In this book, Andrew Inkpin considers the disclosive function of language—what language does in revealing or disclosing the world. His approach to this question is a phenomenological one, centering on the need to accord with the various experiences speakers can have of language. With this aim in mind, he develops a phenomenological conception of language with important implications for both the philosophy of language and recent work in the embodied-embedded-enactive-extended tradition of cognitive science. -/- Inkpin draws extensively (...) on the work of Martin Heidegger, Maurice Merleau-Ponty, and Ludwig Wittgenstein, showing how their respective conceptions of language can be combined to complement each other within a unified view. From the early Heidegger, Inkpin extracts a basic framework for a phenomenological conception of language, comprising both a general picture of the role of language and a specific model of the function of words. Merleau-Ponty’s views are used to explicate the generic “pointing out”—or presentational—function of linguistic signs in more detail, while the late Wittgenstein is interpreted as providing versatile means to describe their many pragmatic uses. Having developed this unified phenomenological view, Inkpin explores its broader significance. He argues that it goes beyond the conventional realism/idealism opposition, that it challenges standard assumptions in mainstream post-Fregean philosophy of language, and that it makes a significant contribution not only to the philosophical understanding of language but also to 4e cognitive science. (shrink)

Whether or not Merleau-Ponty’s version of phenomenology should be considered a form of ‘transcendental’ philosophy is open to debate. Although the Phenomenology of Perception presents his position as a transcendental one, many of its features—such as its exploitation of empirical science—might lead to doubt that it can be. This paper considers whether Merleau-Ponty meets what I call the ‘transcendentalist challenge’ of defining and grounding claims of a distinctive transcendental kind. It begins by highlighting three features—the absolute ego, the pure phenomenal (...) field, and the reduction—that Husserl had used to justify claims of a specifically transcendental kind within a phenomenological framework. It then examines how Merleau-Ponty modifies each of these features to focus on the lived body and a factically conditioned phenomenal field, while remaining ambivalent about the reduction. Finally, it assesses whether Merleau-Ponty’s modified position can still legitimately be considered transcendental. I argue that—despite his own rhetoric—this modified position shapes the modality of Merleau-Ponty’s claims in such a way that his phenomenology cannot meet the transcendentalist challenge and therefore should not be considered ‘transcendental.’. (shrink)

A distinctive feature of Merleau-Ponty’s thought is the central role he assigns style in generally characterizing embodied agents’ perceptual and cognitive functioning. Despite this, he says little to explain how he conceives style itself. This article therefore aims to clarify Merleau-Ponty’s notion of style and its significance within and beyond his work. It begins by surveying his broad application of the term and using his discussions of painting to reconstruct his conception of style, identifying two major roles Merleau-Ponty attributes it (...) in unifying intentional structures and founding conceptual meaning. His view is related to several competing philosophical conceptions of style to highlight its distinctiveness and some conceptual difficulties in adequately defining style. I then argue that Merleau-Ponty succeeds in coherently distinguishing style from rules by recognizing that style conceives pattern formation, especially the relation of general and particular, in a way contrasting with the identity-based thinking inherent in the functioning of rules. With this distinction I conclude that, although Merleau-Ponty overgeneralizes its role, his conception of style has broader philosophical significance in accurately capturing the nonmechanical cohesion of certain embodied intelligent activities (such as painting) and enabling better understanding of the variety of forms such activities can take. (shrink)

This article explores how the thought that language is expressive, in the sense of bearing emotional or affective meaning, can be made sense of, with particular attention to two authors for whom this thought plays an important role. It begins by introducing the idea of language being “expressive” and using Charles Taylor's work to consider its potential interest, before showing how the expressiveness of language might be accounted for by a position that seems particularly suited to this task, namely Merleau‐Ponty's (...) view of embodied expression in Phenomenology of Perception. I then set out a significant challenge to that position based on Wittgenstein's “private language argument,” which implies there is no necessary connection between language use and a subject's internal (affective) states, thus contesting Merleau‐Ponty's explanatory emphasis on the body. I therefore propose a revised “complex” view of language's expressiveness that meets this Wittgensteinian challenge by reconceiving the body's role. Finally, I draw out some implications of this revised view, arguing that while language itself cannot be considered expressive, it remains significant that we can experience language as expressive. I also suggest that, although apparently threatened, Taylor's position can not only accommodate, but be better understood with, this revised view. (shrink)

