Hume: The Common Point of View

Hume maintains that the boundaries of morality are widely drawn in everyday life. We routinely blame characters for traits that we find disgusting, on this account, as well as those which we perceive as being harmful. Contemporary moral psychology provides further evidence that human beings have a natural tendency to moralize traits that produce feelings of repugnance. But recent work also demonstrates a significant amount of individual variation in our sensitivities to disgust. We have sufficient reason to bracket this emotion, (...) therefore, when adopting the general point of view: if we allow idiosyncratic affective responses to shape our fully considered moral judgments, we could no longer reasonably expect spectators with different sensitivities to agree with us. (shrink)

In this essay, I examine the role played by sympathy in preserving the practical dimension of Hume’s ethics. I reconstruct how sympathy works for Hume by differentiating it from the contemporary understanding of empathy, and I counter some of the objections that have been moved against Humean sympathy. I argue that Humean sympathy is instrumental in bringing about a common point of view of morality, and capable of vindicating both how we form moral judgments, and how we are moved by (...) them. I maintain that this is due to the fact that the process of the determination of the point of view of morality via sympathy is reflective in a way that makes it overlap with the perspective of the agent who acts morally. This bears consequences for the Humean notion of ethical objectivity. I conclude by indicating that such an understanding of sympathy in Hume favors an internalist reading regarding the normative status he recognizes moral reasons as having. (shrink)

Treatise 2.3.6, “Of the influence of the imagination on the passions,” provides a magnified view into the relationship between motivation, morality, and politics in Hume’s philosophy. Here, Hume analyzes a “noted passage” from the history of antiquity in which the citizens of fifth-century Athens deliberated over whether to burn the ships of their neighboring Grecians after winning a decisive naval victory against the Persians. Hume finds the passage notable precisely because of a failure of the imagination to exert an influence (...) on the Athenians’ passions during their deliberations, leading them to abstain from further military action. This paper discusses how Hume’s analysis of this event reveals new connections between his passional, moral, and political theories in the Treatise. (shrink)

Hume’s writings, taken as a whole, address a dazzlingly broad range of topics. I argue that they do so as part of a coherent and interesting philosophical programme. While Hume’s doctrine of the general point of view provides an attractive way of understanding the process of moral judgement, it raises the threat of parochialism – that is, it potentially makes us prey to the limitations and prejudices of our society. I show that Hume endorses what I call “engaged cosmopolitanism”, which (...) provides the resources to explain how we can, under certain circumstances, escape such parochialism. Engaged cosmopolitanism is the product of a particular sort of society – one that is open and commercial, and that governed by a system of equitable laws. Like Mandeville, Hume rejects the suspicion of commerce and “luxury” that was prevalent during his time. But he provides supporters of commercial society with a justification that does not, in contrast to Mandeville’s writings, abandon notions of morality altogether. On the contrary, he makes commerce a precondition to a society’s moral development. And he further links this development to a certain type of liberal political institutions, thus giving such institutions a moral basis. (shrink)

Cet article consiste en une analyse critique de la notion de sympathie dansles deuxièmes et troisièmes tomes du *Traité de la Nature Humaine* de DavidHume. Il s’agit plus particulièrement de l’étude du passage de la sympathierestreinte à la sympathie étendue comme concept clé dans la philosophiepolitique de Hume. La lecture deleuzienne de Hume, telle qu’elle se donnedans *Empirisme et Subjectivité* est particulièrement mobilisée pour montreren quoi ce passage est représentatif des difficultés d’une philosophiepolitique qui, se voulant demeurer *empiriste*, doit passer (...) par une théoriede la croyance et des fictions. C’est-à-dire que l’effort théorique de Hume,consistant à ne pas sortir du donné, doit donner droit de cité àl’imaginaire dans ce donné. La philosophie politique de Hume est ainsicomprise comme une des premières de l’histoire de la philosophie à ne pasinvoquer la raison comme gestionnaire du passionnel. Au contraire, ellefonde l’institution politique sur une *extension* du mode même decirculation des passions : une extension de la sympathie. La sympathie estdonc à comprendre non seulement comme le mécanisme d’échange des passions, àla fois interne au sujet et intersubjectif, mais comme principed’universalisation de la croyance en un vivre-ensemble. L’institutionpolitique est donc une fiction, qui doit être l’objet de croyance pour êtreeffective, et ainsi recevoir l’investissement affectif de la multitude de lamême manière que s’il s’agissait d’une sympathie de proximité naturelle. Lesmoyens d’une extension de la sympathie communément restreinte àl’environnement immédiat, vers l’institution politique représentantl’intérêt commun, constituent ainsi la trame de l’étude. (shrink)

