Nietzsche: Dawn

The aim of this essay is to seek out the prototype of the last man in Dawn, Thoughts on the Presumptions of Morality (1881) and to present them in the light of the critique of prejudices as it is carried out in this work. In the third book, in particular, one can find an exact representation of the last man. Under the features of modern humanity and its prejudices, it is first and foremost the aporia of a certain type of (...) man that Nietzsche highlights before appealing to the arrival of the superman a few years later. (shrink)

Al interesado en el pensamiento de Nietzsche no le surgiría extraña ni sorpresiva la afirmación de que el aforismo forma parte y caracteriza su filosofía. Sin embargo, resulta bastante complejo saber con exactitud el alcance de lo que significa dicho concepto y cómo se mueve entre una frontera interpretativa y metodológica. Incluso Nietzsche parece manifestarse distante al respecto: “¡Son aforismos! ¿Son aforismos? –” (NL 1880, 7[192], KSA 9, 356).

Although caution ought to be exercised when it comes to his retrospective assessment of his past works, Nietzsche’s EH accurately describes D as a significant beginning, and a preparatory work. The preparation in question is for a broad critical reappraisal of the function of morality. More specifically, the object of Nietzsche’s critique is that which he titles “customary morality.” It is D that got the ball rolling on this project, as well as on many familiar Nietzschean themes that find arguably (...) maturer exposition in later works, those more systematically studied on university syllabi. In this respect and others, Keith Ansell-Pearson and Rebecca Bamford are justified in their claim that D itself is a significant... (shrink)

This unique book explores Nietzsche’s philosophy at the time of Dawn’s writing and discusses the modern relevance of themes such as fear, superstition, terror, and moral and religious fanaticism. The authors highlight Dawn’s links with key areas of philosophical inquiry, such as “the art of living well,” skepticism, and naturalism. The book begins by introducing Dawn and discussing how to read Nietzsche, his literary and philosophical influences, his relation to German philosophy, and his efforts to advance his ‘free spirit’ philosophy. (...) Subsequent discussions address a wide range of topics relevant to Dawn, including presumptions of customary morality, hatred of the self, free-minded thinking, and embracing science and the passion of knowledge. (shrink)

The author claims that the will to translation from foreign languages is an intrinsic tendency of development of any language. The article deals with the following problems of Ukrainian translation of the work «The Dawn of Day» by Friedrich Nietzsche: (1) Reproduction of the poetic style of Nietzsche’s writing. (2) Translation of Nietzsche’s neologisms that are not adopted in modern German language. (3) Interpretation of the influence of Nietzsche’s life experience on his thinking. -/- The author analyses his own experience (...) of translation of this work. He describes his strategy of translation which is based on the assumption that Nietzsche’s text should be translated not only as philosophical but also as a poetical one. The style of Nietzsche’s writing is deeply rooted in his life experience, and first of all in his illness. His main concepts express the fundamental aspects of existence. That is why Heidegger’s interpretation of Nietzsche’s thinking can be used as methodological basis for translation of Nietzsche’s works. From this point of view we can understand and translate Nietzsche not only as a philosopher but also as a poet. -/- So the strategy of translation is based on the following principles: (a) The text should be interpreted in the context of Nietzsche’s life experience. (b) The principal words of Nietzsche should be understood not as rigorous notions but as «existentials». (c) The Ukrainian translation should reproduce not only the meaning of the original text but also the poetical style of Nietzsche’s writing. (shrink)

This volume includes the commentaries on two works from the third volume of the Critical Studies Edition of Nietzsche s Works Morgenrothe (The Dawn), and Idyllen aus Messina (Idylls from Messina). Volume 3.2 will be devoted to commentary on The Gay Science. This volume includes the manuscript facsimiles of the Idyllen aus Messina.".

Contribution to a symposium on Kostas Gavroglu and Ana Simões, Neither Physics nor Chemistry, The MIT Press, Cambridge, Massachusetts.

I provide a critical interpretation of Morgenröthe: Gedanken über die moralischen Vorurteile that identifies the key philosophical work done by Nietzsche in this text, as well as presenting the text as a type of medical narrative. I show how Nietzsche engages with three main questions, drawing thematic connections between themes of physical and psychological health and of ethics, in order to develop a foundation for his critical transvaluation project: First, what is the nature of, and relationship between psycho-physiological and cultural (...) health? Second, by which method of critical engagement may our health be diagnosed and promoted? And third, what virtues are required for such work? (shrink)

Dozens of references to Epicurus and Epicureanism can be found in the writings of Nietzsche. Very little scholarly attention, however, has been paid to Nietzsche's particular interest in Epicureanism's relationship to Christianity. One motif within Nietzsche's ruminations on this larger theme is the persuasive opposing view Epicureanism is said to have offered to notions of personal immortality circulating among antiquity's “mystery religions” and nascent Christianity. This article examines Daybreak 72's highly original portrayal of Epicureanism's struggle with these rival “redemption doctrines.” (...) While perhaps not as exciting as teachings of personal immortality and posthumous recompense, Nietzsche concludes that Epicurus's calm, straightforward denial of such ideas was, in fact, “real redemption.”. (shrink)

