The phrase combining the terms κάλλ0ς and ἀπoρρoή to my knowledge does not occur anywhere else in the Greek Corpus in the context of contemplating a beautiful beloved. Achilles Tatius (second centurya.d.) therefore must be making an allusion to Plato. This can hardly come as a surprise considering thatPhaedr.251, which describes the influence of the appearance of beauty on the soul of the lover, is one of the most famous and widely known Platonic passages. However, the context within which these (...) two allusions to Plato are introduced deserves attention. Adding a certain learned touch to the description of erotic episodes in his novel, Achilles Tatius presents a ‘scientific’ explanation of the mechanism of visual perception. The consistency of both accounts suggests that he draws on some scholarly theory of vision which was part of his general educational background. But, unlike the above mentioned allusions, this theory is hardly Platonic. (shrink)

The phrase combining the terms κάλλ0ς and ἀπoρρoή to my knowledge does not occur anywhere else in the Greek Corpus in the context of contemplating a beautiful beloved. Achilles Tatius therefore must be making an allusion to Plato. This can hardly come as a surprise considering that Phaedr. 251, which describes the influence of the appearance of beauty on the soul of the lover, is one of the most famous and widely known Platonic passages. However, the context within which these (...) two allusions to Plato are introduced deserves attention. Adding a certain learned touch to the description of erotic episodes in his novel, Achilles Tatius presents a ‘scientific’ explanation of the mechanism of visual perception. The consistency of both accounts suggests that he draws on some scholarly theory of vision which was part of his general educational background. But, unlike the above mentioned allusions, this theory is hardly Platonic. (shrink)

The phrase combining the terms κάλλ0ς and ἀπoρρoή to my knowledge does not occur anywhere else in the Greek Corpus in the context of contemplating a beautiful beloved. Achilles Tatius (second centurya.d.) therefore must be making an allusion to Plato. This can hardly come as a surprise considering thatPhaedr.251, which describes the influence of the appearance of beauty on the soul of the lover, is one of the most famous and widely known Platonic passages. However, the context within which these (...) two allusions to Plato are introduced deserves attention. Adding a certain learned touch to the description of erotic episodes in his novel, Achilles Tatius presents a ‘scientific’ explanation of the mechanism of visual perception. The consistency of both accounts suggests that he draws on some scholarly theory of vision which was part of his general educational background. But, unlike the above mentioned allusions, this theory is hardly Platonic. (shrink)

A Reader in Early Franciscan Theology presents for the first time in English key passages from the Summa Halensis, one of the first major installments in the summa genre for which scholasticism became famous. This systematic work of philosophy and theology was collaboratively written mostly between 1236 and 1245 by the founding members of the Franciscan school, such as Alexander of Hales and John of La Rochelle, who worked at the recently founded University of Paris. Modern scholarship has often dismissed (...) this early Franciscan intellectual tradition as unoriginal, merely systematizing the Augustinian tradition in light of the rediscovery of Aristotle, paving the way for truly revolutionary figures like John Duns Scotus. But as the selections in this reader show, it was this earlier generation that initiated this break with precedent. The compilers of the Summa Halensis first articulated many positions that eventually become closely associated with the Franciscan tradition on issues like the nature of God, the proof for God’s existence, free will, the transcendentals, and Christology. This book is essential reading for anyone wishing to understand the ways in which medieval thinkers employed philosophical concepts in a theological context as well as the evolution of Franciscan thought and its legacy to modernity. A Reader in Early Franciscan Theology is available from the publisher on an open-access basis. (shrink)

One of the important theological issues for ancient and medieval thought was to account for the existence of evil. Augustine provided an aesthetic explanation: evil exists for contrast, to let the good stand out more prominently. Thus, just as a painting that uses both dark and bright colors, the universe that contains both good and evil is beautiful as a whole. The argument was debated in the twelfth and thirteenth centuries. Alexander of Hales, as well as the Franciscan tradition in (...) general, strongly supported the Augustinian position. The article discusses a previously unknown debate between Albert the Great and Bonaventure about this issue and suggests that Bonaventure is defending his fellow-Franciscan Alexander. (shrink)

R. Pasnau once commented that the present-day academic area of cognitive theory suits medieval thought better than epistemology. The comment seems to the point, and the focus of R. Cross’s book is thus appropriately placed. Scotus’s theory of cognition is worth a new treatment both because Scotus represents a new stage in medieval cognitive theory and because his positions are “sometimes rather fluid” and “not always as clear”. This lack of clarity extends to the most important subject in this book, (...) such as various aspects of the issue of intentionality, where Scotus’s discussion is... (shrink)

