Spinoza: Memory

Se expone la relación entre el signo en tanto gnoseológica y semánticamente subordinado a la imaginación y el uso del lenguaje como medio para expresar las verdades filosóficas por parte de Spinoza. Al respecto, se revisan tres posturas: (i) la de David Savan, quien sostiene la inadecuación del lenguaje para expresar verdades filosóficas debido a la vinculación spinoziana entre las palabras y la imaginación; (ii) la de G.H.R. Parkinson, quien afirma que el uso del lenguaje no es inconsistente con la (...) expresión de las proposiciones filosóficas por parte de Spinoza, sino que, la mayor parte de lo propuesto en la Ética pertenece al conocimiento de razón y las nociones comunes y; (iii) la de Mogens Laerke, quien defiende la posibilidad de atribuir coherencia al uso del lenguaje, por un lado, y a la filosofía spinoziana, por el otro, a partir del recurso matemático de la demostración geométrica. Finalmente, se argumenta una interpretación propia con base en el análisis semiótico del signo en Spinoza, a partir de la cual (i) es posible atribuirle al signo una función dentro del entendimiento, sin detrimento de su capacidad gnoseológica y semántica para alcanzar verdades filosóficas y, por consiguiente, (ii) validar el uso del lenguaje como medio para expresar su filosofía. (shrink)

Spinoza attributes mentality to all things existing in nature. He claims that each thing has a mind that perceives everything that happens in the body. Against this panpsychist background, it is unclear how consciousness relates to the nature of the mind. This study focuses on Spinoza’s account of the conscious mind and its operations. It builds on the hypothesis that Spinoza’s panpsychism can be interpreted as a self-consistent philosophical position. It aims at providing answers to the following questions: what is (...) consciousness, for Spinoza, and what are the causes that determine its presence in nature? How can human and non-human individuals be distinguished on account of their mentality? How can Spinoza conceive of the human mind as consisting entirely of conscious perceptions? And how, according to Spinoza’s mind-body parallelism, is the content of consciousness determined so that it reflects in thought the order and connection of the actions and passions of the body? To address these questions, I first determine what Spinoza’s notion of “consciousness” is and how he uses it. Then, I investigate whether he has a theory of recognition capable of accounting for specifically human behaviour and mentality. Further, I examine his description of memory and the way in which memory shapes the framework of human conscious thought. Finally, I look for an account of discursive reasoning, capable of explaining the existence of activities of the mind that, by operating on the content provided by memory, preserve themselves through time and change. (shrink)

This book reconstructs Spinoza's theory of the human mind against the backdrop of the twofold notion that subjective experience is explainable and that its successful explanation is of ethical relevance, because it makes us wiser, freer, and happier.

Spinoza’s account of memory has not received enough attention, even though it is relevant for his theory of consciousness. Recent literature has studied the “pancreas problem.” This paper argues that there is an analogous problem for memories: if memories are in the mind, why is the mind not conscious of them? I argue that Spinoza’s account of memory can be better reconstructed in the context of Descartes’s account to show that Spinoza responded to these views. Descartes accounted for the preservation (...) of memories by holding that they are brain states without corresponding mental states, and that the mind is able to interpret perception either as new experience or as memory. Spinoza has none of these conceptual resources because of his substance monism. Spinoza accounts for memories as the mind’s ability to generate ideas according to the order of images. This ability consists in the connection of ideas, which is not an actual property, but only a dispositional one and thus not conscious. It is, however, grounded in the actual property of parts of the body, of which ideas are conscious. (shrink)

Spinoza assigns to the imagination a wide-ranging and often disparate looking set of operations. Commentators have long recognized that these operations share a certain proximity to the body and a common tendency to lead people into error. Yet others remark on the apparent thinness of an overarching theme. This article examines the prominent and often underappreciated role of memory in unifying Spinoza’s account of imaginative cognition. The discussion revisits various aspects of imagination in light of their integrated characterization as forms (...) of remembering. The article also assesses reasons other than memory that Spinoza has for grouping them in common. The examination focuses on the intrinsic character of the imagination and its related operations in the Ethics, while occasionally bringing other works into play. (shrink)

Locke is often thought to have introduced the topic of personal identity into philosophy when, in the second edition of theEssay,he distinguished the person from both the human being and the soul. Each of these entities differs from the others with respect to their identity conditions, and so they must be ontologically distinct. In particular, Locke claimed, a person cannot survive total memory loss, although a human being or a soul can.

The idea of an original contract is, ironically, inherently narrative in form; although tautological in essence, it nevertheless portrays events occurring in sequence. In response to Filmer's provocations that the idea of an original contract lacks historical veracity. Locke tries and repeatedly fails to establish a direct historical substantiation of his position in the early chapters of the Second Treatise. The most important of these various miscalculations concern the role of consent in his account of the origins of government, the (...) tension between logical and historical evidence in describing the development of prerogative in the English monarchy, and the inescapable conclusion that conquest and not consent was the likely origin of most states. In these places, the Locke's deductive argument is forced to slow, hesitate, and change direction. The general concept of individual transgression, as it emerges from Locke's depiction of the state of nature, war, and slavery, later transforms itself into the basis of governmental injustice and tyranny. These, in turn, work to generate a sort of secondary and “political” state of nature in which a now “historical” people, by means of concrete acts of resistance and revolution, enact the hypothesis of the consensual theory in their own actual time and place. (shrink)

This dissertation investigates the nature of imaginatio in the works of Spinoza. The first three chapters are devoted to explicating the ways imaginatio figures in Spinoza's accounts of the attributes, extensio and cogitatio. I show how both attributes are aspects of the same force in which substance perseveres through its essence, and how imaginatio is the key to understanding the movement from corpus to mente. In chapters 4 and 5, my work explores the place of imaginatio in the nature of (...) each of these attributes, examining first the dynamics of extensio before turning to the distinctions essential to cogitatio. These two chapters also trace in great detail the ways in which Spinoza's account of imaginatio derives, on the one hand, from his critique of the principles of Descartes' physics and, on the other, from his critique of Maimonides' account of prophecy. Concluding chapters focus on the 'intensive-extensive' aspects of imaginatio insofar as Spinoza shows these to possess ethical/political implications for the constitution of the state and for human relations as the expression of historical, and a-historical, force. (shrink)