This article focuses on the difficulty for a general theory of depiction of providing a notion of pictorial content that accommodates the full diversity of picture types. The article begins by introducing two basic models of pictorial content using paradigmatic positions that maximize the ability of the respective models to deal with pictorial diversity. Kulvicki's On Images is interpreted as a generalized projection-based model which proposes a scene-centred notion of pictorial content. By contrast, Lopes's aspect-recognition theory, in Understanding Pictures, is (...) taken to exemplify a recognition-based model of pictorial content. It is then considered how applicable these two notions of pictorial content are to a spectrum of different picture types, highlighting differences between mechanically produced and “freehand” pictures. It is shown that while the projection-based and recognition-based models are each required for some picture types, neither model can be applied over the whole spectrum of diverse picture types. This, it is argued, has the far-reaching consequence that neither the projection model nor the recognition model, nor any unitary combination of the two, can provide the basis for a theory of depiction applying to all pictures. (shrink)

Being and Time’s emphasis on practical activities has attracted much attention as an approach to meaning not modelled exclusively on language. However, understanding this emphasis is made more difficult by Heidegger’s notion of Rede, which he routinely characterizes as both language-like and basic to all disclosure. This paper assesses whether this notion can be both interpreted coherently and reconciled with Heidegger’s emphasis on intelligent nonlinguistic behaviours. It begins by identifying two functions of Articulacy – the demonstrative and articulatory – and (...) a potential source of incoherence in Heidegger’s analysis. Having reviewed some standard approaches to Heideggerian Articulacy, I show how Heidegger’s discussion of predicative judgements implies that language can be linked with different kinds of content. This allows Heidegger’s analysis to be read coherently, provided Articulacy is understood as having distinct purposive and predicative modes. The final section shows how this reading preserves a close connection between Articulacy and language while accommodating intelligent nonlinguistic behaviours. (shrink)

In _The Visible and the Invisible_ Merleau-Ponty develops a notion of ‘sensible ideas’ that conceives general meaning as inseparable from its realization in sensible particulars. Such ideas – exemplified by music – are to capture the specificity of the meaning produced by embodied agency and serve as the foundation of all cognition. This article argues that, although Merleau-Ponty overgeneralizes their application, sensible ideas are philosophically important in enabling better understanding of the diverse forms and functions embodied-embedded practices and cognition can (...) take. It begins by outlining Merleau-Ponty’s conception of sensible ideas and showing how this late ‘ontological’ view takes up and refines themes from his earlier works. It then assesses sensible ideas’ assumed foundational role by considering several embodied practices (mathematics, music, painting), arguing that this does not hold generally and that painting better exemplifies sensible ideas than music. I show that whether a practice is accurately described by sensible ideas depends on how it relates the particular and general, and that sensible ideas have a distinctive philosophical role in understanding the non-identity-based meaning constitution characteristic of some embodied-embedded practices. Finally, a comparison with Kant’s aesthetic ideas is used to clarify the close but non-necessary relation between sensible ideas and art. (shrink)

Given its apparently scholarly form, the Genealogy of Morals is often read as a succinct, relatively systematic, and canonical exposition of Nietzsche’s mature views on morality. This article argues, however, that the work was intended as a parody of a scholarly treatise and examines how this parody is best understood. It begins by surveying some evidence that supports reading the Genealogy as a ‘textbook’ presentation of Nietzsche’s views. It then develops an exegetic case for reading it as a work of (...) parody, based on the third essay’s claims about the ‘self-cancellation’ of truth-directed discourse and how to oppose the ascetic ideal, along with the Genealogy’s internal organization and its place in Nietzsche’s oeuvre. Finally, it examines whether this parody is best interpreted philosophically as having the force of a strong parody that denies the possibility of truth-directed enquiry or that of a weak parody denying the intrinsic value of such enquiry. Although reading it as a strong parody perhaps makes it more radical and potentially appealing, I argue that the Genealogy is best read as a weak parody, because this is both more tenable and suffices for the claims Nietzsche himself makes about the work’s aims and character. (shrink)