David Hume endorses three claims that are difficult to reconcile: (1) sympathy with those in distress is sufficient to produce compassion towards their plight, (2) adopting the general point of view often requires us to sympathize with the pain and suffering of distant strangers, but (3) our care and concern is limited to those in our close circle. Hume manages to resolve this tension, however, by distinguishing two types of sympathy. We feel compassion towards those around us because associative sympathy (...) causes us to mirror their pain and suffering, but our ability to enter into the afflictions of those remote from us involves cognitive sympathy and merely requires us to reflect upon how we would feel in their shoes. This hybrid theory of sympathy receives support from recent work on affective mirroring and cognitive pretense. Hume’s account should appeal to contemporary researchers, therefore, who are interested in the nature of moral imagination. (shrink)

The moral psychology of sympathy is the linchpin of the sentimentalist moral theories of both David Hume and Adam Smith. In this paper, I attempt to diagnose the critical differences between Hume's and Smith's respective accounts of sympathy in order to argue that Smithian sympathy is more properly suited to serve as a basis for impartial moral evaluations and judgments than is Humean sympathy. By way of arguing this claim, I take up the problem of overcoming sympathetic partiality in the (...) construction of a moral point of view, acknowledged by both writers, as my primary platform. My contention is that Humean sympathy is too mechanistic to actually deliver an impartial adjudicatory perspective, and that Smithian sympathy, with its evaluative, imaginative components, succeeds where Hume's account falls short. The paper is comprised of six sections: (i) introductory remarks, (ii) a discussion of Humean sympathy, (iii) a discussion of Smithian sympathy and its distinctness, (iv) a critical analysis of Hume's attempt to correct for sympathetic partiality in the construction of the judicial spectator's general point of view, (v) a critical discussion of sympathetic partiality in Smithian sympathy & (vi) a critical analysis of Smith's construction of the impartial spectator perspective as a moral point of view. (shrink)

But in many orders of beauty, particularly those of the finer arts, it is requisite to employ much reasoning, in order to feel the proper sentiment; and a false relish may frequently be corrected by argument and reflection. There are just grounds to conclude, that moral beauty partakes much of this latter species, and demands the assistance of our intellectual faculties, in order to give it a suitable influence on the human mind (EPM, 173).

I focus on Garrett’s account of Hume’s theory of moral evaluation, which Garrett calls “a cognitive history.” Before turning to his account, however, I briefly outline my own alternative reading of Hume’s theory of moral evaluation. One way in which my account differs from Garrett’s is that I follow Árdal, among others, in thinking that Hume takes the moral sentiments to be calm forms of love and hatred. Thus Hume says that approval and disapproval are “nothing but a fainter and (...) more imperceptible love or hatred.” Morality, for Hume, is about what we love or hate, praise or blame, in people. (shrink)

Malgré tout ce qui les distingue, la philosophie morale de Kant et celle de Smith ont pour point commun de se poser toutes les deux explicitement en critiques des positions de Hume. Ces critiques portent sur le même point, la façon dont Hume définit le concept de généralité. De là résultent des thèses parallèles : Kant et Smith proposent une conception formelle de la morale, débouchant sur l'idée d'un tribunal intérieur et sur celle d'un idéal moral. Mais jusqu'où ce parallèle (...) est-il pertinent? Despite all that make them so different from one another, Kant 's moral philosophy and Smith's have a common denominator in which they both set themselves as explicit critics of Hume 's positions. Those criticisms rest on the very same point, i.e. the way Hume describes the concept of generality. Hence two parallel theses : Kant and Smith both suggest a formal conception of morals opening onto the idea of an internal court and of a moral ideal. But how far is such a parallel a pertinent one? (shrink)

