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  1. Hegel and formal idealism.Manish Oza - forthcoming - Hegel Bulletin:1-25.
    I offer a new reconstruction of Hegel’s criticism of Kant’s idealism. Kant held that we impose categorial form on experience, while sensation provides its matter. Hegel argues that the matter we receive cannot guide our imposition of form on it. Contra recent interpretations, Hegel’s argument does not depend on a conceptualist account of perception or a view of the categories as empirically conditioned. His objection is that given Kant’s dualistic metaphysics, the categories cannot have material conditions for correct application. This (...)
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  2. No Decolonization without Women’s Liberation: Women’s Liberation in the PAIGC’s Theoretical Discourse.Zeyad El Nabolsy - 2023 - Kohl: A Journal for Body and Gender Research 9 (1):141 - 155.
    [Attached PDF is the Arabic translation, the hyperlink takes you to the original English version] In this paper I argue that the emphasis, which was placed by the PAIGC’s leadership, and specifically by Amílcar Cabral, on the importance of advancing women’s rights and women’s liberation should be understood as being a consequence of Cabral’s modernist philosophical orientation. Moreover, I argue that women played an essential part in the struggle for liberation from Portuguese colonialism. In the first section, I characterize Cabral’s (...)
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  3. Modernity in Antiquity: Hellenistic and Roman Philosophy in Heidegger and Arendt.Jussi Backman - 2020 - Symposium: Canadian Journal of Continental Philosophy/Revue canadienne de philosophie continentale 24 (2):5-29.
    This article looks at the role of Hellenistic thought in the historical narratives of Martin Heidegger and Hannah Arendt. To a certain extent, both see—with G. W. F. Hegel, J. G. Droysen, and Eduard Zeller—Hellenistic and Roman philosophy as a “modernity in antiquity,” but with important differences. Heidegger is generally dismissive of Hellenistic thought and comes to see it as a decisive historical turning point at which a protomodern element of subjective willing and domination is injected into the classical heritage (...)
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  4. Alienation und Affirmation. Die Komödie der Negativität in Heiner Müllers Hamletmaschine.Katrin Trüstedt - 2018 - In Thomas Khurana, Dirk Quadflieg, Juliane Rebentisch, Dirk Setton & Francesca Raimondi (eds.), Negativität: Kunst - Recht - Politik. Berlin: Suhrkamp. pp. 65-79.
    Entgegen der Tendenz, Heiner Müller als Tragiker und seine Hamletmaschine als Tragödie zu deuten, will ich diese im Folgenden als eine spezifische Form von Komödie lesen – eine Komödie, die dabei gleichzeitig eine bestimmte Gegenwart der Tragödie in sich enthält.
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  5. Execution Without Verdict: Kafka’s (Non-)Person.Katrin Trüstedt - 2015 - Law and Critique 26 (2):135-154.
    This contribution investigates the intimate relation and the tension between legal and literary procedures of personification and subjectivation. In order to do so, the contribution turns to Kafka’s The Trial and examines the proximity of the juridical procedure depicted in the novel, intending to establish Josef K. as a subject, to the narrative procedures of the novel itself that aims at bringing forth an accountable protagonist. The intimate relation of the legal procedures described in the novel and the narrative ones (...)
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  6. Anerkennung, Subjektivität und Gesellschaftskritik.Titus Stahl - 2014 - Deutsche Zeitschrift für Philosophie 62 (2):239-259.
    The Hegelian insight that subjectivity depends on recognition has been taken up by two competing traditions: Post-Hegelian theories (Honneth, Brandom) take recognition to be a precondition for a critical stance of subjects towards society. In contrast, theories of subjection (Althusser, Butler) take the dependency of subjects on subordinating relations of recognition as undermining their capacity for critique. I argue that this worry has not been taken seriously enough by the post-Hegelian tradition, especially by its model of immanent critique. However, theories (...)
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  7. Schiffbruch mit Zuschauer: Schmitt, Blumenberg und das Theater der Moderne.Katrin Trüstedt - 2010 - Shakespeare Jahrbuch 146:97–112.
  8. The Philosophy of Subjectivity from Descartes to Hegel.Marina Bykova - 2007 - The Proceedings of the Twenty-First World Congress of Philosophy 10:147-153.
    In the modern Continental tradition the word "subjectivity" is used to denote all that refers to a subject, its psychological-physical integrity represented by its mind, all that determines the unique mentality, mental state, and reactions of this subject. Subjectivity in this perspective has become on the Continent the central principle of philosophy.Modern Continental philosophy not only maintains the value of the subject and awakens an interest in genuine subjectivity. It evolves from the subject and subjective self-consciousness as Jundamento inconcusso. Thus (...)
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  9. Hegel critico e scettico. Illuminismo, repubblicanesimo e antinomia alle origini della dialettica.Italo Testa - 2002 - Il Poligrafo.
  10. La modernità si confessa. [REVIEW]Sergio Volodia Marcello Cremaschi - 1994 - L'Indice Dei Libri Del Mese 1994 (7):43.
  11. F Rosenzweig, La stella della redenzione. [REVIEW]Sergio Volodia Marcello Cremaschi - 1988 - Il Progetto 8 (49):149-150.
  12. EQUIANO's MODERNITY: The Context in which Freedom from Slavery was Achieved.Damian Williams - manuscript
    For the purposes of this enquiry—an account of what Equiano’sa modernity was, and which particular historical ‘demarcations’ of modernity provided for an enslaved man to achieve freedom through great fortune and great cunning, I will assume a definition of ‘modernity’ as defined by Kathleen Wilson: “. . . not one moment or age, but a set of relations that are constantly being made and unmade, contested and reconfigured, that nonetheless produce among their contemporaneous witnesses the conviction of historical difference.” By (...)
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