analyzes two concepts, the concept of a biological part and the concept of a level of organization. The results of these five chapters constitute the ground on which the author bases her final chapter, developing her ontic account of reductive explanation. (shrink)

Figures of Simplicity explores a unique constellation of figures from philosophy and literature—Heinrich von Kleist, Herman Melville, G. W. Leibniz, and Alexander Baumgarten—in an attempt to recover alternative conceptions of aesthetics and dimensions of thinking lost in the disciplinary narration of aesthetics after Kant. This is done primarily by tracing a variety of “simpletons” that populate the writings of Kleist and Melville. These figures are not entirely ignorant, or stupid, but simple. Their simplicity is a way of thinking, one that (...) Birgit Mara Kaiser suggests is affective thinking. Kaiser avers that Kleist and Melville are experimenting in their texts with an affective mode of thinking, and thereby continue a key line within eighteenth-century aesthetics: the relation of rationality and sensibility. Through her analyses, she offers an outline of what thinking can look like if we take affectivity into account. (shrink)

Om: Walter Benjamin: Geschichtsphilosophische Thesen og Theodor W. Adorno: Ästhetische Theorie.

Physicists have grappled with quantum theory for over a century. They have learned to wring precise answers from the theory's governing equations, and no experiment to date has found compelling evidence to contradict it. Even so, the conceptual apparatus remains stubbornly, famously bizarre. Physicists have tackled these conceptual uncertainties while navigating still larger ones: the rise of fascism, cataclysmic world wars and a new nuclear age, an unsteady Cold War stand-off and its unexpected end. Quantum Legacies introduces readers to physics' (...) still-unfolding quest by treating iconic moments of discovery and debate among well-known figures like Albert Einstein, Erwin Schrödinger, and Stephen Hawking, and many others whose contributions have indelibly shaped our understanding of nature. (shrink)

The current global COVID-19 pandemic has led to a deep and multidimensional crisis across all sectors of society. As countries contemplate their mobility and social-distancing policy restrictions, we have a unique opportunity to re-imagine the deliberative frameworks and value priorities in our food systems. Pre-pandemic food systems at global, national, regional and local scales already needed revision to chart a common vision for sustainable and ethical food futures. Re-orientation is also needed by the relevant sciences, traditionally siloed in their disciplines (...) and without adequate attention paid to how the food system problem is variously framed by diverse stakeholders according to their values. From the transdisciplinary perspective of food ethics, we argue that a post-pandemic scheme focused on bottom-up, regional, cross-sectoral and non-partisan deliberation may provide the re-orientation and benchmarks needed for not only more sustainable, but also more ethical food futures. (shrink)

Following its publication in Germany in 1963, Otto Friedrich Bollnow's Human Space quickly became essential reading within a cross-disciplinary field of subject areas including architecture, anthropology, and philosophy. In this first English translation, Bollnow conceives the human experience of space not merely as a philosophical problem but also as an extension of his research into psychology, human behavior, and the conventional domains of architecture: living in a building, in an apartment, in a house. Human Space is a remarkable investigation (...) of space as we experience it, by a man many consider to be the father of spatial and architectural anthropology. This lush hardcover edition includes an afterword by Joseph Kohlmaier that situates the work in the context of philosophical and architectural discussion. (shrink)

Einleitung -- Grundthemen des Diskurses um die Philosophenbiographien im christlichen Milieu -- Das Leben der Philosophen im Urteil der griechischen Kirchenväter -- Pagane und christliche Philosophenbiographien in byzantinischer Zeit -- Diogenes Laertios unter den Griechen in Byzanz und Italien.