Whether or not Merleau-Ponty’s version of phenomenology should be considered a form of ‘transcendental’ philosophy is open to debate. Although the Phenomenology of Perception presents his position as a transcendental one, many of its features—such as its exploitation of empirical science—might lead to doubt that it can be. This paper considers whether Merleau-Ponty meets what I call the ‘transcendentalist challenge’ of defining and grounding claims of a distinctive transcendental kind. It begins by highlighting three features—the absolute ego, the pure phenomenal (...) field, and the reduction—that Husserl had used to justify claims of a specifically transcendental kind within a phenomenological framework. It then examines how Merleau-Ponty modifies each of these features to focus on the lived body and a factically conditioned phenomenal field, while remaining ambivalent about the reduction. Finally, it assesses whether Merleau-Ponty’s modified position can still legitimately be considered transcendental. I argue that—despite his own rhetoric—this modified position shapes the modality of Merleau-Ponty’s claims in such a way that his phenomenology cannot meet the transcendentalist challenge and therefore should not be considered ‘transcendental.’. (shrink)

Richard Rorty’s Contingency, Irony and Solidarity (CIS) is an ambitious and provocative, but for many readers a deeply flawed work. This paper argues that many of its apparent flaws can be understood as integral to Rorty’s attempt to write a work of private, post-theoretical irony. The paper’s first section outlines the substantive theoretical claims about language, selfhood and community which Rorty proposes as an antiessentialist alternative to ‘metaphysics’. The second identifies three difficulties—residual dualism, conceptual problems with the public-private distinction, and (...) the work’s self-referential consistency—which constitute serious, but obvious problems for those substantive claims. The third section argues that Rorty’s metaphilosophical discussion of ‘ironist theory’ suggests CIS should be read as a personal work of irony which eschews theoretical ambitions, showing how this is consistent with and provides a motive for accepting the presence of conspicuous difficulties. The final section considers how the work’s metaphilosophical views interact with its substantive theoretical claims. The work’s irony is interpreted as resulting from the tension between these, so as to coexist rather than conflict with Rorty’s enduring commitments to liberalism and pragmatism. (shrink)

In The Visible and the Invisible Merleau-Ponty develops a notion of ‘sensible ideas’ that conceives general meaning as inseparable from its realization in sensible particulars. Such ideas – exemplified by music – are to capture the specificity of the meaning produced by embodied agency and serve as the foundation of all cognition. This article argues that, although Merleau-Ponty overgeneralizes their application, sensible ideas are philosophically important in enabling better understanding of the diverse forms and functions embodied-embedded practices and cognition can (...) take. It begins by outlining Merleau-Ponty’s conception of sensible ideas and showing how this late ‘ontological’ view takes up and refines themes from his earlier works. It then assesses sensible ideas’ assumed foundational role by considering several embodied practices (mathematics, music, painting), arguing that this does not hold generally and that painting better exemplifies sensible ideas than music. I show that whether a practice is accurately described by sensible ideas depends on how it relates the particular and general, and that sensible ideas have a distinctive philosophical role in understanding the non-identity-based meaning constitution characteristic of some embodied-embedded practices. Finally, a comparison with Kant’s aesthetic ideas is used to clarify the close but non-necessary relation between sensible ideas and art. (shrink)