In this essay I seek to show that a philosophy of modesty informs core aspects of both Nietzsche’s critique of morality and what he intends to replace morality with, namely, an ethics of self-cultivation. To demonstrate this I focus on Dawn: Thoughts on the Prejudices of Morality, a largely neglected text in his corpus where Nietzsche carries out a quite wide-ranging critique of morality, including Mitleid. It is one of Nietzsche’s most experimental works and is best read, I claim, as (...) an Epicurean-inspired critique of the present and an exercise in moral therapy. In the opening sections I draw attention to the wider social dimension of the text and its concern with a morality of compassion, which is rarely done in the literature. I then turn to highlighting Nietzsche’s Epicurean moment, followed by two sections on Nietzsche on the self in which I aim to bring to light his ethics of self-cultivation and show in what ways his revaluation makes central to ethics a modest egoism and care of self. In the conclusion to the essay I provide a contrast between Nietzsche and Kant and deal with reservations readers might have about his ethics. Overall, the essay seeks to make a contribution to an appreciation of Dawn as a work of moral therapy. (shrink)

"Human, All Too Human" and the problem of culture -- "Daybreak" and the campaign against morality -- "The Gay Science" and the incorporation of knowledge -- The later works: beyond the free spirit.

This is an annotated English edition of all of Nietzsche's work. The book is a translation of the celebrated Kritische Studienausgabe in 15 Bänden (1980) edited by Giorgio Colli and Mazzino Montinari.

This essay is an explanation of how the concept of the sublime is deployed by Nietzche in Dawn . This text represents a high point in Nietzche's thinking on the sublime. Nietzche, I show, wants us to purify ourselves of the origins and sources of our desire for the sublime because the higher feelings associated with it are bound up with humanity's investment in an imaginary world. However, he does not propose that we simply jettison the sublime but, rather, seek (...) new experiences of it and these will cenre on knowledge and our right to self-experimentation. I suggest that Nietzsche is in effect opening up new "spaces" and "times" for thinking. My interpretation aims to show in what way Nietzsche commits himself to fashioning new sublimities of philosophy, including expanding our appreciation of the beautiful. By focusing on the topic of the sublime I hope to reveal in what way Dawn represents an important moment in the evolution of Nietzsche's conception of the role and tasks of philosophy.Der Aufsatz untersucht, wie der Begriff des Erhabenen von Nietzsche in Morgenröhe verwendet wird, wo er einen Höhepunkt in Nietzsches Denken des Erhabenen bildet. Nietzsche will, so zeige ich, dass wir uns selbst von den Ursprüngen udn Quellen unseres strebens nach dem Erhabenen reinigen, weil die es begleitenden höheren Gefühle mit menschlichen Investionen in eine imaginäre Welt verbunden sind. Er will jedoch nicht, dass wir das Erhabene einfach über Bord werfen, sondern vielmehr nach neuen Erfahrungen des Erhabenen suchen, wobei das Wissen und unser Recht auf Selbstversuche dabei im Zentrum stehen. Ich meine, dass Nietzsche dadurch neue 'Räume' und 'Zeiten' für das Denken öffnet. Meine interpretation soll zeigen, auf welche Weise Neitzsche sich damit auf die Gestaltung neuer Sublimitäten der Philosophie festlegt, einschließlich der Erweiterrung unseres Gefallens am Schönen. Durch die Fokussierung auf das Erhabene hoff ich zeigen zu können, inwiefern Morgenröthe einen bedeutenden Moment in der Evolution von Nietzsches Auffassung über Rolle und Aufgaben der Philosophie darstellt. (shrink)

Ruth Abbey presents a close study of Nietzsche's works, Human, All Too Human, Daybreak, and The Gay Science. Although these middle period works tend to be neglected in commentaries on Nietzsche, they repay careful attention. Abbey's commentary brings to light important differences across Nietzsche's oeuvre that have gone unnoticed, filling a serious gap in the literature.

