Hegel: Works, Misc

Adorno asocia la concepción hegeliana del espíritu a la concepción en última instancia formal de la subjetividad de Kant y del Fichte de la Grundlage. La subjetividad no puede ser infinita: al sujeto siempre se le opone el objeto. Aunque pretende superar el subjetivismo de la concepción kantiana y fichteana del sujeto, la unidad del sujeto y el objeto que define al "espíritu" de Hegel es todavía un sujeto; fuera de este sujeto resiste siempre algo no-idéntico que le es irreductible; (...) un idealismo absoluto es como tal, pues, imposible. En una línea con esto, Adorno considera que la Lógica hegeliana carece de contenido y permanece, a pesar de sus pretensiones materiales, una teoría puramente formal. Ahora bien, Adorno no ofrece un análisis detallado de la argumentación de Hegel en contra de la concepción formal de la subjetividad que proponen Kant y el primer Fichte. Hegel diferencia la subjetividad vacía obtenida por abstracción a partir del sujeto empírico respecto de la subjetividad absoluta o espíritu. Adorno rastrea la esencia del idealismo absoluto en la relación entre sensibilidad e inteligibilidad; para Hegel, sin embargo, la clave del idealismo absoluto reside en la unidad entre ser y pensar, o, lo que para Hegel es en última instancia lo mismo, entre ser y determinidad. (shrink)

Proper attention to the theme of corporeality is crucial for understanding Derrida’s analysis of Hegel in “The Pit and the Pyramid.” This article argues that Derrida’s essay compels us to face the impossibility of giving a wholly coherent account of embodiment. The _Aufhebung_ supposedly unites the exteriority of the corporeal with interiority in a higher unity that cancels and preserves them both; Hegel’s own text reveals, however, that meaning is primordially absent from the body that was thought to incarnate it. (...) And it is this absence of ideal meaning that is originary: Differance conditions the body as it conditions speech, rendering the body other than itself such that it is not categorizable as flesh that is the self or as an object that is not the self. I am and am not my body because the dichotomy between interiority and exteriority breaks down even at the level of the body. Indeed, I am and am not my self; the embodied self is disrupted from the start, never self-contained. Thus embodiment always already testifies to the other. (shrink)

The aim of the article is to demonstrate that the contact between European philosophy and Chinese culture in the 17 th and 18 th centuries had an influence on the emergence and development of secularism, which became a distinctive feature of the Western Enlightenment. In the first part, I examine in what way knowledge of the history of China and the Confucian ethics contested the Biblical chronology and undermined faith as a prerequisite for morality. Subsequently, I analyze the attempts to (...) refute these allegations, reinterpreting Confucianism as crypto-monotheism. In the third part, I will show how the debate on Chinese culture has contributed to the birth of the secular philosophy of history, which put an end to the Enlightenment Sinophilia. In conclusion, I will present the main limitations of the thesis about the influence of Chinese thought on the birth of secularism. (shrink)

-/- Why is the philosopher Hegel returning as a potent force in contemporary thinking? Why, after a long period when Hegel and his dialectics of history have seemed less compelling than they were for previous generations of philosophers, is study of Hegel again becoming important? Fashionable contemporary theorists like Francis Fukuyama and Slavoj Zizek, as well as radical theologians like Thomas Altizer, have all recently been influenced by Hegel, the philosopher whose philosophy now seems somehow perennial- or, to borrow an (...) idea from Nietzsche-eternally returning. Exploring this revival via the notion of 'negation' in Hegelian thought, and relating such negativity to sophisticated ideas about art and artistic creation, Andrew W. Hass argues that the notion of Hegelian negation moves us into an expansive territory where art, religion and philosophy may all be radically conceived and broken open into new forms of philosophical expression. The implications of such a revived Hegelian philosophy are, the author argues, vast and current. Hegel thereby becomes the philosopher par excellence who can address vital issues in politics, economics, war and violence, leading to a new form of globalised ethics. Hass makes a bold and original contribution to religion, philosophy, art and the history of ideas. (shrink)