Language is indisputably in some sense a social phenomenon. But in which sense? Philosophical conceptions of language often assume a simple relationship between individual speakers and a language community, one of which is attributed primacy and used to understand the other. Having identified some problems faced by two such conceptions—social holism and individualism—this article outlines an alternative phenomenological view of shared language by focusing on two principal ways that language is shared. First, it draws on the late Wittgenstein to characterize (...) how shared practices ground linguistic communities. Based on the link between language-games and corresponding subcommunities of language users, I argue that pragmatic language sharing is more fragmented than social holism suggests but more cohesive than individualism intimates. Second, it considers how linguistic community is grounded in shared sign systems. Merleau-Ponty’s appropriation of Husserl’s notion of institution is used to highlight that existing linguistic structures are adopted in an open process that allows varying degrees of differentiation. Combining these two perspectives, I conclude that who we are in linguistic community with and how closely we converge varies over different parts of language. Our linguistic communities are thus complex in the sense of being fragmented, differentiated and nonuniform. (shrink)

Zunächst wird dargelegt, wie Heidegger bei seinem Anschluß an Husserls Projekt einer radikalen Phänomenologie ein deutlicheres Verständnis für die methodologische Rolle von Voraussetzungen entwickelt. Die Idee der formalen Anzeige, die Heideggers Schriften um 1920 durchzieht, wird als ein nichtsetzender, schematischer Modus des Zeichengebrauchs expliziert, der auf wiederholte phänomenologische Auslegung abgestimmt ist. Abschließend wird dargelegt, wie diese Idee auf eine Umdeutung des Wesens von „Voraussetzungen“ hinausläuft, und erwogen, was dies für das ambivalente Verhältnis von Heidegger zu Husserl zeigt. / -/- It (...) is first argued that, impressed by Husserl’s project of radical phenomenology, Heidegger is more aware of the methodological significance of presupposition to that project. The idea of formal indication, prominent in Heidegger’s writings around 1920, is then expounded as a nonpositing, schematic mode of sign use attuned to ongoing phenomenological interpretation. Finally, I set out how this idea implies a reinterpretation of the nature of „presuppositions“ and consider what this reveals about Heidegger’s ambivalent relationship to Husserl. (shrink)

In the course of recent debate with Hubert Dreyfus John McDowell emphasizes the notion of conceptual form or shape to explain how conceptual capacities are ‘operative’ in prereflective ‘coping’ activities. This paper considers how that notion is to be interpreted. In particular it considers whether or not it imposes a determinate constraint on the form of content and argues that both interpretations are unsatisfactory. Assuming conceptual form to be determinate is unnecessary to explain the universal applicability of concepts and conflicts (...) with an argument McDowell uses against Evans. Attempting to avoid this conflict by leaving it indeterminate makes talk of conceptual form misleading, reducing it to an imprecise way of affirming our ability to apply concepts to subject-matter of any form whatever. As a consequence, Dreyfus’s challenge to McDowell cannot be met by appealing to the notion of conceptual form or shape. I further argue that it remains a puzzle how McDowell’s notion of conceptual form is to be understood, and that the difficulties with his response to Dreyfus point to an underlying tension between various claims McDowell makes about conceptual capacities. (shrink)

This article focuses on Beauvoir’s critique of the “adventurer”, an apparently Nietzschean figure she depicts as “inauthentic” in The Ethics of Ambiguity. Its aim is to assess whether her criticisms of individualistic freedom amount to a tenable critique of Nietzsche. I start by outlining Beauvoir’s conception of the adventurer and his faults, before showing how this figure closely tracks distinctive features of Nietzsche’s “free spirit”. Finally, I evaluate whether or not Beauvoir’s criticisms apply to Nietzsche. Although he can be defended (...) to some extent, I argue that Beauvoir shows how Nietzsche’s otherwise potentially attractive concept of the free spirit is more problematic than it might initially appear. [NB this article is in German.]. (shrink)

In recent years there has been much productive interaction between phenomenological authors and work in (‘4e’) cognitive science emphasizing the embodied, embedded, enactive and extended nature of cognition. These interactions have centred on areas of interest common to phenomenology and philosophy of mind, such as embodiment or first-personal experience, with language receiving relatively little attention. This paper aims to broaden these interactions by showing how phenomenology of language complements systematic empirical theories in the 4e tradition. It begins by outlining a (...) phenomenological view of language and suggesting some differences between this and plausibly naturalizable nonextended mental states. I then argue that 4e cognitive science has a general need for phenomenology of language due to the central role it attributes to ‘scaffolds’, before highlighting more specifically how phenomenology provides an image of language better suited to 4e cognitive science than the ‘rules and representations’ model from which this distances itself. (shrink)