Hume thinks moral judgments are based on sentiments of approval and disapproval we feel when we contemplate someone from a "general point of view." We view her through the eyes of her "narrow circle" and judge her in accordance with general rules. Why do we take up the general point of view? Hume also argues that approval is a calm form of love, love of character, which sets a normative standard for other forms of love. In this paper I explain (...) why, and argue that character, as a form of causality, is constructed from the point of view of one's narrow circle. We take up the general view to view people as persons, that is, as possible objects of love. (shrink)

Many readers see Hume's _General Point of View<D> as a cognitive achievement typically requiring a conscious effort of reason and imagination. Moral judging emerges as a special, relatively esoteric activity. Another reading depicts the _General Point of View<D> as largely a matter of habit (or custom). We are usually "insensible" of its operation. Morality appears to be ubiquitous and moral judging utterly commonplace, comparable to the habitual operations of causal inference without which life would be sheer chaos. The author finds (...) some support for each view, but in the end argues for the 'unconscious habit' reading. (shrink)

This dissertation examines the evolution of David Hume's ethics, focusing on moral judgment, moral motivation and ethical normativity. In chapter one, I argue that previous scholars have missed a crucial distinction between two different sympathetic processes at work in the Treatise. The first sympathetic process, "particular sympathy" is analogous to ordinary empathy and variable in just the way empathy is, but a second, non-variable process, "extensive sympathy" is the source of our moral sentiments. In chapter two, I give an account (...) of Hume's understanding of ethical normativity in the Treatise, arguing that he holds that society, our intimate relationships, and even our ability to be actively concerned with our long-term interests all depend on our adopting extensive sympathy as a standard by which to regulate our character and our passions. The view of moral motivation which then emerges is one on which our moral sentiments play the role of redirecting our natural passions and desires. ;In chapters three and four, I consider the second Enquiry, arguing that what had changed by the time of that work was not primarily the doctrine of Hume's ethics, but his view of the project of writing moral philosophy. In the Treatise, Hume seeks to explain and justify moral standards and judgments, while in the second Enquiry Hume also seeks to inspire people to regulate their lives by those standards and judgments. Only if we are alert to Hume's project in the second Enquiry will we at last resolve debates over whether Hume abandoned the doctrine of sympathy by the time of that work. Similarly, we need to understand the project of that work if we are to understand the section therein on our "interested obligation to virtue," and the appendix to that work called, "A Dialogue." ;In concluding, I place Hume against the map of contemporary ethics, arguing that philosophers with a broad variety of non-Humean and Humean committments have reason to take Hume's ethics seriously, in part because the account of Hume's ethics for which I have argued changes the map of contemporary ethics. (shrink)

Hume's moral philosophy makes sentiment essential to moral judgment. But there is more individual consistency and interpersonal agreement in moral judgment than in private emotional reactions. Hume accounts for this by saying that our moral judgments do not manifest our approval or disapproval of character traits and persons "only as they appear from [our] peculiar point of view..." Rather, "we fix on some steady and general points of view; and always, in our thoughts, place ourselves in them, whatever may be (...) our present situation" (T 581-82), in order to "correct" our situated sentiments. This seems to create two serious difficulties for Hume's theory. First, moral evaluations become inductive, empirical beliefs about what we would feel if we really occupied the imagined common point of view, and hence are the deliverances of causal reason; this contradicts Hume's claim that the making of a moral evaluation is not an activity of reason but of sentiment. Secondly, given Hume's thesis that the passions do not represent anything else, he cannot say that our moral evaluations will better represent the object being judged if they are made from the common point of view. This leaves no clear reason to adopt it, rather than making judgments from our real position. Hume says that left to our particular points of view, we will encounter contradictions and be unable to communicate, but it is hard to see why. My interpretation resolves these two difficulties. I argue that every time we reflect upon someone's character from the common point of view, we feel an actual sentiment of approbation or disapprobation, which may alter and merge with the situated sentiment or may fail to do so, leaving two different feelings about the same character. Furthermore, whenever we make moral evaluations we also simultaneously make objective, causal judgments about the love and hatred, pride and humility that the trait will produce. We routinely take up the common point of view in order to achieve truth and consistency in our causal judgments, to avoid grave practical problems. (shrink)