This anthology of philosophical texts by Greek and Roman authors brings together works from the late fifth century BC to the sixth century AD that comment on major aesthetic issues such as the perception of beauty and harmony in music and the visual arts, structure and style in literature, and aesthetic judgement. It includes important texts by Plato and Aristotle on the status and the role of the arts in society and in education, and Longinus' reflections on the sublime in (...) literature, in addition to less well-known writings by Philodemus, Cicero, Seneca, Plotinus, Augustine and Proclus. Most of the texts have been newly translated for this volume, and some are available in English for the first time. A detailed introduction traces the development of classical aesthetics from its roots in Platonism and Aristotelianism to its ultimate form in late Antiquity. (shrink)

Intentionality, mental representation, sensory perception and its reliability, sensory illusions, and the concomitant issue of epistemological skepticism are becoming an important cluster of related topics in research on medieval cognitive psychology. It is no wonder, because these topics are much more relevant to present-day discussions of cognition and sensory perception, as many of these issues remain unexplained to this date, and therefore any observations in these areas could still be of interest, while many other topics traditionally discussed in studies on (...) medieval philosophy have only historical value and gradually fade into oblivion. Although the two publications included in this review are not... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:It is difficult to do justice to a monumental study such as PJDS in a short review: only time will determine its real significance. We can only offer some preliminary comments, and in spite of anything we have to say, the mere fact that the book contains such a wealth of information justifies for it a permanent place on a bookshelf of a student of medieval thought.The title of (...) PJDS deserves special attention. While we have books on Scotus's theology or particular topics of his thought, there has been no comprehensive study of his "philosophy," seemingly for a good reason: Scotus is clearly a "fundamental" and systematic theologian who simply uses some classic tools of ancient philosophers and some of their texts and ideas as material for his own discussions. So first of all one needs to determine what constitutes "philosophy" in such a case. V. devotes considerable attention to this question, but unfortunately only at the very end of the study, in Part III, which constitutes almost a separate monograph on the historiography of the debate about "medieval philosophy" and Scotus's role in it. Dichotomizing medieval thought into "philosophy" and theology in recent debates comes from the post-Enlightenment habit of seeing "philosophy" , as opposed to "theology," as something positive in itself. In Chapter 14 V. makes a good observation that "philosophy" and "theology" in ancient and medieval thought are simply two systems that can be coherent in themselves but differ fundamentally as far as their premises are concerned. Using the terminology of contemporary hermeneutical-postcritical analysis, one could say that both disciplines are intratextual systems, with their own internal logic but with different "starting points," opened to a conversation ad extra to various degrees. The classification "intratextual system" based on a solid theoretical foundation in the hermeneutical-postcritical tradition would eliminate the unnecessary dichotomy in ancient and medieval thought. Indeed, it is difficult to see why some of Plato's, Aristotle's or Stoic texts should be classified as "philosophy," not to mention those of Plotinus and Proclus that are often clearly "theology." As a whole, V.'s verdict is that Scotus has his own coherent system of thought based on contingency, as opposed to the "necessitarianism" of ancient philosophers. As for the role of "philosophy," V.'s analysis of recent scholarship shows that "medieval philosophy" is often understood as the logical tools in the service of theology: the interpretation that explains the recent interest in the fourteenth-century thought where those tools were best developed.The book in general is quite readable, despite occasional infelicities in the English and some typos. V. employs a variety of styles, from purely scholarly, which includes a straightforward exposition of relevant texts, with some analysis of the diachronic development of issues, to more literary, ornate and emotional. Similarly varied is his presentation of issues: from dry exposition to creating prolonged "mystery plots" that lead to "discoveries." Unfortunately there is also some unevenness in the text flow: from very smooth to abrupt transitions from one statement to another .Although the book will definitely benefit a variety of readers, the exact readership is difficult to pinpoint. Some sections, such as the extended discussion of distinctions and relations in the section on logic, presuppose a very basic audience; often much of the material from previous sections is repeated . Yet other sections presuppose a rather sophisticated reader who is familiar with the context of the discussion and is able not only to follow but also anticipate the author's train of thought.PJDS provides an excellent coverage of Scotus's work, with one notable exception: the Reportatio tradition. Even though the Wolter/Bychkov edition-translation of Rep. I-A appeared perhaps.. (shrink)

Franciscan thought in the 1300's, starting with Duns Scotus, is quite a revolution in terms of a shift to relying on sensory and phenomenal experience in the construction of cognitive theories.1 However, we do not yet understand the full extent of its convergence with modern and contemporary thought. In what follows, we intend to advance this understanding. The experiential tendency in early fourteenth-century thought is undermined by a Cartesian-style doubt about the reliability of sensory perception and phenomenal experience that stems (...) from the 63rd proposition of the Condemnations of 1277, which rejects the thesis that "God cannot produce the effect of a secondary cause without the secondary cause itself":2 a... (shrink)

The issue of why God, the Trinity and Christ in Christianity can be called "beautiful" has been muddled in literature on theological aesthetics. John Duns Scotus’s detailed discussion of relations within the Trinity helps resolve this issue. The Trinity can be called "beautiful" in at least three senses, depending on whether one considers Trinitarian relations at all, whether one looks at the relation of equality, or whether one analyzes relations of origin.