This article focuses on the relation between philosophy and literature in early Sartre, showing how his literary writing can be seen as philosophically significant by interpreting Sartre as practising a variant of phenomenological method. I first clarify Sartre’s approach to phenomenological method by comparing and contrasting it with Husserl’s. Despite agreeing that philosophy is a reflective descriptive study of essences, Sartre sees no use for phenomenological reduction and free variation. I then consider the philosophical function of Sartre’s literary works, arguing (...) that, although these cannot reliably convey philosophical theories, their significance lies in describing concrete situations that ground reflective theoretical concepts. However, this grounding function can be understood only if Sartre is seen as realising Husserl’s phenomenological method – including phenomenological reduction and free variation – more fully than he acknowledges. Finally, I address two challenges to my view and briefly assess the value of literary phenomenology as a philosophical method. (shrink)

This paper considers what it is to abstract from nature. Using examples from painting its first part examines the traditional contrast between abstraction and naturalistic representation, arguing that this relies on a specifically visual notion of representation, but not on what is natural or what is abstract. Its second part discusses examples from land art in which natural elements are incorporated in an artwork’s structure. An alternative view of modern art’s representational possibilities is outlined which highlights limitations of the specifically (...) visual approach and suggests a more complex relationship between the representation of nature and possible modes of abstraction. (shrink)

This article argues that paintings have a nonconceptual content unlike that of mechanically produced images. The first part of the article outlines an information-theory approach modelled on the camera and based on the idea that pictures convey information about what they depict. Picture structure is conceived of as contentful by virtue of a supposed causal link with what is depicted and as nonconceptual because it is independent of observers’ understanding. The second part introduces an embodied depiction approach based on Merleau-Ponty’s (...) view of style and the act of painting. It is argued that because of bodily mediation the nonconceptual content of paintings cannot be assimilated to the information-theory approach; painted configurations are contentful by virtue of being the product of intelligent activity, but are nonconceptual because they differ from concepts in their representational function. (shrink)

Although it was never the central focus of his philosophical interests, Merleau-Ponty is one of few philosophers to conceive painting as having an exemplary role not merely as a form of art but mor...

This paper examines the idea of objective phenomenology, or a way of understanding the phenomenal character of conscious experiences that doesn’t require one to have had the kinds of experiences under consideration. My central thesis is that structural facts about experience—facts that characterize purely how conscious experiences are structured—are objective phenomenal facts. I begin by precisifying the idea of objective phenomenology and diagnosing what makes any given phenomenal fact subjective. Then I defend the view that structural facts about experience are (...) objective. I also argue that structural facts about experience, despite being objective, nevertheless still give rise to an explanatory gap. (shrink)

Perception is riddled with cases of reliable misperception. These are cases in which a perceptual state is tokened inaccurately any time it is tokened under normal conditions. On the face of it, this fact causes trouble for theories that provide an analysis of perceptual content in non-semantic, non-intentional, and non-phenomenal terms, such as those found in Millikan (1984), Fodor (1990), Neander (2017), and Schellenberg (2018). I show how such theories can be extended so that they cover such cases without giving (...) up their core commitments. (shrink)

Some accounts of moral responsibility hold that an agent's responsibility is completely determined by some aspect of the agent's mental life at the time of action. For example, some hold that an agent is responsible if and only if there is an appropriate mesh among the agent's particular psychological elements. It is often objected that the particular features of the agent's mental life to which these theorists appeal (such as a particular structure or mesh) are not necessary for responsibility. This (...) is because there appear to be cases in which an agent acts at an earlier time which causes her to lack the appropriate psychological features at some later time and yet, intuitively, she is responsible at that later .. (shrink)

We are all familiar with the phenomenon of a proposition seeming true. Many think that these seeming states can yield justified beliefs. Very few have seriously explored what these seeming states are. I argue that seeming states are not plausibly analyzed in terms of beliefs, partial beliefs, attractions to believe, or inclinations to believe. Given that the main candidates for analyzing seeming states are unsatisfactory, I argue for a brute view of seemings that treats seeming states as irreducible propositional attitudes.