That Hume 's theory can be interpreted in two widely divergent ways-as a version of sentimentalism and as an ideal observer theory-is symptomatic of a puzzle ensconced in Hume 's theory. How can the ground of morality be internal and motivating when an inference to the feelings of a spectator in "the general point of view" is typically necessary to get to genuine moral distinctions? This paper considers and rejects the suggestion that in moral education, for Hume, the inculcation of (...) morality internalizes the sentiments of the ideal observer. It ultimately offers a different resolution of the conflicting strains. (shrink)

It is tempting and not at all uncommon to find the striking—even noble—visage of an Ideal Observer staring out from the center of Hume's moral theory. When Hume claims, for instance, that virtue is “ whatever mental action or quality gives to a spectator the pleasing sentiment of approbation ,” it is only natural to think that he must have in mind not just any spectator but a spectator who is fully informed and unsullied by prejudice. And when Hume writes (...) that “the true standard of taste and beauty” is set by those who exhibit “[s]trong sense, united to delicate sentiment, improved by practice, perfected by comparison, and cleared of all prejudice,” he appears to describe a character no ordinary human could actually possess. Indeed, Hume's frequent appeals to the moral sentiments of spectators, his insistence that those sentiments depend upon taking “the general survey,” and his persistent invocation of the general point of view , together make the temptation almost irresistible. (shrink)

While Hume insists that "sympathy," or fellow feeling, is the primary source of moral evaluation, he recognizes that sympathetically acquired feelings vary in emotional intensity according to a number of factors he regards as morally irrelevant. The question arises as to how the changeableness of sympathy can be reconciled with the "stable" moral judgment. It emerges that the sympathetic judgment becomes corrected by adopting, what Hume calls, a "general point of view." Specifically, the theory of belief and "general rules" in (...) Bk.I of the Treatise accounts for both the prejudice which besets the moralist and the method which corrects such prejudice. In Bk.III, Hume only makes implicit references to the place of general rules in moral judgment. It is urged that without a full appreciation of the theory of belief and general rules in Bk.I, Hume's ideas about moral judgment are far too brief to be understood and are therefore subject to a number of misconceptions. Part One examines Hume's ideas about human reason and Part Two aims to clarify Hume's notion of sympathy. Both parts seek to explain how the "trivial properties" of the imagination are responsible for the "unreasonable" judgment of fact and the "partial" judgment of merit. These properties, or over-generalizing propensities, generate the general rules of the imagination. It is by means of the general rules of the understanding, the rules which regulate initial judgments by an act of reflection, that factual judgments become reasonable and moral judgments impartial. What is of interest is the ongoing dialectic of the two sorts of general rules, the "combat" of reason and imagination, which, it is maintained, Hume never resolves. Although it is concluded that Hume's theory of moral judgment ends with the same skepticism as does his theory of belief and general rules at the close of Bk.I, the positive role that both reason and imagination play in the development of science and morality is also stressed. (shrink)

Hume holds that the moral sentiments are distinguished from other passions of the mind by two features among others: (1) that they are caused by the character of an agent, and (2) that they arise only when this character is viewed disinterestedly. this paper is an attempt to discover hume's reasons for believing that these features are true of the moral sentiments, and what i argue is, first, that hume believes that these features are required to account for certain features (...) of our actual moral views but, second, that his arguments are successful only if these features of our moral views are taken as logical and not merely contingent features. (shrink)

In his discussion of morals in the Third Book of the Treatise, Hume claims that the taking of what I shall call a general point of view is a necessary condition of the arousal of moral feelings. This aspect of Hume's theory has not received much attention from his commentators before now, although its implications for the theory as a whole might be regarded as significant.