In lieu of an abstract, here is a brief excerpt of the content:Nietzsche's Free SpiritAmy MullinOn the back cover of the original 1882 edition of The Gay Science, Nietzsche tells us that this book represents "the conclusion of a series of writings by Friedrich Nietzsche whose common goal is to erect a new image and ideal of the free spirit."1 He furthermore tells us that to this series belong: Human, all too Human (1878), The Wanderer and His Shadow (1880), Daybreak (...) (1881), and The Gay Science (1882, Books 1-4).2 Nietzsche's interest in the topics of fate and freedom dates back to some of his earliest writings, those written in the spring of 1862 and recently translated by George Stack as "Fate and History" and "Freedom of Will and Fate."3 Furthermore, Nietzsche's writings after 1882 remain dedicated, unto the last, to the importance of this new ideal of the free spirit. Thus, for instance, Part Two of Beyond Good and Evil (1886) is entitled "The Free Spirit," and in the autumn of 1888, in plans for his never written Revaluation of All Values, Book 2 was to be entitled "The Free Spirit. Critique of Philosophy as a Nihilistic Movement."4Yet little attention has been paid to interpreting Nietzsche's corpus, particularly [End Page 383] the works from his middle period, as characterized by a common goal, that of erecting a new image and ideal of the free spirit.5 Furthermore, too often little distinction is made between what Nietzsche admired in the past, nobility or the master, what he admires in the present, the free spirit, and what he hopes to come in the future, philosophers of the future and the Übermensch. The philosophers of the future will be very free spirits, but they will not be merely free spirits. Nietzsche tells us that he and his fellow free spirits are merely the "heralds and precursors" of the philosophers of the future.6 This suggests that we cannot simply equate, as Alexander Nehamas does, the free spirit and the "philosopher of the future,"7 and we should not speak interchangeably of masters or nobles, free spirits, philosophers of the future, and Übermenschen.8In a related error, free spirits are said to possess all the traits Nietzsche praises. Ruth Abbey, for instance, characterizes the values constitutive of free spirithood as "autonomy in thought and action, intellectual strength and daring, desire and ability to pursue the truth, capacity for cruelty and the skills of dialogue."9 While it is true that Nietzsche does suggest that the dialogue is the perfect conversation,10 he nowhere associates skills in dialogue with a free spirit. Instead, the free spirit is strongly associated with isolation, which would tend to preclude conversation, skilful or otherwise.We need to give an account of the free spirit which distinguishes it from Nietzsche's other ideals, while also connecting the new ideal of a free spirit to other aspects of Nietzsche's thought, most particularly his condemnation of [End Page 384] universalistic moralities, and his account of the possibility of controlling one's interpretations of the world in order to carry on experiments in knowledge. It is only once we have become clear about what a free spirit is like that we can evaluate Nietzsche's claim to have constructed a new ideal, and begin to consider whether this ideal has any appeal for us today, and why.In order to understand what a free spirit is and is not, we need (1) to distinguish between so-called free spirits and Nietzsche's new ideal of a free spirit, and (2) to appreciate the radical distinction between freedom of spirit and freedom of will.11 We will then be in a position (3) to see that, far from being opposed to necessity, free spirits are a product of it. We will then need (4) to look at the details of Nietzsche's account of the free spirit. Do free spirits share characteristic traits? Since free spirits all begin as fettered spirits, we will need to see what trajectory Nietzsche sees free spirits taking from fetters to freedom. Here it will be important to recognize that Nietzsche speaks of several stages of free... (shrink)

Daybreak marks the arrival of Nietzsche's 'mature' philosophy and is indispensable for an understanding of his critique of morality and 'revaluation of all values'. This volume presents the distinguished translation by R. J. Hollingdale, with a new introduction that argues for a dramatic change in Nietzsche's views from Human, All Too Human to Daybreak, and shows how this change, in turn, presages the main themes of Nietzsche's later and better-known works such as On the Genealogy of Morality. The main themes (...) of Daybreak are located in their intellectual and philosophical contexts: in Nietzsche's training as a classical philologist and his fascination with the Sophists and Thucydides; in the moral philosophies of Kant and Schopenhauer, which are the central foci of Nietzsche's critique of morality; and in the German Materialist movement of the 1850s and after, which shaped Nietzsche's conception of persons. The edition is completed by a chronology, notes and a guide to further reading. (shrink)

Daybreak marks the arrival of Nietzsche's 'mature' philosophy and is indispensable for an understanding of his critique of morality and 'revaluation of all values'. This volume presents the distinguished translation by R. J. Hollingdale, with a new introduction that argues for a dramatic change in Nietzsche's views from Human, All Too Human to Daybreak, and shows how this change, in turn, presages the main themes of Nietzsche's later and better-known works such as On the Genealogy of Morality. The main themes (...) of Daybreak are located in their intellectual and philosophical contexts: in Nietzsche's training as a classical philologist and his fascination with the Sophists and Thucydides; in the moral philosophies of Kant and Schopenhauer, which are the central foci of Nietzsche's critique of morality; and in the German Materialist movement of the 1850s and after, which shaped Nietzsche's conception of persons. The edition is completed by a chronology, notes and a guide to further reading. (shrink)

This article proposes a third way of reading Nietzsche's remarks on women, one that goes beyond misogyny and metaphor. Taking the depiction of women in the works of the middle period at face value shows that these works neither entirely demean women nor exclude them from the higher life. Nietzsche's middle period comprises HAH (1879-80, which includes "Assorted Opinions and Maxims" and "The Wanderer and His Shadow"), D (1881) and GS (1882). The works of this period do not disqualify women (...) from free spirithood, for some of their passages can be read as befitting some women of the future for this honour. (shrink)

A 19th-century philosopher who challenged the foundations of Christianity and traditional morality, Nietzsche has inspired leading figures in all walks of cultural life. This 1881 compendium of aphorisms and prose poems marks the advent of his mature philosophy. It represents an essential guide to understanding his later, better-known works.