This is a discussion of the state of discussion on pragmatic reasons for belief.

This book brings together an international group of scholars to discuss the ramifications of Heidegger's Black Notebooks for philosophy and the humanities. In contrast to both those who seek to exonerate Heidegger and those who simply condemn him, they urge careful reading and rereading of his work to turn Heideggerian thought against itself.

For Kant, knowledge involves certainty. If “certainty” requires that the grounds for a given propositional attitude guarantee its truth, then this is an infallibilist view of epistemic justification. Such a view says you can’t have epistemic justification for an attitude unless the attitude is also true. Here I want to defend an alternative fallibilist interpretation. Even if a subject has grounds that would be sufficient for knowledge if the proposition were true, the proposition might not be true. And so there (...) is sometimes still rational room for doubt. The goal of this paper is to present four different models of what “certainty” amounts to, for Kant, each of which is compatible with fallibilism. (shrink)

While many aspects of cognition have been shown to be shared between humans and non-human animals, there remains controversy regarding whether the capacity to mentally time travel is a uniquely human one. In this paper, we argue that there are four ways of representing when some event happened: four kinds of temporal representation. Distinguishing these four kinds of temporal representation has five benefits. First, it puts us in a position to determine the particular benefits these distinct temporal representations afford an (...) organism. Second, it provides the conceptual resources to foster a discussion about which of these representations is necessary for an organism to count as having the capacity to mentally time travel. Third, it enables us to distinguish stricter from more liberal views of mental time travel that differ regarding which kind(s) of temporal representation is taken to be necessary for mental time travel. Fourth, it allows us to determine the benefits of taking a stricter or more liberal view of mental time travel. Finally, it ensures that disagreement about whether some species can mentally time travel is not merely the product of unrecognised disagreement about which temporal representation is necessary for mental time travel. We argue for a more liberal view, on the grounds that it allows us to view mental time travel as an evolutionarily continuous phenomenon, and to recognise that differences in the ways that organisms mentally time travel might reflect different temporal representations, or combinations thereof, that they employ. Our ultimate aim, however, is to create the conceptual framework for further discussion regarding what sorts of temporal representations are required for mental time travel. (shrink)

The aim of the Analytic of Concepts is to derive and deduce a set of pure concepts of the understanding, the categories, which play a central role in Kant’s explanation of the possibility of synthetic a priori cognition and judgment. This chapter is structured around two questions. First, what is a pure concept of the understanding? Second, what is involved in a deduction of a pure concept of the understanding? In answering the first, we focus on how the categories differ (...) from the pure forms of sensibility and examine whether they are known only to be the pure forms of human thinking or rather the forms of discursive cognition as such. In answering the second, we draw a distinction between the application and the exemplification of the categories and use it to identify different ways of understanding Kant’s project in the Transcendental Deduction of the Categories. These questions connect because the answer to the first determines how we should understand the kind of entitlement which is to be established in the Deduction. (shrink)

This chapter addresses an ambiguity in some of the literature on rational peer disagreement about the use of the term 'rational'. In the literature 'rational' is used to describe a variety of normative statuses related to reasons, justification, and reasoning. This chapter focuses most closely on the upshot of peer disagreement for what is rationally required of parties to a peer disagreement. This follows recent work in theoretical reason which treats rationality as a system of requirements among an agent's mental (...) states. It is argued that peer disagreement has either no, or a very limited, affect on what rationality requires of an agent in a given circumstance. This is in part because of difficulties generated by a novel example of evidence of evidence of p being evidence against p. This example calls into question the mechanisms whereby peer disagreement might affect what is rationally required of an agent. The chapter also reevaluates the importance of actual peer disagreement against the backdrop of prior expectations about whether disagreement is believed to be likely, arguing that peer disagreement is most likely to change what is rationally required of an agent when it is believed to be unlikely. (shrink)

This is a critical, but sympathetic, examination of the manifesto for naturalized metaphysics that forms the first chapter of James Ladyman and Don Ross's 2006 book, Every Thing Must Go, but it has wider implications than this description suggests.

The norm of monogamy is pervasive, having remained widespread, in most Western cultures at least, in spite of increasing tolerance toward more diverse relationship types. It is also puzzling. People willingly, and often with gusto, adhere to it, yet it is also, prima facie at least, highly restrictive. Being in a monogamous relationship means agreeing to give up certain sorts of valuable interactions and relationships with other people and to severely restrict one’s opportunities for sex and love. It is this (...) restrictiveness which has led for calls among some philosophers for the justification of the norm, and some have argued that it cannot be justified. John McMurtry, for example, writing in 1972, compared monogamy to private property and argued that it serves the capitalist order (McMurtry 1972, 596–97). More recently, Harry Chalmers (2019) has argued that monogamy is morally impermissible. In this chapter we argue that rather than justify the norm, we ought to explain and understand its pervasiveness. Not everyone who follows the norm is doing so blindly, irrationally, or immorally. Indeed, many people are monogamous because being monogamous supports their needs and best enables them to flourish. We suggest that the human need for trust and attachment could underlie many people’s desires for monogamy and, therefore, explain monogamy’s pervasiveness. Focusing on the human need for trust and attachment security can also help us to understand why sexual infidelity can feel like such a betrayal. It can make sense to mutually agree to exclusivity in relationships, in spite of the apparent restrictions this brings. In a sense, not all restrictions are restrictive, because holding ourselves to limits on our behavior can in fact help us to invest in and experience the things we value most. (shrink)

European Journal of Philosophy, EarlyView.

To be conscious—according to a common metaphor—is for the “lights to be on inside.” Is this a good metaphor? I argue that the metaphor elicits useful intuitions while staying neutral on controversial philosophical questions. But I also argue that there are two ways of interpreting the metaphor. Is consciousness the inner light itself? Or is consciousness the illuminated room? Call the first sense subjectivity (where ‘consciousness’ =def what makes an entity feel some way at all), and the second sense phenomenal (...) character (where ‘consciousness’ =def what it feels like to be an entity). I use this distinction—as well as the metaphor of the inner light—to clarify some philosophical questions about whether consciousness comes in degrees, whether consciousness is multidimensional, and whether there are borderline cases of consciousness. (shrink)

I argue that the following theses are both popular among evidentialists but also jointly inconsistent with evidentialism: 1) Time-Slice Mentalism: one’s justificational properties at t are grounded only by one’s mental properties at t; 2) Experience Ultimacy: all ultimate evidence is experiential; and 3) Sleep Justification: we have justified beliefs while we have dreamless, nonexperiential sleep. Although I intend for this paper to be a polemic against evidentialists, it can also be viewed as an opportunity for them to clarify their (...) views. Furthermore, the paper is not only relevant to evidentialists. For example, the arguments of this paper could give Time-Slice Mentalists a reason to deny evidentialism. (shrink)

The Stoics are traditionally regarded as the founders of propositional logic. However, this is not entirely correct. They developed a theory of inference from signs (omens). And their theory became a continuation of the logical technique of Babylonian divination (in particular, of Babylonian medical forecasting). The Stoic theory was not so much propositional logic as it was a technique of propositional logic for databases consisting of IF-THEN expert rules. In the Babylonian divination, each event has a positive or negative value (...) and all events are connected to each other. The Stoics also developed this idea and proposed a special modal logic in which logical determinism is considered an axiom. The paper reconstructs the sign-inference of the Stoics, as well as their modal logic. In particular, two Stoic squares of oppositions are proposed (for signs and for modal operators), which differ markedly from Aristotle’s square. (shrink)

Let a smooth experience be an experience with perfectly gradual changes in phenomenal character. Consider, as examples, your visual experience of a blue sky or your auditory experience of a rising pitch. Do the phenomenal characters of smooth experiences have continuous or discrete structures? If we appeal merely to introspection, then it may seem that we should think that smooth experiences are continuous. This paper (1) uses formal tools to clarify what it means to say that an experience is continuous (...) or discrete, and (2) develops a discrete model of the phenomenal characters of smooth experiences. As a result, I'll argue that introspection leaves open whether smooth experiences are continuous or discrete. Yet I’ll also argue—perhaps surprisingly—that the discrete theory may better fit our introspective evidence. (shrink)

Source [1] Andrew E. P. Mitchell, Federica Galli, Sondra Butterworth. (2023). Editorial: Equality, diversity and inclusive research for diverse rare disease communities. Front. Psychol., vol. 14. doi:10.3389/fpsyg.2023.1285774. "It is also important to recognize that certain mental health disorders are classified as rare conditions and have their own cultural concepts of distress, as defined in the DSM-5 (American Psychiatric Association, 2013)" and require “equal attention and support for individuals and their families, both physically and emotionally”. [1].

The greater good -- The intellectual and the existential -- The problem of evil and the problem of the slightest toothache -- The God of love -- Is God an agent? -- The real God.

Can war be justified? Pacifists answer that it cannot; they oppose war and advocate for nonviolent alternatives to war. But defenders of just war theory argue that in some circumstances, when the effectiveness of nonviolence is limited, wars can be justified. -/- In this book, two philosophers debate this question, drawing on contemporary scholarship and new developments in thinking about pacifism and just war theory. Andrew Fiala defends the pacifist position, while Jennifer Kling defends just war traditions. Fiala argues (...) that pacifism follows from the awful reality of war and the nonviolent goal of building a more just and peaceful world. Kling argues that war is sometimes justified when it is a last-ditch, necessary effort to defend people and their communities from utter destruction and death. Pulling from global traditions and histories, their debate will captivate anyone who has wondered or worried about the morality of political violence and military force. Topics discussed include ethical questions of self-defense and other-defense, the great analogy between individuals and states, evolving technologies and methods of warfighting, moral injury and post-traumatic stress disorder, broader political and communal issues, and the problem of regional security in a globalizing world. The authors consider cultural and religious issues as well as the fundamental question of moral obligation in a world saturated in military conflict. The book was written in the aftermath of the war on terrorism and includes reflection on lessons learned from the past decades of war, as well as hopes for the future in light of emerging threats in Europe and elsewhere. -/- The book is organized in a user-friendly fashion. Each author presents a self-contained argument, which is followed by a series of responses, replies, and counter-arguments. Throughout, the authors model civil discourse by emphasizing points of agreement and remaining areas of disagreement. The book includes reader-friendly summaries, a glossary of key concepts, and suggestions for further study. All of this will help students and scholars follow the authors’ dialogue so they may develop their own answer to the question of whether war can be justified. (shrink)

The official definitions that appear at the beginning of four of the five parts of the "Ethics" do not include an account of "existence." However Spinoza does provide a definition of “existence” in the scholium to proposition 45 of Part 2. This is an odd place for such an important doctrine, and all the more so given that the account there differs from anything resembling commonsense. In this paper I show that, for Spinoza, to exist is to be eternal. Existence (...) in the strict sense is eternal existence. (shrink)

The philosophical tradition has given rise to many competing moral theories. Virtue ethics encourages the flourishing of the person, theories of justice and rights tell us to act according to principles, and consequentialist theories advise that we seek to bring about good ends. These varied theories highlight the morally relevant features of the problems that we encounter both in everyday personal interactions and on a broader social scale. When used together, they allow us to address moral conflicts by balancing a (...) plurality of reasons in order to reach nuanced ethical decisions. In _Ethical Reasoning: Theory and Application_, Andrew Kernohan guides the reader through the basics of these moral theories, showing their strengths and weaknesses and emphasizing the ways in which competing moral reasons can be collectively employed to guide decision-making. Throughout, the focus is on practical applications and on how each theory can play a role in solving problems and addressing issues. Numerous questions and exercises are provided to encourage active reflection and retention of information. (shrink)